Soul Hits

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1(You Make Me Feel Like) A Natural Woman
tecnico di registrazione:
Tom Dowd (il 1967-02-16)
produttore:
Jerry Wexler
batteria :
Gene Chrisman (il 1967-02-16)
chitarra basso :
Tommy Cogbill (il 1967-02-16)
pianoforte :
Spooner Oldham (il 1967-02-16)
tromba :
Bernie Glow (il 1967-02-16), Melvin Lastie (il 1967-02-16) e Joe Newman (US jazz trumpeter) (il 1967-02-16)
cori:
Carolyn Franklin (il 1967-02-16), Erma Franklin (il 1967-02-16) e The Sweet Inspirations (il 1967-02-16)
voce:
Aretha Franklin (il 1967-02-16)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1967) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1967-02-16)
parte di:
RuPaul’s Drag Race Lip Sync Performances (season 4) (numero: 10) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 90)
registrazione di:
(You Make Me Feel Like) A Natural Woman (il 1967-02-16)
paroliere:
Gerry Goffin
autore aggiunto:
Jerry Wexler
compositore:
Carole King
editore:
Screen Gems–Columbia Music, Inc. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-editore:
Screen Gems–EMI Music Ltd. e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Aretha Franklin4.22:46
2Try a Little Tenderness
registrazione di:
Try a Little Tenderness
paroliere:
James Campbell (British songwriter and music publisher) e Reginald Connelly
compositore:
Harry M. Woods (American 1920/30s songwriter)
editore:
BMG Recordi ex Recordi G.&C., EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Warner Chappell e Campbell Connelly & Co. Ltd. (il 1932-11-04)
Otis Redding3:48
3Stand by Me
registrata a:
New York, New York, Stati Uniti (il 1960-10-27)
produttore:
Leiber and Stoller (songwriting team)
voce:
Ben E. King (il 1960-10-27)
direttore d'orchestra:
Stan Applebaum (US composer, arranger and conductor) (il 1960-10-27)
arrangiatore:
Stan Applebaum (US composer, arranger and conductor)
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1960, nel 1961) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1986)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 131) e BILLIONS CLUB
registrazione di:
Stand by Me (il 1960-10-27)
editore:
Mike Stoller
autore:
Ben E. King, Jerry Leiber e Mike Stoller
editore:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music e Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.652:56
4Hold on I'm Coming
registrata a:
Memphis, Tennessee, Stati Uniti (il 1966-03-08)
produttore:
Jim Stewart (US producer, founder for Stax & Volt Records)
voce:
Sam & Dave (il 1966-03-08)
registrazione di:
Hold On, I’m Comin’ (il 1966-03-08)
autore:
Isaac Hayes e David Porter (US soul musician, producer & songwriter)
editore:
Cotillion Music Inc. (BMI), East/Memphis Music, Irving Music, Inc., Pronto Music, Inc. (publisher) e Warner Bros. Music (publisher; do NOT use as release label)
sub-editore:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Sam & Dave52:35
5Mustang Sally
registrata a:
Muscle Shoals, Alabama, Stati Uniti (il 1966-10-13)
tecnico:
Tom Dowd e Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
produttore:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) e Jerry Wexler
basso elettrico [electric bass] :
Tommy Cogbill (dal 1966-10-13 al 1966-10-14)
batteria :
Roger Hawkins (dal 1966-10-13 al 1966-10-14)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (dal 1966-10-13 al 1966-10-14)
chitarra [lead guitar] :
Lincoln "Chips" Moman (dal 1966-10-13 al 1966-10-14)
sassofono tenore :
Gilbert Caples (dal 1966-10-13 al 1966-10-14), Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (dal 1966-10-13 al 1966-10-14) e Eddie Logan (dal 1966-10-13 al 1966-10-14)
tastiera [piano, organ] :
Dewey "Spooner" Oldham (dal 1966-10-13 al 1966-10-14)
tromba :
Gene “Bowlegs” Miller (American trumpeter) (dal 1966-10-13 al 1966-10-14)
voce:
Wilson Pickett (dal 1966-10-13 al 1966-10-14)
registrata presso:
Fame Studios in Muscle Shoals, Alabama, Stati Uniti (dal 1966-10-13 al 1966-10-14)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 434)
registrazione cover di:
Mustang Sally (dal 1966-10-13 al 1966-10-14)
paroliere e compositore:
Sir Mack Rice
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia Pty. Ltd., Fourteenth Hour Music, Inc., Springtime Music, Inc. e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Wilson Pickett43:07
6Warm and Tender Love
registrazione di:
Warm and Tender Love
paroliere e compositore:
Bobby Robinson
editore:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner Chappell North America
