Complete Live at the Spotlite Club 1958

~ Release by Ahmad Jamal Trio (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Ahmad’s Blues
double bass:
Israel Crosby (from 1958-09-05 until 1958-09-06)
drums (drum set):
Vernell Fournier (from 1958-09-05 until 1958-09-06)
piano:
Ahmad Jamal (from 1958-09-05 until 1958-09-06)
recorded at:
Spotlite Club in Washington, D.C., United States (from 1958-09-05 until 1958-09-06)
live recording of:
Ahmad’s Blues (from 1958-09-05 until 1958-09-06)
composer:
Ahmad Jamal
4:04
2It Could Happen to You
double bass:
Israel Crosby (from 1958-09-05 until 1958-09-06)
drums (drum set):
Vernell Fournier (from 1958-09-05 until 1958-09-06)
piano:
Ahmad Jamal (from 1958-09-05 until 1958-09-06)
recorded at:
Spotlite Club in Washington, D.C., United States (from 1958-09-05 until 1958-09-06)
live instrumental cover recording of:
It Could Happen to You (from 1958-09-05 until 1958-09-06)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
Chappell & Co., Sony/ATV Harmony and Sony/ATV Music Publishing LLC (1995–2020)
sub-publisher:
Gehrmans Musikförlag, Sony/ATV Harmony UK and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
4:17
3I Wish I Knew
double bass:
Israel Crosby (from 1958-09-05 until 1958-09-06)
drums (drum set):
Vernell Fournier (from 1958-09-05 until 1958-09-06)
piano:
Ahmad Jamal (from 1958-09-05 until 1958-09-06)
recorded at:
Spotlite Club in Washington, D.C., United States (from 1958-09-05 until 1958-09-06)
live instrumental cover recording of:
I Wish I Knew (from 1958-09-05 until 1958-09-06)
lyricist:
Mack Gordon
composer:
Mack Gordon and Harry Warren (US composer and lyricist)
publisher:
WB Music Corp. (1929–2019)
3:45
4Autumn Leaves
double bass:
Israel Crosby (from 1958-09-05 until 1958-09-06)
drums (drum set):
Vernell Fournier (from 1958-09-05 until 1958-09-06)
piano:
Ahmad Jamal (from 1958-09-05 until 1958-09-06)
recorded at:
Spotlite Club in Washington, D.C., United States (from 1958-09-05 until 1958-09-06)
live instrumental recording of:
Autumn Leaves (jazz standard, english lyrics) (from 1958-09-05 until 1958-09-06)
lyricist:
Jacques Prévert (in 1945)
composer:
Joseph Kosma (composer) (in 1945)
translator:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
translated version of:
Les Feuilles mortes (Autumn Leaves)
7:40
5Stompin’ at the Savoy
double bass:
Israel Crosby (from 1958-09-05 until 1958-09-06)
drums (drum set):
Vernell Fournier (from 1958-09-05 until 1958-09-06)
piano:
Ahmad Jamal (from 1958-09-05 until 1958-09-06)
recorded at:
Spotlite Club in Washington, D.C., United States (from 1958-09-05 until 1958-09-06)
live instrumental cover recording of:
Stompin’ at the Savoy (from 1958-09-05 until 1958-09-06)
lyricist:
Andy Razaf
composer:
Benny Goodman (clarinetist and bandleader), Edgar Sampson and Chick Webb
publisher:
EMI Robbins Catalog (ASCAP), Ragbag Music (ASCAP), Razaf Music, Rytvoc (ASCAP), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
4:15
6Cheek to Cheek
double bass:
Israel Crosby (from 1958-09-05 until 1958-09-06)
drums (drum set):
Vernell Fournier (from 1958-09-05 until 1958-09-06)
piano:
Ahmad Jamal (from 1958-09-05 until 1958-09-06)
recorded at:
Spotlite Club in Washington, D.C., United States (from 1958-09-05 until 1958-09-06)
live instrumental cover recording of:
Cheek to Cheek (from “Top Hat”) (from 1958-09-05 until 1958-09-06)
lyricist and composer:
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Academy Award for Best Original Song (number: 1935 nominee)
part of:
Top Hat (1935 film)
4:47
7The Girl Next Door
double bass:
Israel Crosby (from 1958-09-05 until 1958-09-06)
drums (drum set):
Vernell Fournier (from 1958-09-05 until 1958-09-06)
piano:
Ahmad Jamal (from 1958-09-05 until 1958-09-06)
recorded at:
Spotlite Club in Washington, D.C., United States (from 1958-09-05 until 1958-09-06)
live instrumental cover recording of:
The Boy Next Door (from “Meet Me in St. Louis”) (from 1958-09-05 until 1958-09-06)
writer:
Ralph Blane and Hugh Martin
publisher:
Bill-Bob Publ. Company, EMI Feist Catalog Inc., Harms, Inc., Leo Feist, Inc. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
Meet Me in St. Louis (1944 musical film soundtrack)
3:27
8Secret Love
double bass:
Israel Crosby (from 1958-09-05 until 1958-09-06)
drums (drum set):
Vernell Fournier (from 1958-09-05 until 1958-09-06)
piano:
Ahmad Jamal (from 1958-09-05 until 1958-09-06)
recorded at:
Spotlite Club in Washington, D.C., United States (from 1958-09-05 until 1958-09-06)
live instrumental cover recording of:
Secret Love (song from “Calamity Jane”) (from 1958-09-05 until 1958-09-06)
lyricist:
Paul Francis Webster
composer:
Sammy Fain
publisher:
Chappell, Remick Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell North America and Warner Chappell North America Ltd.
