My Life in Music

~ Veröffentlichung von Michael Parkinson (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1Feeling Good
recorded in:
New York, New York, Vereinigte Staaten (am 1965-01-15)
Produzent(in):
Hal Mooney
Gitarre:
Rudy Stevenson (am 1965-01-15)
Klavier:
Nina Simone (am 1965-01-15)
vocals:
Nina Simone (am 1965-01-15)
conductor:
Hal Mooney (am 1965-01-15)
arranger:
Hal Mooney
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965)
cover recording of:
Feeling Good (am 1965-01-15)
Verfasser(in):
Leslie Bricusse und Anthony Newley (English actor, singer, songwriter, and filmmaker)
publisher:
Concord Music Ltd und Musical Comedy Prods.
Teil von:
The Roar of the Greasepaint – The Smell of the Crowd
Nina Simone4.152:54
2Summertime
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-08-18)
Geige / Violine:
Victor Arno (am 1957-08-18)
Gitarre:
Tony Rizzi (am 1957-08-18)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1957-08-18)
Kontrabass:
Joe Mondragon (am 1957-08-18)
Posaune:
Buddy Childers (American jazz trumpeter & composer) (am 1957-08-18)
Schlagzeug:
Alvin Stoller (am 1957-08-18)
Trompete:
Louis Armstrong (am 1957-08-18) und Frank Beach (trombone, trumpet) (am 1957-08-18)
Waldhorn:
Vincent DeRosa (am 1957-08-18)
vocals:
Louis Armstrong (am 1957-08-18) und Ella Fitzgerald (American jazz singer) (am 1957-08-18)
Orchester:
Russ Garcia and His Orchestra (in 1957)
conductor:
Russell Garcia (am 1957-08-18)
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 20)
cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (am 1957-08-18)
Texter:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) und DuBose Heyward (in 1934)
Komponist(in):
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (von 1935 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Version von:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Ella Fitzgerald & Louis Armstrong3.754:57
3The Way You Look Tonight
vocals:
Michael Bublé
cover recording of:
The Way You Look Tonight (from “Swing Time”)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1936 winner)
Teil von:
Swing Time (film)
recording of:
The Way You Look Tonight (from “Swing Time”)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1936 winner)
Teil von:
Swing Time (film)
Michael Bublé44:40
4My Funny Valentine
Dinah Shore3:36
5This Masquerade
cover recording of:
This Masquerade
Texter und Komponist(in):
Leon Russell
publisher:
Chrysalis One Music Publishing Group Ireland, Embassy Music Corporation, Reservoir 416, Reservoir One America, Rondor Music (London) Ltd., Skyhill Pub. Co., Inc., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
George Benson3:23
6One Day I’ll Fly Away
assistierende(r) Techniker(in):
Hill Swimmer
Techniker(in):
Jeremy Smith (producer/engineer)
Bass:
Wilton Felder und Abraham Laboriel
Gitarre:
Roland Bautista, Tim May (session/jazz guitarist), Dean Parks (American session guitarist) und David T. Walker
Keyboard:
Joe Sample
Perkussion:
Eddie “Bongo” Brown und Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
Mike Baird (drummer) und Stix Hooper
Trompete:
Oscar Brashear
Hintergrundgesang:
Melvin Franklin, Julia Tillman, Gwen Owens (R&B singer Gwendolyn Louise Owens) und Maxine Waters
vocals:
Randy Crawford (US jazz/R&B singer Veronica Crawford)
recording of:
One Day I’ll Fly Away
Texter:
Will Jennings
Komponist(in):
Joe Sample
publisher:
Four Knights Music Co., Irving Music, Inc. und Leeds Music Ltd.
