Sounds of the 70’s

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

Countries excluded (Spotify + Deezer + iTunes)

(As of 2023-02-03).

  • Northern America: 🇺🇸 United States (us)
  • Eastern Europe: 🇧🇾 Belarus (by) 🇷🇺 Russia (ru)
  • Eastern Asia: 🇨🇳 China (cn)
  • South-Eastern Asia: 🇲🇲 Myanmar (mm)
Annotazione modificata l'ultima volta il 2023-02-04 22:54 UTC.

Elenco tracce

1▼Supporto digitale
#TitoloArtistaValutazioneDurata
1Dreams
assistente tecnico:
Chris Morris (LA engineer & producer (late ’70s))
tecnico:
Ken Caillat e Richard Dashut
produttore:
Ken Caillat, Richard Dashut e Fleetwood Mac
produttore aggiunto:
Ken Caillat e Richard Dashut
batteria e percussione :
Mick Fleetwood
chitarra :
Lindsey Buckingham (guitarist, singer, songwriter and producer)
chitarra basso :
John McVie
tastiera e sintetizzatore :
Christine McVie
voce:
Lindsey Buckingham (guitarist, singer, songwriter and producer), Christine McVie e Stevie Nicks
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1977) e Warner Bros. (holding: file NO releases) (nel 2004)
mixata presso:
Producer’s Workshop in Hollywood, Los Angeles, California, Stati Uniti
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 9) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 17)
registrazione di:
Dreams
paroliere e compositore:
Stevie Nicks
editore:
Gentoo Music, Inc., Kobalt Music Publishing Ltd. (publisher) e Welsh Witch Music (BMI affiliated) (nel 1977)
Fleetwood Mac4.254:17
2Listen to the Music
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) e Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1972)
edit di:
Listen to the Music di The Doobie Brothers
registrazione di:
Listen to the Music
paroliere e compositore:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
editore:
Warner Bros. Music (publisher; do NOT use as release label) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers43:47
3American Girl
tecnico di registrazione e tecnico di missaggio:
Max e Noah Shark
produttore:
Denny Cordell
basso elettrico :
Ron Blair
diritti fonografici (℗) detenuti da:
Gone Gator Records (nel 1976)
registrata presso e mixata presso:
The Shelter Studio (Leon Russell's second studio) in Los Angeles, California, Stati Uniti
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 169)
registrazione di:
American Girl
paroliere e compositore:
Tom Petty
editore:
Almo Music Corp. (USA, affiliated with ASCAP)
Tom Petty and the Heartbreakers43:35
4Feel Like Makin’ Love
tecnico di registrazione:
Ron Nevison (nel 1974-09)
produttore:
Bad Company (British blues-rock supergroup)
tecnico di missaggio:
Ron Nevison
basso elettrico :
Boz Burrell (English musician) (nel 1974-09)
batteria :
Simon Kirke (nel 1974-09)
chitarra :
Mick Ralphs (nel 1974-09) e Paul Rodgers (nel 1974-09)
pianoforte e voce principale:
Paul Rodgers (nel 1974-09)
tastiera :
Mick Ralphs (nel 1974-09)
diritti fonografici (℗) detenuti da:
Swan Song Inc. (nel 1975)
registrata presso:
Clearwell Castle in Gloucestershire, England, Regno Unito (nel 1974-09)
mixata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 78)
registrazione di:
Feel Like Makin’ Love (nel 1974-09)
autore:
Mick Ralphs e Paul Rodgers
editore:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Ltd., WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) e Badco Music, Inc. (dal 1974 a oggi)
Bad Company4.255:15
5La Grange
tecnico:
Robin Gibb, Terry Manning (US recording engineer) e Robin Brian
produttore:
Bill Ham (manager of ZZ Top)
tecnico di missaggio e editor:
Terry Manning (US recording engineer)
batteria :
Rube Beard (ZZ Top drummer)
chitarra , chitarra elettrica e voce principale:
Billy Gibbons
chitarra basso :
Dusty Hill
registrata presso:
Ardent Studios in Memphis, Tennessee, Stati Uniti, Brian studios in Memphis, Tennessee, Stati Uniti e Robin Hood Studios in Tyler, Texas, Stati Uniti
registrazione di:
La Grange
autore:
Frank Beard (ZZ Top drummer), Billy Gibbons e Dusty Hill
editore:
Hamstein Music Company (publisher), Music of Stage Three, Songs of Mosaic e Stage Three Songs
si basa su:
Boogie Chillen’
ZZ Top4.653:50
6No More Mr. Nice Guy
produttore:
Bob Ezrin
batteria :
Neal Smith (former Alice Cooper drummer) (dal 1972-08 al 1973-01)
chitarra :
Michael Bruce (of Alice Cooper) (dal 1972-08 al 1973-01) e Glen Buxton (American guitarist) (dal 1972-08 al 1973-01)
chitarra basso :
Dennis Dunaway (original bass player for Alice Cooper) (dal 1972-08 al 1973-01)
tastiera :
Michael Bruce (of Alice Cooper) (dal 1972-08 al 1973-01)
voce di accompagnamento:
Michael Bruce (of Alice Cooper) (dal 1972-08 al 1973-01), Dennis Dunaway (original bass player for Alice Cooper) (dal 1972-08 al 1973-01) e Neal Smith (former Alice Cooper drummer) (dal 1972-08 al 1973-01)
voce principale:
Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974) (dal 1972-08 al 1973-01)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1973)
