Tour of Duty 5: The Strongest Popclassics From the 60's and 70's

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1It's a Man's Man's Man's World
registrata a:
New York, New York, Stati Uniti (il 1966-02-16)
tecnico:
Ron Lenhoff
produttore:
James Brown (The Godfather of Soul)
batteria :
Bernard “Pretty” Purdie (il 1966-02-16)
chitarra :
Billy Butler (jazz guitarist) (il 1966-02-16)
sassofono baritono :
Haywood Henry (US jazz saxophonist) (il 1966-02-16)
tromba :
Dud Bascomb (Sr., jazz trumpeter) (il 1966-02-16), Waymon Reed (il 1966-02-16) e Lammar Wright (il 1966-02-16)
voce principale:
James Brown (The Godfather of Soul) (il 1966-02-16)
registrata presso:
Talent Masters Studios in New York, New York, Stati Uniti (il 1966-02-16)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 123)
registrazione di:
It’s a Man’s Man’s Man’s World (il 1966-02-16)
autore:
James Brown (The Godfather of Soul) e Betty Jean Newsome
James Brown4.42:44
2Dancing in the Street
produttore:
William Stevenson (Motown songwriter)
altri strumenti [tire iron] :
Ivy Jo Hunter (il 1964-06-29)
batteria :
Marvin Gaye (il 1964-06-29)
chitarra :
Joe Messina (il 1964-06-29), Robert White (US funk/soul guitarist) (il 1964-06-29) e Eddie Willis (il 1964-06-29)
chitarra basso :
James Jamerson (il 1964-06-29)
percussione , tamburello e vibrafono [vibes] :
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (il 1964-06-29)
sassofono baritono :
Thomas Bowles (il 1964-06-29)
sassofono tenore :
Henry Cosby (il 1964-06-29)
tromba :
Russell Conway (trumpet player) (il 1964-06-29) e Herbert Williams (trumpet player) (il 1964-06-29)
trombone :
George Bohanon (il 1964-06-29) e Paul Riser (il 1964-06-29)
voce di accompagnamento:
Rosalind Ashford (il 1964-06-29), Ivy Jo Hunter (il 1964-06-29), Betty Kelly (il 1964-06-29) e William Stevenson (Motown songwriter) (il 1964-06-29)
voce principale:
Martha Reeves (il 1964-06-29)
editore:
EMI Music Publishing (do not use as a release label!)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1964) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1964)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 7), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 40), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 130) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 403)
registrazione di:
Dancing in the Street (il 1964-06-29)
autore:
I. Hunter, M. Gaye e W. Stevenson (Motown songwriter)
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), FCG Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., MG III Music, NMG Music, Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Martha and the Vandellas3.552:38
3Have You Ever Seen the Rain?
tecnico di registrazione e tecnico di missaggio:
Russ Gary
produttore:
John Fogerty
batteria :
Doug Clifford
chitarra :
John Fogerty e Tom Fogerty
chitarra basso :
Stu Cook
voce principale:
John Fogerty
arrangiatore:
John Fogerty
diritti fonografici (℗) detenuti da:
Fantasy Records (not for release label use! file releases under its "Fantasy" imprint instead) (nel 1976)
registrata presso e mixata presso:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, Stati Uniti
registrazione di:
Have You Ever Seen the Rain? (nel 1971-11)
paroliere e compositore:
John Fogerty
editore:
Burlington Music Co., Ltd., Jondora Music e Prestige Music Co. Ltd.