Randy Crawford34:58
7Here’s That Rainy Day
cover recording of:
Here’s That Rainy Day
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Burke-Van Heusen, Inc., Campbell Connelly & Co. Ltd., Chappell Morris Ltd., Dorsey Bros. Music Inc., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Music Sales Corporation (American copyright holder in both popular and classical music) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Dionne Warwick3:36
8Late in the Evening
Techniker(in):
Jim Boyer (producer/engineer) und Phil Ramone
Produzent(in):
Phil Ramone und Paul Simon (of Simon & Garfunkel)
Mix:
Phil Ramone
Akustikgitarre:
Hugh McCracken
Bassgitarre [bass]:
Tony Levin (US rock bassist/Chapman Stick)
E-Gitarre:
Eric Gale
Perkussion:
Ralph MacDonald
Schlagzeug:
Steve Gadd (drummer)
Hintergrundgesang und Sologesang:
Paul Simon (of Simon & Garfunkel)
Blechblasinstrumente [horns] arranger:
Dave Grusin (American pianist and score composer)
phonographisches Urheberrecht (℗) von:
Paul Simon (of Simon & Garfunkel) (in 1980)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1980)
aufgenommen bei:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Vereinigte Staaten
recording of:
Late in the Evening
Texter und Komponist(in):
Paul Simon (of Simon & Garfunkel)
publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und Paul Simon Music (in 1980)
Teil von:
One‐Trick Pony (1980 film soundtrack)
Paul Simon43:56
9Short People
Techniker(in):
Loyd Clifft und Lee Herschberg
Produzent(in):
Russ Titelman und Lenny Waronker
Mix:
Lee Herschberg
Bass:
Klaus Voorman (von 1977-07 bis 1977-09)
Conga:
Milt Holland (von 1977-07 bis 1977-09)
Gitarre:
Waddy Wachtel (von 1977-07 bis 1977-09)
Schlagzeug:
Jim Keltner (von 1977-07 bis 1977-09)
Hintergrundgesang:
Glenn Frey (US musician/singer/songwriter, member of the Eagles) (von 1977-07 bis 1977-09), J.D. Souther (von 1977-07 bis 1977-09) und Tim Schmit (von 1977-07 bis 1977-09)
conductor:
Randy Newman (American singer‐songwriter and score composer) (von 1977-07 bis 1977-09)
arranger:
Randy Newman (American singer‐songwriter and score composer)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1977)
remixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 41)
recording of:
Short People (von 1977-07 bis 1977-09)
Texter und Komponist(in):
Randy Newman (American singer‐songwriter and score composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Six Pictures Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Hightree Music (in 1977)
Randy Newman42:57
10You’re So Vain
recording engineer:
Robin Geoffrey Cable (von 1972-09 bis 1972-10)
Techniker(in):
Robin Geoffrey Cable
Produzent(in):
Richard Perry (producer)
Bass:
Klaus Voorman (von 1972-09 bis 1972-10)
Gitarre:
Jimmy Ryan (American guitarist and singer/songwriter) (von 1972-09 bis 1972-10)
Klavier und Sologesang:
Carly Simon (von 1972-09 bis 1972-10)
Perkussion:
Richard Perry (producer) (von 1972-09 bis 1972-10)
Schlagzeug:
Jim Gordon (US drummer with Derek and the Dominos) (von 1972-09 bis 1972-10)
Hintergrundgesang:
Mick Jagger (von 1972-09 bis 1972-10)
zusätzlich Hintergrundgesang:
Carly Simon (von 1972-09 bis 1972-10) und Doris Troy (von 1972-09 bis 1972-10)
Saiteninstrumente arranger:
Carly Simon
Orchestrator(in):
Paul Buckmaster
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1972), Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1978), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984) und Rhino Entertainment Company (not for release label use!) (in 2015)
aufgenommen bei:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1972-09 bis 1972-10)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 100), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 140) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 495)
recording of:
You’re So Vain (von 1972-09 bis 1972-10)
Texter und Komponist(in):
Carly Simon
publisher:
C’est Music, Quackenbush Music, Ltd. (ASCAP-affiliated), Universal Music Corporation (USA, affiliated with ASCAP) und Universal Music Publishing Group
Carly Simon4.554:20
11Josephine
Techniker(in):
Justin Shirley‐Smith
Produzent(in):
Jon Kelly (engineer at Air London Studios) und Chris Rea
recording of:
Josephine
Texter und Komponist(in):
Chris Rea
publisher:
Magnet Music Ltd. (publisher)
Chris Rea3.54:33
12Makin’ Whoopee
Techniker(in):
Allen Sides
Produzent(in):
Tommy LiPuma
Mix:
Bill Schnee
Akustikgitarre:
Paul Jackson (guitar)
Bassgitarre:
Abraham Laboriel
Gitarre:
Hugh McCracken
Keyboard:
Dr. John (New Orleans blues pianist, singer and songwriter)
Schlagzeug:
Harvey Mason (jazz drummer)
Solo-Saxophon:
Joel Peskin
Synthesizer:
Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
vocals:
Dr. John (New Orleans blues pianist, singer and songwriter) und Rickie Lee Jones
Blechblasinstrumente [horns] arranger:
Ralph Burns
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1989)
aufgenommen bei:
Ocean Way Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Bill Schnee Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Makin’ Whoopee!