registrazione cover di:
Warm and Tender Love
paroliere e compositore:
Bobby Robinson
editore:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner Chappell North America
Percy Sledge3:20
7On Broadway
registrazione di:
On Broadway (Mann/Weil/Leiber/Stoller version for The Drifters)
autore:
Barry Mann e Cynthia Weil
autore aggiunto:
Jerry Leiber e Mike Stoller
editore:
Colgems-EMI Music Inc., Screen Gems‐Col, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
versione di:
On Broadway (original Mann/Weil version)
The Drifters3:03
8Memphis Soul Stew
registrata a:
Memphis, Tennessee, Stati Uniti (il 1967-07-05)
produttore:
King Curtis (saxophonist)
batteria [drums] :
Gene Chrisman (il 1967-07-05)
chitarra :
R.F. Taylor (guitarist) (il 1967-07-05) e Reggie Young (guitarist and songwriter) (il 1967-07-05)
chitarra basso [bass] :
Tommy Cogbill (il 1967-07-05)
organo :
Bobby Emmons (il 1967-07-05)
pianoforte :
Bobby Wood (American pianist, keyboard player and songwriter) (il 1967-07-05)
sassofono baritono :
Floyd Newman (il 1967-07-05)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (il 1967-07-05), King Curtis (saxophonist) (il 1967-07-05) e Jimmy Mitchell (saxophone) (il 1967-07-05)
tromba :
Bowlegs Miller (American trumpeter) (il 1967-07-05)
voce:
King Curtis (saxophonist) (il 1967-07-05)
registrazione di:
Memphis Soul Stew (il 1967-07-05)
autore:
Curtis Ousley
editore:
Kilynn Music Publishing, Inc. e Pronto Music (publisher)
King Curtis2:58
9Respect
tecnico di registrazione:
Tom Dowd (il 1967-02-14)
produttore:
Jerry Wexler
batteria :
Roger Hawkins (il 1967-02-14)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (il 1967-02-14)
chitarra basso :
Tommy Cogbill (il 1967-02-14)
cornetta :
Melvin Lastie (il 1967-02-14)
organo :
Spooner Oldham (il 1967-02-14)
pianoforte :
Aretha Franklin (il 1967-02-14)
sassofono baritono :
Willie Bridges (il 1967-02-14)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (il 1967-02-14) e King Curtis (saxophonist) (il 1967-02-14)
voce:
Aretha Franklin (il 1967-02-14)
voce di accompagnamento:
Carolyn Franklin (il 1967-02-14) e Erma Franklin (il 1967-02-14)
direttore d'orchestra:
Tom Dowd (il 1967-02-14)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1967) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1967)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1967-02-14)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 21), New York Post: 100 Greatest Covers (2007) (numero: 52) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione cover di:
Respect (il 1967-02-14)
paroliere e compositore:
Otis Redding
editore:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell e Warner/Chappell North America
Aretha Franklin3.92:25
10Walkin' the Dog
produttore:
Jim Stewart (US producer, founder for Stax & Volt Records)
voce:
Rufus Thomas (US blues & funk singer & songwriter)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1963 (numero: 24)
registrazione di:
Walking the Dog (nel 1963)
paroliere e compositore:
Rufus Thomas (US blues & funk singer & songwriter)
editore:
Almo Music Corp. (USA, affiliated with ASCAP) e East/Memphis Music
Rufus Thomas32:35
11Big Bird
registrazione di:
Big Bird
paroliere e compositore:
Eddie Floyd e Booker T. Jones
Eddie Floyd3:01
12Wrap It Up
produttore:
Isaac Hayes e David Porter (US soul musician, producer & songwriter)
registrazione di:
Wrap It Up
autore:
Isaac Hayes e David Porter (US soul musician, producer & songwriter)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Sam & Dave52:31
13Take a Letter Maria
registrata a:
Muscle Shoals, Alabama, Stati Uniti (il 1969-08-19)
produttore:
Ahmet Ertegun (US American Songwriter, producer)
archi :
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (il 1969-08-19)
voce:
R.B. Greaves (il 1969-08-19)
orchestra:
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (il 1969-08-19)
direttore d'orchestra:
Arif Mardin (il 1969-08-19)
arrangiatore:
Arif Mardin
registrazione di:
Take a Letter Maria (il 1969-08-19)
paroliere e compositore:
R.B. Greaves
editore:
PolyGram Music Publishing
R.B. Greaves42:45
14I've Been Loving You Too Long (To Stop Now)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 25)
registrazione di:
I’ve Been Loving You Too Long
autore:
Jerry Butler (soul singer) (nel 1965) e Otis Redding (nel 1965)
editore:
East (US publishing company affiliated with BMI), Time (US publishing entity affiliated with BMI) e Wildwood Music Ltd.