Creedence Clearwater Revival4.42:38
4World
tecnico:
Mike Clayton (classical engineer)
produttore:
Bee Gees e Robert Stigwood
organo :
Robin Gibb (il 1967-10-03)
pianoforte :
Maurice Gibb (il 1967-10-03)
direttore d'orchestra:
Bill Shepherd (British orchestra leader, arranger and music director, most known for his arrangements for the Bee Gees)
arrangiatore:
Bill Shepherd (British orchestra leader, arranger and music director, most known for his arrangements for the Bee Gees)
diritti fonografici (℗) detenuti da:
Barry Gibb (nel 1967), Maurice Gibb (nel 1967) e Robin Gibb (nel 1967)
diritti fonografici (℗) detenuti da:
PolyGram International Ltd. (nel 1967), PolyGram International Music B.V. (not for release label use!) (nel 1967), Robert Stigwood Organisation Ltd. (nel 1968) e RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (nel 1968)
registrata presso:
IBC Studios in London (Greater London), England, Regno Unito (il 1967-10-03)
registrazione di:
World (il 1967-10-03)
autore:
Barry Gibb, Maurice Gibb e Robin Gibb
editore:
BMG Music, BMG Publishing Ltd., Careers Music, Inc., Gibb Brothers Music e Abigail Music (nel 1967)
Bee Gees33:12
5Ain't No Sunshine
tecnico di registrazione:
Bill Halverson (nel 1971) e Bill Lazarus (nel 1971)
produttore:
Booker T. Jones
tecnico di missaggio:
John Golden (mastering engineer)
basso elettrico :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (nel 1971)
batteria :
Al Jackson, Jr. (Booker T & The MGs drummer) (nel 1971)
chitarra acustica :
Stephen Stills (nel 1971)
voce principale:
Bill Withers (nel 1971)
arrangiatore archi :
Booker T. Jones
diritti fonografici (℗) detenuti da:
CBS Inc. (US broadcasting company; file no releases here!) (nel 1971) e Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1972)
parte di:
BILLIONS CLUB, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 179), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 280) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 309)
registrazione di:
Ain’t No Sunshine (nel 1971)
paroliere e compositore:
Bill Withers
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated) e EMI Songs Ltd.
Bill Withers4.52:03
6You Wear It Well
registrazione di:
You Wear It Well
autore:
Martin Quittenton (guitarist for Steamhammer) e Rod Stewart
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), G.H. Music Ltd, Three Bridges Music Corp., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Windswept Pacific Music Ltd. (publishing company)
Rod Stewart44:08
7Evil Ways
tecnico:
Bob Breault e Eric Prestidge
produttore:
Brent Dangerfield e Santana (US Latin, blues, & rock band)
batteria :
Michael Shrieve (il 1969-05-12)
chitarra :
Carlos Santana (il 1969-05-12)
chitarra basso :
David Brown (US bassist for Santana/Allman Brothers/31st of February) (il 1969-05-12)
congas e percussione :
Michael Carabello (il 1969-05-12)
congas, percussione e timbales :
José “Chepito” Áreas (il 1969-05-12)
organo e pianoforte :
Gregg Rolie (il 1969-05-12)
voce:
Gregg Rolie (il 1969-05-12) e Carlos Santana (il 1969-05-12)
arrangiatore:
Alberto Gianquinto
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1969), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1969) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1969)
registrata presso:
Pacific Recording Studio in San Mateo, California, Stati Uniti (il 1969-05-12)
mixata presso:
Pacific Recording Studio in San Mateo, California, Stati Uniti
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 69)
registrazione cover di:
Evil Ways (il 1969-05-12)
paroliere e compositore:
Clarence “Sonny” Henry (US jazz guitarist aka Sonny Henry)
editore:
EMI United Partnership Ltd., Gibson Music, Richcar Music, Sah Music e Universal–Songs of PolyGram International, Inc.