registrazione di:
No More Mr. Nice Guy (dal 1972-08 al 1973-01)
autore:
Michael Bruce (of Alice Cooper) e Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ezra Music (, nel 1973), Ezra Music Corp., Primary Wave Music Publishing, Sony/ATV Songs LLC, Universal Music Publishing Group e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-editore:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.33:06
7Running on Empty
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 82)
registrazione di:
Running on Empty
paroliere e compositore:
Jackson Browne (American singer-songwriter)
editore:
Swallow Turn Music (nel 1977)
Jackson Browne4:58
8Ooh La La
assistente tecnico:
Phil Chapman (engineer)
tecnico e produttore:
Glyn Johns
armonium e pianoforte :
Ian McLagan
batteria e percussione :
Kenney Jones (drummer for Small Faces, Faces, and The Who)
chitarra acustica :
Ronnie Lane e Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
voce principale:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
registrata presso:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Regno Unito
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 246)
registrazione di:
Ooh La La
paroliere:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
compositore:
Ronnie Lane e Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
editore:
WB Music Corp. (1929–2019)
Faces3.753:34
9School’s Out
tecnico:
Roy Cicala e Shelly Yakus
produttore:
Bob Ezrin
basso elettrico :
Dennis Dunaway (original bass player for Alice Cooper)
batteria :
Neil Smith (former Alice Cooper drummer)
chitarra e voce di accompagnamento:
Reggie Vincent
chitarra elettrica :
Michael Bruce (of Alice Cooper) e Glen Buxton (American guitarist)
tastiera :
Michael Bruce (of Alice Cooper) e Bob Ezrin
voce principale:
Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1972, nel 1974) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1972)
è stato produttore per:
Alive Enterprises Incorporated e Nimbus 9 Productions
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 293) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 319)
registrazione di:
School’s Out
autore:
Michael Bruce (of Alice Cooper), Glen Buxton (American guitarist), Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974), Dennis Dunaway (original bass player for Alice Cooper) e Neal Smith (former Alice Cooper drummer)
editore:
Bizarre Music Co. (US work publisher), BMG Platinum Songs US, Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ezra Music, Ezra Music Corp., Opus 19 Music, Primary Wave Music Publishing, Sony/ATV Music Publishing, Third Palm Music, Universal Music Publishing Group, Warner Bros. Music (publisher; do NOT use as release label) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.253:30
10Aqualung
tecnico:
John Burns (engineer/producer for Genesis)
produttore:
Ian Anderson (of Jethro Tull) e Terry Ellis (UK producer & band manager)
batteria e percussione :
Clive Bunker (dal 1970-12 al 1971-02)
chitarra acustica e flauto :
Ian Anderson (of Jethro Tull) (dal 1970-12 al 1971-02)
chitarra basso e flauto dolce contralto :
Jeffrey Hammond Hammond (dal 1970-12 al 1971-02)
chitarra elettrica e flauto dolce soprano :
Martin Barre (dal 1970-12 al 1971-02)
mellotron, organo e pianoforte :
John Evan (dal 1970-12 al 1971-02)
voce:
Ian Anderson (of Jethro Tull) (dal 1970-12 al 1971-02)
direttore d'orchestra:
Dee Palmer (aka David Palmer, of Jethro Tull) (dal 1970-12 al 1971-02)
orchestratore:
Dee Palmer (aka David Palmer, of Jethro Tull)
registrata presso:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Regno Unito
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 90)
registrazione di:
Aqualung (Jethro Tull) (il 1971-02-12)
paroliere:
Ian Anderson (of Jethro Tull) e Jennie Franks
compositore:
Ian Anderson (of Jethro Tull)
Jethro Tull4.46:35
11Just What I Needed
assistente tecnico:
Nigel Walker (UK producer/engineer/guitarist)
tecnico:
Geoff Workman
produttore:
Roy Thomas Baker (producer)
diritti fonografici (℗) detenuti da:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (nel 1978), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1978) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1978)
registrata presso e mixata presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito (nel 1978-02)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 112) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 369)
registrazione di:
Just What I Needed (nel 1978-02)
paroliere e compositore:
Ric Ocasek
editore:
BMG Music Publishing Ltd., Lido Music, Inc. e Lido Music (not for release label use!) (nel 1978)
The Cars4.33:46
12Sweet Jane
produttore:
Geoffrey Haslam, Shel Kagan e The Velvet Underground (Lou Reed’s seminal rock band)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 335)
registrazione di:
Sweet Jane
paroliere e compositore:
Lou Reed
editore:
Oakfield Avenue Music Ltd.
