What a Feeling!

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1Move Your Feet
zusätzlich recording engineer und zusätzliche(r) Mix:
Eggstone
Techniker(in):
Thomas Troelsen
zusätzliche(r) Techniker(in):
Jesper Reginal
Produzent(in):
Junior (Jesper Mortensen) und Thomas Troelsen
Mix:
Jesper Reginal und Thomas Troelsen
Editing:
The Great Nalna und Jesper Reginal
Bassgitarre:
Junior (Jesper Mortensen) und Thomas Troelsen
Gitarre:
Junior (Jesper Mortensen)
Händeklatschen:
Senior (Jeppe Laursen)
Schlagzeug:
Thomas Troelsen
Hintergrundgesang:
Anna Køster (Danish), Signe Marie Schmidt-Jacobsen, Thomas Troelsen, Lars Vognstrup, Sara Wölck und Yebo (Danish musician)
vocals:
Junior (Jesper Mortensen), Senior (Jeppe Laursen) und Thomas Troelsen
Interpret(in):
Thomas Troelsen
Teil von:
Sean Michaels: The Top 30 Songs of 2003 (Nummer: 29)
recording of:
Move Your Feet
Texter und Komponist(in):
Jesper Mortensen
Junior Senior4.252:59
2No Letting Go
recording of:
No Letting Go
Verfasser(in):
Steven Marsden und Von Wayne Charles (Jamaican singer Vonwayne Charles)
Wayne Wonder23:23
3Misfit
recording of:
Misfit
zusätzlicher Texter:
David Eriksen und Karen Poole
Verfasser(in):
Amy Studt
Amy Studt3:29
4Starry Eyed Surprise
Interpret(in):
Shifty Shellshock
Musikvideos:
Starry Eyed Surprise (video) von Paul Oakenfold
recording of:
Starry Eyed Surprise
Verfasser(in):
Seth Brooks Binzer, Andy Gray (British songwriter, composer, remixer, record producer), Fred Neil und Paul Oakenfold
Paul Oakenfold feat. Shifty Shellshock33:08
5Lady (Hear Me Tonight)
Techniker(in):
Hervé Bordes
Produzent(in):
Yann Destagnol und Romain Tranchart
phonographisches Urheberrecht (℗) von:
R. Tranchart (in 2000), Y. Destagnol (in 2000) und Wagram Music (imprint/distributor) (in 2014)
Samples:
Soup for One (single edit) von Chic (US disco group)
Musikvideos:
Lady (Hear Me Tonight) von Modjo
recording of:
Lady (Hear Me Tonight)
Verfasser(in):
Yann Destagnol und Romain Tranchart
publisher:
Universal Music Publishing France (not for release label use!)
basiert auf:
Soup for One
Modjo3.83:39
6Get Down Saturday Night
recording of:
Get Down Saturday Night
Komponist(in):
Oliver Cheatham und Kevin McCord
publisher:
Songs of Universal, Inc. (BMI)
Oliver Cheatham4:00
7Guantanamo
Outlandish43:29
8Sun Is Shining
remixer:
Funkstar De Luxe (in 1999)
phonographisches Urheberrecht (℗) von:
Trojan Recordings Ltd. (in 1999)
Musikvideos:
Sun Is Shining von Bob Marley (Jamaican reggae artist) vs. Funkstar De Luxe
recording of:
Sun Is Shining (original version)
Texter und Komponist(in):
Lee “Scratch” Perry (aka The Upsetter)
publisher:
Blue Mountain Music, Blue Mountain Music Ltd., Bob Marley Music und Bronjo Music
Bob Marley vs. Funkstar De Luxe3.653:54
9Wonderful World, Beautiful People
recording of:
Wonderful World, Beautiful People
Texter und Komponist(in):
Jimmy Cliff (Jamaican ska, rocksteady, reggae and soul musician)
Jimmy Cliff53:13
10I Got You (I Feel Good)
recorded in:
Miami, Florida, Vereinigte Staaten (am 1965-05-06)
Produzent(in):
James Brown (The Godfather of Soul)
alto saxophone:
Nat Jones (Saxophonist and organist, worked with James Brown) (am 1965-05-06) und Maceo Parker (US funk/jazz saxophonist) (am 1965-05-06)
Bass:
Bernard Odum (am 1965-05-06)
Gitarre:
Alphonso "Country" Kellum (am 1965-05-06) und Jimmy Nolen (am 1965-05-06)
Orgel:
Nat Jones (Saxophonist and organist, worked with James Brown) (am 1965-05-06)
Posaune:
Levi Rasbury (am 1965-05-06)
Schlagzeug:
Melvin Parker (am 1965-05-06)
Tenorsaxophon:
Al "Brisco" Clark (am 1965-05-06), St. Clair Pinckney (am 1965-05-06) und Eldee Williams (am 1965-05-06)
Trompete:
Joe Dupars (am 1965-05-06), Mike Ridley (am 1965-05-06) und Ron Tooley (American trumpeter) (am 1965-05-06)
Sologesang:
James Brown (The Godfather of Soul) (am 1965-05-06)
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965), Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1965) und PolyGram Inc. (1978–1990) (in 1988)
aufgenommen bei:
Criteria Studios in Miami, Florida, Vereinigte Staaten (am 1965-05-06)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 78) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 359)
cover recording of:
I Found You (a.k.a. I Got You (I Feel Good)) (am 1965-05-06)
Texter und Komponist(in):
James Brown (The Godfather of Soul)
publisher:
Fort Knox Music Co, Hudson Bay Music Inc., J. Albert & Son Pty. Ltd., Peter Maurice Music Co. Ltd., Trio Music Co., Inc. und Try Me Inc.
