Cantatas, BWV 140 & 147

~ Release by Johann Sebastian Bach; Concentus Musicus Wien, Nikolaus Harnoncourt (see all versions of this release, 4 available)

Tracklist

1▼CD
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1Cantata, BWV 140 "Wachet auf, ruft uns die Stimme": I. [Coro] "Wachet auf, ruft uns die Stimme"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1981-11-06 until 1983-01-22)
orchestra:
Concentus Musicus Wien (from 1981-11-06 until 1983-01-22)
conductor:
Nikolaus Harnoncourt (conductor) (from 1981-11-06 until 1983-01-22)
chorus master:
Gerhard Schmidt‐Gaden (conductor) (from 1981-11-06 until 1983-01-22)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1981-11-06 until 1983-01-22)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: I. Coro “Wachet auf, ruft uns die Stimme” (from 1981-11-06 until 1983-01-22)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach7:11
2Cantata, BWV 140 "Wachet auf, ruft uns die Stimme": II. Recitativo (Tenore) "Er kommt, der Bräutgam kommt"
tenor vocals:
Kurt Equiluz (tenor) (from 1981-11-06 until 1983-01-22)
orchestra:
Concentus Musicus Wien (from 1981-11-06 until 1983-01-22)
conductor:
Nikolaus Harnoncourt (conductor) (from 1981-11-06 until 1983-01-22)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1981-11-06 until 1983-01-22)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: II. Recitativo (Tenor) “Er kommt, er kommt, der Bräutgam kommt!” (from 1981-11-06 until 1983-01-22)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach0:58
3Cantata, BWV 140 "Wachet auf, ruft uns die Stimme": III. Aria (Duetto: Soprano, Basso) "Wann kömmst du, mein Heil?"
bass vocals:
Thomas Hampson (baritone) (from 1981-11-06 until 1983-01-22)
treble vocals:
Allan Bergius (boy soprano, classical cellist and conductor) (from 1981-11-06 until 1983-01-22)
orchestra:
Concentus Musicus Wien (from 1981-11-06 until 1983-01-22)
conductor:
Nikolaus Harnoncourt (conductor) (from 1981-11-06 until 1983-01-22)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1981-11-06 until 1983-01-22)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: III. Aria (Sop, Bass) “Wann kömmst du, mein Heil?” (from 1981-11-06 until 1983-01-22)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach6:32
4Cantata, BWV 140 "Wachet auf, ruft uns die Stimme": IV. Choral (Tenore) "Zion hört die Wächter singen"
choir vocals:
Kinderchor Bad Tölz
tenor vocals:
Kurt Equiluz (tenor) (from 1981-11-06 until 1983-01-22)
orchestra:
Concentus Musicus Wien (from 1981-11-06 until 1983-01-22)
conductor:
Nikolaus Harnoncourt (conductor) (from 1981-11-06 until 1983-01-22)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1981-11-06 until 1983-01-22)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen” (from 1981-11-06 until 1983-01-22)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach3:59
5Cantata, BWV 140 "Wachet auf, ruft uns die Stimme": V. Recitativo (Basso) "So geh herein zu mir"
bass vocals:
Thomas Hampson (baritone) (from 1981-11-06 until 1983-01-22)
orchestra:
Concentus Musicus Wien (from 1981-11-06 until 1983-01-22)
conductor:
Nikolaus Harnoncourt (conductor) (from 1981-11-06 until 1983-01-22)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1981-11-06 until 1983-01-22)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: V. Recitativo (Bass) “So geh herein zu mir” (from 1981-11-06 until 1983-01-22)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach1:37
6Cantata, BWV 140 "Wachet auf, ruft uns die Stimme": VI. Aria (Duetto: Soprano, Basso) "Mein Freund ist mein! Und ich bin sein"
bass vocals:
Thomas Hampson (baritone) (from 1981-11-06 until 1983-01-22)
treble vocals:
Allan Bergius (boy soprano, classical cellist and conductor) (from 1981-11-06 until 1983-01-22)
orchestra:
Concentus Musicus Wien (from 1981-11-06 until 1983-01-22)
conductor:
Nikolaus Harnoncourt (conductor) (from 1981-11-06 until 1983-01-22)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1981-11-06 until 1983-01-22)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: VI. Aria (Sop, Bass) “Mein Freund ist mein” (from 1981-11-06 until 1983-01-22)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach6:22
7Cantata, BWV 140 "Wachet auf, ruft uns die Stimme": VII. Choral (Coro) "Gloria sei dir gesungen"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1981-11-06 until 1983-01-22)
orchestra:
Concentus Musicus Wien (from 1981-11-06 until 1983-01-22)
conductor:
Nikolaus Harnoncourt (conductor) (from 1981-11-06 until 1983-01-22)
chorus master:
Gerhard Schmidt‐Gaden (conductor) (from 1981-11-06 until 1983-01-22)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1981-11-06 until 1983-01-22)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: VII. Choral “Gloria sei dir gesungen” (from 1981-11-06 until 1983-01-22)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
lyricist:
Philipp Nicolai
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Breitkopf 389 Choralgesänge (number: 329)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach1:56
8Cantata, BWV 147 "Herz und Mund und Tat und Leben": I. Coro "Herz und Mund und Tat und Leben"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1981-11 until 1983-03)
orchestra:
Concentus Musicus Wien (from 1981-11 until 1983-03)
conductor:
Nikolaus Harnoncourt (conductor) (from 1981-11 until 1983-03)
chorus master:
Gerhard Schmidt‐Gaden (conductor) (from 1981-11 until 1983-03)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1981-11 until 1983-03)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, I. Coro „Herz und Mund und Tat und Leben“ (from 1981-11 until 1983-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach4:49
