Sounds of the Seventies: 1975, Take Two

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1CD
Nr.TitelKünstlerBewertungLänge
1When Will I Be Loved
recording engineer:
Val Garay und David Hassinger
Techniker(in):
Val Garay
Produzent(in):
Peter Asher
Bass:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt)
cowbell:
Peter Asher
guitar family und Tamburin:
Andrew Gold
Schlagzeug:
Russ Kunkel (session drummer)
Hintergrundgesang:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt), Andrew Gold und Linda Ronstadt
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1974, in 2013)
aufgenommen bei:
Sound Factory (1969–1980) in Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
When Will I Be Loved? (von 1974-06 bis 1974-09)
Texter und Komponist(in):
Phil Everly
publisher:
Acuff-Rose (BMI), Everly and Sons Music Publishing (BMI) und MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Linda Ronstadt52:07
2Bad Time
Produzent(in):
Jimmy Ienner (producer)
recording of:
Bad Time
Texter und Komponist(in):
Mark Farner
Grand Funk Railroad4.352:57
3Roll On Down the Highway
recording engineer und Mix:
Mark K. Smith (Canadian engineer)
assistierende(r) Techniker(in):
Buzz Richmond
Techniker(in):
Mark Smith (Canadian engineer)
Produzent(in):
Randy Bachman (Canadian guitarist, singer & songwriter)
assistierende(r) Mix:
Richard Dashut
Gitarre [fuzz]:
Blair Thornton
Solo-Gitarre:
Randy Bachman (Canadian guitarist, singer & songwriter)
Sologesang:
C.F. “Fred” Turner
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1974), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1974), Phonogram, Inc. (in 1975), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1975), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
aufgenommen bei:
Kaye–Smith Studios in Seattle, Washington, Vereinigte Staaten
mixed at:
Sound City Studios in Van Nuys, California (Kalifornien), Vereinigte Staaten
recording of:
Roll on Down the Highway
Verfasser(in):
Robbie Bachman und C.F. “Fred” Turner
publisher:
Eventide Music (run by Kevin Kendle), Ranbach Music (publisher), Randy Backman Music, Sony Songs Inc., Sony/ATV Songs LLC und Top Soil Music (publisher) (vom 1975 bis heute)
Bachman–Turner Overdrive4.53:57
4Movin’ On
recording engineer und Mix:
Ron Nevison
Techniker(in):
Ron Fawcus (Aufgabe: tape operator)
Produzent(in):
Bad Company (British blues-rock supergroup)
Bass:
Boz Burrell (English musician) (in 1973-11)
Gitarre:
Mick Ralphs (in 1973-11)
Schlagzeug:
Simon Kirke (in 1973-11)
vocals:
Paul Rodgers (in 1973-11)
aufgenommen bei:
Headley Grange (Grade II listed building, best known for its use as a recording and rehearsal venue in the 1960s–70s) in Hampshire, England, Vereinigtes Königreich (in 1973-11)
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
recording of:
Movin’ On (in 1973-11)
Texter und Komponist(in):
Mick Ralphs
publisher:
Badco Music, Inc.
Bad Company3.83:23
5Take Me in Your Arms (Rock Me)
cover recording of:
Take Me in Your Arms (Rock Me a Little While)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Stone Agate Music
sub-publisher:
ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
The Doobie Brothers53:43
6They Just Can’t Stop It (The Games People Play)
The Spinners53:28
7L-O-V-E (Love)
recording of:
L‐O‐V‐E (Love)
Texter:
Al Green (US soul singer, songwriter, pastor and record producer), Mabon Hodges (“Teenie”, soul guitarist) und Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
publisher:
Al Green Music Inc. (BMI-affiliated) und Irving Music, Inc.
Al Green4.33:07
8Shining Star
Techniker(in):
George Massenburg
Koproduzent(in):
Charles Stepney (musician, producer, arranger and songwriter)
Produzent(in):
Maurice White (Earth, Wind & Fire)
arranger:
Earth, Wind & Fire und Charles Stepney (musician, producer, arranger and songwriter)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1975)
recording of:
Shining Star
Verfasser(in):
Philip Bailey, Lorenzo Dunn und Maurice White (Earth, Wind & Fire)
publisher:
EMI April Music Inc.
