Academy of St. Martin in the Fields 60th Anniversary Edition

~ Release by Academy of St Martin in the Fields (see all versions of this release, 1 available)

Annotation

60-CD collection celebrating the 60th anniversary of the Academy of St. Martin in the Fields.

Annotation last modified on 2020-07-09 10:01 UTC.

Tracklist

1▶CD: The First Recordings I: Corelli / Torelli / Locatelli / Albicastro / Handel et al
2▶CD: The First Recordings II: Avison / Handel / Telemann / Vivaldi / Geminiani et al
3▶CD: Vivaldi: The Four Seasons (1970 and 1980 recordings)
4▶CD: Vivaldi: Concertos for Wind & Strings
5▶CD: Vivaldi: Concertos
6▶CD: Geminiani: 6 Concerti Grossi
7▶CD: Trumpet Concertos: Telemann / Albinoni / Hertel / Fasch / Vivaldi / Albrechtsberger / L. Mozart / Hummel
8▶CD: Telemann: Violin Concertos / Overture in C major “Hamburger Ebb und Flut”
9▶CD: Handel: Concerti Grossi, op. 3 / Alcina, HWV 34 - incidental music
10▶CD: Handel: 12 Concerti Grossi, op. 6 / Oboe Concertos / 3 Concerti a due cori (1)
11▶CD: Handel: 12 Concerti Grossi, op. 6 / Oboe Concertos / 3 Concerti a due cori (2)
12▶CD: Handel: 12 Concerti Grossi, op. 6 / Oboe Concertos / 3 Concerti a due cori (3)
13▶CD: J.S. Bach: Keyboard Concertos nos 1, 2 & 4, BWV 1052, 1053, 1055
14▶CD: J.S. Bach: Keyboard Concertos nos. 3, 5 & 6, BWV 1054, 1056-1058
15▶CD: J.S. Bach: Violin Concertos
16▶CD: J.S. Bach: The Art of Fugue (beginning), BWV 1080
17▼CD: J.S. Bach: The Art of Fugue (conclusion) / Sonata for Flute, Violin and Continuo
#TitleArtistRatingLength
1Die Kunst der Fuge, BWV 1080: Contrapunctus inversus a 3 (forma recta)
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
organ:
Christopher Hogwood (conductor, harpsichordist) (from 1974-07-17 until 1974-07-21)
orchestra:
Academy of St Martin in the Fields (from 1974-07-17 until 1974-07-21)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (from 1975 to present)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (from 1974-07-17 until 1974-07-21)
recording of:
Die Kunst der Fuge, BWV 1080: XIII, 2. Contrapunctus inversus a 3 (Forma inversa) (from 1974-07-17 until 1974-07-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/13,2)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach2:20
2Die Kunst der Fuge, BWV 1080: Contrapunctus inversus 12 a 4 (forma inversa)
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
bassoon:
Cecil James (bassoonist) (from 1974-07-17 until 1974-07-21)
cello:
Kenneth Heath (cellist) (from 1974-07-17 until 1974-07-21)
cor anglais:
Celia Nicklin (oboist) (from 1974-07-17 until 1974-07-21)
oboe:
Neil Black (oboist) (from 1974-07-17 until 1974-07-21) and Tess Miller (oboist) (from 1974-07-17 until 1974-07-21)
viola:
Stephen Shingles (from 1974-07-17 until 1974-07-21)
violin:
Carmel Caine (violinist) (from 1974-07-17 until 1974-07-21)
violone:
John Gray (contemporary violone player) (from 1974-07-17 until 1974-07-21)
orchestra:
Academy of St Martin in the Fields (from 1974-07-17 until 1974-07-21)
conductor:
Sir Neville Marriner (conductor) (from 1974-07-17 until 1974-07-21)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (from 1975 to present)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (from 1974-07-17 until 1974-07-21)
recording of:
Die Kunst der Fuge, BWV 1080: XII, 2. Contrapunctus inversus 12 a 4 (Forma inversa) (from 1974-07-17 until 1974-07-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/12,2)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach2:24
3Die Kunst der Fuge, BWV 1080: Alio modo. Fuga a 2 Clav.
