Bach 333: Sacred & secular vocal (second half)

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Tracklist

1▶CD: Cantatas 207, 204, 216a (1726-1728)
2▶CD: Cantatas 198, 201 (1727-1729)
3▶CD: Cantatas 213, 214 (1733)
4▶CD: Cantatas 211, 215 (1734)
5▶CD: Cantatas 206, 30a (1736-1737)
6▶CD: Cantatas 209, 210, 212 (1730s-1740s)
7▶CD: Cantatas 67, 106, 19 / St. Matthew Passion (excerpts)
8▶CD: Cantatas 56, 82, 4
9▶CD: Cantatas 31, 104, 57
10▶CD: Cantatas 199, 173, 74, 151
11▶CD: Easter Oratorio / Cantata 140
12▶CD: Cantatas 170, 159, 102
13▶CD: Cantatas 80, 52, 84, 209
14▶CD: Cantatas 82, 158, 56
15▶CD: Cantatas 61, 63, 121, 28 (Advent & Christmas)
16▼CD: Cantatas 64, 65, 111, 81 (Advent & Christmas)
#TitleRatingLength
1"Sehet, welch eine Liebe hat uns der Vater erzeiget", BWV 64: 1. Chorus: "Sehet, welch eine Liebe hat uns der Vater erzeiget"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, in 1972-04) and Detlev Kühl (bassoonist) (in 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07, in 1972-04) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07, in 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, in 1972-04)
oboe d'amore:
Manfred Clement (oboist) (from 1970-06 until 1970-07, in 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, in 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, in 1972-04)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1970-06 until 1970-07, in 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, in 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, in 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, in 1972-04)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": I. Coro "Sehet, welch eine Liebe hat uns der Vater erzeiget" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
2:24
2"Sehet, welch eine Liebe hat uns der Vater erzeiget", BWV 64: 2. Chorale: "Das hat er alles uns getan"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, in 1972-04) and Detlev Kühl (bassoonist) (in 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07, in 1972-04) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07, in 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, in 1972-04)
oboe d'amore:
Manfred Clement (oboist) (from 1970-06 until 1970-07, in 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, in 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, in 1972-04)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1970-06 until 1970-07, in 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, in 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, in 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, in 1972-04)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": II. Choral "Das hat er alles uns getan" (from 1970-06 until 1970-07)
composer:
Martin Luther (German theologian of the Reformation) and Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 108)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
0:50
3"Sehet, welch eine Liebe hat uns der Vater erzeiget", BWV 64: 3. Recitative: "Geh, Welt! behalte nur das Deine"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, in 1972-04) and Detlev Kühl (bassoonist) (in 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07, in 1972-04) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07, in 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, in 1972-04)
oboe d'amore:
Manfred Clement (oboist) (from 1970-06 until 1970-07, in 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, in 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, in 1972-04)
alto vocals:
Anna Reynolds (alto) (from 1970-06 until 1970-07, in 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, in 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, in 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, in 1972-04)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": III. Recitativo (Alto) "Geh, Welt! behalte nur das Deine" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
0:54
4"Sehet, welch eine Liebe hat uns der Vater erzeiget", BWV 64: 4. Chorale: "Was frag ich nach der Welt"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, in 1972-04) and Detlev Kühl (bassoonist) (in 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07, in 1972-04) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07, in 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, in 1972-04)
oboe d'amore:
Manfred Clement (oboist) (from 1970-06 until 1970-07, in 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, in 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, in 1972-04)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1970-06 until 1970-07, in 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, in 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, in 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, in 1972-04)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": IV. Choral "Was frag ich nach der Welt" (from 1970-06 until 1970-07)
lyricist:
Georg Michael Pfefferkorn
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 280)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
1:01