James Brown4.552:47
11We Are Family
recording of:
We Are Family
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Bernard’s Other Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Songs LLC und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Sister Sledge3:20
12Blame It on the Boogie
Techniker(in):
Don Murray (producer / engineer)
leitende(r) Produzent(in):
Mike Atkinson und Bobby Colomby
Mix:
John Luongo
Bass:
Gary King (jazz bassist, arranger and songwriter) (in 1978) und Nathan Watts (in 1978)
Conga:
Laudir de Oliveira (in 1978) und Claudio Slon (in 1978)
flute, Saxophon und Trompete:
Seawind Horns
Gitarre:
Roland Bautista (in 1978), Tito Jackson (in 1978) und Mike Sembello (in 1978)
Keyboard:
Greg Phillinganes (in 1978)
Perkussion und Schlagzeug:
Rick Morotta (US drummer/percussionist) (in 1978)
Hintergrundgesang:
Jackie Jackson (member of the Jackson 5), Marlon Jackson und Randy Jackson (brother of Michael and Janet)
Sologesang:
Michael Jackson (“King of Pop”) (in 1978)
Horn arranger:
Jerry Hey
arranger:
Michael Jackson (“King of Pop”)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
aufgenommen bei:
Cherokee Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Dawnbreakers Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten, Filmways/Heider Recording (fka Wally Heider Recording Studio & Wally Heider Studios until 1978) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Total Experience Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Producer’s Workshop in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
Blame It on the Boogie (in 1978)
Verfasser(in):
Dave Jackson (Motown songwriter, aka Dave Jackson-Rich), Mick Jackson (English singer-songwriter, “Blame It On the Boogie” co-writer) und Elmar Krohn
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Carlin Music Ltd. und Peterman & Co. Ltd.
Teil von:
MJ: The Musical
recording of:
Blame It on the Boogie
Verfasser(in):
Dave Jackson (Motown songwriter, aka Dave Jackson-Rich), Mick Jackson (English singer-songwriter, “Blame It On the Boogie” co-writer) und Elmar Krohn
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Carlin Music Ltd. und Peterman & Co. Ltd.
Teil von:
MJ: The Musical
The Jacksons4.153:29
13Good Times
Bass:
Bernard Edwards (American bassist and record producer) (in 1979)
Gitarre:
Nile Rodgers (in 1979)
Hybrid-Piano:
Raymond Jones (in 1979)
Klavier:
Rob Sabino (in 1979)
Schlagzeug:
Tony Thompson (drummer, best known for his work in CHIC) (in 1979)
Sologesang:
Alfa Anderson (in 1979) und Luci Martin (in 1979)
Interpret(in):
Chic (US disco group) (in 1979)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1979)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 68) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 224)
recording of:
Good Times (in 1979)
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Bernard’s Other Music, Sony Songs und Tommy Jymi Inc.
Chic53:38
14Lifted
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1996)
recording of:
Lifted
Verfasser(in):
Tunde Baiyewu, Martin Brammer (English singer-songwriter, composer, record producer, vocalist and lyricist) und Paul Tucker
publisher:
Lots of Hits Music und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Lighthouse Family24:16
15Lovely Day
Produzent(in):
Clarence McDonald und Bill Withers
Bassgitarre:
Jerry Knight (in 1977)
Gitarre:
Ray Parker (in 1977)
Keyboard:
Clarence McDonald (in 1977)
Perkussion:
Ralph MacDonald (in 1977)
Schlagzeug und shakers:
Russell Kunkel (session drummer) (in 1977)
Sologesang:
Bill Withers (in 1977)
arranger:
Clarence McDonald
concertmaster:
Charles Veal (violinist, conductor and arranger) (in 1977)
phonographisches Urheberrecht (℗) von:
CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1977), CBS, Inc. (US broadcasting company; file no releases here!) (in 1977) und Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1977)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 402)
recording of:
Lovely Day (in 1977)
Verfasser(in):
Skip Scarborough und Bill Withers
publisher:
Chappell Music Ltd., Chelsea Music Publishing Co., Ltd., Golden Withers Music, Plaid Flowers Music, Sweet Cookie Music, Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bill Withers4.64:07
16Happy
Ashanti4:00
17Thong Song
Bearbeitung von:
Thong Song von Sisqó
recording of:
Thong Song
Komponist(in):
Desmond Child, Tim Kelley, Mark Andrews, Bob Robinson (US R&B producer/songwriter) und Draco Rosa (Robert Edward Rosa Suárez aka Robi Draco Rosa)
quotes lyrics from:
Livin’ la Vida Loca (English version)
Sisqó2.63:29
18Celebration
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1980) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1980)
recording of:
Celebration
Verfasser(in):
Robert “Kool” Bell, Ronald Bell, George Brown (US percussionist of Kool & the Gang), Eumir Deodato, Robert Spike Mickens, Claydes Smith, James “J.T.” Taylor (US R&B vocalist for Kool & the Gang), Dennis “D.T.” Thomas (Kool & The Gang) und Earl Toon, Jr.