9Cantata, BWV 147 "Herz und Mund und Tat und Leben": II. Recitativo (Tenore) "Gebenedeiter Mund!"
tenor vocals:
Kurt Equiluz (tenor) (from 1981-11 until 1983-03)
orchestra:
Concentus Musicus Wien (from 1981-11 until 1983-03)
conductor:
Nikolaus Harnoncourt (conductor) (from 1981-11 until 1983-03)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1981-11 until 1983-03)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, II. Recitativo (Tenore) „Gebenedeiter Mund!“ (from 1981-11 until 1983-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach2:15
10Cantata, BWV 147 "Herz und Mund und Tat und Leben": III. Aria (Alto) "Schäme dich, o Seele, nicht"
alto vocals:
Stefan Rampf (from 1981-11 until 1983-03)
orchestra:
Concentus Musicus Wien (from 1981-11 until 1983-03)
conductor:
Nikolaus Harnoncourt (conductor) (from 1981-11 until 1983-03)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1981-11 until 1983-03)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, III. Aria (Alto) „Schäme dich, o Seele, nicht“ (from 1981-11 until 1983-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach4:05
11Cantata, BWV 147 "Herz und Mund und Tat und Leben": IV. Recitativo (Basso) "Verstockung kann Gewaltige verblenden"
bass vocals:
Thomas Hampson (baritone) (from 1981-11 until 1983-03)
orchestra:
Concentus Musicus Wien (from 1981-11 until 1983-03)
conductor:
Nikolaus Harnoncourt (conductor) (from 1981-11 until 1983-03)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1981-11 until 1983-03)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, IV. Recitativo (Basso) „Verstockung kann Gewaltige verblenden“ (from 1981-11 until 1983-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach1:40
12Cantata, BWV 147 "Herz und Mund und Tat und Leben": V. Aria (Soprano) "Bereite dir, Jesu, noch itzo die Bahn"
choir vocals:
Kinderchor Bad Tölz
treble vocals:
Allan Bergius (boy soprano, classical cellist and conductor) (from 1981-11 until 1983-03)
orchestra:
Concentus Musicus Wien (from 1981-11 until 1983-03)
conductor:
Nikolaus Harnoncourt (conductor) (from 1981-11 until 1983-03)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1981-11 until 1983-03)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, V. Aria (Soprano) „Bereite dir, Jesu, noch itzo die Bahn“ (from 1981-11 until 1983-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach5:03
13Cantata, BWV 147 "Herz und Mund und Tat und Leben": VI. Choral (Coro) "Wohl mir, daß ich Jesum habe"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1981-11 until 1983-03)
soprano vocals:
Barbara Bonney (soprano) (from 1981-11 until 1983-03)
orchestra:
Concentus Musicus Wien (from 1981-11 until 1983-03)
conductor:
Nikolaus Harnoncourt (conductor) (from 1981-11 until 1983-03)
chorus master:
Gerhard Schmidt‐Gaden (conductor) (from 1981-11 until 1983-03)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1981-11 until 1983-03)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, VI. Choral „Wohl mir, dass ich Jesum habe“ (from 1981-11 until 1983-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach2:39
14Cantata, BWV 147 "Herz und Mund und Tat und Leben": VII. Aria (Tenore) "Hilf, Jesu, hilf"
tenor vocals:
Kurt Equiluz (tenor) (from 1981-11 until 1983-03)
orchestra:
Concentus Musicus Wien (from 1981-11 until 1983-03)
conductor:
Nikolaus Harnoncourt (conductor) (from 1981-11 until 1983-03)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1981-11 until 1983-03)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, VII. Aria (Tenore) „Hilf, Jesu, hilf, dass ich auch dich bekenne“ (from 1981-11 until 1983-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach3:25
15Cantata, BWV 147 "Herz und Mund und Tat und Leben": VIII. Recitativo (Alto) "Der höchsten Allmacht Wunderhand"
alto vocals:
Stefan Rampf (from 1981-11 until 1983-03)
orchestra:
Concentus Musicus Wien (from 1981-11 until 1983-03)
conductor:
Nikolaus Harnoncourt (conductor) (from 1981-11 until 1983-03)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1981-11 until 1983-03)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, VIII. Recitativo (Alto) „Der höchsten Allmacht Wunderhand“ (from 1981-11 until 1983-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach2:24
16Cantata, BWV 147 "Herz und Mund und Tat und Leben": IX. Aria (Basso) "Ich will von Jesu Wundern singen"
bass vocals:
Thomas Hampson (baritone) (from 1981-11 until 1983-03)
orchestra:
Concentus Musicus Wien (from 1981-11 until 1983-03)
conductor:
Nikolaus Harnoncourt (conductor) (from 1981-11 until 1983-03)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1981-11 until 1983-03)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, IX. Aria (Basso) „Ich will von Jesu Wundern singen“ (from 1981-11 until 1983-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach2:38
17Cantata, BWV 147 "Herz und Mund und Tat und Leben": X. Choral (Coro) "Jesus bleibet meine Freude"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1981-11 until 1983-03)
orchestra:
Concentus Musicus Wien (from 1981-11 until 1983-03)
conductor:
Nikolaus Harnoncourt (conductor) (from 1981-11 until 1983-03)
chorus master:
Gerhard Schmidt‐Gaden (conductor) (from 1981-11 until 1983-03)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1981-11 until 1983-03)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) (from 1981-11 until 1983-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Classic 100: Piano (2025) (number: 15)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach2:38