Earth, Wind & Fire42:53
9Get Down Tonight
recording of:
Get Down Tonight
Verfasser(in):
Harry Wayne Casey und Richard Finch
publisher:
EMI Longitude Music und Southern Music (publisher)
KC and the Sunshine Band4.253:14
10I’m on Fire
recording of:
I’m on Fire
Texter und Komponist(in):
Dwight Twilley
Dwight Twilley Band53:17
11SOS
Techniker(in):
Michael B. Tretow
Produzent(in):
Benny Andersson (ABBA) und Björn Ulvaeus
Bassgitarre:
Mike Watson (English‐Swedish rock musician) (von 1974-08-22 bis 1974-08-23)
Gitarre:
Janne Schaffer (von 1974-08-22 bis 1974-08-23) und Björn Ulvaeus (von 1974-08-22 bis 1974-08-23)
Keyboard:
Benny Andersson (ABBA) (von 1974-08-22 bis 1974-08-23)
Schlagzeug:
Ola Brunkert (von 1974-08-22 bis 1974-08-23)
arranger:
Benny Andersson (ABBA) und Björn Ulvaeus
phonographisches Urheberrecht (℗) von:
Polar Music AB (in 1975) und Polar Music International AB (in 1975, in 2001, in 2014)
aufgenommen bei:
Glen Studio in Stockholms län (Stockholm county), Schweden (von 1974-08-22 bis 1974-08-23)
mixed at:
Metronome Studio in Stockholm, Stockholms län (Stockholm county), Schweden
recording of:
SOS (von 1974-08-22 bis 1974-08-23)
Verfasser(in):
Stig Anderson (Stikkan), Benny Andersson (ABBA) und Björn Ulvaeus
uraufgeführt von:
ABBA (Swedish pop group)
publisher:
EMI Grove Park Music, Inc., EMI Music Publishing (do not use as a release label!), Polar Music AB, Union Songs AB (publisher), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Group, Universal–Songs of PolyGram International, Inc., Universal/Union Songs Musikförlag AB, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und Union Songs Music (in 1975)
übersetzte Version von:
S.O.S.
Teil von:
Mamma Mia! (1999 musical)
ABBA3.953:22
12Shame, Shame, Shame
recording of:
Shame, Shame, Shame
Texter und Komponist(in):
Sylvia Robinson
publisher:
IQ Music Ltd.
Shirley & Company3.654:02
13Cut the Cake
recording of:
Cut the Cake
Verfasser(in):
Roger Ball, Molly Duncan, Alan Gorrie, Robbie McIntosh (Scottish drummer for Average White Band) und Hamish Stuart (Scottish guitarist, bassist, singer composer & producer)
Average White Band53:39
14You’re the First, the Last, My Everything
Techniker(in):
Frank Kejmar (engineer)
Produzent(in):
Barry White
arranger:
Gene Page und Barry White
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1974)
recording of:
You’re the First, the Last, My Everything
Verfasser(in):
Peter Sterling Radcliffe, Tony Sepe und Barry White
publisher:
Chappell & Co., Inc. (USA), January Music Corp., Little A Music, My Baby’s Music Company, Sa‐Vette Music, Sa‐Vette Music Inc., Unichappell Music, Inc. und World Song Publishing Inc.
Barry White3.753:34
15Low Rider
recording engineer:
Ed Barton (engineer), Andrew Berliner und Chris Huston
Partner-Produzent(in):
Lonnie Jordan und Howard E. Scott (US funk/rock guitarist, member of War)
Produzent(in):
Jerry Goldstein (producer, record label owner and publisher)
Mix:
Ed Barton (engineer)
recording of:
Low Rider
Verfasser(in):
Papa Dee Allen, Harold Brown, B.B. Dickerson, Jerry Goldstein (producer, record label owner and publisher), Lonnie Jordan, Charles Miller (US saxophonist & flutist, member of War), Lee Oskar und Howard E. Scott (US funk/rock guitarist, member of War)
War4.653:04
16Fight the Power, Part I
teilweise recording of:
Fight the Power
Verfasser(in):
Ernie Isley, Marvin Isley, O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs), Rudolph Isley und Chris Jasper
recording of:
Fight the Power
Verfasser(in):
Ernie Isley, Marvin Isley, O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs), Rudolph Isley und Chris Jasper
The Isley Brothers53:18
17Bungle in the Jungle
Techniker(in):
Robin Black (engineer)
Bassgitarre:
Jeffrey Hammond Hammond
Hammond-Orgel, Klavier, Pianoakkordeon und Synthesizer:
John Evan
Schlagzeug und Perkussion:
Barriemore Barlow
vocals:
Ian Anderson (of Jethro Tull)
recording of:
Bungle in the Jungle
Texter und Komponist(in):
Ian Anderson (of Jethro Tull)
Jethro Tull3.753:34
18Only Women Bleed
Produzent(in):
Bob Ezrin
Bassgitarre:
Prakash John
Clavinet:
Jozef Chirowski
Gitarre:
Steve Hunter (rock guitarist) und Dick Wagner