publisher:
Delightful Music Publishing Ltd., Double F Music Co., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing WP Ltd., Fresh Start Music, Intersong-Förlagen AB, Planetary Nom (London) Ltd., Warner/Chappell Music Ltd. (1996–2019), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1980) und WB Music Corp. (1929–2019) (in 1980)
Kool & the Gang4.43:36
19Dancing in the Street
Produzent(in):
William Stevenson (Motown songwriter)
andere Instrumente [tire iron]:
Ivy Jo Hunter (am 1964-06-29)
baritone saxophone:
Thomas Bowles (am 1964-06-29)
Bassgitarre:
James Jamerson (am 1964-06-29)
Gitarre:
Joe Messina (am 1964-06-29), Robert White (US funk/soul guitarist) (am 1964-06-29) und Eddie Willis (am 1964-06-29)
Perkussion, Tamburin und Vibraphon [vibes]:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (am 1964-06-29)
Posaune:
George Bohanon (am 1964-06-29) und Paul Riser (am 1964-06-29)
Schlagzeug:
Marvin Gaye (am 1964-06-29)
Tenorsaxophon:
Henry Cosby (am 1964-06-29)
Trompete:
Russell Conway (trumpet player) (am 1964-06-29) und Herbert Williams (trumpet player) (am 1964-06-29)
Hintergrundgesang:
Rosalind Ashford (am 1964-06-29), Ivy Jo Hunter (am 1964-06-29), Betty Kelly (am 1964-06-29) und William Stevenson (Motown songwriter) (am 1964-06-29)
Sologesang:
Martha Reeves (am 1964-06-29)
Herausgeber:
EMI Music Publishing (do not use as a release label!)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1964)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 7), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 40), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 130) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 403)
recording of:
Dancing in the Street (am 1964-06-29)
Verfasser(in):
I. Hunter, M. Gaye und W. Stevenson (Motown songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), FCG Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., MG III Music, NMG Music, Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Martha and the Vandellas3.552:40
20The Happening
recording engineer:
Russ Terrana
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
Bass:
James Jamerson (am 1967-03-02)
Instrumente:
The Funk Brothers (am 1967-03-02)
Hintergrundgesang:
Florence Ballard (am 1967-03-02) und Mary Wilson (am 1967-03-02)
Sologesang:
Diana Ross (am 1967-03-02)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (am 1967-03-02)
recording of:
The Happening (am 1967-03-08)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Frank De Vol, Lamont Dozier und Brian Holland (Motown producer & songwriter)
The Supremes52:45
21Things Can Only Get Better
Produzent(in):
D:Ream (Northern Irish pop rock & dance group) und Tom Frederikse
Remix von:
Things Can Only Get Better von D:Ream (Northern Irish pop rock & dance group)
Bearbeitung von:
Things Can Only Get Better (7" D:REAM Mix) von D:Ream (Northern Irish pop rock & dance group)
recording of:
Things Can Only Get Better
Verfasser(in):
Peter Cunnah und Jamie Petrie
D:Ream3.53:58
22I Can Make You Feel Good
recording engineer und Mix:
Steve Hodge (engineer and producer)
Techniker(in):
Bob Brown (recording, mixing and mastering engineer) und Jim Shifflett
Produzent(in):
Leon Sylvers III
Gitarre:
Ernest "Pepper" Reed (guitarist)
Gitarre [uncredited]:
Earnest Reed
Instrumente:
Leon Sylvers III
Keyboard [uncredited]:
Joey Gallo und Rickey Smith (funk/soul songwriter & keyboard player)
Perkussion:
Wayne Milstein
Schlagzeug:
Ed Greene (drummer)
Hintergrundgesang:
Jeffrey Daniel (soul singer), Howard Hewett und Jody Watley
Sologesang:
Howard Hewett
arranger:
Gene Dozier (Pianist, keyboardist, songwriter, arranger, and producer), Leon Sylvers III und William Shelby
recording of:
I Can Make You Feel Good
Verfasser(in):
Howard Hewett, Renwick Jackson und William Shelby
Shalamar44:16

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