Hidden Figures (Original Score)

~ Pubblicazione di Hans Zimmer, Pharrell Williams & Benjamin Wallfisch (visualizza tutte le versioni di questa pubblicazione: 5 disponibili)

Annotazione

Countries excluded (Deezer + Spotify)

(As of 2024-07-10).

  • South America: 🇫🇰 Falkland Islands (fk)
  • Northern Europe: 🇸🇯 Svalbard and Jan Mayen (sj)
  • Eastern Africa: 🇮🇴 British Indian Ocean Territory (io)
  • Eastern Asia: 🇰🇷 South Korea (kr)
  • Oceania: 🇨🇨 Cocos (Keeling) Islands (cc) 🇨🇽 Christmas Island (cx) 🇳🇫 Norfolk Island (nf)
  • Polynesia: 🇨🇰 Cook Islands (ck) 🇳🇺 Niue (nu) 🇹🇰 Tokelau (tk)
Annotazione modificata l'ultima volta il 2024-07-10 13:34 UTC.

Elenco tracce

1▼Supporto digitale
#TitoloValutazioneDurata
1Katherine
tecnico di registrazione:
Kevin Globerman, Tim Lauber e Alan Meyerson
assistente tecnico:
Alfredo Pasquel
tecnico:
Denis St Amand, Chuck Choi e Stephanie McNally (engineer)
produttore:
Steven Kofsky (music producer and composer)
tecnico di missaggio:
John Witt Chapman (engineer)
editor:
Richard Ford (music editor/bassist) e Catherine Wilson (Music Editor at Remote Control Productions)
direttore d'orchestra:
Timothy Williams (British film score composer, orchestrator, conductor)
orchestratore:
David Krystal (Toronto-based singer-songwriter)
diritti fonografici (℗) detenuti da:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
registrata presso:
Newman Scoring Stage in Century City, Los Angeles, California, Stati Uniti
mixata presso:
Remote Control Productions in Santa Monica, California, Stati Uniti
registrazione di:
Katherine
compositore:
Benjamin Wallfisch (English score composer), Pharrell Williams e Hans Zimmer (German score composer)
2:37
2Mission Control
tecnico di registrazione:
Kevin Globerman, Tim Lauber e Alan Meyerson
assistente tecnico:
Alfredo Pasquel
tecnico:
Denis St Amand, Chuck Choi e Stephanie McNally (engineer)
produttore:
Steven Kofsky (music producer and composer)
tecnico di missaggio:
John Witt Chapman (engineer)
editor:
Richard Ford (music editor/bassist) e Catherine Wilson (Music Editor at Remote Control Productions)
direttore d'orchestra:
Timothy Williams (British film score composer, orchestrator, conductor)
orchestratore:
David Krystal (Toronto-based singer-songwriter)
diritti fonografici (℗) detenuti da:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
registrata presso:
Newman Scoring Stage in Century City, Los Angeles, California, Stati Uniti
mixata presso:
Remote Control Productions in Santa Monica, California, Stati Uniti
registrazione di:
Mission Control
compositore:
Benjamin Wallfisch (English score composer), Pharrell Williams e Hans Zimmer (German score composer)
1:17
3I'd Already Be One
tecnico di registrazione:
Kevin Globerman, Tim Lauber e Alan Meyerson
assistente tecnico:
Alfredo Pasquel
tecnico:
Denis St Amand, Chuck Choi e Stephanie McNally (engineer)
produttore:
Steven Kofsky (music producer and composer)
tecnico di missaggio:
John Witt Chapman (engineer)
editor:
Richard Ford (music editor/bassist) e Catherine Wilson (Music Editor at Remote Control Productions)
direttore d'orchestra:
Timothy Williams (British film score composer, orchestrator, conductor)
orchestratore:
David Krystal (Toronto-based singer-songwriter)
diritti fonografici (℗) detenuti da:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
registrata presso:
Newman Scoring Stage in Century City, Los Angeles, California, Stati Uniti
mixata presso:
Remote Control Productions in Santa Monica, California, Stati Uniti
registrazione di:
I'd Already Be One
compositore:
Benjamin Wallfisch (English score composer), Pharrell Williams e Hans Zimmer (German score composer)
1:08
4Space Task Group
tecnico di registrazione:
Kevin Globerman, Tim Lauber e Alan Meyerson
