| # | Title | Artist | Rating | Length |
|---|
| 1 | Drive- recording engineer:
- Nigel Green
- producer:
- The Cars and Robert John “Mutt” Lange
- mixer:
- Mike Shipley
- bass:
- Benjamin Orr
- drums (drum set):
- David Robinson
- guitar:
- Elliot Easton and Ric Ocasek
- keyboard:
- Greg Hawkes
- vocals:
- Elliot Easton, Greg Hawkes, Ric Ocasek and Benjamin Orr
- phonographic copyright (℗) by:
- Elektra/Asylum Records (in 1984) and WEA International Inc. (in 1984)
- recorded at:
- Battery Studios in London , England, United Kingdom
- mixed at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- music videos:
- Drive by The Cars
- recording of:
- Drive
- publisher:
- Ric Ocasek
- lyricist and composer:
- Ric Ocasek
- publisher:
- Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. , Universal Music Publishing, Inc., Universal‐MCA Music Publishing and Warner/Chappell Music Ltd.
| The Cars | 4 | 3:55 |
| 2 | Walking in Memphis | Marc Cohn | 4 | 4:16 |
| 3 | I Love You Always Forever (Philly remix) | Donna Lewis | 5 | 4:40 |
| 4 | Take on Me (Kygo remix) | a‐ha | 3.65 | 3:46 |
| 5 | Sleeping Satellite | Tasmin Archer | 4 | 4:19 |
| 6 | Follow Me | Uncle Kracker | | 3:35 |
| 7 | In Private | Dusty Springfield | 4 | 4:22 |
| 8 | True | Spandau Ballet | 3.65 | 5:28 |
| 9 | (Sittin’ on) The Dock of the Bay- producer:
- Jerry Bruckheimer, Steve Cropper and Don Simpson
- bass guitar:
- Donald “Duck” Dunn (from 1967-11-22 until 1967-12-07)
- drums (drum set):
- Al Jackson, Jr. (from 1967-11-22 until 1967-12-07)
- guitar:
- Steve Cropper (from 1967-11-22 until 1967-12-07)
- keyboard:
- Isaac Hayes (from 1967-11-22 until 1967-12-07) and Booker T. Jones (from 1967-11-22 until 1967-12-07)
- trumpet:
- Wayne Jackson (from 1967-11-22 until 1967-12-07)
- vocals:
- Otis Redding (from 1967-11-22 until 1967-12-07)
- whistling:
- Otis Redding (from 1967-11-22 until 1967-12-07)
- phonographic copyright (℗) by:
- WEA International Inc. and Atlantic Recording Corporation (in 1968)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (number: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 38), Billboard: The 500 Best Pop Songs (number: 44) and Helsingin Sanomat: 100 maailman parasta laulua (number: 45)
- recording of:
- (Sittin’ on) the Dock of the Bay (from 1967-11-22 until 1967-12-07)
- writer:
- Steve Cropper and Otis Redding
- publisher:
- East Publishing Inc., East/Memphis Music Corp., Irving Music , Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. , Warner Bros. Music Ltd. , Warner Chappell Music , Warner/Chappell Music Japan, Synch division , Yamaha Music EH(CM) and Yamaha Music Entertainment Holdings, Inc.
| Otis Redding | 4.45 | 2:44 |
| 10 | Good Tradition | Tanita Tikaram | | 2:51 |
| 11 | Easy | Faith No More | 4 | 3:07 |
| 12 | Ain’t Nobody | Chaka Khan | 4.05 | 4:41 |
| 13 | You Might Need Somebody | Shola Ama | 3.65 | 4:51 |
| 14 | Just the Way It Is, Baby | The Rembrandts | 3.5 | 4:04 |
| 15 | I Don’t Want to Live Without You | Foreigner | | 3:58 |
| 16 | Semi‐Charmed Life | Third Eye Blind | 4.25 | 4:28 |
| 17 | Hold On | Jamie Walters | 4 | 4:25 |
| 18 | You Sexy Thing | Hot Chocolate | 3.85 | 4:05 |
| 19 | Ain’t No Doubt | Jimmy Nail | 4 | 4:08 |
| 20 | Notorious | Duran Duran | 4 | 4:19 |
| 21 | Cupid’s Chokehold / Breakfast in America | Gym Class Heroes | 5 | 3:56 |
| 22 | Lady Marmalade (remix)- cover recording of:
- Lady Marmalade
- writer:
- Bob Crewe and Kenny Nolan
- publisher:
- Ardmore and Beechwood Ltd., EMI , EMI April Music Inc., EMI Blackwood Music Inc., EMI Music , EMI Songs Australia Pty. Ltd., Jobete Music Co., Inc., Kenny Nolan Publishing, Pathe Publications (F.E.) Ltd., Stone Diamond Music Corporation and TannyBoy Music
| All Saints | | 3:47 |
| 23 | Please Don’t Go | KC and the Sunshine Band | 4 | 3:50 |
| 24 | Bad Day | Daniel Powter | 3.3 | 3:55 |
| 25 | Please Don’t Say You Love Me | Gabrielle Aplin | 4.5 | 3:01 |