5"Sehet, welch eine Liebe hat uns der Vater erzeiget", BWV 64: 5. Aria: "Was die Welt in sich hält"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, in 1972-04) and Detlev Kühl (bassoonist) (in 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07, in 1972-04) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07, in 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, in 1972-04)
oboe d'amore:
Manfred Clement (oboist) (from 1970-06 until 1970-07, in 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, in 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, in 1972-04)
soprano vocals:
Edith Mathis (soprano) (from 1970-06 until 1970-07, in 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, in 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, in 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, in 1972-04)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": V. Aria (Soprano) "Was die Welt in sich hält" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
5:24
6"Sehet, welch eine Liebe hat uns der Vater erzeiget", BWV 64: 6. Recitative: "Der Himmel belibet mir gewiss"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, in 1972-04) and Detlev Kühl (bassoonist) (in 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07, in 1972-04) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07, in 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, in 1972-04)
oboe d'amore:
Manfred Clement (oboist) (from 1970-06 until 1970-07, in 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, in 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, in 1972-04)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1970-06 until 1970-07, in 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, in 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, in 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, in 1972-04)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": VI. Recitativo (Basso) "Der Himmel bleibet mir gewiß" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
1:33
7"Sehet, welch eine Liebe hat uns der Vater erzeiget", BWV 64: 7. Aria: "Von der Welt verlang ich nichts"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, in 1972-04) and Detlev Kühl (bassoonist) (in 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07, in 1972-04) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07, in 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, in 1972-04)
oboe d'amore:
Manfred Clement (oboist) (from 1970-06 until 1970-07, in 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, in 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, in 1972-04)
alto vocals:
Anna Reynolds (alto) (from 1970-06 until 1970-07, in 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, in 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, in 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, in 1972-04)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": VII. Aria (Alto) "Von der Welt verlang ich nichts" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
6:45
8"Sehet, welch eine Liebe hat uns der Vater erzeiget", BWV 64: 8. Chorale: "Gute Nacht, o Wesen"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, in 1972-04) and Detlev Kühl (bassoonist) (in 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07, in 1972-04) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07, in 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, in 1972-04)
oboe d'amore:
Manfred Clement (oboist) (from 1970-06 until 1970-07, in 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, in 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, in 1972-04)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1970-06 until 1970-07) and Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, in 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, in 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, in 1972-04)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": VIII. Choral "Gute Nacht, o Wesen" (from 1970-06 until 1970-07)
lyricist:
Johann Franck (German poet of the 17th century)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 200)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
1:31
9"Sie werden aus Saba alle kommen", BWV 65: 1. [Chorus:] "Sie werden aus Saba alle kommen"
sound engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (in 1967-02) and Karl Kolbinger (bassoonist) (in 1967-02)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (in 1967-02) and Fritz Kiskalt (cellist) (in 1967-02)
cor anglais [Englischhorn I]:
Kurt Hausmann (oboist) (in 1967-02)
cor anglais [Englischhorn II]:
Andreas Schwinn (oboist) (in 1967-02)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (in 1967-02)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (in 1967-02) and Elmar Schloter (organist) (in 1967-02)
recorder [Blockflöte I]:
Hans-Martin Linde (flutist and conductor) (in 1967-02)
recorder [Blockflöte II]:
Konrad Hampe (flautist) (in 1967-02)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1967-02)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1967-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1967-02)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968) and Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1967-02)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": I. Coro "Sie werden aus Saba alle kommen" (in 1967-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
3:34
10"Sie werden aus Saba alle kommen", BWV 65: 2. Chorale: "Die Kön'ge aus Saba kamen dar"
sound engineer and balance engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (in 1967-02) and Karl Kolbinger (bassoonist) (in 1967-02)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (in 1967-02) and Fritz Kiskalt (cellist) (in 1967-02)
cor anglais [Englischhorn I]:
Kurt Hausmann (oboist) (in 1967-02)
cor anglais [Englischhorn II]:
Andreas Schwinn (oboist) (in 1967-02)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (in 1967-02)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (in 1967-02) and Elmar Schloter (organist) (in 1967-02)
recorder [Blockflöte I]:
Hans-Martin Linde (flutist and conductor) (in 1967-02)
recorder [Blockflöte II]:
Konrad Hampe (flautist) (in 1967-02)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1967-02)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1967-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1967-02)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968) and Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1967-02)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": II. Choral "Die Kön'ge aus Saba kamen dar" (in 1967-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 302)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
0:42
11"Sie werden aus Saba alle kommen", BWV 65: 3. Recitative: "Was dort Jesaias vorhergesehn"
sound engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (in 1967-02) and Karl Kolbinger (bassoonist) (in 1967-02)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (in 1967-02) and Fritz Kiskalt (cellist) (in 1967-02)
cor anglais [Englischhorn I]:
Kurt Hausmann (oboist) (in 1967-02)
cor anglais [Englischhorn II]:
Andreas Schwinn (oboist) (in 1967-02)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (in 1967-02)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (in 1967-02) and Elmar Schloter (organist) (in 1967-02)
recorder [Blockflöte I]:
Hans-Martin Linde (flutist and conductor) (in 1967-02)
recorder [Blockflöte II]:
Konrad Hampe (flautist) (in 1967-02)
bass vocals:
Theo Adam (German classical bass-baritone) (in 1967-02)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1967-02)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1967-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1967-02)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968) and Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1967-02)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": III. Recitativo (Bass) "Was dort Jesaias vorhergesehn" (in 1967-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
2:13
12"Sie werden aus Saba alle kommen", BWV 65: 4. Aria: "Gold aus Ophir ist zu schlecht"
sound engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (in 1967-02) and Karl Kolbinger (bassoonist) (in 1967-02)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (in 1967-02) and Fritz Kiskalt (cellist) (in 1967-02)
cor anglais [Englischhorn I]:
Kurt Hausmann (oboist) (in 1967-02)
cor anglais [Englischhorn II]:
Andreas Schwinn (oboist) (in 1967-02)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (in 1967-02)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (in 1967-02) and Elmar Schloter (organist) (in 1967-02)
recorder [Blockflöte I]:
Hans-Martin Linde (flutist and conductor) (in 1967-02)
recorder [Blockflöte II]:
Konrad Hampe (flautist) (in 1967-02)
bass vocals:
Theo Adam (German classical bass-baritone) (in 1967-02)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1967-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1967-02)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968) and Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1967-02)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": IV. Aria (Bass) "Gold aus Ophir ist zu schlecht" (in 1967-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
2:37
13"Sie werden aus Saba alle kommen", BWV 65: 5. Recitative: "Verschmähe nicht, du meiner Seelen Licht"
sound engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (in 1967-02) and Karl Kolbinger (bassoonist) (in 1967-02)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (in 1967-02) and Fritz Kiskalt (cellist) (in 1967-02)
cor anglais [Englischhorn I]:
Kurt Hausmann (oboist) (in 1967-02)
cor anglais [Englischhorn II]:
Andreas Schwinn (oboist) (in 1967-02)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (in 1967-02)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (in 1967-02) and Elmar Schloter (organist) (in 1967-02)
recorder [Blockflöte I]:
Hans-Martin Linde (flutist and conductor) (in 1967-02)
recorder [Blockflöte II]:
Konrad Hampe (flautist) (in 1967-02)
tenor vocals:
Ernst Haefliger (tenor) (in 1967-02)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1967-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1967-02)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968) and Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1967-02)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": V. Recitativo (Tenor) "Verschmähe nicht, du meiner Seele Licht" (in 1967-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": V. Recitativo (Tenor) "Verschmähe nicht, du meiner Seele Licht" (from 1967-02 to ????)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
1:32
14"Sie werden aus Saba alle kommen", BWV 65: 6. Aria: "Nimm mich dir zu eigen hin"
sound engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (in 1967-02) and Karl Kolbinger (bassoonist) (in 1967-02)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (in 1967-02) and Fritz Kiskalt (cellist) (in 1967-02)
cor anglais [Englischhorn I]:
Kurt Hausmann (oboist) (in 1967-02)
cor anglais [Englischhorn II]:
Andreas Schwinn (oboist) (in 1967-02)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (in 1967-02)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (in 1967-02) and Elmar Schloter (organist) (in 1967-02)
recorder [Blockflöte I]:
Hans-Martin Linde (flutist and conductor) (in 1967-02)
recorder [Blockflöte II]:
Konrad Hampe (flautist) (in 1967-02)
tenor vocals:
Ernst Haefliger (tenor) (in 1967-02)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1967-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1967-02)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968) and Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1967-02)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": VI. Aria (Tenor) "Nimm mich dir zu eigen hin" (in 1967-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
3:21
15"Sie werden aus Saba alle kommen", BWV 65: 7. Chorale: "Ei nun, mein Gott, so fall ich dir"
sound engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (in 1967-02) and Karl Kolbinger (bassoonist) (in 1967-02)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (in 1967-02) and Fritz Kiskalt (cellist) (in 1967-02)
cor anglais [Englischhorn I]:
Kurt Hausmann (oboist) (in 1967-02)
cor anglais [Englischhorn II]:
Andreas Schwinn (oboist) (in 1967-02)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (in 1967-02)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (in 1967-02) and Elmar Schloter (organist) (in 1967-02)
recorder [Blockflöte I]:
Hans-Martin Linde (flutist and conductor) (in 1967-02)
recorder [Blockflöte II]:
Konrad Hampe (flautist) (in 1967-02)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1967-02)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1967-02)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1967-02)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968) and Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1967-02)
recording of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen": VII. Choral "Ei nun, mein Gott, so fall ich dir" (in 1967-02)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 346)
part of:
Kantate, BWV 65 "Sie werden aus Saba alle kommen"
1:37
16"Was mein Gott will, das g'scheh allzeit", BWV 111: 1. [Chorus:] "Was mein Gott will, das g'scheh allzeit"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1972-03 until 1972-04) and Karl Kolbinger (bassoonist) (from 1972-03 until 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1972-03 until 1972-04) and Fritz Kiskalt (cellist) (from 1972-03 until 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1972-03 until 1972-04)
oboe [Oboe I]:
Manfred Clement (oboist) (from 1972-03 until 1972-04)
oboe [Oboe II]:
Kurt Hausmann (oboist) (from 1972-03 until 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1972-03 until 1972-04) and Elmar Schloter (organist) (from 1972-03 until 1972-04)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1972-03 until 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1972-03 until 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1972-03 until 1972-04)
recording of:
Kantate, BWV 111 "Was mein Gott will, das gscheh allzeit": I. Coro "Was mein Gott will, das gscheh allzeit" (from 1972-03 until 1972-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 111 "Was mein Gott will, das gscheh allzeit"
5:05
17"Was mein Gott will, das g'scheh allzeit", BWV 111: 2. Aria: "Entsetze dich, mein Herze, nicht"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1972-03 until 1972-04) and Karl Kolbinger (bassoonist) (from 1972-03 until 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1972-03 until 1972-04) and Fritz Kiskalt (cellist) (from 1972-03 until 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1972-03 until 1972-04)
oboe [Oboe I]:
Manfred Clement (oboist) (from 1972-03 until 1972-04)
oboe [Oboe II]:
Kurt Hausmann (oboist) (from 1972-03 until 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1972-03 until 1972-04) and Elmar Schloter (organist) (from 1972-03 until 1972-04)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1972-03 until 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1972-03 until 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1972-03 until 1972-04)