assistente tecnico:
Alfredo Pasquel
tecnico:
Denis St Amand, Chuck Choi e Stephanie McNally (engineer)
produttore:
Steven Kofsky (music producer and composer)
tecnico di missaggio:
John Witt Chapman (engineer)
editor:
Richard Ford (music editor/bassist) e Catherine Wilson (Music Editor at Remote Control Productions)
direttore d'orchestra:
Timothy Williams (British film score composer, orchestrator, conductor)
orchestratore:
David Krystal (Toronto-based singer-songwriter)
diritti fonografici (℗) detenuti da:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
registrata presso:
Newman Scoring Stage in Century City, Los Angeles, California, Stati Uniti
mixata presso:
Remote Control Productions in Santa Monica, California, Stati Uniti
registrazione di:
Space Task Group
compositore:
Benjamin Wallfisch (English score composer), Pharrell Williams e Hans Zimmer (German score composer)
2:56
5Slice of Pie
tecnico di registrazione:
Kevin Globerman, Tim Lauber e Alan Meyerson
assistente tecnico:
Alfredo Pasquel
tecnico:
Denis St Amand, Chuck Choi e Stephanie McNally (engineer)
produttore:
Steven Kofsky (music producer and composer)
tecnico di missaggio:
John Witt Chapman (engineer)
editor:
Richard Ford (music editor/bassist) e Catherine Wilson (Music Editor at Remote Control Productions)
direttore d'orchestra:
Timothy Williams (British film score composer, orchestrator, conductor)
orchestratore:
David Krystal (Toronto-based singer-songwriter)
diritti fonografici (℗) detenuti da:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
registrata presso:
Newman Scoring Stage in Century City, Los Angeles, California, Stati Uniti
mixata presso:
Remote Control Productions in Santa Monica, California, Stati Uniti
registrazione di:
Slice Of Pie
compositore:
Benjamin Wallfisch (English score composer), Pharrell Williams e Hans Zimmer (German score composer)
1:05
6Redacted
tecnico di registrazione:
Kevin Globerman, Tim Lauber e Alan Meyerson
assistente tecnico:
Alfredo Pasquel
tecnico:
Denis St Amand, Chuck Choi e Stephanie McNally (engineer)
produttore:
Steven Kofsky (music producer and composer)
tecnico di missaggio:
John Witt Chapman (engineer)
editor:
Richard Ford (music editor/bassist) e Catherine Wilson (Music Editor at Remote Control Productions)
direttore d'orchestra:
Timothy Williams (British film score composer, orchestrator, conductor)
orchestratore:
David Krystal (Toronto-based singer-songwriter)
diritti fonografici (℗) detenuti da:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
registrata presso:
Newman Scoring Stage in Century City, Los Angeles, California, Stati Uniti
mixata presso:
Remote Control Productions in Santa Monica, California, Stati Uniti
registrazione di:
Redacted
compositore:
Benjamin Wallfisch (English score composer), Pharrell Williams e Hans Zimmer (German score composer)
1:26
7With All the Angels
tecnico di registrazione:
Kevin Globerman, Tim Lauber e Alan Meyerson
assistente tecnico:
Alfredo Pasquel
tecnico:
Denis St Amand, Chuck Choi e Stephanie McNally (engineer)
produttore:
Steven Kofsky (music producer and composer)
tecnico di missaggio:
John Witt Chapman (engineer)
editor:
Richard Ford (music editor/bassist) e Catherine Wilson (Music Editor at Remote Control Productions)
direttore d'orchestra:
Timothy Williams (British film score composer, orchestrator, conductor)
orchestratore:
David Krystal (Toronto-based singer-songwriter)
diritti fonografici (℗) detenuti da:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
registrata presso:
Newman Scoring Stage in Century City, Los Angeles, California, Stati Uniti
mixata presso:
Remote Control Productions in Santa Monica, California, Stati Uniti
registrazione di:
With All The Angels
compositore:
Benjamin Wallfisch (English score composer), Pharrell Williams e Hans Zimmer (German score composer)
1:35
8Redstone
tecnico di registrazione:
Kevin Globerman, Tim Lauber e Alan Meyerson
assistente tecnico:
Alfredo Pasquel
tecnico:
Denis St Amand, Chuck Choi e Stephanie McNally (engineer)
produttore:
Steven Kofsky (music producer and composer)
tecnico di missaggio:
John Witt Chapman (engineer)
editor:
Richard Ford (music editor/bassist) e Catherine Wilson (Music Editor at Remote Control Productions)
direttore d'orchestra:
Timothy Williams (British film score composer, orchestrator, conductor)
orchestratore:
David Krystal (Toronto-based singer-songwriter)
diritti fonografici (℗) detenuti da:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
registrata presso:
Newman Scoring Stage in Century City, Los Angeles, California, Stati Uniti
mixata presso:
Remote Control Productions in Santa Monica, California, Stati Uniti
registrazione di:
Redstone
compositore:
Benjamin Wallfisch (English score composer), Pharrell Williams e Hans Zimmer (German score composer)
1:36
9Call Your Wives
tecnico di registrazione:
Kevin Globerman, Tim Lauber e Alan Meyerson
assistente tecnico:
Alfredo Pasquel
tecnico:
Denis St Amand, Chuck Choi e Stephanie McNally (engineer)
produttore:
Steven Kofsky (music producer and composer)
tecnico di missaggio:
John Witt Chapman (engineer)
editor:
Richard Ford (music editor/bassist) e Catherine Wilson (Music Editor at Remote Control Productions)
direttore d'orchestra:
Timothy Williams (British film score composer, orchestrator, conductor)
orchestratore:
David Krystal (Toronto-based singer-songwriter)
diritti fonografici (℗) detenuti da:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
registrata presso:
Newman Scoring Stage in Century City, Los Angeles, California, Stati Uniti
mixata presso:
Remote Control Productions in Santa Monica, California, Stati Uniti
registrazione di:
Call Your Wives
compositore:
Benjamin Wallfisch (English score composer), Pharrell Williams e Hans Zimmer (German score composer)
3:23
10Launch
tecnico di registrazione:
Kevin Globerman, Tim Lauber e Alan Meyerson
assistente tecnico:
Alfredo Pasquel
tecnico:
Denis St Amand, Chuck Choi e Stephanie McNally (engineer)
produttore:
Steven Kofsky (music producer and composer)
tecnico di missaggio:
John Witt Chapman (engineer)
editor:
Richard Ford (music editor/bassist) e Catherine Wilson (Music Editor at Remote Control Productions)
direttore d'orchestra:
Timothy Williams (British film score composer, orchestrator, conductor)
orchestratore:
David Krystal (Toronto-based singer-songwriter)
diritti fonografici (℗) detenuti da:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
registrata presso:
Newman Scoring Stage in Century City, Los Angeles, California, Stati Uniti
mixata presso:
Remote Control Productions in Santa Monica, California, Stati Uniti
registrazione di:
Launch
compositore:
Benjamin Wallfisch (English score composer), Pharrell Williams e Hans Zimmer (German score composer)
2:21
11That's Just the Way Things Are
tecnico di registrazione:
Kevin Globerman, Tim Lauber e Alan Meyerson
assistente tecnico:
Alfredo Pasquel
tecnico:
Denis St Amand, Chuck Choi e Stephanie McNally (engineer)
produttore:
Steven Kofsky (music producer and composer)
tecnico di missaggio:
John Witt Chapman (engineer)
editor:
Richard Ford (music editor/bassist) e Catherine Wilson (Music Editor at Remote Control Productions)
direttore d'orchestra:
Timothy Williams (British film score composer, orchestrator, conductor)
orchestratore:
David Krystal (Toronto-based singer-songwriter)
diritti fonografici (℗) detenuti da:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
registrata presso:
Newman Scoring Stage in Century City, Los Angeles, California, Stati Uniti