The Velvet Underground54:06
13Psycho Killer
tecnico:
Ed Stasium (US record producer & audio engineer)
tecnico aggiunto:
Matt Cohen (US producer and engineer)
produttore:
Tony Bongiovi, Lance Quinn e Talking Heads
produttore esecutivo:
Karen Ahmed e Robin Hurley
batteria :
Chris Frantz (dal 1976 al 1977)
chitarra :
David Byrne (Talking Heads) (dal 1976 al 1977) e Jerry Harrison (Talking Heads & producer) (dal 1976 al 1977)
chitarra basso :
Tina Weymouth (dal 1976 al 1977)
chitarra e tastiera e tastiera :
Jerry Harrison (Talking Heads & producer) (dal 1976 al 1977)
voce:
Jerry Harrison (Talking Heads & producer) (dal 1976 al 1977)
voce principale:
David Byrne (Talking Heads) (dal 1976 al 1977)
diritti fonografici (℗) detenuti da:
Sire Records Inc. (nel 1977)
registrata presso:
Sundragon Studios in Flatiron District, New York, New York, Stati Uniti (dal 1976 al 1977)
mixata presso:
Mediasound Studios in New York, New York, Stati Uniti (nel 2005)
campionamenti da:
Lexicon Valley #190, "Beyond the Five Ws" di John McWhorter
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 108)
registrazione di:
Psycho Killer (dal 1976 al 1977)
paroliere:
David Byrne (Talking Heads), Chris Frantz e Tina Weymouth
compositore:
David Byrne (Talking Heads)
editore:
Bleu Disque Music Co., Inc. (publisher), Index Music, Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) e Warner Chappell Music (publisher as Warner/Chappell Music)
Talking Heads4.054:21
14Can’t Get Enough
tecnico di registrazione e tecnico di missaggio:
Ron Nevison
tecnico:
Ron Fawcus (incarico: tape operator)
produttore:
Bad Company (British blues-rock supergroup)
basso :
Boz Burrell (English musician) (nel 1973-11)
batteria :
Simon Kirke (nel 1973-11)
chitarra :
Mick Ralphs (nel 1973-11)
chitarra [second guitar] e voce principale:
Paul Rodgers (nel 1973-11)
diritti fonografici (℗) detenuti da:
Warner Music International (trademark of Warner Music International the company) (nel 1974)
registrata presso:
Headley Grange (Grade II listed building, best known for its use as a recording and rehearsal venue in the 1960s–70s) in Hampshire, England, Regno Unito (nel 1973-11)
mixata presso:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Regno Unito
registrazione di:
Can’t Get Enough (nel 1973-11)
paroliere e compositore:
Mick Ralphs
editore:
Badco Music, Inc.
Bad Company3.554:14
15Why Can’t We Be Friends
registrazione di:
Why Can’t We Be Friends?
autore:
Papa Dee Allen, Harold Brown, B.B. Dickerson, Jerry Goldstein (producer, record label owner and publisher), Lonnie Jordan, Charles Miller (US saxophonist & flutist, member of War), Lee Oskar e Howard E. Scott (US funk/rock guitarist, member of War)
War3:48
16Every 1’s a Winner (single version)
produttore:
Mickie Most (English record producer)
registrazione di:
Every 1’s a Winner
paroliere e compositore:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate)
editore:
EMI Music Publishing (PRS‐affiliated) e RAK Music Publishing Ltd.
Hot Chocolate4:49
17Riders on the Storm
produttore:
Bruce Botnick e The Doors
batteria :
John Densmore
chitarra [lead guitar] :
Robby Krieger (American guitarist, member of The Doors)
chitarra basso :
Jerry Scheff
piano Rhodes :
Ray Manzarek
voce principale:
Jim Morrison (lead vocalist of the Doors)
diritti fonografici (℗) detenuti da:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (nel 1971)
registrata presso:
The Doors Workshop in West Hollywood, California, Stati Uniti (nel 1970)
remaster:
Riders on the Storm di The Doors
registrazione di:
Riders on the Storm (nel 1970)
autore:
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek e Jim Morrison (lead vocalist of the Doors)
editore:
Doors Music Company e Rondor Music (London) Ltd.
