Brindisi – Les Grands Airs à boire de l’Opéra (Great Operatic Drinking Songs)

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1La traviata: Brindisi “Libiamo”
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1982)
soprano vocals:
Renata Scotto (operatic soprano) (in 1982)
tenor vocals:
Alfredo Kraus (tenor) (in 1982)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1982)
conductor:
Riccardo Muti (conductor) (in 1982)
recording of:
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta) (in 1982)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi2:51
2Macbeth: Brindisi “Si colmi il calice”
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1979)
mezzo-soprano vocals:
Fiorenza Cossotto (mezzo-soprano) (in 1979)
tenor vocals:
José Carreras (Spanish tenor) (in 1979)
orchestra:
New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings) (in 1979)
conductor:
Riccardo Muti (conductor) (in 1979)
recording of:
Macbeth: Atto II. N°9b Brindisi “Si colmi il calice di vino eletto” (Lady, Dama, Macduff, coro) (in 1979)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth: Atto II
Giuseppe Verdi1:55
3Rigoletto: “La donna è mobile”
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1979)
tenor vocals:
Alfredo Kraus (tenor) (in 1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1979)
conductor:
Julius Rudel (conductor) (in 1979)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca) (in 1979)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi2:13
4Otello: “Roderigo, beviam”
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1970)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1970)
tenor vocals:
Florindo Andreolli (tenor) (in 1970) and Piero de Palma (tenor) (in 1970)
orchestra:
New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings) (in 1970)
conductor:
Sir John Barbirolli (conductor and cellist) (in 1970)
recording of:
Otello: Atto I, scena 1. “Roderigo, beviam!” (Iago, Cassio, Ciprioti, Roderigo) (in 1970)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto I
Giuseppe Verdi5:27
5Cavalleria rusticana: “Viva il vino spumeggiante”
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1980)
mezzo-soprano vocals:
Júlia Hamari (Hungarian mezzo-soprano) (in 1980)
tenor vocals:
José Carreras (Spanish tenor) (in 1980)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1980)
conductor:
Riccardo Muti (conductor) (in 1980)
recording of:
Cavalleria rusticana: Brindisi “Intanto amici, qua … Viva il vino spumeggiante” (Turridu, Lola, coro) (in 1980)
composer:
Pietro Mascagni (composer & conductor)
librettist:
Guido Menasci (Italian librettist, 19th-20th c.) and Giovanni Targioni-Tozzetti (Italian librettist, 19th-20th c.)
part of:
Cavalleria rusticana
Pietro Mascagni2:45
6L’elisir d’amore: “Caro elisir！sei mio”
tenor vocals:
Nicolai Gedda (tenor) (in 1967)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1967)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1967)
recording of:
L’elisir d’amore: Atto I. Recitativo “Caro elisir! sei mio!” (Nemorino) (in 1967)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
Gaetano Donizetti3:08
7Die Entführung aus dem Serail: “Vivat Bacchus”
bass vocals:
Gottlob Frick (operatic bass) (in 1966)
tenor vocals:
Gerhard Unger (tenor) (in 1966)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1966)
conductor:
Josef Krips (conductor/violinist) (in 1966)
recording of:
Die Entführung aus dem Serail: “Vivat Bacchus! Bacchus lebe!” (catch-all for arrangements) (in 1966)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
arrangement of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene VIII. No. 14 Duett "Vivat Bacchus! Bacchus lebe!" (Pedrillo, Osmin)
Wolfgang Amadeus Mozart2:08
8Don Giovanni: “Finch’han dal vino” (Air du Champagne)
baritone vocals:
William Shimell (baritone) (in 1991)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1991)
conductor:
Riccardo Muti (conductor) (in 1991)
recording of:
Don Giovanni: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni) (in 1991)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:13
9Der Freischütz: “Hier im ird’schen Jammertal”
bass vocals:
Karl Christian Kohn (operatic bass) (in 1959)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1959)
conductor:
Joseph Keilberth (conductor) (in 1959)
recording of:
Der Freischütz: Akt I. Nr. 4. Lied „Hier im ird'schen Jammertal“ (Kaspar) (Caspar's drinking song) (in 1959)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt I
Carl Maria von Weber2:18
10Martha: Porterlied “Lasst mich euch fragen”
bass vocals:
Gottlob Frick (operatic bass) (in 1960)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1960)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) (in 1960)
conductor:
Berislav Klobučar (conductor) (in 1960)
recording of:
Martha: Akt III. „Laßt mich euch fragen“ (Plumkett, Landleute) (in 1960)
composer:
Friedrich von Flotow (composer)
part of:
Martha: Akt III
Friedrich von Flotow2:47
11Die Fledermaus: “Trinke, Liebchen, trinke schnell”
