Entertainment Weekly: The Greatest Hits: 1976

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Boogie Fever
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 2002)
registrazione di:
Boogie Fever
autore:
Freddie Perren e Keni St. Lewis
editore:
PolyGram Music Publishing e Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
The Sylvers43:30
2The Rubberband Man
The Spinners3:36
3You Sexy Thing
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1975)
registrazione di:
You Sexy Thing
autore:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) e Tony Wilson (bassist/songwriter, member of Hot Chocolate)
editore:
Chocolate, EMI Music Publishing (PRS‐affiliated), EMI Music Publishing Australia Pty Ltd (not for release label use!), Finchley Music Corp. e RAK Publishing Ltd
Hot Chocolate3.653:31
4More, More, More
produttore:
Gregg Diamond
tecnico di missaggio:
Tom Moulton
arrangiatore:
Gregg Diamond
diritti fonografici (℗) detenuti da:
Buddah Records, Inc. (nel 1976)
mixata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti
registrazione di:
More, More, More
paroliere e compositore:
Gregg Diamond
editore:
Buddah Music, MRI Music, Buddah (ffor company credits related to the US label Buddah Records) (nel 1976) e Gee Diamond Music (nel 1976)
Andrea True Connection4.753:03
5Afternoon Delight
voce:
Jon Carroll (of Starland Vocal Band, on vocals, keyboard, guitar), Margot Chapman (singer with Starland Vocal Band), Bill Danoff e Taffy Nivert
diritti fonografici (℗) detenuti da:
Cherry Lane Music Publishing Company Inc. (nel 1976)
registrazione di:
Afternoon Delight
paroliere e compositore:
Bill Danoff
editore:
Cherry Lane Music Publishing Company Inc. e MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Starland Vocal Band3.53:14
6You Are the Woman
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1976)
registrazione di:
You Are the Woman
paroliere e compositore:
Rick Roberts (member of Firefall & The Flying Burrito Brothers)
Firefall2.52:42
7I'd Really Love to See You Tonight
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1976)
registrazione di:
I’d Really Love to See You Tonight
paroliere e compositore:
Parker McGee
editore:
Clearbox Rights LLC, Dawnbreaker Music, Faizilu Publishing e Sutjujo Music
England Dan & John Ford Coley52:39
8Still the One
voce principale:
Larry Hoppen
diritti fonografici (℗) detenuti da:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (nel 1976) e Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1976)
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 18)
registrazione di:
Still the One
autore:
Johanna Hall e John Hall (US guitarist/vocalist for Orleans, later US congressman)
editore:
Siren Songs
Orleans53:54
9All by Myself
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1975) e Arista Records, LLC (holding company - file NO releases here!) (nel 1975)
edit di:
All by Myself di Eric Carmen
registrazione di:
All by Myself
paroliere:
Eric Carmen
compositore:
Eric Carmen e Sergei Rachmaninov (Sergei Rachmaninoff, Russian composer)
editore:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division) (conclusa), Campbell Connelly & Co. Ltd., Carmen Music, Inc, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eric Carmen Music, Round Hill Works, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
si basa su:
Let’s Pretend
si basa su:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
Eric Carmen44:33
10Dream Weaver
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1975)
registrazione di:
Dream Weaver (Gary Wright)
paroliere e compositore:
Gary Wright (US singer/keyboardist) (nel 1975)
editore:
High Wave Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) e WB Music Corp.
Gary Wright3:28
11Sara Smile
produttore:
Chris Bond (producer, active circa 1970s) e Daryl Hall & John Oates
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1975)
registrazione di:
Sara Smile
paroliere:
Daryl Hall e John Oates
compositore:
Daryl Hall
editore:
Unichappell Music, Inc.
Hall & Oates4.253:07
12Welcome Back
registrazione di:
Welcome Back (70’s Song by John Sebastian)
paroliere e compositore:
John Sebastian
John Sebastian52:50