The Doors4.757:15
18Sundown
assistente tecnico:
Chris Skene
produttore:
Lenny Waronker
batteria :
Jim Gordon (US drummer with Derek and the Dominos)
chitarra acustica :
Terry Clements e Gordon Lightfoot
chitarra basso :
John Stockfish
chitarra elettrica :
Red Shea
diritti fonografici (℗) detenuti da:
Warner Music (global imprint of Warner Music Group, ‘W’ logo either with “Warner Music” or no text), Reprise Records (nel 1974, nel 1975) e Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1974)
registrazione di:
Sundown
paroliere e compositore:
Gordon Lightfoot
editore:
Moose Music e WB Music Corp. (1929–2019)
Gordon Lightfoot4.853:33
19A Horse With No Name
tecnico:
Robin Black (engineer) e Ken Scott (UK record producer & engineer)
produttore:
America (US folk/soft rock band), Jeff Dexter, George Martin (producer, arranger, composer, conductor, audio engineer, and musician) e Ian Samwell
produttore aggiunto:
America (US folk/soft rock band) e Jeff Dexter
tecnico di missaggio:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
batteria :
Kim Haworth (nel 1971)
chitarra a 12 corde :
Gerry Beckley (nel 1971)
chitarra acustica e voce principale:
Dewey Bunnell (nel 1971)
chitarra basso :
Dan Peek (nel 1971)
percussione :
Ray Cooper (percussionist) (nel 1971)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1971, nel 1972), Warner Music (global imprint of Warner Music Group, ‘W’ logo either with “Warner Music” or no text) (nel 1972) e Rhino Entertainment Company (not for release label use!) (nel 2011)
registrata presso:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito (nel 1971)
registrazione di:
A Horse With No Name (nel 1971)
paroliere e compositore:
Dewey Bunnell
editore:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996) e WB Music Corp. (1929–2019)
America4.34:12
20Hooked on a Feeling
produttore:
Bengt Palmers
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1973), EMI Music Sweden AB (not for release label use! SE subsidiary of EMI) (nel 1973) e EMI Records Group (nel 1973)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 284)
registrazione di:
Hooked on a Feeling
paroliere e compositore:
Mark James (Francis Zambon, composer of “Suspicious Minds”)
Blue Swede & Björn Skifs4.052:53
21Cats in the Cradle
registrazione di:
Cat’s in the Cradle
autore:
Sandra Campbell Chapin e Harry F Chapin
editore:
Neue Welt Musikverlag GmbH & Co. KG (– 2017), Story Songs, Ltd, Warner Bros., Inc. (not for release label use!), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music, Inc., Warner/Chappell Music Australia Pty. Ltd. e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Harry Chapin33:32
22Summer Breeze
produttore:
Louie Shelton
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1972) e Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (nel 1972)
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 10)
registrazione di:
Summer Breeze
paroliere:
James Seals
compositore:
Dash Crofts e James Seals
editore:
Dawnbreaker Mus. Co. Ltd USA, Faizilu Publishing, MCA Music Ltd., Songs of Universal, Inc. (BMI), Sutjujo Music, Universal Duchess Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Seals and Crofts4.353:22
23Doctor My Eyes
tecnico di registrazione, tecnico, produttore e tecnico di missaggio:
Richard Sanford Orshoff
armonica (a bocca) [mouth harp] :
Jim Fadden
basso e chitarra basso :
Leland Sklar (bassist, session musician)
batteria e congas :
Russ Kunkel (session drummer)
chitarra acustica , pianoforte e voce principale:
Jackson Browne (American singer-songwriter)
chitarra elettrica :
Jesse ‘Ed’ Davis
chitarra pedal steel :
Sneaky Pete
organo :
Jim Gordon (US drummer with Derek and the Dominos)
viola :
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
altra voce [harmony vocals]:
David Crosby
voce di accompagnamento:
David Crosby e Graham Nash
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 5)
registrazione di:
Doctor My Eyes
paroliere e compositore:
Jackson Browne (American singer-songwriter)
Jackson Browne53:20
24Long Train Runnin’
tecnico:
Donn Landee
produttore:
Ted Templeman
armonica (a bocca) :
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
chitarra :
Jeff “Skunk” Baxter, Tom Johnston (guitarist and vocalist with “The Doobie Brothers”) e Patrick Simmons
chitarra steel :