Otis Redding32:55
15Rainy Night in Georgia
produttore:
Arif Mardin
armonica (a bocca) :
Toots Thielemans (nel 1969)
basso :
Harold Cowart (il 1969-09-11)
batteria :
Ron Ziegler (drummer) (il 1969-09-11)
chitarra :
Cornell Dupree (nel 1969) e Jim O’Rourke (US musician & producer, b. 1969) (il 1969-09-11)
organo :
Billy Carter (organ, jazz) (il 1969-09-11)
pianoforte :
Dave Crawford (US soul songwriter, keyboard player, singer & producer) (il 1969-09-11)
strumenti:
Cold Grits (nel 1969)
voce di accompagnamento:
The Sweet Inspirations (il 1969-09-11)
arrangiatore:
Arif Mardin
registrata presso:
Criteria Studios in Miami, Florida, Stati Uniti (il 1969-09-11)
pubblicazioni successive:
Rainy Night in Georgia di Brook Benton
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 498)
registrazione cover di:
Rainy Night in Georgia (il 1969-09-11)
paroliere e compositore:
Tony Joe White
editore:
Combine Music Corp. e EMI Songs Limited
Brook Benton43:51
16Spanish Harlem
tecnico di registrazione:
Ron Albert (il 1971-02-16) e Chuck Kirkpatrick (il 1971-02-16)
tecnico:
Ron Albert e Chuck Kirkpatrick
produttore:
Tom Dowd, Arif Mardin e Jerry Wexler
tecnico di missaggio:
Arif Mardin
basso :
Chuck Rainey (American bassist) (il 1971-02-16)
batteria :
Bernard Purdie (il 1971-02-16)
chitarra :
Cornell Dupree (il 1971-02-16)
organo e pianoforte elettrico :
Donny Hathaway (il 1971-02-16)
pianoforte :
Aretha Franklin (il 1971-02-16)
voce:
Aretha Franklin (il 1971-02-16)
voce di accompagnamento:
Carolyn Franklin (il 1971-02-16), Erma Franklin (il 1971-02-16) e The Sweethearts of Soul (il 1971-02-16)
arrangiatore archi , arrangiatore corno , arrangiatore flauto e arrangiatore voce di accompagnamento:
Arif Mardin
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1971) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1971)
registrata presso:
Criteria Studios in Miami, Florida, Stati Uniti (il 1971-02-16)
registrazione cover di:
Spanish Harlem (il 1971-02-16)
paroliere:
Jerry Leiber
compositore:
Phil Spector
editore:
ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Carlin Music Corporation, Mother Bertha Music Inc., Sony/ATV Songs LLC, Trio Music Co., Inc. e Unichappell Music
Aretha Franklin23:30
17634-5789
registrata a:
Memphis, Tennessee, Stati Uniti (il 1965-12-20)
produttore:
Jerry Wexler
batteria :
Al Jackson (Booker T & The MGs drummer) (il 1965-12-20)
chitarra :
Steve Cropper (il 1965-12-20)
chitarra basso [bass] :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (il 1965-12-20)
pianoforte :
Isaac Hayes (il 1965-12-20)
sassofono baritono :
Floyd Newman (il 1965-12-20)
sassofono tenore :
Charles “Packy” Axton (il 1965-12-20) e Andrew Love (il 1965-12-20)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (il 1965-12-20)
voce:
Wilson Pickett (il 1965-12-20)
registrazione di:
634‒5789 (Soulsville, U.S.A.) (il 1965-12-20)
autore:
Steve Cropper e Eddie Floyd
Wilson Pickett2:58
18Charlie Brown
registrata a:
New York, New York, Stati Uniti (il 1958-12-11)
produttore:
Leiber and Stoller (songwriting team)
batteria [drums] :
Gary Chester (studio drummer and educator) (il 1958-12-11)
chitarra :
