Purcell Collection

~ Release by Henry Purcell (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1King Arthur: First Music: Chaconne (Orchestra)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act V, Scene II, 42. Chaconne (in 1991-06)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act V
33:24
2King Arthur: Second Music: Overture (Orchestra)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act I, Scene I, 1. Overture (in 1991-06)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act I
31:59
3King Arthur: Second Music: Air (Orchestra)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act I, Scene I, 2. Air (in 1991-06)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act I
31:27
4King Arthur: Act 1: Woden, first to thee…We have sacrific’d (Bass/Tenor/Chorus)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1991-06)
tenor vocals [Tenor II]:
Jamie MacDougall (tenor) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act I, Scene II, 4. “Woden first to thee” (tenor, bass and chorus) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act I
32:20
5King Arthur: Act 1: The white horse neigh’d aloud…To Woden thanks we render (Tenors/Chorus)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1991-06)
tenor vocals [Tenor I]:
Mark Tucker (tenor) (in 1991-06)
tenor vocals [Tenor II]:
Jamie MacDougall (tenor) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act I, Scene II, 5. “The white horse neigh’d aloud.” … “To Woden thanks we render” (tenor, alto, chorus) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act I
31:22
6King Arthur: Act 1: The lot is cast (Soprano)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act I, Scene II, 6. “The lot is cast, and Tanfan pleas’d” (Soprano) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act I
30:43
7King Arthur: Act 1: Brave souls (Chorus)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act I, Scene II, 7. “Brave souls, to be renown’d in story” (Chorus) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act I
32:34
8King Arthur: Act 1: I call ye all (Tenor/Chorus)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1991-06)
tenor vocals [Tenor I]:
Mark Tucker (tenor) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act I, Scene II, 8. “I call you all to Woden’s Hall” (Alto and chorus) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act I
32:09
9King Arthur: Act 1: Come if you dare (Tenor/Chorus)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1991-06)
tenor vocals [Tenor II]:
Jamie MacDougall (tenor) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act I, Scene III, 9. “Come if you dare” (symphony followed by tenor and chorus) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act I
recording of:
King Arthur, Z. 628: Act I. First Act Tune (unnumbered interstitial work) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act I
34:06
10King Arthur: Act 2: Hither, this way (Philidel/Chorus)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1991-06)
soprano vocals [Philidel]:
Linda Perillo (soprano) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act II, Scene I, 10. “Hither, this way, this way bend” (Chorus) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act II
32:05
11King Arthur: Act 2: Let not a moonborn elf (Grimbald)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
bass vocals [Grimbald]:
Gerald Finley (bass-baritone) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act II, Scene I, 11. “Let not a moon‐born elf deceive thee” (Grimbald) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act II
31:12
12King Arthur: Act 2: Hither, this way bend (Chorus)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1991-06)
soprano vocals [Philidel]:
Linda Perillo (soprano) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act II, Scene I, 12. “Hither, this way, this way bend” (Chorus) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act II
30:38
13King Arthur: Act 2: Come, follow, follow, follow me (Philidel/Sopranos/Alto/Bass/Voices/Chorus)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1991-06)
soprano vocals [Philidel]:
Linda Perillo (soprano) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act II, Scene I, 13. “Come follow me” (Philidel, spirits) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act II
32:19
14King Arthur: Act 2: How blest are shepherds (Shepherd/Chorus)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1991-06)
tenor vocals [Shepherd]:
Jamie MacDougall (tenor) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act II, Scene II, 14. “How blest are shepherds, how happy their lasses” (Shepherd and chorus) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act II
34:34
15King Arthur: Act 2: Shepherd, shepherd, leave decoying (Shepherdesses)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
soprano vocals [Shepherdess I]:
Linda Perillo (soprano) (in 1991-06)
soprano vocals [Shepherdess II]:
Julia Gooding (soprano) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act II, Scene II, 15. “Shepherd, shepherd, leave decoying” (Two shepherdesses) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act II
recording of:
King Arthur, Z. 628: Act II, Scene II. Symphony (interstitial, comes before Act II, 15. “Shepherd, shepherd, leave decoying”) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act II
31:55
16King Arthur: Act 2: Come, shepherds (Chorus)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act II, Scene II, 16b. “Come, shepherds, lead up a lively measure” (Chorus of shepherds) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act II
31:30
17King Arthur: Act 2: Second Act Tune: Air (Orchestra)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act II, 17. Second Act Tune: Air (in 1991-06)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act II
31:12
18King Arthur: Act 3: Prelude (Orchestra)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act III, 18. Prelude (before Act III, 19. “What ho! Thou genius of this isle”) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act III
30:23
19King Arthur: Act 3: What ho! (Cupid)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
soprano vocals [Cupid]:
Nancy Argenta (soprano) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act III, 19. “What ho! Thou genius of this isle” (Cupid) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
31:08
20King Arthur: Act 3: What power art thou (Genius)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
bass vocals [Cold Genius]:
Brian Bannatyne‐Scott (classical bass vocalist) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act III, 20. “What power art thou, who from below…” (Cold Genius) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
32:51
21King Arthur: Act 3: Thou doting fool (Cupid)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
soprano vocals [Cupid]:
Nancy Argenta (soprano) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act III, 21. “Thou doting fool” (Cupid) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
30:54
22King Arthur: Act 3: Great Love, I know thee now (Genius)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
bass vocals [Cold Genius]:
Brian Bannatyne‐Scott (classical bass vocalist) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act III, 22. “Great love, I know thee now” (Cold Genius) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
31:02
23King Arthur: Act 3: No part of my dominion (Cupid)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
soprano vocals [Cupid]:
Nancy Argenta (soprano) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act III, 23. “No part of my dominion shall be waste” (Cupid) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
31:11
24King Arthur: Act 3: Prelude (Orchestra)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act III, 24. Prelude (before Act III, 25. “See, see, we assemble”) (in 1991-06)
part of:
King Arthur, Z. 628: Act III
30:51
25King Arthur: Act 3: See, see, we assemble (Chorus)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act III, 25. “See, see, we assemble” (Chorus) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
recording of:
King Arthur, Z. 628: Act III. Dance (latter part of Act III, 25. “See, see, we assemble”) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act III
33:20
26King Arthur: Act 3:’Tis I that have warm’d ye (Cupid/Chorus)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
choir vocals:
Choir of the English Concert (in 1991-06)
soprano vocals [Cupid]:
Nancy Argenta (soprano) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act III, 26. “’Tis I that have warm’d ye” (Cupid, followed by ritornello and chorus) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
32:11
27King Arthur: Act 3: Sound a parley…’Tis Love, ’tis Love that has warm’d us (Cupid/Genius/Chorus)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
bass vocals [Cold Genius]:
Brian Bannatyne‐Scott (classical bass vocalist) (in 1991-06)
choir vocals:
Choir of the English Concert (in 1991-06)
soprano vocals [Cupid]:
Nancy Argenta (soprano) (in 1991-06)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act III, 27. “Sound a parley” (Cupid and Cold Genius, followed by ritornello and chorus) (in 1991-06)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
34:25
28King Arthur: Act 3: Third Act Tune: Hornpipe (Orchestra)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
orchestra:
The English Concert (in 1991-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1991-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1991-06)
concertmaster:
Monica Huggett (violinist) (in 1991-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-06)
recording of:
King Arthur, Z. 628: Act III, 28. Third Act Tune: Hornpipe (in 1991-06)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act III
30:48
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