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
harpsichord:
Sir Andrew Davis (conductor, keyboardist, composer, arranger) (from 1974-07-17 until 1974-07-21) and Christopher Hogwood (conductor, harpsichordist) (from 1974-07-17 until 1974-07-21)
orchestra:
Academy of St Martin in the Fields (from 1974-07-17 until 1974-07-21)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (from 1975 to present)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (from 1974-07-17 until 1974-07-21)
recording of:
Die Kunst der Fuge, BWV 1080: XVIII, 2. Alio modo. Fuga à 2 Claviere (from 1974-07-17 until 1974-07-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/18,2)
arrangement of:
Die Kunst der Fuge, BWV 1080: XIII, 2. Contrapunctus inversus a 3 (Forma inversa)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
Johann Sebastian Bach2:13
4Die Kunst der Fuge, BWV 1080: Fuga a 3 soggetti (unfinished)
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
bassoon:
Cecil James (bassoonist) (from 1974-07-17 until 1974-07-21)
cello:
Kenneth Heath (cellist) (from 1974-07-17 until 1974-07-21)
cor anglais:
Celia Nicklin (oboist) (from 1974-07-17 until 1974-07-21)
oboe:
Neil Black (oboist) (from 1974-07-17 until 1974-07-21) and Tess Miller (oboist) (from 1974-07-17 until 1974-07-21)
viola:
Stephen Shingles (from 1974-07-17 until 1974-07-21)
violin:
Carmel Caine (violinist) (from 1974-07-17 until 1974-07-21) and Malcolm Latchem (violinist) (from 1974-07-17 until 1974-07-21)
violone:
John Gray (contemporary violone player) (from 1974-07-17 until 1974-07-21)
orchestra:
Academy of St Martin in the Fields (from 1974-07-17 until 1974-07-21)
conductor:
Sir Neville Marriner (conductor) (from 1974-07-17 until 1974-07-21)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (from 1975 to present)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (from 1974-07-17 until 1974-07-21)
recording of:
Die Kunst der Fuge, BWV 1080: XIX. Fuga a 3 [4] Soggetti (from 1974-07-17 until 1974-07-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/19)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
Johann Sebastian Bach6:54
5Das Musikalisches Opfer, BWV 1079: Ricercar a 3
recorded in:
London (Greater London), England, United Kingdom (from 1978-05-23 until 1978-06-10)
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
organ:
Nicholas Kraemer (harpsichordist and conductor) (from 1978-05-23 until 1978-06-10)
orchestra:
Academy of St Martin in the Fields (from 1978-05-23 until 1978-06-10)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (from 1979 to present)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-23 until 1978-06-10)
recording of:
Musikalisches Opfer, BWV 1079: I. Ricercare a 3 (from 1978-05-23 until 1978-06-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach6:15
6Das Musikalisches Opfer, BWV 1079: Canon perpetuus super Thema Regium
recorded in:
London (Greater London), England, United Kingdom (from 1978-05-23 until 1978-06-10)
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
harpsichord:
Nicholas Kraemer (harpsichordist and conductor) (from 1978-05-23 until 1978-06-10)
viola:
Stephen Shingles (from 1978-05-23 until 1978-06-10)
orchestra:
Academy of St Martin in the Fields (from 1978-05-23 until 1978-06-10)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (from 1979 to present)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-23 until 1978-06-10)
recording of:
Musikalisches Opfer, BWV 1079: II. Canon perpetuus super thema regium (from 1978-05-23 until 1978-06-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach0:43
7Das Musikalisches Opfer, BWV 1079: Canones diversi: Canon 1 a 2 (Canon cancrizans)
recorded in:
London (Greater London), England, United Kingdom (from 1978-05-23 until 1978-06-10)
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
viola:
Stephen Shingles (from 1978-05-23 until 1978-06-10)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1978-05-23 until 1978-06-10)
orchestra:
Academy of St Martin in the Fields (from 1978-05-23 until 1978-06-10)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (from 1979 to present)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-23 until 1978-06-10)
recording of:
Musikalisches Opfer, BWV 1079: IIIa. 5 Canones diversi super thema regium, Canon a 2 (from 1978-05-23 until 1978-06-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach0:53
8Das Musikalisches Opfer, BWV 1079: Canones diversi: Canon 2 a 2 violini in unisono
recorded in:
London (Greater London), England, United Kingdom (from 1978-05-23 until 1978-06-10)
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
viola:
Stephen Shingles (from 1978-05-23 until 1978-06-10)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1978-05-23 until 1978-06-10) and Roger Garland (violinist) (from 1978-05-23 until 1978-06-10)
orchestra:
Academy of St Martin in the Fields (from 1978-05-23 until 1978-06-10)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (from 1979 to present)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-23 until 1978-06-10)
recording of:
Musikalisches Opfer, BWV 1079: IIIb. 5 Canones diversi super thema regium, Canon a 2 Violini in unisono (from 1978-05-23 until 1978-06-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach1:01
9Das Musikalisches Opfer, BWV 1079: Canones diversi: Canon 3 a 2 per motum contrarium
recorded in:
London (Greater London), England, United Kingdom (from 1978-05-23 until 1978-06-10)
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
flute:
William Bennett (flautist) (from 1978-05-23 until 1978-06-10)
viola:
Stephen Shingles (from 1978-05-23 until 1978-06-10)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1978-05-23 until 1978-06-10)
orchestra:
Academy of St Martin in the Fields (from 1978-05-23 until 1978-06-10)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (from 1979 to present)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-23 until 1978-06-10)
recording of:
Musikalisches Opfer, BWV 1079: IIIc. 5 Canones diversi super thema regium, Canon a 2 Per motum contrarium (from 1978-05-23 until 1978-06-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach0:35
10Das Musikalisches Opfer, BWV 1079: Canones diversi: Canon 5 a 2 (per Tonos)
recorded in:
London (Greater London), England, United Kingdom (from 1978-05-23 until 1978-06-10)
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
cello:
Denis Vigay (cellist) (from 1978-05-23 until 1978-06-10)
viola:
Stephen Shingles (from 1978-05-23 until 1978-06-10)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1978-05-23 until 1978-06-10)
orchestra:
Academy of St Martin in the Fields (from 1978-05-23 until 1978-06-10)
conductor:
Sir Neville Marriner (conductor) (from 1978-05-23 until 1978-06-10)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (from 1979 to present)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-23 until 1978-06-10)
recording of:
Musikalisches Opfer, BWV 1079: IIIe. 5 Canones diversi super thema regium, Canon a 2 Per tonos (from 1978-05-23 until 1978-06-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach3:10
11Das Musikalisches Opfer, BWV 1079: Sonata for Flute, Violin and Continuo: I. Largo
recorded in:
London (Greater London), England, United Kingdom (from 1978-05-23 until 1978-06-10)
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
cello:
Denis Vigay (cellist) (from 1978-05-23 until 1978-06-10)
flute:
William Bennett (flautist) (from 1978-05-23 until 1978-06-10)
harpsichord:
Nicholas Kraemer (harpsichordist and conductor) (from 1978-05-23 until 1978-06-10)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1978-05-23 until 1978-06-10)
orchestra:
Academy of St Martin in the Fields (from 1978-05-23 until 1978-06-10)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (from 1979 to present)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-23 until 1978-06-10)
recording of:
Musikalisches Opfer, BWV 1079: VIII. Trio: a. Largo (from 1978-05-23 until 1978-06-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach4:55