recording of:
Kantate, BWV 111 "Was mein Gott will, das gscheh allzeit": II. Aria (Bass) "Entsetze dich, mein Herze, nicht" (from 1972-03 until 1972-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 111 "Was mein Gott will, das gscheh allzeit"
3:51
18"Was mein Gott will, das g'scheh allzeit", BWV 111: 3. Recitative: "O Törichter! der sich von Gott entzieht"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1972-03 until 1972-04) and Karl Kolbinger (bassoonist) (from 1972-03 until 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1972-03 until 1972-04) and Fritz Kiskalt (cellist) (from 1972-03 until 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1972-03 until 1972-04)
oboe [Oboe I]:
Manfred Clement (oboist) (from 1972-03 until 1972-04)
oboe [Oboe II]:
Kurt Hausmann (oboist) (from 1972-03 until 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1972-03 until 1972-04) and Elmar Schloter (organist) (from 1972-03 until 1972-04)
alto vocals:
Anna Reynolds (alto) (from 1972-03 until 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1972-03 until 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1972-03 until 1972-04)
recording of:
Kantate, BWV 111 "Was mein Gott will, das gscheh allzeit": III. Recitativo (Alt) "O Törichter! der sich von Gott entzieht" (from 1972-03 until 1972-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 111 "Was mein Gott will, das gscheh allzeit"
1:18
19"Was mein Gott will, das g'scheh allzeit", BWV 111: 4. Aria (Duet): "So geh ich mit beherzten Schritten"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1972-03 until 1972-04) and Karl Kolbinger (bassoonist) (from 1972-03 until 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1972-03 until 1972-04) and Fritz Kiskalt (cellist) (from 1972-03 until 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1972-03 until 1972-04)
oboe [Oboe I]:
Manfred Clement (oboist) (from 1972-03 until 1972-04)
oboe [Oboe II]:
Kurt Hausmann (oboist) (from 1972-03 until 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1972-03 until 1972-04) and Elmar Schloter (organist) (from 1972-03 until 1972-04)
alto vocals:
Anna Reynolds (alto) (from 1972-03 until 1972-04)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1972-03 until 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1972-03 until 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1972-03 until 1972-04)
recording of:
Kantate, BWV 111 "Was mein Gott will, das gscheh allzeit": IV. Aria (Alt, Tenor) "So geh ich mit beherzten Schritten" (from 1972-03 until 1972-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 111 "Was mein Gott will, das gscheh allzeit"
8:28
20"Was mein Gott will, das g'scheh allzeit", BWV 111: 5. Recitative: "Drum wenn der Tod zuletzt den Geist"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1972-03 until 1972-04) and Karl Kolbinger (bassoonist) (from 1972-03 until 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1972-03 until 1972-04) and Fritz Kiskalt (cellist) (from 1972-03 until 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1972-03 until 1972-04)
oboe [Oboe I]:
Manfred Clement (oboist) (from 1972-03 until 1972-04)
oboe [Oboe II]:
Kurt Hausmann (oboist) (from 1972-03 until 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1972-03 until 1972-04) and Elmar Schloter (organist) (from 1972-03 until 1972-04)
soprano vocals:
Edith Mathis (soprano) (from 1972-03 until 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1972-03 until 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1972-03 until 1972-04)
recording of:
Kantate, BWV 111 "Was mein Gott will, das gscheh allzeit": V. Recitativo (Sopran) "Drum wenn der Tod zuletzt den Geist" (from 1972-03 until 1972-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 111 "Was mein Gott will, das gscheh allzeit"
1:21
21"Was mein Gott will, das g'scheh allzeit", BWV 111: 6. Chorale: "Noch eins, Herr will ich bitten dich"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1972-03 until 1972-04) and Karl Kolbinger (bassoonist) (from 1972-03 until 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1972-03 until 1972-04) and Fritz Kiskalt (cellist) (from 1972-03 until 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1972-03 until 1972-04)
oboe [Oboe I]:
Manfred Clement (oboist) (from 1972-03 until 1972-04)
oboe [Oboe II]:
Kurt Hausmann (oboist) (from 1972-03 until 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1972-03 until 1972-04) and Elmar Schloter (organist) (from 1972-03 until 1972-04)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1972-03 until 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1972-03 until 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1972-03 until 1972-04)
recording of:
Kantate, BWV 111 "Was mein Gott will, das gscheh allzeit": VI. Choral "Noch eins, Herr, will ich bitten dich" (from 1972-03 until 1972-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Breitkopf 389 Choralgesänge (number: 345)
part of:
Kantate, BWV 111 "Was mein Gott will, das gscheh allzeit"
1:49