mixata presso:
Remote Control Productions in Santa Monica, California, Stati Uniti
registrazione di:
That's Just The Way Things Are
compositore:
Benjamin Wallfisch (English score composer), Pharrell Williams e Hans Zimmer (German score composer)
2:25
12Sign
tecnico di registrazione:
Kevin Globerman, Tim Lauber e Alan Meyerson
assistente tecnico:
Alfredo Pasquel
tecnico:
Denis St Amand, Chuck Choi e Stephanie McNally (engineer)
produttore:
Steven Kofsky (music producer and composer)
tecnico di missaggio:
John Witt Chapman (engineer)
editor:
Richard Ford (music editor/bassist) e Catherine Wilson (Music Editor at Remote Control Productions)
direttore d'orchestra:
Timothy Williams (British film score composer, orchestrator, conductor)
orchestratore:
David Krystal (Toronto-based singer-songwriter)
diritti fonografici (℗) detenuti da:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
registrata presso:
Newman Scoring Stage in Century City, Los Angeles, California, Stati Uniti
mixata presso:
Remote Control Productions in Santa Monica, California, Stati Uniti
registrazione di:
Sign (Hidden Figures)
compositore:
Benjamin Wallfisch (English score composer), Pharrell Williams e Hans Zimmer (German score composer)
1:11
13Kitchen Kiss
tecnico di registrazione:
Kevin Globerman, Tim Lauber e Alan Meyerson
assistente tecnico:
Alfredo Pasquel
tecnico:
Denis St Amand, Chuck Choi e Stephanie McNally (engineer)
produttore:
Steven Kofsky (music producer and composer)
tecnico di missaggio:
John Witt Chapman (engineer)
editor:
Richard Ford (music editor/bassist) e Catherine Wilson (Music Editor at Remote Control Productions)
direttore d'orchestra:
Timothy Williams (British film score composer, orchestrator, conductor)
orchestratore:
David Krystal (Toronto-based singer-songwriter)
diritti fonografici (℗) detenuti da:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
registrata presso:
Newman Scoring Stage in Century City, Los Angeles, California, Stati Uniti
mixata presso:
Remote Control Productions in Santa Monica, California, Stati Uniti
registrazione di:
Kitchen Kiss
compositore:
Benjamin Wallfisch (English score composer), Pharrell Williams e Hans Zimmer (German score composer)
0:55
14Mary and the Judge
tecnico di registrazione:
Kevin Globerman, Tim Lauber e Alan Meyerson
assistente tecnico:
Alfredo Pasquel
tecnico:
Denis St Amand, Chuck Choi e Stephanie McNally (engineer)
produttore:
Steven Kofsky (music producer and composer)
tecnico di missaggio:
John Witt Chapman (engineer)
editor:
Richard Ford (music editor/bassist) e Catherine Wilson (Music Editor at Remote Control Productions)
direttore d'orchestra:
Timothy Williams (British film score composer, orchestrator, conductor)
orchestratore:
David Krystal (Toronto-based singer-songwriter)
diritti fonografici (℗) detenuti da:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
registrata presso:
Newman Scoring Stage in Century City, Los Angeles, California, Stati Uniti
mixata presso:
Remote Control Productions in Santa Monica, California, Stati Uniti
registrazione di:
Mary And The Judge
compositore:
Benjamin Wallfisch (English score composer), Pharrell Williams e Hans Zimmer (German score composer)
1:30
15I Like Her Numbers
tecnico di registrazione:
Kevin Globerman, Tim Lauber e Alan Meyerson
assistente tecnico:
Alfredo Pasquel
tecnico:
Denis St Amand, Chuck Choi e Stephanie McNally (engineer)
produttore:
Steven Kofsky (music producer and composer)
tecnico di missaggio:
John Witt Chapman (engineer)
editor:
Richard Ford (music editor/bassist) e Catherine Wilson (Music Editor at Remote Control Productions)
direttore d'orchestra:
Timothy Williams (British film score composer, orchestrator, conductor)
