The Complete Columbia Album Collection

~ Release by Igor Stravinsky (see all versions of this release, 1 available)

Tracklist

1CD: Le Sacre du printemps (1940)
2CD: Petrushka Suite (1940) / Scènes de ballet (1945) / Divertimento from Fairy's Kiss (1940-41)
3CD: The Firebird Suite (1946)
4CD: Symphony of Psalms (1946) / Symphony in 3 Movements (1946)
5CD: Concerto for Two Solo Pianos; Russian Music for Two Pianos (1945, 1947)
6CD: Orpheus (1949) / Mass (1949)
7CD: Duo concertant (1945) / Pastorale (1946) / Bloch: Baal Shem (1940)
8CD: Divertimento from "Le Baiser de la fée" (1947) / Danses concertantes (1947) / Concerto for Piano and Wind Instruments (1950)
9CD: Apollon musagète (1950) / Concerto in D Major "Basle Concerto" (1950)
10CD: Meet the Composer (1946)
11CD: Oedipus Rex (1951)
12CD: The Rake's Progress (1953) [disc 1]
13CD: The Rake's Progress (1953) [disc 2]
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1The Rake’s Progress: Act II, Scene 3. Aria: “As I Was Saying” – Baba’s Song: “Come, Sweet, Come” – Aria: “Scorned! Abused!” – Recitative: “My Heart Is Cold, I Cannot Weep” – Pantomime: “Fa la la” – Recitative: “Oh, I Wish It Were True” (Baba, Rakewell, Shadow)
baritone vocals [Nick Shadow]:
Mack Harrell (US baritone) (from 1953-03-01 until 1953-03-10)
contralto vocals [Baba the Turk]:
Blanche Thebom (mezzo-soprano) (from 1953-03-01 until 1953-03-10)
tenor vocals [Tom Rakewell]:
Eugene Conley (tenor) (from 1953-03-01 until 1953-03-10)
orchestra:
Orchestra of the Metropolitan Opera Association (Metropolitan Opera Orchestra) (from 1953-03-01 until 1953-03-10)
conductor:
Igor Stravinsky (Russian composer) (from 1953-03-01 until 1953-03-10)
chorus master:
Kurt Adler (conductor) (from 1953-03-01 until 1953-03-10)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1953-03-01 until 1953-03-10)
recording of:
The Rake's Progress: Act II, Scene III. "As I Was Saying" (from 1953-03-01 until 1953-03-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act II
recording of:
The Rake’s Progress: Act Two, Scene 3. Pantomime: “Fa la la” (Shadow) (from 1953-03-01 until 1953-03-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act II
recording of:
The Rake’s Progress: Act Two, Scene 3. Recitative: “My heart is cold” (Rakewell) (from 1953-03-01 until 1953-03-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act II
5:41
2The Rake’s Progress: Act II, Scene 3. Arioso‐Recitative: “You! O Nick, I’ve Had the Strangest Dream” – Duet: “Thanks to This Excellent Device” – Recitative: “Forgive Me, Master” (Rakewell, Shadow)
baritone vocals [Nick Shadow]:
Mack Harrell (US baritone) (from 1953-03-01 until 1953-03-10)
tenor vocals [Tom Rakewell]:
Eugene Conley (tenor) (from 1953-03-01 until 1953-03-10)
orchestra:
Orchestra of the Metropolitan Opera Association (Metropolitan Opera Orchestra) (from 1953-03-01 until 1953-03-10)
conductor:
Igor Stravinsky (Russian composer) (from 1953-03-01 until 1953-03-10)
chorus master:
Kurt Adler (conductor) (from 1953-03-01 until 1953-03-10)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1953-03-01 until 1953-03-10)
recording of:
The Rake's Progress: Act II, Scene III. "You! O Nick, I've Had the Strangest Dream" (from 1953-03-01 until 1953-03-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act II
recording of:
The Rake’s Progress: Act Two, Scene 3. Duet: “Thanks to this excellent device” (Rakewell, Shadow) (from 1953-03-01 until 1953-03-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act II
recording of:
The Rake’s Progress: Act Two, Scene 3. Recitative: “Forgive me, master, for intruding” (Shadow, Rakewell) (from 1953-03-01 until 1953-03-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act II
5:57
3The Rake’s Progress: Act III, Scene 1. “Ruin, Disaster, Shame” (Chorus, Anne)
choir vocals:
Chorus of the Metropolitan Opera Association (from 1953-03-01 until 1953-03-10)