Jeff “Skunk” Baxter
congas , piatti e timbales :
Michael Hossack
membranofono :
John Hartman (drummer for the Doobie Brothers) e Michael Hossack
organo , pianoforte e tastiera :
Bill Payne
percussione :
John Hartman (drummer for the Doobie Brothers) e Ted Templeman
sintetizzatore :
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”) e Patrick Simmons
sintetizzatore ospite :
Malcolm Cecil e Robert Margouleff
voce:
John Hartman (drummer for the Doobie Brothers), Tom Johnston (guitarist and vocalist with “The Doobie Brothers”), Tiran Porter e Patrick Simmons
arrangiatore archi :
Nick de Caro
arrangiatore basso :
Tiran Porter
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (, nel 1973) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1973)
registrata presso:
Warner Brothers Studios, North Hollywood in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Long Train Runnin’
paroliere e compositore:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner Bros. Music (publisher; do NOT use as release label) (nel 1982) e Warner Chappell Music (publisher as Warner/Chappell Music) (nel 1991)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers43:27
25The Chain
assistente tecnico:
Chris Morris (LA engineer & producer (late ’70s))
tecnico:
Ken Caillat e Richard Dashut
produttore:
Fleetwood Mac
produttore aggiunto:
Ken Caillat e Richard Dashut
batteria e percussione :
Mick Fleetwood
chitarra :
Lindsey Buckingham (guitarist, singer, songwriter and producer)
chitarra basso :
John McVie
tastiera e sintetizzatore :
Christine McVie
voce:
Lindsey Buckingham (guitarist, singer, songwriter and producer), Christine McVie e Stevie Nicks
diritti fonografici (℗) detenuti da:
Warner Bros. (holding: file NO releases) (nel 2004)
mixata presso:
Producer’s Workshop in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
The Chain
autore:
Lindsey Buckingham (guitarist, singer, songwriter and producer), Mick Fleetwood, Christine McVie, John McVie e Stevie Nicks
editore:
Gentoo Music, Inc., Now Sounds Music e Welsh Witch Music (BMI affiliated)
revisione di:
Keep Me There
Fleetwood Mac4.44:28
26Hot Legs
produttore:
Tom Dowd
batteria :
Carmine Appice
chitarra :
Jim Cregan (producer & member of Family), Gary Grainger (UK rock guitarist/bassist, worked with Rod Stewart) e Billy Peek
chitarra basso :
Phil Chen (Chinese-Jamaican bassist)
pianoforte :
John Jarvis (American pianist, keyboardist and songwriter)
sassofono :
Phil Kenzie
voce di accompagnamento:
Carmine Appice e Jim Cregan (producer & member of Family)
registrazione di:
Hot Legs
paroliere e compositore:
Rod Stewart
editore:
EMI Music (do not use as release label! this is a music publisher)
Rod Stewart45:15
27Jane
registrazione di:
Jane (Jefferson Starship song)
paroliere:
David Freiberg e Jim McPherson (singer/songwriter)
compositore:
Craig Chaquico, David Freiberg, Paul Kantner e Jim McPherson (singer/songwriter)
editore:
Carlin Music Corp.
Jefferson Starship3.754:12
28Tush
tecnico di registrazione e tecnico di missaggio:
Terry Manning (US recording engineer)
produttore:
Bill Ham (manager of ZZ Top)
batteria :
Frank Beard (ZZ Top drummer)
chitarra basso e voce principale:
Dusty Hill
chitarra elettrica :
Billy Gibbons
registrata presso:
Ardent Studios in Memphis, Tennessee, Stati Uniti e Robin Hood Studios in Tyler, Texas, Stati Uniti
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 67)
registrazione di:
Tush
autore:
Frank Beard (ZZ Top drummer), Billy Gibbons e Dusty Hill
editore:
Music of Stage Three e Songs of Mosaic
ZZ Top4.652:14
29L.A. Woman
produttore:
Bruce Botnick e The Doors
batteria :
John Densmore
chitarra [lead guitar] :
Robby Krieger (American guitarist, member of The Doors)
chitarra [rhythm guitar] :
Marc Benno
chitarra basso :
Jerry Scheff
tastiera :
Ray Manzarek
voce principale:
Jim Morrison (lead vocalist of the Doors)
diritti fonografici (℗) detenuti da:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (nel 1971)
registrata presso:
The Doors Workshop in West Hollywood, California, Stati Uniti (nel 1970)
registrazione di:
L.A. Woman (nel 1970)
paroliere:
Jim Morrison (lead vocalist of the Doors)
compositore:
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek e Jim Morrison (lead vocalist of the Doors)
editore:
Doors Music Company e Rondor Music (London) Ltd.