Santana4.23:53
8Time Is Tight
registrazione di:
Time Is Tight
compositore:
Steve Cropper, Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter), Al Jackson, Jr. (Booker T & The MGs drummer) e Booker T. Jones
editore:
Al Jackson Jr. Music e Irving Music (BMI)
Booker T. & the MG’s44:19
9Funky Broadway
produttore:
Jerry Wexler
basso elettrico [electric bass] :
Tommy Cogbill (dal 1967-02-01 al 1967-02-04)
batteria :
Roger Hawkins (dal 1967-02-01 al 1967-02-04)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (dal 1967-02-01 al 1967-02-04) e Lincoln "Chips" Moman (dal 1967-02-01 al 1967-02-04)
sassofono baritono :
Floyd Newman (dal 1967-02-01 al 1967-02-04)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (dal 1967-02-01 al 1967-02-04) e Jimmy Mitchell (saxophone) (dal 1967-02-01 al 1967-02-04)
tastiera [piano, organ] :
Dewey "Spooner" Oldham (dal 1967-02-01 al 1967-02-04)
tromba :
Gene “Bowlegs” Miller (American trumpeter) (dal 1967-02-01 al 1967-02-04)
voce:
Wilson Pickett (dal 1967-02-01 al 1967-02-04)
registrata presso:
Fame Studios in Muscle Shoals, Alabama, Stati Uniti (dal 1967-02-01 al 1967-02-04)
registrazione cover di:
Funky Broadway (dal 1967-02-01 al 1967-02-04)
paroliere e compositore:
Arlester “Dyke” Christian
Wilson Pickett22:33
10Rocket Man
tecnico:
Ken Scott (UK record producer & engineer)
produttore:
Gus Dudgeon
batteria :
Nigel Olsson
chitarra :
Davey Johnstone
chitarra basso :
Dee Murray
pianoforte e voce principale:
Elton John (English singer, songwriter, pianist, and composer)
sintetizzatore :
David Hentschel
voce di accompagnamento:
Davey Johnstone, Dee Murray e Nigel Olsson
diritti fonografici (℗) detenuti da:
This Record Co. Ltd. (copyright holder) (nel 1972)
registrata presso:
Château d'Hérouville in Hérouville, Val-d'Oise, Île-de-France, Francia
parte di:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 92), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 149) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 242)
registrazione di:
Rocket Man (I Think It’s Going to Be a Long, Long Time)
paroliere:
Bernie Taupin
compositore:
Elton John (English singer, songwriter, pianist, and composer)
editore:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) e Universal–Songs of PolyGram International, Inc.
Elton John4.054:36
11Reflections
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
registrazione di:
Reflections
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
EMI Songs, Jobete Music (appears also as: Jobete Msc.), ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) e Stone Agate Music (nel 1967)
Diana Ross & The Supremes2:50
12School's Out
tecnico:
Roy Cicala e Shelly Yakus
produttore:
Bob Ezrin
basso elettrico :
Dennis Dunaway (original bass player for Alice Cooper)
batteria :
Neil Smith (former Alice Cooper drummer)
chitarra e voce di accompagnamento:
Reggie Vincent
chitarra elettrica :
Michael Bruce (of Alice Cooper) e Glen Buxton (American guitarist)
tastiera :
Michael Bruce (of Alice Cooper) e Bob Ezrin
voce principale:
Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1972, nel 1974) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1972)
è stato produttore per:
Alive Enterprises Incorporated e Nimbus 9 Productions
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 293) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 319)
registrazione di:
School’s Out
autore:
Michael Bruce (of Alice Cooper), Glen Buxton (American guitarist), Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974), Dennis Dunaway (original bass player for Alice Cooper) e Neal Smith (former Alice Cooper drummer)
editore:
Bizarre Music Co. (US work publisher), BMG Platinum Songs US, Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ezra Music, Ezra Music Corp., Opus 19 Music, Primary Wave Music Publishing, Sony/ATV Music Publishing, Third Palm Music, Universal Music Publishing Group, Warner Bros. Music (publisher; do NOT use as release label) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.23:27
13Concrete and Clay
tecnico:
Victor Smith
produttore:
John Barker (producer)
esecutore:
Unit 4+2
registrazione di:
Concrete and Clay
autore:
Tommy Moeller e Brian Parker
editore:
Apollo Music Ltd. (UK work publisher), EMI Longitude Music, Universal/MCA Music Publishing Pty Ltd, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Unit 4+23.52:11
14If I Were a Carpenter
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
registrazione cover di:
If I Were a Carpenter
paroliere e compositore:
Tim Hardin
editore:
Allen Stanton Productions, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Faithful Virtue Music
Four Tops2:46
15So You Want to Be a Rock 'n' Roll Star
registrazione di:
So You Want to Be a Rock ’n’ Roll Star
autore:
Chris Hillman e Roger McGuinn
editore:
Tickson Music Co.