22"Jesus schläft, was soll ich hoffen", BWV 81: 1, Aria: "Jesus schläft, was soll ich hoffen?"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1972-03 until 1972-04) and Karl Kolbinger (bassoonist) (from 1972-03 until 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1972-03 until 1972-04) and Fritz Kiskalt (cellist) (from 1972-03 until 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1972-03 until 1972-04)
oboe d'amore [Oboe d'amore I]:
Manfred Clement (oboist) (from 1972-03 until 1972-04)
oboe d'amore [Oboe d'amore II]:
Kurt Hausmann (oboist) (from 1972-03 until 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1972-03 until 1972-04) and Elmar Schloter (organist) (from 1972-03 until 1972-04)
recorder [Blockflöte I]:
Hans-Martin Linde (flutist and conductor) (from 1972-03 until 1972-04)
recorder [Blockflöte II]:
Günther Höller (recorder player) (from 1972-03 until 1972-04)
alto vocals:
Anna Reynolds (alto) (from 1972-03 until 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1972-03 until 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1972-03 until 1972-04)
recording of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen": I. Aria (Alt) "Jesus schläft, was soll ich hoffen?" (from 1972-03 until 1972-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen"
5:35
23"Jesus schläft, was soll ich hoffen", BWV 81: 2. Recitative: "Herr! warum trittest du so ferne?"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1972-03 until 1972-04) and Karl Kolbinger (bassoonist) (from 1972-03 until 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1972-03 until 1972-04) and Fritz Kiskalt (cellist) (from 1972-03 until 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1972-03 until 1972-04)
oboe d'amore [Oboe d'amore I]:
Manfred Clement (oboist) (from 1972-03 until 1972-04)
oboe d'amore [Oboe d'amore II]:
Kurt Hausmann (oboist) (from 1972-03 until 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1972-03 until 1972-04) and Elmar Schloter (organist) (from 1972-03 until 1972-04)
recorder [Blockflöte I]:
Hans-Martin Linde (flutist and conductor) (from 1972-03 until 1972-04)
recorder [Blockflöte II]:
Günther Höller (recorder player) (from 1972-03 until 1972-04)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1972-03 until 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1972-03 until 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1972-03 until 1972-04)
recording of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen": VII. Choral "Unter deinen Schirmen" (from 1972-03 until 1972-04)
lyricist:
Johann Franck (German poet of the 17th century)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 197)
part of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen"
1:26
24"Jesus schläft, was soll ich hoffen", BWV 81: 3. Aria: "Die schäumenden Wellen von Belials Bächen"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1972-03 until 1972-04) and Karl Kolbinger (bassoonist) (from 1972-03 until 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1972-03 until 1972-04) and Fritz Kiskalt (cellist) (from 1972-03 until 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1972-03 until 1972-04)
oboe d'amore [Oboe d'amore I]:
Manfred Clement (oboist) (from 1972-03 until 1972-04)
oboe d'amore [Oboe d'amore II]:
Kurt Hausmann (oboist) (from 1972-03 until 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1972-03 until 1972-04) and Elmar Schloter (organist) (from 1972-03 until 1972-04)
recorder [Blockflöte I]:
Hans-Martin Linde (flutist and conductor) (from 1972-03 until 1972-04)
recorder [Blockflöte II]:
Günther Höller (recorder player) (from 1972-03 until 1972-04)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1972-03 until 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1972-03 until 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1972-03 until 1972-04)
recording of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen": III. Aria (Tenor) "Die schäumenden Wellen von Belials Bächen" (from 1972-03 until 1972-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen"
3:15
25"Jesus schläft, was soll ich hoffen", BWV 81: 4. Arioso: "Ihr Kleingläubigen, warum seid ihr so furchtsam?"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1972-03 until 1972-04) and Karl Kolbinger (bassoonist) (from 1972-03 until 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1972-03 until 1972-04) and Fritz Kiskalt (cellist) (from 1972-03 until 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1972-03 until 1972-04)
oboe d'amore [Oboe d'amore I]:
Manfred Clement (oboist) (from 1972-03 until 1972-04)
oboe d'amore [Oboe d'amore II]:
Kurt Hausmann (oboist) (from 1972-03 until 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1972-03 until 1972-04) and Elmar Schloter (organist) (from 1972-03 until 1972-04)
recorder [Blockflöte I]:
Hans-Martin Linde (flutist and conductor) (from 1972-03 until 1972-04)
recorder [Blockflöte II]:
Günther Höller (recorder player) (from 1972-03 until 1972-04)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1972-03 until 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1972-03 until 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1972-03 until 1972-04)