Keyboard:
Jozef Chirowski und Bob Ezrin
Schlagzeug:
Whitey Glan
Hintergrundgesang:
Jozef Chirowski, David Ezrin, Michael Sherman, The Summerhill Children’s Choir und Dick Wagner
Sologesang:
Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974)
arranger:
Bob Ezrin und Allan MacMillan
phonographisches Urheberrecht (℗) von:
Anchor Records Ltd. (in 1975), Atlantic (Warner Music imprint) (in 1975), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1975) und Atlantic Records (do not use as release label, use “Atlantic” instead) (in 1975)
Remix von:
Only Women Bleed von Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974)
Bearbeitung von:
Only Women Bleed von Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974)
recording of:
Only Women Bleed
Verfasser(in):
Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974) und Dick Wagner
publisher:
BMG Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Early Frost Music Corp. (, vom 1975 bis ????), EMI Blackwood Music Inc., Ezra Music, Mushroom Music Pty. Ltd., Primary Wave Music Publishing, Sony Music (global brand, excluding JP, owned by Sony Music Entertainment), Sony/ATV Songs LLC, Spirit One Music, Universal Music Publishing Group, Warner Chappell, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Ezra Music Corp. (vom 1975 bis heute)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.53:32
19Can’t Get It Out of My Head
Techniker(in):
Mike Pela und Dick Plant (engineer)
Produzent(in):
Jeff Lynne
Bass:
Michael d’Albuquerque (von 1974-06 bis 1974-08)
Gitarre und Sologesang:
Jeff Lynne (von 1974-06 bis 1974-08)
Klavier:
Richard Tandy (keyboardist for Electric Light Orchestra) (von 1974-06 bis 1974-08)
Moog:
Jeff Lynne (von 1974-06 bis 1974-08) und Richard Tandy (keyboardist for Electric Light Orchestra) (von 1974-06 bis 1974-08)
Perkussion und Schlagzeug:
Bev Bevan (English rock drummer) (von 1974-06 bis 1974-08)
conductor:
Louis Clark
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1974)
recording of:
Can’t Get It Out of My Head (von 1974-06 bis 1974-08)
geschrieben in:
Birmingham, West Midlands, England, Vereinigtes Königreich
Texter und Komponist(in):
Jeff Lynne
publisher:
EMI April Music Inc., EMI Blackwood Music Inc., EMI U Catalog Inc. (publisher; do NOT use as release label) und Polygon Publishing Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Electric Light Orchestra4.53:09
20Poetry Man
assistierende(r) Techniker(in):
Glen Berger
Techniker(in):
Phil Ramone
Koproduzent(in):
Phil Ramone
Produzent(in):
Dino Airali
Akustikgitarre [ld. acoustic guiitar]:
Phoebe Snow
akustische Bassgitarre [acoustic bass]:
Chuck Delmonico (American bassist)
Harfe [harpist]:
Margaret Ross (harp)
Orgel:
Bob James (US jazz keyboardist, arranger and producer)
Perkussion:
Ralph MacDonald
Tenorsaxophon:
John "Zoot" Sims (US jazz saxophonist)
vocals:
Phoebe Snow
phonographisches Urheberrecht (℗) von:
Shelter Recording Company Inc. (in 1974)
produced at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Vereinigte Staaten
recording of:
Poetry Man
Texter und Komponist(in):
Phoebe Snow
publisher:
Almo Music Corp. (USA, affiliated with ASCAP)
Phoebe Snow54:37
21I’m Not in Love
Bass und Gitarre:
Graham Gouldman (in 1975)
Effektgerät [musical effects]:
Eric (in 1975)
Hybrid-Piano und Sologesang:
Eric Stewart (in 1975)
Klavier:
Lol Creme (in 1975)
Moog:
Kevin Godley (in 1975)
Synclavier [control desk]:
Eric (in 1975), Graham (in 1975), Kevin (in 1975) und Lol (in 1975)
Hintergrundgesang:
Lol Creme (in 1975), Kevin Godley (in 1975) und Graham Gouldman (in 1975)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!)
Bearbeitung von:
I’m Not in Love (album version) von 10cc
recording of:
I’m Not in Love (in 1975)
Verfasser(in):
Graham Gouldman und Eric Stewart
publisher:
EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Man-Ken Music Ltd. (, in 1975), Schubert Music Publishing, St. Anne's Music und St. Anne’s Music Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
10cc4.23:47

Nennungen

Veröffentlichungsgruppe

Teil von:Sounds of the Seventies (Time-Life Music) (Nummer: 16) (Reihenfolge: 16)