Texter:
Gus Kahn
Komponist(in):
Walter Donaldson
Übersetzer:
Harrie Geelen
publisher:
Beth Dryer Music, Donaldson Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, Keith Prowse Music Publishing Co. Ltd., Tobago Music Co. und WB Music Corp. (1929–2019)
Dr. John3.54:11
13Splanky Live
Count Basie3:54
14Hello, Young Lovers
recording of:
Hello, Young Lovers (The King and I)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
Williamson Music Company und Williamson Music, Inc.
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Rodgers & Hammerstein Theatrical Europe Ltd. und Williamson Music Ltd.
Teil von:
The King and I (Rodgers & Hammerstein musical)
Bobby Darin2:54
15Love for Sale (live)
live recording of:
Love for Sale
Texter und Komponist(in):
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. und Warner Bros., Inc. (not for release label use!)
Buddy Rich4:39
16Pick Yourself Up
Mel Tormé, Gerry Mulligan & George Shearing4:27
17Because of You
Gast-Interpret(in):
k.d. lang
cover recording of:
Because of You
Verfasser(in):
Arthur Hammerstein und Dudley Wilkinson
publisher:
Julian Stearns Arena Music, Inc
Tony Bennett4:04
18Teach Me Tonight
recording engineer:
Ken Freeman (US sound engineer)
Partner-Produzent(in):
Kevin Mahogany
Produzent(in):
Matt Pierson (producer)
Mix:
James A. Farber (sound engineer)
Bass:
Charles Fambrough
Klavier:
Bob James (US jazz keyboardist, arranger and producer)
Schlagzeug:
Billy Kilson (American jazz drummer)
Tenorsaxophon:
Kirk Whalum
vocals:
Kevin Mahogany
arranger:
Bob James (US jazz keyboardist, arranger and producer)
cover recording of:
Teach Me Tonight
Texter:
Sammy Cahn
Komponist(in):
Gene de Paul
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (beendet), Cahn Music Co., Hub Music Co., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division) und 日音 Synch事業部 (NICHION, INC. Synch Division)
Kevin Mahogany4:24
19Can’t We Be Friends?
cover recording of:
Can’t We Be Friends?
Texter:
Paul James (Lyricist, aka James Warburg)
Komponist(in):
Kay Swift
publisher:
Warner Bros. Music Corp.
Sammy Davis Jr.2:55
20Change Partners
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1967-01-30)
Techniker(in):
Lee Herschberg
Koproduzent(in):
Ray Gilbert
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
Bass:
Ralph Peña
Cello:
Elizabeth Greenschpoon, Ray Kramer, Kurt Reher (cellist) und Nino Rosso (cellist)
Geige / Violine:
Israel Baker (American violinist), Thelma Beach, Arnold Belnick, Bonnie Douglas, Emo Neufeld, James Getzoff (American concertmaster and violinist), Anatol Kaminsky (Violinist), Bernard Kundell, Nathan Ross und Ralph Schaeffer
Gitarre:
Al Viola (, am 1967-01-30)
Holzblasinstrumente und Saxophon:
Buddy Collette, Arthur Gleghorn und Bud Shank
Klavier:
Bill Miller (pianist)
Perkussion:
Colin Bailey (drummer)
Posaune:
Dick Noel (trombone)
Schlagzeug:
Irv Cottler und Dom Um Romão
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1967-01-30)
conductor:
Claus Ogerman (am 1967-01-30)
arranger:
Claus Ogerman
cover recording of:
Change Partners (from “Carefree”) (am 1967-01-30)
Texter und Komponist(in):
Irving Berlin (in 1938)
publisher:
Irving Berlin Music Corp. und Williamson Music Company
Teil von:
The 11th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1938 nominee)
Frank Sinatra2:41

Nennungen

Veröffentlichung

ASIN:UK: B001HB9P5M [Info]