George Barnes (il 1958-12-11), Sammy Clarke (il 1958-12-11) e Allen Hanlon (jazz guitarist) (il 1958-12-11)
chitarra acustica :
Allen Hanlon (jazz guitarist) (il 1958-12-11)
chitarra elettrica :
Sammy Clarke (il 1958-12-11)
contrabbasso [bass] :
Wendell Marshall (il 1958-12-11)
pianoforte :
Mike Stoller (il 1958-12-11)
sassofono tenore :
King Curtis (saxophonist) (il 1958-12-11)
voce:
The Coasters (il 1958-12-11), Carl Gardner (il 1958-12-11), Cornell Gunter (il 1958-12-11), Billy Guy (il 1958-12-11) e Will “Dub” Jones (US R&B/doo wop vocalist) (il 1958-12-11)
arrangiatore:
Mike Stoller
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1958-12-11)
registrazione di:
Charlie Brown (il 1958-12-11)
autore:
Jerry Leiber e Mike Stoller
editore:
Sony/ATV Songs LLC
The Coasters2:20
19The Right Time
produttore:
Ahmet Ertegun (US American Songwriter, producer), Leiber and Stoller (songwriting team) e Jerry Wexler
basso :
Edgar Willis (bass) (il 1958-10-28)
batteria :
Milt Turner (il 1958-10-28)
pianoforte elettrico :
Ray Charles (soul musician, singer and songwriter) (il 1958-10-28)
sassofono baritono [baritone sax] :
Bennie "Hank" Crawford (il 1958-10-28)
sassofono contralto [alto sax] solista :
David “Fathead” Newman (American jazz saxophonist) (il 1958-10-28)
tromba :
Marcus Belgrave (il 1958-10-28) e Lee "Ricky" Harper" (Lee Harper, trumpet player (Ray Charles)) (il 1958-10-28)
voce:
Ray Charles (soul musician, singer and songwriter) (il 1958-10-28) e Margie Hendrix (il 1958-10-28)
voce di accompagnamento:
The Raelettes (il 1958-10-28)
arrangiatore:
Ray Charles (soul musician, singer and songwriter)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1958-10-28)
registrazione cover di:
Night Time Is the Right Time (il 1958-10-28)
compositore:
Lew Herman
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Planemar Music, Screen Gems–EMI Music Ltd. e Tro-Essex Music
Ray Charles53:28
20Tramp
registrata a:
Memphis, Tennessee, Stati Uniti (dal 1967-01 al 1967-02)
produttore:
Steve Cropper e Jim Stewart (US producer, founder for Stax & Volt Records)
basso elettrico [electric bass] :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (dal 1967-01 al 1967-02)
batteria :
Al Jackson (Booker T & The MGs drummer) (dal 1967-01 al 1967-02)
chitarra :
Steve Cropper (dal 1967-01 al 1967-02)
pianoforte :
Booker T. Jones (dal 1967-01 al 1967-02)
sassofono tenore :
Joe Arnold (dal 1967-01 al 1967-02) e Andrew Love (dal 1967-01 al 1967-02)
tastiera :
Isaac Hayes (dal 1967-01 al 1967-02) e Booker T. Jones (dal 1967-01 al 1967-02)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (dal 1967-01 al 1967-02)
voce:
Otis Redding (dal 1967-01 al 1967-02) e Carla Thomas (dal 1967-01 al 1967-02)
voce di accompagnamento:
Carla Thomas (dal 1967-01 al 1967-02)
esecutore:
Carla Thomas (dal 1967-01 al 1967-02)
registrazione cover di:
Tramp (dal 1967-01 al 1967-02)
autore:
Lowell Fulson e Jimmy McCracklin (blues singer, songwriter)
editore:
Budget Music, Careers–BMG Music Publishing, Inc. e Powerforce Music
Otis Redding & Carla Thomas4.43:01
21Saturday Night at the Movies
registrazione di:
Saturday Night at the Movies
autore:
Barry Mann e Cynthia Weil
editore:
Screen Gems–EMI Music Ltd.