sub-publisher:
Universal/MCA Music Ltd. (not for release label use!) and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
part of:
The 26th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1953 winner)
part of:
Calamity Jane (stage musical)
3:52
9Squatty Roo
double bass:
Israel Crosby (from 1958-09-05 until 1958-09-06)
drums (drum set):
Vernell Fournier (from 1958-09-05 until 1958-09-06)
piano:
Ahmad Jamal (from 1958-09-05 until 1958-09-06)
recorded at:
Spotlite Club in Washington, D.C., United States (from 1958-09-05 until 1958-09-06)
live instrumental cover recording of:
Squatty Roo (from 1958-09-05 until 1958-09-06)
composer:
Johnny Hodges
2:19
10Taboo
double bass:
Israel Crosby (from 1958-09-05 until 1958-09-06)
drums (drum set):
Vernell Fournier (from 1958-09-05 until 1958-09-06)
piano:
Ahmad Jamal (from 1958-09-05 until 1958-09-06)
recorded at:
Spotlite Club in Washington, D.C., United States (from 1958-09-05 until 1958-09-06)
live instrumental cover recording of:
Taboo (1961 English lyrics version of Tabú) (from 1958-09-05 until 1958-09-06)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
composer:
Margarita Lecuona (Cuban composer)
publisher:
Peer International Corporation (BMI), Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) and ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
translated version of:
Tabú (original 1934 spanish lyrics)
4:01
11Autumn in New York
double bass:
Israel Crosby (from 1958-09-05 until 1958-09-06)
drums (drum set):
Vernell Fournier (from 1958-09-05 until 1958-09-06)
piano:
Ahmad Jamal (from 1958-09-05 until 1958-09-06)
recorded at:
Spotlite Club in Washington, D.C., United States (from 1958-09-05 until 1958-09-06)
live instrumental cover recording of:
Autumn in New York (1934) (from 1958-09-05 until 1958-09-06)
lyricist and composer:
Vernon Duke
publisher:
Chappell & Co. and Warner Bros., Inc. (not for release label use!)
3:18
12A Gal in Calico
double bass:
Israel Crosby (from 1958-09-05 until 1958-09-06)
drums (drum set):
Vernell Fournier (from 1958-09-05 until 1958-09-06)
piano:
Ahmad Jamal (from 1958-09-05 until 1958-09-06)
recorded at:
Spotlite Club in Washington, D.C., United States (from 1958-09-05 until 1958-09-06)
live instrumental cover recording of:
A Gal in Calico (from 1958-09-05 until 1958-09-06)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Arthur Schwartz
part of:
The 20th Academy Award for Best Original Song (number: 2)
4:44
13That’s All
double bass:
Israel Crosby (from 1958-09-05 until 1958-09-06)
drums (drum set):
Vernell Fournier (from 1958-09-05 until 1958-09-06)
piano:
Ahmad Jamal (from 1958-09-05 until 1958-09-06)
recorded at:
Spotlite Club in Washington, D.C., United States (from 1958-09-05 until 1958-09-06)
live instrumental cover recording of:
That’s All (from 1958-09-05 until 1958-09-06)
lyricist:
Alan Brandt
composer:
Alan Brandt and Bob Haymes
publisher:
Mixed Bag Music Inc. and Travis Music
2:39
14Should I?
recording engineer:
Malcolm Chisholm (on 1958-09-06)
executive producer:
Dave Grusin (American pianist and score composer) and Larry Rosen
producer:
Orrin Keepnews and Dave Usher
double bass:
Israel Crosby (on 1958-09-06)
drums (drum set):
Vernell Fournier (from 1958-09-05 until 1958-09-06) and Vernel Fournier (on 1958-09-06)
piano:
Ahmad Jamal (in 1958-09, from 1958-09-05 until 1958-09-06, on 1958-09-06)
washtub bass:
Israel Crosby (from 1958-09-05 until 1958-09-06)
recorded at:
Spotlite Club in Washington, D.C., United States (in 1958-09, on 1958-09-06) and Spotlight Club in Washington, D.C., United States (from 1958-09-05 until 1958-09-06)
live instrumental cover recording of:
Should I (from 1958-09-05 until 1958-09-06)
lyricist:
Arthur Freed
composer:
Nacio Herb Brown (US songwriter)
publisher:
Robbins Music Corp.
3:42
2▶CD