| # | Title | Rating | Length |
|---|
| 1 | Heaven Is Here | 4 | 1:51 |
| 2 | Dog Days Are Over | 3.8 | 4:11 |
| 3 | Choreomania | 4 | 3:33 |
| 4 | Delilah | 3.65 | 4:53 |
| 5 | Hunger- additional recording engineer:
- Michael Harris , Tim Montague and Morgan Stratton
- recording engineer:
- Emile Haynie and Brett Shaw
- assistant engineer:
- Christopher Cerullo
- producer:
- Emile Haynie and Florence Welch
- additional drums (drum set):
- Emile Haynie and Florence Welch
- additional guitar:
- Jonathan Wilson
- drums (drum set):
- Carla Azar
- guitar:
- Robert Ackroyd
- harp:
- Tom Monger
- mellotron, organ and piano:
- Thomas Bartlett
- pedal steel guitar:
- Greg Leisz
- synthesizer:
- Emile Haynie
- vocals:
- Florence Welch
- phonographic copyright (℗) by:
- Universal Music Operations Ltd. (in 2018)
- additionally recorded at:
- Sunset Sound in Hollywood, Los Angeles, California, United States, The Dairy Studios in Brixton, Lambeth, London , England, United Kingdom and Vox Recording Studios in Hollywood, Los Angeles, California, United States
- recorded at:
- 123 Studios in Peckham, Southwark, London , England, United Kingdom
- recording of:
- Hunger
- writer:
- Emile Haynie , Tobias Jesso Jr., Thomas Bartlett and Florence Welch
| 4.4 | 3:35 |
| 6 | Shake It Out | 3.85 | 4:38 |
| 7 | King | 4.2 | 4:40 |
| 8 | Cosmic Love | 3.8 | 4:15 |
| 9 | Spectrum | 3.9 | 5:12 |
| 10 | Falling | 3 | 3:34 |
| 11 | My Love- assistant recording engineer:
- Ben Loveland, Lauren Marquez and John Rooney
- programming:
- Dave Bayley
- additional engineer:
- Laura Sisk
- engineer:
- Billy Halliday
- producer:
- Dave Bayley and Florence Welch
- assistant mixer:
- Bryce Bordone
- mixer:
- Serban Ghenea
- bass guitar, drums (drum set), guitar, keyboard, percussion, piano and strings:
- Dave Bayley
- cello:
- Ian Burdge and Chris Worsey
- harp:
- Tom Moth
- violin:
- Natalia Bonner , Gillon Cameron , Richard George , Marianne Haynes , Rick Koster , Everton Nelson , Kate Robinson , Julia Singleton , Nicky Sweeney and Lucy Wilkins
- vocals:
- Florence Welch
- strings arranger:
- Tom Moth and Florence Welch
- phonographic copyright (℗) by:
- Universal Music Operations Ltd. (in 2022)
- music videos:
- My Love by Florence + the Machine
- recording of:
- My Love
- writer:
- Dave Bayley and Florence Welch
| 4.1 | 3:51 |
| 12 | All This and Heaven Too | 3.4 | 4:06 |
| 13 | Drumming Song- recording engineer:
- Jimmy Robertson
- producer:
- James Ford
- assistant mixer:
- Neil Comber
- mixer:
- Cenzo Townsend
- editor:
- Ben Mortimer
- additional piano, bass guitar, drums (drum set) and organ:
- James Ford
- cello:
- Ian Burdge
- harp:
- Tom Moth
- piano:
- Isabella Summers
- viola:
- Bruce White
- violin:
- Sally Herbert and Everton Nelson
- background vocals:
- Victoria Akintola, Ladonna Harley‐Peters and Florence Welch
- lead vocals:
- Florence Welch
- phonographic copyright (℗) by:
- Universal Island Records Ltd. (in 2009)
- recorded at:
- Strongroom in Shoreditch, Hackney, London , England, United Kingdom
- mixed at:
- Metropolis in London , England, United Kingdom
- music videos:
- Drumming Song (music video) by Florence + the Machine
- instrumental versions:
- Drumming Song (instrumental) by Florence + the Machine
- recording of:
- Drumming Song
- writer:
- James Ford , Crispin Hunt and Florence Welch
| 4.25 | 3:43 |
| 14 | Ship to Wreck | 4 | 3:55 |
| 15 | Free | 4.5 | 3:55 |
| 16 | Third Eye- assistant recording engineer:
- Ronan Phelan
- recording engineer:
- Mat Bartram
- assistant engineer:
- Iain Berryman and Jonathan Sagis
- engineer:
- Robin Baynton
- producer:
- Markus Dravs
- assistant mixer:
- Geoff Swan
- mixer:
- Mark “Spike” Stent
- bass:
- Mark Saunders
- body percussion:
- Iain Berryman , Markus Dravs and Florence Welch
- cornet:
- Iain Berryman
- drums (drum set):
- Chris Hayden
- electric guitar:
- Leo Abrahams, Markus Dravs and Rob Ackroyd
- euphonium:
- Ed Tarrant and Andy Wood
- French horn:
- Nigel Black , Elise Campbell , Pip Eastop and Sam Jacobs
- piano:
- Robin Baynton
- tenor trombone:
- Richard Edwards
- trumpet:
- Andy Crowley, John Barclay , Philip Cobb and Tom Rees‐Roberts
- tuba:
- Oren Marshall
- ukulele:
- Rob Ackroyd
- background vocals:
- Janelle Martin, Baby N’Sola, Nim Miller and Florence Welch
- lead vocals:
- Florence Welch
- conductor:
- Sally Herbert
- brass arranger:
- Sally Herbert
- phonographic copyright (℗) by:
- Island Records Ltd. (in 2015)
- recorded at:
- Angel Studios in Islington, London , England, United Kingdom
- mixed at:
- Mixsuite UK in London , England, United Kingdom
- engineered at:
- The Pool in Southwark, London , England, United Kingdom
- music videos:
- Third Eye by Florence + the Machine
- instrumental versions:
- Third Eye (instrumental) by Florence + the Machine
- recording of:
- Third Eye
- lyricist and composer:
- Florence Welch
| 4 | 4:20 |
| 17 | Between Two Lungs | 3.7 | 4:09 |
| 18 | Big God- additional recording engineer:
- Keith Gretlein and Michael Harris
- recording engineer:
- Emile Haynie and Brett Shaw
- assistant engineer:
- Christopher Cerullo and Derrick Stockwell
- additional producer:
- Brett Shaw
- producer:
- Emile Haynie and Florence Welch
- additional drums (drum set):
- James Gadson , Emile Haynie and Brett Shaw
- alto saxophone:
- Terrace Martin
- baritone saxophone:
- David Bishop and David Moyer
- bass clarinet:
- Charles Owens and Anthony Pike
- bass trombone:
- Roger Argente
- bassoon:
- Gavin McNaughton
- cello:
- Ian Burdge , Vicky Matthews , Tony Woollard and Chris Worsey
- double bass:
- Mary Scully and Allen Walley
- drums (drum set):
- Florence Welch and Jamie xx
- flugelhorn:
- Dan Newell
- flute:
- Karen Jones , Anna Noakes and Rickey Washington
- French horn:
- Amy Sanchez, Richard Watkins and Katy Woolley
- keyboard and mellotron:
- Thomas Bartlett
- percussion and piano:
- Florence Welch
- synthesizer:
- Emile Haynie , Brett Shaw, Thomas Bartlett and Jamie xx
- tenor saxophone:
- Kamasi Washington
- trumpet:
- Maurice Brown and Andrew Crowley
- vocals:
- Florence Welch
- horn arranger:
- Kamasi Washington
- phonographic copyright (℗) by:
- Universal Music Operations Ltd. (in 2018)
- additionally recorded at:
- Henson Recording Studios in Hollywood, Los Angeles, California, United States and Vox Recording Studios in Hollywood, Los Angeles, California, United States
- recorded at:
- 123 Studios in Peckham, Southwark, London , England, United Kingdom
- recording of:
- Big God
- writer:
- Jamie Smith and Florence Welch
| 3.5 | 4:02 |
| 19 | Rabbit Heart (Raise It Up)- recording engineer:
- Mark Rankin
- programming and producer:
- Paul Epworth
- assistant mixer:
- Neil Comber
- mixer:
- Cenzo Townsend
- drums (drum set):
- Christopher Lloyd Hayden
- harp:
- Tom Moth
- organ, percussion, piano and synthesizer:
- Paul Epworth
- lead vocals:
- Florence Welch
- phonographic copyright (℗) by:
- Universal Island Records Ltd. (in 2009)
- recorded at:
- The Pool in Southwark, London , England, United Kingdom
- mixed at:
- Metropolis in London , England, United Kingdom
- instrumental versions:
- Rabbit Heart (Raise It Up) (instrumental) by Florence + the Machine
- recording of:
- Rabbit Heart (Raise It Up)
- writer:
- Brian Degraw , Elizabeth Bougatsos, Paul Epworth, Joshua Alden Deutsch, Timothy Wayne Dewit and Florence Welch
- is based on:
- House Jam
| 3.85 | 3:52 |
| 20 | What the Water Gave Me | 4.15 | 5:33 |
| 21 | Which Witch | 3.65 | 4:19 |
| 22 | Dream Girl Evil | 3.95 | 3:47 |
| 23 | My Boy Builds Coffins | 3.35 | 2:56 |
| 24 | Girls Against God | 4 | 4:40 |
| 25 | Seven Devils | 3.55 | 5:03 |
| 26 | Blinding | 3.35 | 4:36 |
| 27 | The Bomb | 4 | 2:45 |
| 28 | What Kind of Man- assistant recording engineer:
- Ronan Phelan
- recording engineer:
- Mat Bartram
- additional engineer:
- Iain Berryman and Joe Kearns
- assistant engineer:
- Jonathan Sagis
- co-producer:
- John Hill
- producer:
- Markus Dravs
- assistant mixer:
- Geoff Swan