12Das Musikalisches Opfer, BWV 1079: Sonata for Flute, Violin and Continuo: II. Allegro moderato
recorded in:
London (Greater London), England, United Kingdom (from 1978-05-23 until 1978-06-10)
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
cello:
Denis Vigay (cellist) (from 1978-05-23 until 1978-06-10)
flute:
William Bennett (flautist) (from 1978-05-23 until 1978-06-10)
harpsichord:
Nicholas Kraemer (harpsichordist and conductor) (from 1978-05-23 until 1978-06-10)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1978-05-23 until 1978-06-10)
orchestra:
Academy of St Martin in the Fields (from 1978-05-23 until 1978-06-10)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (from 1979 to present)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-23 until 1978-06-10)
recording of:
Musikalisches Opfer, BWV 1079: VIII. Trio: b. Allegro (from 1978-05-23 until 1978-06-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach6:38
13Das Musikalisches Opfer, BWV 1079: Sonata for Flute, Violin and Continuo: III. Andante larghetto
recorded in:
London (Greater London), England, United Kingdom (from 1978-05-23 until 1978-06-10)
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
cello:
Denis Vigay (cellist) (from 1978-05-23 until 1978-06-10)
flute:
William Bennett (flautist) (from 1978-05-23 until 1978-06-10)
harpsichord:
Nicholas Kraemer (harpsichordist and conductor) (from 1978-05-23 until 1978-06-10)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1978-05-23 until 1978-06-10)
orchestra:
Academy of St Martin in the Fields (from 1978-05-23 until 1978-06-10)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (from 1979 to present)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-23 until 1978-06-10)
recording of:
Musikalisches Opfer, BWV 1079: VIII. Trio: c. Andante (from 1978-05-23 until 1978-06-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach3:35
14Das Musikalisches Opfer, BWV 1079: Sonata for Flute, Violin and Continuo: IV. Allegro
recorded in:
London (Greater London), England, United Kingdom (from 1978-05-23 until 1978-06-10)
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
cello:
Denis Vigay (cellist) (from 1978-05-23 until 1978-06-10)
flute:
William Bennett (flautist) (from 1978-05-23 until 1978-06-10)
harpsichord:
Nicholas Kraemer (harpsichordist and conductor) (from 1978-05-23 until 1978-06-10)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1978-05-23 until 1978-06-10)
orchestra:
Academy of St Martin in the Fields (from 1978-05-23 until 1978-06-10)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (from 1979 to present)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-23 until 1978-06-10)
recording of:
Musikalisches Opfer, BWV 1079: VIII. Trio: d. Allegro (from 1978-05-23 until 1978-06-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach3:17
15Das Musikalisches Opfer, BWV 1079: Quaerendo invenietis: Canon a 2
recorded in:
London (Greater London), England, United Kingdom (from 1978-05-23 until 1978-06-10)
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
harpsichord:
Nicholas Kraemer (harpsichordist and conductor) (from 1978-05-23 until 1978-06-10)
orchestra:
Academy of St Martin in the Fields (from 1978-05-23 until 1978-06-10)
conductor:
Sir Neville Marriner (conductor) (from 1978-05-23 until 1978-06-10)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (from 1979 to present)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-23 until 1978-06-10)
recording of:
Musikalisches Opfer, BWV 1079: VI. Canon a 2 (from 1978-05-23 until 1978-06-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach0:52
16Das Musikalisches Opfer, BWV 1079: Quaerendo invenietis: Canon a 4
recorded in:
London (Greater London), England, United Kingdom (from 1978-05-23 until 1978-06-10)
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
cello:
Denis Vigay (cellist) (from 1978-05-23 until 1978-06-10)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1978-05-23 until 1978-06-10), Roger Garland (violinist) (from 1978-05-23 until 1978-06-10) and Malcolm Latchem (violinist) (from 1978-05-23 until 1978-06-10)
orchestra:
Academy of St Martin in the Fields (from 1978-05-23 until 1978-06-10)
conductor:
Sir Neville Marriner (conductor) (from 1978-05-23 until 1978-06-10)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (from 1979 to present)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-23 until 1978-06-10)
recording of:
Musikalisches Opfer, BWV 1079: VII. Canon a 4 (from 1978-05-23 until 1978-06-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach4:03
17Das Musikalisches Opfer, BWV 1079: Canon perpetuus
recorded in:
London (Greater London), England, United Kingdom (from 1978-05-23 until 1978-06-10)
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
cello:
Denis Vigay (cellist) (from 1978-05-23 until 1978-06-10)
flute:
William Bennett (flautist) (from 1978-05-23 until 1978-06-10)
harpsichord:
Nicholas Kraemer (harpsichordist and conductor) (from 1978-05-23 until 1978-06-10)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1978-05-23 until 1978-06-10)
orchestra:
Academy of St Martin in the Fields (from 1978-05-23 until 1978-06-10)
conductor:
Sir Neville Marriner (conductor) (from 1978-05-23 until 1978-06-10)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (from 1979 to present)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-23 until 1978-06-10)
recording of:
Musikalisches Opfer, BWV 1079: IX. Canon perpetuus (from 1978-05-23 until 1978-06-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach1:10
18Das Musikalisches Opfer, BWV 1079: Canones diversi: Canon 4 a 2 per Augmentationem, Contrario motu
recorded in:
London (Greater London), England, United Kingdom (from 1978-05-23 until 1978-06-10)
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
cello:
Denis Vigay (cellist) (from 1978-05-23 until 1978-06-10)
viola:
Stephen Shingles (from 1978-05-23 until 1978-06-10)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1978-05-23 until 1978-06-10)
orchestra:
Academy of St Martin in the Fields (from 1978-05-23 until 1978-06-10)
conductor:
Sir Neville Marriner (conductor) (from 1978-05-23 until 1978-06-10)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (from 1979 to present)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-23 until 1978-06-10)
recording of:
Musikalisches Opfer, BWV 1079: IIId. 5 Canones diversi super thema regium, Canon a 2 Per augmentationem, contrario motu (from 1978-05-23 until 1978-06-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach1:57
19Das Musikalisches Opfer, BWV 1079: Fuga canonica in Epidiapente
recorded in:
London (Greater London), England, United Kingdom (from 1978-05-23 until 1978-06-10)
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
orchestra:
Academy of St Martin in the Fields (from 1978-05-23 until 1978-06-10)
conductor:
Sir Neville Marriner (conductor) (from 1978-05-23 until 1978-06-10)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (from 1979 to present)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-23 until 1978-06-10)
recording of:
Musikalisches Opfer, BWV 1079: IV. Fuga Canonica in Epidiapente (from 1978-05-23 until 1978-06-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach2:10
20Das Musikalisches Opfer, BWV 1079: Ricercar a 6
recorded in:
London (Greater London), England, United Kingdom (from 1978-05-23 until 1978-06-10)
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
cello:
Denis Vigay (cellist) (from 1978-05-23 until 1978-06-10)
flute:
William Bennett (flautist) (from 1978-05-23 until 1978-06-10)
harpsichord:
Nicholas Kraemer (harpsichordist and conductor) (from 1978-05-23 until 1978-06-10)
viola:
Stephen Shingles (from 1978-05-23 until 1978-06-10)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1978-05-23 until 1978-06-10), Roger Garland (violinist) (from 1978-05-23 until 1978-06-10) and Malcolm Latchem (violinist) (from 1978-05-23 until 1978-06-10)