The Doors3.97:51
30Cold as Ice
tecnico:
Gary Lyons (UK engineer & producer)
tecnico associato:
Jimmy Douglass (engineer), Michael Getlin, Kevin Herron e Randy Mason
co-produttore:
Mick Jones (Foreigner/Spooky Tooth, worked in France) e Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
produttore:
Gary Lyons (UK engineer & producer) e John Sinclair (engineer)
tecnico di missaggio:
Jimmy Douglass (engineer), Mick Jones (Foreigner/Spooky Tooth, worked in France) e Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
batteria :
Dennis Elliott
chitarra :
Mick Jones (Foreigner/Spooky Tooth, worked in France) e Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
chitarra basso :
Ed Gagliardi (bass player (Foreigner))
corno :
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
sintetizzatore :
Al Greenwood
tastiera :
Al Greenwood e Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
voce:
Ed Gagliardi (bass player (Foreigner)), Mick Jones (Foreigner/Spooky Tooth, worked in France) e Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
voce di accompagnamento:
Ed Gagliardi (bass player (Foreigner)), Mick Jones (Foreigner/Spooky Tooth, worked in France), Ian Lloyd (of Stories) e Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
voce principale:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1977), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1977) e Rhino Entertainment Company (not for release label use!) (nel 2009)
registrazione di:
Cold as Ice
autore:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) e Mick Jones (Foreigner/Spooky Tooth, worked in France)
editore:
Intersong Music Ltd., MVA Music, Somerset Songs Publishing Inc., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Fuji Pacific Music inc. (Fujipacific Music inc.) (fino al 2014-12-31), Yamaha Music Publishing (fino al 2017-03-31), Fujipacific Music, Inc. (dal 2015-01-01 a oggi) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (dal 2017-04-01 a oggi)
Foreigner43:20
31Stay With Me
produttore:
Faces (successor of “Small Faces”, members Rod Stewart, Ron Wood) e Glyn Johns
batteria :
Kenney Jones (drummer for Small Faces, Faces, and The Who)
chitarra :
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
chitarra basso :
Ronnie Lane
piano elettrico Wurlitzer :
Ian McLagan
voce principale:
Rod Stewart
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1971) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1971)
registrazione di:
Stay With Me
autore:
Rod Stewart e Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
editore:
EMI April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Warner Bros. Music Co., Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) e WB Music Corp. (1929–2019)
Faces4.54:39
32(Everybody Wanna Get Rich) Rite Away
tecnico:
Karl Richardson
produttore:
Allen Toussaint
arrangiatore:
Allen Toussaint
registrazione di:
(Everybody Wanna Get Rich) Rite Away
autore:
Mac Rebennack (New Orleans blues pianist, singer and songwriter)
Dr. John42:44
33Werewolves of London
tecnico:
Dennis Kirk e Greg Ladanyi
produttore:
Jackson Browne (American singer-songwriter) e Waddy Wachtel
basso :
John McVie
batteria :
Mick Fleetwood
chitarra [guitars] :
Waddy Wachtel
pianoforte :
Warren Zevon
diritti fonografici (℗) detenuti da:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (nel 1978), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1978) e Rhino Entertainment Company (not for release label use!) (dal 2007 a oggi)
registrata presso:
The Sound Factory in Tucson, Arizona, Stati Uniti (nel 2007)
registrazione di:
Werewolves of London
autore:
LeRoy P. Marinell, Waddy Wachtel e Warren Zevon
editore:
Leadsheet Land Music, Polite Music, Tiny Tunes e Zevon Music Inc. (BMI)
Warren Zevon4.93:28
34The Rubberband Man
The Spinners3:33
35Me and You and a Dog Named Boo
registrazione di:
Me and You and a Dog Named Boo
paroliere e compositore:
Lobo (American singer-songwriter Roland Kent LaVoie)
Lobo2:58
36Love the One You’re With
tecnico:
Andy Johns
produttore:
Bill Halverson e Stephen Stills
basso :
Calvin Samuels (nel 1970-03)
chitarra , organo , percussione e voce principale:
Stephen Stills (nel 1970-03)
congas :
Jeff Whittaker (nel 1970-03)
steel pan :
Stephen Stills
voce di accompagnamento:
Rita Coolidge (nel 1970-03), David Crosby (nel 1970-03), Graham Nash (nel 1970-03), Priscilla Jones (American folk, rock and pop singer) (nel 1970-03) e John Sebastian (nel 1970-03)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1970)
registrata presso:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Regno Unito (nel 1970-03)
registrazione di:
Love the One You’re With (nel 1970-03)
paroliere e compositore:
Stephen Stills
editore:
Sony/ATV Music Publishing LLC (1995–2020), Warner Chappell, ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e Gold Hill Music, Inc. (nel 1970)
sub-editore:
EMI Music Publishing Scandinavia AB (nel 1997)
Stephen Stills3.53:06
37She’s Gone