The Drifters2:30
22Chain of Fools
registrata a:
New York, New York, Stati Uniti
tecnico di registrazione e tecnico di missaggio:
Tom Dowd
produttore:
Jerry Wexler
batteria :
Roger Hawkins (il 1967-06-23)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (il 1967-06-23) e Joe South (il 1967-06-23)
chitarra basso :
Tommy Cogbill (il 1967-06-23)
pianoforte :
Aretha Franklin (il 1967-06-23)
pianoforte elettrico :
Spooner Oldham (il 1967-06-23)
cori:
Carolyn Franklin (il 1967-06-23), Erma Franklin (il 1967-06-23), Ellie Greenwich (il 1967-06-23) e The Sweet Inspirations (il 1967-06-23)
voce:
Aretha Franklin (il 1967-06-23)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1967) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1967-06-23)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 249) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 306)
registrazione di:
Chain of Fools (il 1967-06-23)
paroliere e compositore:
Don Covay
editore:
14th Hour Music, Fourteenth Hour Music, Inc., Pronto Music (publisher), Springtime Music, Inc., Warner Chappell, Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner-Tamerlane Publishing Co. (publisher; do NOT use as release label)
adattamento di:
Verlga norih
Aretha Franklin4.252:47
23I Thank You
produttore:
Isaac Hayes e David Porter (US soul musician, producer & songwriter)
registrazione di:
I Thank You (il 1968-01-05)
autore:
Isaac Lee Hayes e David Porter (US soul musician, producer & songwriter)
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Cotillion Music Inc. (BMI), Irving Music, Inc., Rondor, Walden Music, Inc., Warner Chappell, WB Music Corp. (1929–2019) e Birdees Music (nel 1968)
Sam & Dave2:45
24Fa-Fa-Fa-Fa-Fa (Sad Song)
registrata a:
Memphis, Tennessee, Stati Uniti (il 1966-08-30)
produttore:
Jim Stewart (US producer, founder for Stax & Volt Records)
basso [electric bass] :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (il 1966-08-30)
batteria :
Al Jackson (Booker T & The MGs drummer) (il 1966-08-30)
chitarra :
Steve Cropper (il 1966-08-30)
organo :
Isaac Hayes (il 1966-08-30)
pianoforte :
Booker T. Jones (il 1966-08-30)
sassofono tenore :
Gilbert Caples (il 1966-08-30) e Andrew Love (il 1966-08-30)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (il 1966-08-30)
voce:
Otis Redding (il 1966-08-30)
registrazione di:
Fa‐Fa‐Fa‐Fa‐Fa (Sad Song) (il 1966-08-30)
autore:
Steve Cropper e Otis Redding
Otis Redding32:42
25Take Time to Know Her
produttore:
Marlin Greene (’60s teen artist, writer & engineer) e Quin Ivy
registrazione di:
Take Time to Know Her (il 1968-02-01)
paroliere e compositore:
Stephen Allen Davis (American singer-songwriter, born October 4, 1949 in Hendersonville, Tennessee)
autore:
Stephen Allen Davis (American singer-songwriter, born October 4, 1949 in Hendersonville, Tennessee) e Al Gallico
Percy Sledge3:03
26I'll Be Around
tecnico di registrazione:
Joe Tarsia (engineer)
produttore:
Thom Bell (keyboards, songwriter, producer)
basso :
Ron Baker (record producer, bassist, arranger and songwriter) (nel 1973)
batteria :
Earl Young (nel 1973)
percussione [vibraphone, marimba] :
Vince Montana (nel 1973)
pianoforte :
Thom Bell (keyboards, songwriter, producer) (nel 1973)
voce di accompagnamento:
Yvette Benson (nel 1973), Carla Benton (nel 1973) e Barbara Ingram (nel 1973)
voce di baritono:
Henry Fambrough (A member of the R&B quintet The Spinners) (nel 1973)
voce di basso:
Pervis Jackson (The bass singer for The Spinners) (nel 1973)
voce di tenore:
Billy Henderson (founding member of The Spinners) (nel 1973), Bobbie Smith (US R&B lead singer for The Spinners) (nel 1973) e Philippé Wynne (A lead vocalist of The Spinners) (nel 1973)
direttore d'orchestra:
Thom Bell (keyboards, songwriter, producer) (nel 1973)
remixer:
Joe Tarsia (engineer)
arrangiatore:
Thom Bell (keyboards, songwriter, producer)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
registrata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti (nel 1973)
mixata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti
registrazione di:
I’ll Be Around (nel 1973)
compositore:
Thom Bell (keyboards, songwriter, producer) e Phil Hurtt
editore:
Mighty Three Music Ld. e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners53:10

Accreditamenti

Pubblicazione

fabbricata da:Warner Music Manufacturing Europe (manufacturing company; not for release label use!)
copyright (©) detenuto da e diritti fonografici (℗) detenuti da:WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1994)
Discogs:https://www.discogs.com/release/7830553 [info]