- mixer:
- Mark “Spike” Stent
- bass:
- Mark Saunders
- drums (drum set):
- Chris Hayden
- electric guitar:
- Leo Abrahams and Rob Ackroyd
- euphonium:
- Ed Tarrant and Andy Wood
- French horn:
- Nigel Black , Elise Campbell , Pip Eastop and Sam Jacobs
- percussion:
- Chris Hayden and Markus Dravs
- synthesizer:
- Markus Dravs and John Hill
- tenor trombone:
- Richard Edwards
- trumpet:
- John Barclay , Philip Cobb , Andrew Crowley and Tom Rees‐Roberts
- tuba:
- Oren Marshall
- background vocals:
- Janelle Martin, Baby N’Sola, Nim Miller and Florence Welch
- lead vocals:
- Florence Welch
- brass arranger:
- John Hill and Kid Harpoon
- phonographic copyright (℗) by:
- Island Records Ltd. (in 2015)
- recorded at:
- Angel Studios in Islington, London , England, United Kingdom
- mixed at:
- Mixsuite UK in London , England, United Kingdom
- engineered at:
- The Pool in Southwark, London , England, United Kingdom
- music videos:
- What Kind of Man by Florence + the Machine
- instrumental versions:
- What Kind of Man (instrumental) by Florence + the Machine
- part of:
- Grammy Award: Best Rock Performance nominees (number: 2016) and Indie 88: Top 500 Indie Rock Songs (number: 405)
- recording of:
- What Kind of Man
- writer:
- John Hill , Tom Hull and Florence Welch
- publisher:
- EMI April Music Inc., Goldzeal Ltd., Rodeoman Music and Universal Music Publishing Ltd.
| 4.05 | 3:36 |
| 29 | Never Let Me Go | 4 | 4:31 |
| 30 | Mermaids | 5 | 4:35 |
| 31 | Only If for a Night | 3.9 | 4:58 |
| 32 | June | 4 | 3:42 |
| 33 | No Light, No Light | 4 | 4:35 |
| 34 | Mother | 3.5 | 5:50 |
| 35 | The End of Love | 3.65 | 4:41 |
| 36 | Cassandra | 4 | 4:18 |
| 37 | Heartlines | 3.55 | 5:01 |
| 38 | I'm Not Calling You a Liar | 3.45 | 3:05 |
| 39 | How Big, How Blue, How Beautiful- assistant recording engineer:
- Ronan Phelan
- recording engineer:
- Mat Bartram
- assistant engineer:
- Iain Berryman and Jonathan Sagis
- engineer:
- Robin Baynton
- producer:
- Markus Dravs
- assistant mixer:
- Eduardo de La Paz
- mixer:
- Craig Silvey
- acoustic guitar:
- Rob Ackroyd
- alto flute and flute:
- Eliza Marshall
- bass:
- Mark Saunders
- bass [basses]:
- Richard Pryce and Lucy Shaw
- cello:
- Ian Burdge , Nick Cooper , Sophie Harris and Chris Worsey
- cimbalom [Cimbalom] and harp:
- Pete Prokopiw
- drums (drum set):
- Crhis Hayden
- electric guitar:
- Steve Jones
- euphonium:
- Ed Tarrant and Andy Wood
- flugelhorn [flugel trumpet]:
- Philip Cobb
- French horn:
- Nigel Black , Elise Campbell , Pip Eastop and Sam Jacobs
- piano:
- Robin Baynton
- piccolo trumpet:
- John Barclay
- Rhodes piano [Rhodes organ]:
- Robin Baynton and Isabella Summers
- tenor trombone:
- Richard Edwards
- trumpet:
- Andy Crowley, Philip Cobb , John Barcley and Tom Rees‐Roberts
- tuba:
- Oren Marshall
- viola:
- Max Baillie, Fiona Bonds , Ian Rathbone and Rachel Robson
- violin:
- Ian Belton , Natalia Bonner , Gillon Cameron , Alison Dods , Ian Humphries , Patrick Kiernan , Ciaran McCabe , Ann Morfee , Emlyn Singleton , Julia Singleton , Sonia Slany and John Smart
- background vocals:
- Janelle Martin, Baby N’Sola, Nim Miller and Florence Welch
- vocals:
- Florence Welch
- conductor:
- Sally Herbert
- bass arranger and strings arranger:
- Ali Helnwein and Will Owen
- orchestrator:
- Sally Herbert
- phonographic copyright (℗) by:
- Island Records Ltd. (in 2015)
- recorded at:
- Angel Studios in Islington, London , England, United Kingdom
- mixed at:
- Toast Studios in London , England, United Kingdom
- engineered at:
- The Pool in Southwark, London , England, United Kingdom
- music videos:
- How Big, How Blue, How Beautiful… by Florence + the Machine
- instrumental versions:
- How Big, How Blue, How Beautiful (instrumental) by Florence + the Machine
- recording of:
- How Big, How Blue, How Beautiful
- writer:
- Isabella Summers and Florence Welch
- publisher:
- Florence + the Machine Limited
| 3.75 | 5:35 |
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