orchestratore:
David Krystal (Toronto-based singer-songwriter)
diritti fonografici (℗) detenuti da:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
registrata presso:
Newman Scoring Stage in Century City, Los Angeles, California, Stati Uniti
mixata presso:
Remote Control Productions in Santa Monica, California, Stati Uniti
registrazione di:
I Like Her Numbers
compositore:
Benjamin Wallfisch (English score composer), Pharrell Williams e Hans Zimmer (German score composer)
2:07
16Ladies' March
tecnico di registrazione:
Kevin Globerman, Tim Lauber e Alan Meyerson
assistente tecnico:
Alfredo Pasquel
tecnico:
Denis St Amand, Chuck Choi e Stephanie McNally (engineer)
produttore:
Steven Kofsky (music producer and composer)
tecnico di missaggio:
John Witt Chapman (engineer)
editor:
Richard Ford (music editor/bassist) e Catherine Wilson (Music Editor at Remote Control Productions)
direttore d'orchestra:
Timothy Williams (British film score composer, orchestrator, conductor)
orchestratore:
David Krystal (Toronto-based singer-songwriter)
diritti fonografici (℗) detenuti da:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
registrata presso:
Newman Scoring Stage in Century City, Los Angeles, California, Stati Uniti
mixata presso:
Remote Control Productions in Santa Monica, California, Stati Uniti
registrazione di:
Ladies' March
compositore:
Benjamin Wallfisch (English score composer), Pharrell Williams e Hans Zimmer (German score composer)
1:25
17Mary and Levi
tecnico di registrazione:
Kevin Globerman, Tim Lauber e Alan Meyerson
assistente tecnico:
Alfredo Pasquel
tecnico:
Denis St Amand, Chuck Choi e Stephanie McNally (engineer)
produttore:
Steven Kofsky (music producer and composer)
tecnico di missaggio:
John Witt Chapman (engineer)
editor:
Richard Ford (music editor/bassist) e Catherine Wilson (Music Editor at Remote Control Productions)
direttore d'orchestra:
Timothy Williams (British film score composer, orchestrator, conductor)
orchestratore:
David Krystal (Toronto-based singer-songwriter)
diritti fonografici (℗) detenuti da:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
registrata presso:
Newman Scoring Stage in Century City, Los Angeles, California, Stati Uniti
mixata presso:
Remote Control Productions in Santa Monica, California, Stati Uniti
registrazione di:
Mary And Levi
compositore:
Benjamin Wallfisch (English score composer), Pharrell Williams e Hans Zimmer (German score composer)
2:12
18Euler's Method
tecnico di registrazione:
Kevin Globerman, Tim Lauber e Alan Meyerson
assistente tecnico:
Alfredo Pasquel
tecnico:
Denis St Amand, Chuck Choi e Stephanie McNally (engineer)
produttore:
Steven Kofsky (music producer and composer)
tecnico di missaggio:
John Witt Chapman (engineer)
editor:
Richard Ford (music editor/bassist) e Catherine Wilson (Music Editor at Remote Control Productions)
direttore d'orchestra:
Timothy Williams (British film score composer, orchestrator, conductor)
orchestratore:
David Krystal (Toronto-based singer-songwriter)
diritti fonografici (℗) detenuti da:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
registrata presso:
Newman Scoring Stage in Century City, Los Angeles, California, Stati Uniti
mixata presso:
Remote Control Productions in Santa Monica, California, Stati Uniti
registrazione di:
Euler's Method
compositore:
Benjamin Wallfisch (English score composer), Pharrell Williams e Hans Zimmer (German score composer)
1:23
19Proposal
tecnico di registrazione:
Kevin Globerman, Tim Lauber e Alan Meyerson
assistente tecnico:
Alfredo Pasquel
tecnico:
Denis St Amand, Chuck Choi e Stephanie McNally (engineer)
produttore:
Steven Kofsky (music producer and composer)
tecnico di missaggio:
John Witt Chapman (engineer)
editor:
Richard Ford (music editor/bassist) e Catherine Wilson (Music Editor at Remote Control Productions)
direttore d'orchestra:
Timothy Williams (British film score composer, orchestrator, conductor)
orchestratore:
David Krystal (Toronto-based singer-songwriter)
diritti fonografici (℗) detenuti da:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
registrata presso:
Newman Scoring Stage in Century City, Los Angeles, California, Stati Uniti
mixata presso:
Remote Control Productions in Santa Monica, California, Stati Uniti
registrazione di:
Proposal
compositore:
Benjamin Wallfisch (English score composer), Pharrell Williams e Hans Zimmer (German score composer)
1:40
20Pearls
tecnico di registrazione:
Kevin Globerman, Tim Lauber e Alan Meyerson
assistente tecnico:
Alfredo Pasquel
tecnico:
Denis St Amand, Chuck Choi e Stephanie McNally (engineer)
produttore:
Steven Kofsky (music producer and composer)
tecnico di missaggio:
John Witt Chapman (engineer)
editor:
Richard Ford (music editor/bassist) e Catherine Wilson (Music Editor at Remote Control Productions)
direttore d'orchestra:
Timothy Williams (British film score composer, orchestrator, conductor)
orchestratore:
David Krystal (Toronto-based singer-songwriter)
diritti fonografici (℗) detenuti da:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
registrata presso:
Newman Scoring Stage in Century City, Los Angeles, California, Stati Uniti
mixata presso:
Remote Control Productions in Santa Monica, California, Stati Uniti
registrazione di:
Pearls
compositore:
Benjamin Wallfisch (English score composer), Pharrell Williams e Hans Zimmer (German score composer)
2:41
21Katherine Calculates
tecnico di registrazione:
Kevin Globerman, Tim Lauber e Alan Meyerson
assistente tecnico:
Alfredo Pasquel
tecnico:
Denis St Amand, Chuck Choi e Stephanie McNally (engineer)
produttore:
Steven Kofsky (music producer and composer)
tecnico di missaggio:
John Witt Chapman (engineer)
editor:
Richard Ford (music editor/bassist) e Catherine Wilson (Music Editor at Remote Control Productions)
direttore d'orchestra:
Timothy Williams (British film score composer, orchestrator, conductor)
orchestratore:
David Krystal (Toronto-based singer-songwriter)
diritti fonografici (℗) detenuti da:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
registrata presso:
Newman Scoring Stage in Century City, Los Angeles, California, Stati Uniti
mixata presso:
Remote Control Productions in Santa Monica, California, Stati Uniti
registrazione di:
Katherine Calculates
compositore:
Benjamin Wallfisch (English score composer), Pharrell Williams e Hans Zimmer (German score composer)
1:32
22Lift Off
tecnico di registrazione:
Kevin Globerman, Tim Lauber e Alan Meyerson
assistente tecnico:
Alfredo Pasquel
tecnico:
Denis St Amand, Chuck Choi e Stephanie McNally (engineer)
produttore:
Steven Kofsky (music producer and composer)
tecnico di missaggio:
John Witt Chapman (engineer)
editor:
Richard Ford (music editor/bassist) e Catherine Wilson (Music Editor at Remote Control Productions)
direttore d'orchestra:
Timothy Williams (British film score composer, orchestrator, conductor)
orchestratore:
David Krystal (Toronto-based singer-songwriter)
diritti fonografici (℗) detenuti da:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
registrata presso:
Newman Scoring Stage in Century City, Los Angeles, California, Stati Uniti
mixata presso:
Remote Control Productions in Santa Monica, California, Stati Uniti
registrazione di:
Lift Off
compositore:
Benjamin Wallfisch (English score composer), Pharrell Williams e Hans Zimmer (German score composer)
3:11
23Warning Light
tecnico di registrazione:
Kevin Globerman, Tim Lauber e Alan Meyerson
assistente tecnico:
Alfredo Pasquel
tecnico:
Denis St Amand, Chuck Choi e Stephanie McNally (engineer)