soprano vocals:
Lucia Popp (soprano) (in 1986)
tenor vocals:
Plácido Domingo (tenor) (in 1986)
vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1986)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra) (in 1986)
conductor:
Plácido Domingo (tenor) (in 1986)
recording of:
Die Fledermaus: Akt I. Nr. 5 Finale „Trinke, Liebchen, trinke schnell“ … „Glücklich ist, wer vergisst” (Alfred, Rosalinde, Frank) (in 1986)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
Johann Strauss3:27
12Die Fledermaus: “Im Feuerstrom”
baritone vocals:
Wolfgang Brendel (baritone) (in 1986)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1986)
mezzo-soprano vocals:
Agnes Baltsa (mezzo-soprano) (in 1986)
tenor vocals:
Peter Seiffert (tenor) (in 1986)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra) (in 1986)
conductor:
Plácido Domingo (tenor) (in 1986)
recording of:
Die Fledermaus: Akt II. Nr. 11a Finale „Im Feuerstrom der Reben“ (Orlofsky, Eisenstein, Rosalinde, Frank, Falke, Adele, Ida, Chor) (in 1986)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
Johann Strauss2:32
13Les Contes d’Hoffmann: “Amis, l’amour tendre”
choir vocals:
Choeurs de l'Opéra Royal de la Monnaie (Chorus of the Théâtre Royal de la Monnaie, Chorus of the Belgian National Opera) (in 1988)
tenor vocals:
Neil Shicoff (tenor) (in 1988)
orchestra:
Orchestre Symphonique Français (in 1988)
conductor:
Sylvain Cambreling (conductor) (in 1988)
recording of:
Les Contes d'Hoffmann: Acte III. "Et moi, ce n'est pas là, pardieu ! ... Amis, l'amour tendre et rêveur" (Hoffmann, Chœur, Schlemil, Giulietta, Pittichinaccio) (in 1988)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
Jacques Offenbach2:52
14La Périchole: Griserie‐ariette “Ah! quel diner”
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (in 1982)
orchestra:
Orchestre national du Capitole de Toulouse (in 1982)
conductor:
Michel Plasson (conductor) (in 1982)
recording of:
La Périchole : Acte I. No 8 B. Griserie - Ariette « Ah ! Quel dîner je viens de faire » (La Périchole, Don Andrès, Panatellas, Don Pedro, Piquillo, Les Cousines) (in 1982)
lyricist:
Ludovic Halévy (French librettist) and Henri Meilhac
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
La Périchole : Acte I
Jacques Offenbach1:45
15La Jolie Fille de Perth: “Quand la flamme de l’amour”
bass-baritone vocals:
José van Dam (Belgian operatic bass-baritone) (in 1985)
orchestra:
Nouvel Orchestre Philharmonique De France (in 1985)
conductor:
Georges Prêtre (French conductor) (in 1985)
recording of:
La Jolie Fille de Perth : Acte II. « Quand la flamme de l'amour » (Air de Ralph) (in 1985)
part of:
La Jolie Fille de Perth
Georges Bizet4:58
16Hamlet: “O vin, dissipe la tristesse”
baritone vocals:
Thomas Hampson (baritone) (in 1993) and François Le Roux (baritone) (in 1993)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1993)
tenor vocals:
Gérard Garino (tenor) (in 1993)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1993)
conductor:
Antonio de Almeida (French conductor) (in 1993)
recording of:
Hamlet : Acte II, scène 1. Chanson bacchique « Ô vin, dissipe la tristesse » (Hamlet, chœur, Marcellus, Horatio) (in 1993)
composer:
Ambroise Thomas (opera composer)
librettist:
Jules Barbier and Michel Carré (librettist)
part of:
Hamlet : Acte II
Ambroise Thomas3:55
17L’Étoile: Brindisi “Vrai Dieu!”
choir vocals:
Chœur de l’Opéra de Lyon (in 1984)
soprano vocals:
Colette Alliot-Lugaz (soprano) (in 1984)
orchestra:
Orchestre de l’Opéra de Lyon (in 1984)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1984)
partial recording of:
L’Étoile: Acte I (in 1984)
composer:
Emmanuel Chabrier (composer)
librettist:
Eugène Leterrier and Albert Vanloo (Belgian librettist)
part of:
L’Étoile
Emmanuel Chabrier2:36
18Une Éducation manquée: “Ce vin généreux”
baritone vocals:
Jean-Christophe Benoît (baritone) (in 1965)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1965)
conductor:
Jean-Claude Hartemann (conductor) (in 1965)
Emmanuel Chabrier2:00
19Le Jongleur de Notre‐Dame: “Le Vin, c’est Dieu le père”
choir vocals:
Chœur de l’Opéra de Monte‐Carlo (in 1978)
tenor vocals:
Alain Vanzo (french tenor) (in 1978)
orchestra:
Orchestre philharmonique de Monte‐Carlo (Monte-Carlo Philharmonic Orchestra) (in 1978)
conductor:
Roger Boutry (French composer and conductor) (in 1978)
recording of:
Le Jongleur de Notre‐Dame : Acte I. Alleluia du vin: « Le vin, c’est Dieu le père » (in 1978)
composer:
Jules Massenet (French Romantic composer)
part of:
Le Jongleur de Notre-Dame : Acte I
Jules Massenet3:52
20Boris Godounov: “Varlaam’s Drinking Song”
bass vocals:
Boris Christoff (Bulgarian bass) (in 1963)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1963)
conductor:
André Cluytens (Belgian-born French conductor) (in 1963)
recording of:
Boris Godunov: Act I. "So it was in the city of Kazan" (Varlaam) (in 1963)
lyricist and composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer)
part of:
Борис Годунов: Act I (1872 version)
Модест Петрович Мусоргский2:10