registrata a:
New York, New York, Stati Uniti (nel 1973)
produttore:
Arif Mardin
basso :
Steve Gelfand (bassist a/k/a Steve “Fontz” Gelfand) (nel 1973)
batteria :
Bernard “Pretty” Purdie (nel 1973)
chitarra :
John Oates (nel 1973)
chitarra elettrica, mellotron e sintetizzatore :
Chris Bond (producer, active circa 1970s) (nel 1973)
percussione :
Ralph MacDonald (nel 1973)
pianoforte elettrico :
Daryl Hall (nel 1973)
sassofono tenore :
Joe Farrell (nel 1973)
voce principale:
Daryl Hall (nel 1973) e John Oates (nel 1973)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1973)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 336)
registrazione di:
She’s Gone (nel 1973)
paroliere e compositore:
Daryl Hall e John Oates
editore:
Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Daryl Hall & John Oates3.655:13
38Casey Jones
registrata presso:
Tivoli (Danish amusement park) in Copenhagen, Capital Region of Denmark, Danimarca (il 1972-04-17)
registrazione dal vivo di:
Casey Jones (Grateful Dead song) (il 1972-04-17)
paroliere:
Robert Hunter (American lyricist, non‐performing member of the Grateful Dead)
compositore:
Jerry Garcia (guitarist / vocalist in Grateful Dead)
editore:
Ice Nine Publishing Company, Inc. e Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
versione di:
The Ballad of Casey Jones
Grateful Dead4:25
39Sister Golden Hair
assistente tecnico:
Tom Anderson (engineer)
tecnico:
Geoff Emerick (British recording engineer)
produttore:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
altri strumenti :
America (US folk/soft rock band)
batteria e percussione :
Willie Leacox
chitarra basso :
David Dickey (U.S. drummer and bassist)
voce:
America (US folk/soft rock band)
arrangiatore:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1975), Warner Music H.K. Ltd. (nel 1997) e Rhino Entertainment Company (not for release label use!) (nel 2011)
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 12) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 264)
registrazione di:
Sister Golden Hair
paroliere e compositore:
Gerald Beckley
editore:
Warner/Chappell Music Australia Pty. Ltd.
registrazione dal vivo di:
Sister Golden Hair
paroliere e compositore:
Gerald Beckley
editore:
Warner/Chappell Music Australia Pty. Ltd.
America4.13:17
40If You Could Read My Mind
tecnico di registrazione:
Gary Brandt e Lee Herschberg
produttore:
Lenny Waronker e Joe Wissert
tecnico di missaggio:
Lee Herschberg
voce:
Gordon Lightfoot
arrangiatore archi :
Nick de Caro
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1970)
parte di:
Huffington Post: 100 Best Canadian Songs Ever (numero: 8)
registrazione di:
If You Could Read My Mind
paroliere e compositore:
Gordon Lightfoot
editore:
ATV Kirshner (publisher) (conclusa), Early Morning Music (conclusa), Laetrec Music (conclusa), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
Gordon Lightfoot4.63:49
41Make It With You
archi , chitarra , chitarra basso , voce di accompagnamento e voce principale:
David Gates (singer/songwriter, lead singer of Bread)
batteria :
Michael Botts
diritti fonografici (℗) detenuti da:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (nel 1970) e Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1972)
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 13)
registrazione di:
Make It With You
paroliere e compositore:
David Gates (singer/songwriter, lead singer of Bread)
editore:
EMI Music (do not use as release label! this is a music publisher), Screen Gems–EMI Music Ltd., Sony/ATV Tunes LLC (ASCAP) e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bread53:12
42Angel From Montgomery
produttore:
Jerry Ragovoy
registrazione cover di:
Angel From Montgomery
paroliere e compositore:
John Prine
editore:
Cotillion-Sour Grapes (conclusa), Cotillion Music Inc. (BMI), Sour Grapes Music, Inc., Walden Music, Inc. e WB Music Corp. (1929–2019)
Bonnie Raitt43:59
43Don’t Play That Song
tecnico di registrazione:
Ron Albert e Chuck Kirkpatrick
tecnico:
Ron Albert, Chuck Kirkpatrick e Lewis Hahn
produttore:
Tom Dowd, Arif Mardin e Jerry Wexler
tecnico di missaggio:
Arif Mardin
basso :
Tommy McClure (il 1970-03-10)
batteria :
Sammy Creason (il 1970-03-10)
chitarra :
Charlie Freeman (il 1970-03-10)
pianoforte :
Aretha Franklin (il 1970-03-10)
tastiera :
Jim Dickinson (il 1970-03-10)
voce:
Aretha Franklin (il 1970-03-10)
voce di accompagnamento:
Margaret Branch (il 1970-03-10), Brenda Bryant (il 1970-03-10) e Almeda Lattimore (il 1970-03-10)
arrangiatore archi :
Arif Mardin
arrangiatore corno :
Tom Dowd
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1970) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1970)
registrata presso:
Criteria Studios in Miami, Florida, Stati Uniti (il 1970-03-10)
registrazione cover di:
Don’t Play That Song (You Lied) (il 1970-03-10)
autore:
Ahmet Ertegun (US American Songwriter, producer) e Betty Nelson
editore:
Carlin Music Corporation e Unichappell Music, Inc.