orchestra:
Academy of St Martin in the Fields (from 1978-05-23 until 1978-06-10)
conductor:
Sir Neville Marriner (conductor) (from 1978-05-23 until 1978-06-10)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (from 1979 to present)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-23 until 1978-06-10)
recording of:
Musikalisches Opfer, BWV 1079: V. Ricercare a 6 (from 1978-05-23 until 1978-06-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach7:25
18▶CD: Arne / C.P.E. Bach / J.C. Bach: Harpsichord Concertos
19▶CD: J.C. Bach: 6 Symphonies, op. 3 / Mozart: March in D major, K408 no. 2 / Haydn: Symphony no. 52 in C minor
20▶CD: Wassenaer: 6 Concerti Armonici (formerly attrib. to Pergolesi)
21▶CD: Baroque Horn Concertos: Knechtl / Reinhardt / Quantz / Graun / Röllig
22▶CD: Gluck: Don Juan - ballet / Handel: Ariodante & Il pastor fido - ballet music
23▶CD: Haydn: Cello Concertos nos. 1 & 2 / Trumpet & Harpsichord Concertos
24▶CD: Haydn: Overture in D major / Acide e Galatea Overture / 6 Allemandes Hob. IX:9 / 6 Allemandes from Hob. IX / Organ & Horn Concertos
25▶CD: Haydn: Symphonies nos. 53, 99 & 102
26▶CD: M. Haydn: Horn Concerto in D major / 6 Minuets / Duo Concertante for Viola and Organ in C major
27▶CD: Mozart: Serenades & Divertimenti
28▶CD: Mozart: Sinfonia Concertante K297b & K364 / Adagio and Fugue in C minor, K546
29▶CD: Mozart: Eine kleine Nachtmusik / Posthorn Serenade / Serenata notturna
30▶CD: Mozart: Gran Partita / Divertimento in C major, K188
31▶CD: Beethoven: 2 Minuets WoO 7 / 12 German Dances WoO 8 / 12 Contredances WoO 14 / Große Fuge in B-flat major, op. 133
32▶CD: Beethoven: Symphonies nos. 4 & 7
33▶CD: Weber: Clarinet Concertos nos. 1 & 2 / Clarinet Concertino
34▶CD: Rossini: Complete Overtures I
35▶CD: Rossini: Complete Overtures II
36▶CD: Rossini: Complete Overtures III
37▶CD: Concert à la carte: Clarke / Handel / Purcell / Rossini / Boccherini / Mozart / Haydn / Tchaikovsky / Schubert / Medelssohn / Bree / Ricciotti / Locatelli
38▶CD: Mendelssohn: String Symphonies nos. 9, 10, 12 / Concerto for Piano & Strings in A major
39▶CD: Mendelssohn: Symphonies nos. 3 “Scottish” & no. 4 “Italian”
40▶CD: Gounod: The 2 Symphonies / Faust Ballet Music
41▶CD: Dvořák: Serenades
42▶CD: Tchaikovsky: Nutcracker Suite / Serenade for Strings / Violin Concerto
43▶CD: Grieg: Holberg Suite / Elegiac Melodies / Sibelius: Valse triste / Rakastava / Nielsen: Little Suite / Wirén: Serenade etc.
44▶CD: Bruch & Mendelssohn: Violin Concertos
45▶CD: R. Strauss: Le bourgeois gentilhomme suite / Couperin Suite
46▶CD: Bruch: Scottish Fantasy / Violin Concerto no. 1
47▶CD: Popular French Orchestra Works: Berlioz / Ravel / Saint-Saëns / Debussy / Chabrier / Canteloube / Satie / Fauré
48▶CD: Respighi: Pines of Rome / Fountains of Rome / Roman Festivals / The Birds
49▶CD: Bartók: Music for Strings, Percussion & Celesta / Divertimento
50▶CD: Stravinsky: Pulcinella - Suite / Apollon musagète / Capriccio for Piano and Orchestra
51▶CD: Elgar / Warlock / Butterworth: Orchestral Works
52▶CD: Delius / Holst / Elgar: Orchestral Works / Vaughan Williams: Concerto for Oboe & Strings
53▶CD: Vaughan Williams: The Wasps - Overture / Fantasia on a Theme by Thomas Tallis / Variations for Orchestra / Romance for Harmonica and Strings etc.
54▶CD: Vaughan Williams: The Lark Ascending / Fantasia on Greensleeves / English Folk Song Suite etc.
55▶CD: English Seasons: Delius / Bridge / Foulds / Grainger / Bax
56▶CD: Finzi: Clarinet Concerto / Dies Natalis / Nocturne / Romance for String Orchestra
57▶CD: Tippett: Concerto for Double String Orchestra / Fantasia Concertante on a Theme of Corelli / Little Music for String Orchestra / Walton: Façade (Highlights)
58▶CD: Mahler: Lieder eines fahrenden Gesellen / Britten: Nocturne / Variations on a Theme of Frank Bridge
59▶CD: Williamson: The Happy Prince / Walton: Sonata for String Orchestra
60▶CD: Mozart: Exsultate Jubilate, K165 / Clarinet Concerto / Piano Concerto no. 21