produttore:
Steven Kofsky (music producer and composer)
tecnico di missaggio:
John Witt Chapman (engineer)
editor:
Richard Ford (music editor/bassist) e Catherine Wilson (Music Editor at Remote Control Productions)
direttore d'orchestra:
Timothy Williams (British film score composer, orchestrator, conductor)
orchestratore:
David Krystal (Toronto-based singer-songwriter)
diritti fonografici (℗) detenuti da:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
registrata presso:
Newman Scoring Stage in Century City, Los Angeles, California, Stati Uniti
mixata presso:
Remote Control Productions in Santa Monica, California, Stati Uniti
registrazione di:
Warning Light
compositore:
Benjamin Wallfisch (English score composer), Pharrell Williams e Hans Zimmer (German score composer)
0:59
24Rocket Peril
tecnico di registrazione:
Kevin Globerman, Tim Lauber e Alan Meyerson
assistente tecnico:
Alfredo Pasquel
tecnico:
Denis St Amand, Chuck Choi e Stephanie McNally (engineer)
produttore:
Steven Kofsky (music producer and composer)
tecnico di missaggio:
John Witt Chapman (engineer)
editor:
Richard Ford (music editor/bassist) e Catherine Wilson (Music Editor at Remote Control Productions)
direttore d'orchestra:
Timothy Williams (British film score composer, orchestrator, conductor)
orchestratore:
David Krystal (Toronto-based singer-songwriter)
diritti fonografici (℗) detenuti da:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
registrata presso:
Newman Scoring Stage in Century City, Los Angeles, California, Stati Uniti
mixata presso:
Remote Control Productions in Santa Monica, California, Stati Uniti
registrazione di:
Rocket Peril
compositore:
Benjamin Wallfisch (English score composer), Pharrell Williams e Hans Zimmer (German score composer)
3:10
25Hidden Figures
tecnico di registrazione:
Kevin Globerman, Tim Lauber e Alan Meyerson
assistente tecnico:
Alfredo Pasquel
tecnico:
Denis St Amand, Chuck Choi e Stephanie McNally (engineer)
produttore:
Steven Kofsky (music producer and composer)
tecnico di missaggio:
John Witt Chapman (engineer)
editor:
Richard Ford (music editor/bassist) e Catherine Wilson (Music Editor at Remote Control Productions)
direttore d'orchestra:
Timothy Williams (British film score composer, orchestrator, conductor)
orchestratore:
David Krystal (Toronto-based singer-songwriter)
diritti fonografici (℗) detenuti da:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
registrata presso:
Newman Scoring Stage in Century City, Los Angeles, California, Stati Uniti
mixata presso:
Remote Control Productions in Santa Monica, California, Stati Uniti
registrazione di:
Hidden Figures
compositore:
Benjamin Wallfisch (English score composer), Pharrell Williams e Hans Zimmer (German score composer)
3:50
26Epilogue
tecnico di registrazione:
Kevin Globerman, Tim Lauber e Alan Meyerson
assistente tecnico:
Alfredo Pasquel
tecnico:
Denis St Amand, Chuck Choi e Stephanie McNally (engineer)
produttore:
Steven Kofsky (music producer and composer)
tecnico di missaggio:
John Witt Chapman (engineer)
editor:
Richard Ford (music editor/bassist) e Catherine Wilson (Music Editor at Remote Control Productions)
direttore d'orchestra:
Timothy Williams (British film score composer, orchestrator, conductor)
orchestratore:
David Krystal (Toronto-based singer-songwriter)
diritti fonografici (℗) detenuti da:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
registrata presso:
Newman Scoring Stage in Century City, Los Angeles, California, Stati Uniti
mixata presso:
Remote Control Productions in Santa Monica, California, Stati Uniti
registrazione di:
Epilogue
compositore:
Benjamin Wallfisch (English score composer), Pharrell Williams e Hans Zimmer (German score composer)
0:38