Aretha Franklin43:02
44Dance With Me
diritti fonografici (℗) detenuti da:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1975)
registrazione di:
Dance With Me
paroliere:
Johanna Hall
compositore:
John Hall (US guitarist/vocalist for Orleans, later US congressman)
editore:
EMI Blackwood Music Inc., Siren Songs, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Orleans53:01
45You’re So Vain
tecnico di registrazione:
Robin Geoffrey Cable (dal 1972-09 al 1972-10)
tecnico:
Robin Geoffrey Cable
produttore:
Richard Perry (producer)
basso :
Klaus Voorman (dal 1972-09 al 1972-10)
batteria :
Jim Gordon (US drummer with Derek and the Dominos) (dal 1972-09 al 1972-10)
chitarra :
Jimmy Ryan (American guitarist and singer/songwriter) (dal 1972-09 al 1972-10)
percussione :
Richard Perry (producer) (dal 1972-09 al 1972-10)
pianoforte e voce principale:
Carly Simon (dal 1972-09 al 1972-10)
voce di accompagnamento:
Mick Jagger (dal 1972-09 al 1972-10)
voce di accompagnamento aggiuntiva:
Carly Simon (dal 1972-09 al 1972-10) e Doris Troy (dal 1972-09 al 1972-10)
arrangiatore archi :
Carly Simon
orchestratore:
Paul Buckmaster
diritti fonografici (℗) detenuti da:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1972), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1972), Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (nel 1978), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984) e Rhino Entertainment Company (not for release label use!) (nel 2015)
registrata presso:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Regno Unito (dal 1972-09 al 1972-10)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 100), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 140) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 495)
registrazione di:
You’re So Vain (dal 1972-09 al 1972-10)
paroliere e compositore:
Carly Simon
editore:
C’est Music, Quackenbush Music, Ltd. (ASCAP-affiliated), Universal Music Corporation (USA, affiliated with ASCAP) e Universal Music Publishing Group
Carly Simon4.554:18
46Long Cool Woman (in a Black Dress)
tecnico:
John Punter
produttore:
The Hollies e Ron Richards
diritti fonografici (℗) detenuti da:
The Hollies Ltd. (nel 1971) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1972)
registrata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito (il 1971-07-16, dal 1971-07-27 al 1971-07-30)
registrazione di:
Long Cool Woman in a Black Dress (dal 1971-07-16 al 1971-07-30)
autore:
Allan Clarke (of The Hollies), Roger Cook (US‐based British singer, songwriter and producer) e Roger Greenaway
The Hollies4.23:19
47Go Your Own Way
registrazione di:
Go Your Own Way
paroliere e compositore:
Lindsey Buckingham (guitarist, singer, songwriter and producer)
editore:
Gentoo Music, Inc. e Now Sounds Music
Fleetwood Mac43:39
48Low Rider
tecnico di registrazione:
Ed Barton (engineer), Andrew Berliner e Chris Huston
produttore:
Jerry Goldstein (producer, record label owner and publisher)
produttore associato:
Lonnie Jordan e Howard E. Scott (US funk/rock guitarist, member of War)
tecnico di missaggio:
Ed Barton (engineer)
registrazione di:
Low Rider
autore:
Papa Dee Allen, Harold Brown, B.B. Dickerson, Jerry Goldstein (producer, record label owner and publisher), Lonnie Jordan, Charles Miller (US saxophonist & flutist, member of War), Lee Oskar e Howard E. Scott (US funk/rock guitarist, member of War)
War4.653:11
49I’m Your Boogie Man
produttore:
Harry Wayne Casey e Richard Finch
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1977) e T.K. Records (Miami‐based disco label) (nel 1977)
registrazione di:
I’m Your Boogie Man
autore:
Harry Wayne Casey e Richard Finch
editore:
EMI Songs, EMI Songs Australia, Harrick Music e Longitude Music
KC & the Sunshine Band4.44:02

Accreditamenti

Pubblicazione

copyright (©) detenuto da e diritti fonografici (℗) detenuti da:Warner Music Group (holding company – file NO releases) (nel 2023)
X5 Music Group (nel 2023)
streaming gratuito:https://open.spotify.com/album/1IELTjbuqnYwVFjlUQZUOA [info]
https://www.deezer.com/album/396988457 [info]
pagina di streaming:https://music.apple.com/gb/album/1665576174 [info]