recording of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen": IV. Arioso (Bass) "Ihr Kleingläubigen, warum seid ihr so furchtsam?" (from 1972-03 until 1972-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen"
1:32
26"Jesus schläft, was soll ich hoffen", BWV 81: 5. Aria: "Schweig, aufgetürmtes Meer!"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1972-03 until 1972-04) and Karl Kolbinger (bassoonist) (from 1972-03 until 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1972-03 until 1972-04) and Fritz Kiskalt (cellist) (from 1972-03 until 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1972-03 until 1972-04)
oboe d'amore [Oboe d'amore I]:
Manfred Clement (oboist) (from 1972-03 until 1972-04)
oboe d'amore [Oboe d'amore II]:
Kurt Hausmann (oboist) (from 1972-03 until 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1972-03 until 1972-04) and Elmar Schloter (organist) (from 1972-03 until 1972-04)
recorder [Blockflöte I]:
Hans-Martin Linde (flutist and conductor) (from 1972-03 until 1972-04)
recorder [Blockflöte II]:
Günther Höller (recorder player) (from 1972-03 until 1972-04)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1972-03 until 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1972-03 until 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1972-03 until 1972-04)
recording of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen": V. Aria (Bass) "Schweig, aufgetürmtes Meer!" (from 1972-03 until 1972-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen"
5:38
27"Jesus schläft, was soll ich hoffen", BWV 81: 6. Recitative: "Wohl mir, mein Jesus spricht ein Wort"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1972-03 until 1972-04) and Karl Kolbinger (bassoonist) (from 1972-03 until 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1972-03 until 1972-04) and Fritz Kiskalt (cellist) (from 1972-03 until 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1972-03 until 1972-04)
oboe d'amore [Oboe d'amore I]:
Manfred Clement (oboist) (from 1972-03 until 1972-04)
oboe d'amore [Oboe d'amore II]:
Kurt Hausmann (oboist) (from 1972-03 until 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1972-03 until 1972-04) and Elmar Schloter (organist) (from 1972-03 until 1972-04)
recorder [Blockflöte I]:
Hans-Martin Linde (flutist and conductor) (from 1972-03 until 1972-04)
recorder [Blockflöte II]:
Günther Höller (recorder player) (from 1972-03 until 1972-04)
alto vocals:
Anna Reynolds (alto) (from 1972-03 until 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1972-03 until 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1972-03 until 1972-04)
recording of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen": VI. Recitativo (Alt) "Wohl mir, mein Jesus spricht ein Wort" (from 1972-03 until 1972-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen"
0:39
28"Jesus schläft, was soll ich hoffen", BWV 81: 7. Chorale: "Unter deinen Schirmen"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1972-03 until 1972-04) and Karl Kolbinger (bassoonist) (from 1972-03 until 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1972-03 until 1972-04) and Fritz Kiskalt (cellist) (from 1972-03 until 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1972-03 until 1972-04)
oboe d'amore [Oboe d'amore I]:
Manfred Clement (oboist) (from 1972-03 until 1972-04)
oboe d'amore [Oboe d'amore II]:
Kurt Hausmann (oboist) (from 1972-03 until 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1972-03 until 1972-04) and Elmar Schloter (organist) (from 1972-03 until 1972-04)
recorder [Blockflöte I]:
Hans-Martin Linde (flutist and conductor) (from 1972-03 until 1972-04)
recorder [Blockflöte II]:
Günther Höller (recorder player) (from 1972-03 until 1972-04)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1972-03 until 1972-04)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1972-03 until 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1972-03 until 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1972-03 until 1972-04)
recording of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen": II. Recitativo (Tenor) "Herr, warum trittest du so ferne?" (from 1972-03 until 1972-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen"
1:24
17▶CD: Cantatas 92, 126, 182 (Easter)
18▶CD: Cantatas 1, 4, 67, 104 (Easter)
19▶CD: Cantatas 34, 68, 39 (Whitsun)
20▶CD: Cantatas 30, 147 (Whitsun)
21▶CD: Cantatas 76, 21 (Trinity)
22▶CD: Cantatas 135, 10, 45, 105 (Trinity)
23▶CD: Cantatas 51, 78, 8, 130 (Trinity)
24▶CD: Cantatas 27, 5, 60, 26 (Trinity)
25▶CD: St. Matthew Passion (1 Richter)
26▶CD: St. Matthew Passion (2 Richter)
27▶CD: St. Matthew Passion (3 Richter)
28▶CD: Great Singers (1952-1965)
29▶CD: Great Singers (1967-2011)
30▶CD: Great Singers (Period Instruments)

Credits

Release group

part of:Bach 333 - J.S. Bach Complete Works (J.S. Bach: The New Complete Edition) (order: 1)
standalone website:US: B07D2Y539K [info]
https://www.bach333.com/en/ [info]
https://www.deutschegrammophon.com/en/cat/4798000 [info]
Wikidata:Q113958674 [info]