The Byrds2:04
16A Salty Dog
registrazione di:
A Salty Dog
paroliere:
Keith Reid
compositore:
Gary Brooker
Procol Harum24:32
17Question
registrazione di:
Question
paroliere e compositore:
Justin Hayward (of the Moody Blues)
editore:
Essex (publisher)
The Moody Blues4:50
18Sunshine of Your Love
tecnico di registrazione:
Tom Dowd (dal 1967-04 al 1967-05)
produttore:
Felix Pappalardi
basso :
Jack Bruce (dal 1967-04 al 1967-05)
batteria :
Ginger Baker (dal 1967-04 al 1967-05)
chitarra :
Eric Clapton (dal 1967-04 al 1967-05)
voce:
Jack Bruce (dal 1967-04 al 1967-05) e Eric Clapton (dal 1967-04 al 1967-05)
diritti fonografici (℗) detenuti da:
Robert Stigwood Group Ltd. (nel 1967), Robert Stigwood Organisation Ltd. (nel 1967, nel 1969) e Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1967)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1967-04 al 1967-05)
parte di:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (numero: 11), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 44), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 65) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
Sunshine of Your Love (dal 1967-04 al 1967-05)
autore:
Pete Brown (UK poet & producer, with Cream and Jack Bruce), Jack Bruce e Eric Clapton
editore:
Casserole Music Corp., Dratleaf Music Ltd., E.C. Music (UK work publisher for Eric Clapton), Nemperor Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner Chappell Music, Inc.
Cream4.354:09
19I Can See Clearly Now
registrazione di:
I Can See Clearly Now
paroliere e compositore:
Johnny Nash (US reggae/pop singer-songwriter)
editore:
Cayman Music, CP Masters B V, Dovan Music, Rondor Music (London) Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Artemis Music Limited, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Johnny Nash2:31
20Little Man
registrazione di:
Little Man (Sonny & Cher)
paroliere e compositore:
Sonny Bono
editore:
Chris Marc Music
Sonny & Cher33:15
21Stay With Me
produttore:
Faces (successor of “Small Faces”, members Rod Stewart, Ron Wood) e Glyn Johns
batteria :
Kenney Jones (drummer for Small Faces, Faces, and The Who)
chitarra :
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
chitarra basso :
Ronnie Lane
piano elettrico Wurlitzer :
Ian McLagan
voce principale:
Rod Stewart
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1971) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1971)
registrazione di:
Stay With Me
autore:
Rod Stewart e Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
editore:
EMI April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Warner Bros. Music Co., Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) e WB Music Corp. (1929–2019)
Faces4.54:38
22Theme From 'Shaft'
produttore:
Isaac Hayes
bonghi e congas :
Gary Jones (percussionist)
chitarra :
Charles Pitts e Michael Toles
chitarra basso :
James Alexander (US soul bassist, singer and songwriter)
membranofono e tamburello :
Willie "Too Big" Hall
pianoforte elettrico :
Lester Snell (Pianist/keyboardist, songwriter and producer)
pianoforte elettrico, organo, pianoforte e vibrafono e voce principale:
Isaac Hayes
diritti fonografici (℗) detenuti da:
Stax Records (not for release) (nel 1971)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 303)
registrazione di:
Theme From Shaft (Shaft, 1971)
paroliere e compositore:
Isaac Hayes
editore:
Irving Music, Inc.
parte di:
The 44th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1971 winner)
parte di:
Shaft (1971 film soundtrack)
Isaac Hayes3.554:37

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