soprano vocals [Anne, his daughter]:
Hilde Güden (soprano) (from 1953-03-01 until 1953-03-10)
orchestra:
Orchestra of the Metropolitan Opera Association (Metropolitan Opera Orchestra) (from 1953-03-01 until 1953-03-10)
conductor:
Igor Stravinsky (Russian composer) (from 1953-03-01 until 1953-03-10)
chorus master:
Kurt Adler (conductor) (from 1953-03-01 until 1953-03-10)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1953-03-01 until 1953-03-10)
recording of:
The Rake’s Progress: Act Three, Scene 1. “Ruin. Disaster. Shame” (Crowd, Anne, Sellem) (from 1953-03-01 until 1953-03-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act III
2:53
4The Rake’s Progress: Act III, Scene 1. “Aha!” (Sellem, Chorus)
choir vocals:
Chorus of the Metropolitan Opera Association (from 1953-03-01 until 1953-03-10)
tenor vocals [Sellem, auctioneer]:
Paul Franke (tenor) (from 1953-03-01 until 1953-03-10)
orchestra:
Orchestra of the Metropolitan Opera Association (Metropolitan Opera Orchestra) (from 1953-03-01 until 1953-03-10)
conductor:
Igor Stravinsky (Russian composer) (from 1953-03-01 until 1953-03-10)
chorus master:
Kurt Adler (conductor) (from 1953-03-01 until 1953-03-10)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1953-03-01 until 1953-03-10)
recording of:
The Rake's Progress: Act III, Scene I. "Aha!" (from 1953-03-01 until 1953-03-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act III
5:44
5The Rake’s Progress: Act III, Scene 1. Aria: “Sold! Annoyed!” – Recitative: “Now What Was That!” – Duet: “You Love Him” – Ballad Tune: “If Boys Had Wings” (Baba, Chorus, Rakewell, Shadow, Anne, Sellem)
baritone vocals [Nick Shadow]:
Mack Harrell (US baritone) (from 1953-03-01 until 1953-03-10)
choir vocals:
Chorus of the Metropolitan Opera Association (from 1953-03-01 until 1953-03-10)
contralto vocals [Baba the Turk]:
Blanche Thebom (mezzo-soprano) (from 1953-03-01 until 1953-03-10)
soprano vocals [Anne, his daughter]:
Hilde Güden (soprano) (from 1953-03-01 until 1953-03-10)
tenor vocals [Sellem, auctioneer]:
Paul Franke (tenor) (from 1953-03-01 until 1953-03-10)
tenor vocals [Tom Rakewell]:
Eugene Conley (tenor) (from 1953-03-01 until 1953-03-10)
orchestra:
Orchestra of the Metropolitan Opera Association (Metropolitan Opera Orchestra) (from 1953-03-01 until 1953-03-10)
conductor:
Igor Stravinsky (Russian composer) (from 1953-03-01 until 1953-03-10)
chorus master:
Kurt Adler (conductor) (from 1953-03-01 until 1953-03-10)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1953-03-01 until 1953-03-10)
recording of:
The Rake's Progress: Act III, Scene I. "Sold! Annoyed! I've Caught You! Thieving!" (from 1953-03-01 until 1953-03-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act III
recording of:
The Rake’s Progress: Act Three, Scene 1. Duet: “You love him” (Baba, Anne, Crowd, Sellem) / Ballad Tune: “If boys had wings” (Rakewell, Shadow, Anne, Baba, Sellem, Crowd) (from 1953-03-01 until 1953-03-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act III
6:41
6The Rake’s Progress: Act III, Scene 1. Stretto‐Finale: “I Go to Him” – Ballad Tune (reprise): “Who Cares a Fig” (Anne, Baba, Sellem, Chorus, Rakewell)
choir vocals:
Chorus of the Metropolitan Opera Association (from 1953-03-01 until 1953-03-10)
contralto vocals [Baba the Turk]:
Blanche Thebom (mezzo-soprano) (from 1953-03-01 until 1953-03-10)
soprano vocals [Anne, his daughter]:
Hilde Güden (soprano) (from 1953-03-01 until 1953-03-10)
tenor vocals [Sellem, auctioneer]:
Paul Franke (tenor) (from 1953-03-01 until 1953-03-10)
tenor vocals [Tom Rakewell]:
Eugene Conley (tenor) (from 1953-03-01 until 1953-03-10)
orchestra:
Orchestra of the Metropolitan Opera Association (Metropolitan Opera Orchestra) (from 1953-03-01 until 1953-03-10)
conductor:
Igor Stravinsky (Russian composer) (from 1953-03-01 until 1953-03-10)
chorus master:
Kurt Adler (conductor) (from 1953-03-01 until 1953-03-10)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1953-03-01 until 1953-03-10)
recording of:
The Rake's Progress: Act III, Scene I. "I Go to Him" (from 1953-03-01 until 1953-03-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act III
2:04
7The Rake’s Progress: Act III, Scene 2. Prelude
orchestra:
Orchestra of the Metropolitan Opera Association (Metropolitan Opera Orchestra) (from 1953-03-01 until 1953-03-10)
conductor:
Igor Stravinsky (Russian composer) (from 1953-03-01 until 1953-03-10)
chorus master:
Kurt Adler (conductor) (from 1953-03-01 until 1953-03-10)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1953-03-01 until 1953-03-10)
recording of:
The Rake's Progress: Act III, Scene II. Prelude (from 1953-03-01 until 1953-03-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act III
1:56
8The Rake’s Progress: Act III, Scene 2. Duet: “How Dark and Dreadful Is This Place” (Rakewell, Shadow)
baritone vocals [Nick Shadow]:
Mack Harrell (US baritone) (from 1953-03-01 until 1953-03-10)
tenor vocals [Tom Rakewell]:
Eugene Conley (tenor) (from 1953-03-01 until 1953-03-10)
orchestra:
Orchestra of the Metropolitan Opera Association (Metropolitan Opera Orchestra) (from 1953-03-01 until 1953-03-10)
conductor:
Igor Stravinsky (Russian composer) (from 1953-03-01 until 1953-03-10)
chorus master:
Kurt Adler (conductor) (from 1953-03-01 until 1953-03-10)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1953-03-01 until 1953-03-10)
recording of:
The Rake's Progress: Act III, Scene II. "How Dark and Dreadful Is This Place" (from 1953-03-01 until 1953-03-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act III
4:15
9The Rake’s Progress: Act III, Scene 2. Recitative: “Very Well, Then, My Dear and Good Tom” – Duet: “Well, Then” – “My heart Is Wild with Fear” (Shadow, Rakewell, Anne)
baritone vocals [Nick Shadow]:
Mack Harrell (US baritone) (from 1953-03-01 until 1953-03-10)
soprano vocals [Anne, his daughter]:
Hilde Güden (soprano) (from 1953-03-01 until 1953-03-10)
tenor vocals [Tom Rakewell]:
Eugene Conley (tenor) (from 1953-03-01 until 1953-03-10)
orchestra:
Orchestra of the Metropolitan Opera Association (Metropolitan Opera Orchestra) (from 1953-03-01 until 1953-03-10)
conductor:
Igor Stravinsky (Russian composer) (from 1953-03-01 until 1953-03-10)
chorus master:
Kurt Adler (conductor) (from 1953-03-01 until 1953-03-10)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1953-03-01 until 1953-03-10)
recording of:
The Rake's Progress: Act III, Scene II. "Very Well, Then, My Dear" (from 1953-03-01 until 1953-03-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act III
8:52
10The Rake’s Progress: Act III, Scene 2. “I Burn! I Burn! I Freeze!” (Shadow, Rakewell)
baritone vocals [Nick Shadow]:
Mack Harrell (US baritone) (from 1953-03-01 until 1953-03-10)
tenor vocals [Tom Rakewell]:
Eugene Conley (tenor) (from 1953-03-01 until 1953-03-10)
orchestra:
Orchestra of the Metropolitan Opera Association (Metropolitan Opera Orchestra) (from 1953-03-01 until 1953-03-10)
conductor:
Igor Stravinsky (Russian composer) (from 1953-03-01 until 1953-03-10)
chorus master:
Kurt Adler (conductor) (from 1953-03-01 until 1953-03-10)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1953-03-01 until 1953-03-10)
recording of:
The Rake’s Progress: Act III, Scene II. “I Burn! I Freeze!” (Shadow) (from 1953-03-01 until 1953-03-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act III
3:37
11The Rake’s Progress: Act III, Scene 3. Arioso: “Prepare Yourselves, Heroic Shades” – Dialogue: “Madmen’s Words Are All Untrue” – Chorus‐Minuet: “Leave All Love and Hope Behind” (Rakewell, Chorus)
choir vocals:
Chorus of the Metropolitan Opera Association (from 1953-03-01 until 1953-03-10)
tenor vocals [Tom Rakewell]:
Eugene Conley (tenor) (from 1953-03-01 until 1953-03-10)
orchestra:
Orchestra of the Metropolitan Opera Association (Metropolitan Opera Orchestra) (from 1953-03-01 until 1953-03-10)
conductor:
Igor Stravinsky (Russian composer) (from 1953-03-01 until 1953-03-10)
chorus master:
Kurt Adler (conductor) (from 1953-03-01 until 1953-03-10)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1953-03-01 until 1953-03-10)
recording of:
The Rake's Progress: Act III, Scene III. "Prepare Yourselves, Heroic Shades" (from 1953-03-01 until 1953-03-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act III
3:59
12The Rake’s Progress: Act III, Scene 3. Recitative: “There He Is. Have no Fear” – Arioso: “I Have Waited” – Duet: “In a Foolish Dream” – Recitative: “I Am Exceedingly Weary” (Keeper, Anne, Rakewell)
bass vocals [Keeper of the madhouse]:
Lawrence Davidson (bass-baritone) (from 1953-03-01 until 1953-03-10)
soprano vocals [Anne, his daughter]:
Hilde Güden (soprano) (from 1953-03-01 until 1953-03-10)
tenor vocals [Tom Rakewell]:
Eugene Conley (tenor) (from 1953-03-01 until 1953-03-10)
orchestra:
Orchestra of the Metropolitan Opera Association (Metropolitan Opera Orchestra) (from 1953-03-01 until 1953-03-10)
conductor:
Igor Stravinsky (Russian composer) (from 1953-03-01 until 1953-03-10)
chorus master:
Kurt Adler (conductor) (from 1953-03-01 until 1953-03-10)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1953-03-01 until 1953-03-10)
recording of:
The Rake's Progress: Act III, Scene III. "There He Is. Have No Fear" (from 1953-03-01 until 1953-03-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act III
recording of:
The Rake’s Progress: Act Three, Scene 3. Arioso: “I have waited” (Rakewell) (from 1953-03-01 until 1953-03-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act III
recording of:
The Rake’s Progress: Act Three, Scene 3. Duet: “In a foolish dream” (Rakewell, Anne) (from 1953-03-01 until 1953-03-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act III
recording of:
The Rake’s Progress: Act Three, Scene 3. Recitative: “I am exceeding weary” (Rakewell) (from 1953-03-01 until 1953-03-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act III
6:17
13The Rake’s Progress: Act III, Scene 3. Lullaby: “Gently, Little Boat” – Recitative: “Anne, My Dear, the Tale Is Ended Now” – Duettino: “Every Wearied Body” (Anne, Truelove)
bass vocals [Trulove]:
Norman Scott (operatic bass) (from 1953-03-01 until 1953-03-10)
soprano vocals [Anne, his daughter]:
Hilde Güden (soprano) (from 1953-03-01 until 1953-03-10)
orchestra:
Orchestra of the Metropolitan Opera Association (Metropolitan Opera Orchestra) (from 1953-03-01 until 1953-03-10)
conductor:
Igor Stravinsky (Russian composer) (from 1953-03-01 until 1953-03-10)
chorus master:
Kurt Adler (conductor) (from 1953-03-01 until 1953-03-10)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1953-03-01 until 1953-03-10)
recording of:
The Rake's Progress: Act III, Scene III. "Gently, Little Boat" (from 1953-03-01 until 1953-03-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act III
recording of:
The Rake’s Progress: Act Three, Scene 3. Duettino: “Every wearied body” (Anne, Trulove) (from 1953-03-01 until 1953-03-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act III
recording of:
The Rake’s Progress: Act Three, Scene 3. Recitative: “Anne, my dear” (Trulove, Anne) (from 1953-03-01 until 1953-03-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act III
5:46
14The Rake’s Progress: Act III, Scene 3. Finale‐Recitative: “Where Art Thou, Venus?” – Mourning Chorus: “Mourn for Adonis” (Rakewell, Chorus)
choir vocals:
Chorus of the Metropolitan Opera Association (from 1953-03-01 until 1953-03-10)
tenor vocals [Tom Rakewell]:
Eugene Conley (tenor) (from 1953-03-01 until 1953-03-10)
orchestra:
Orchestra of the Metropolitan Opera Association (Metropolitan Opera Orchestra) (from 1953-03-01 until 1953-03-10)
conductor:
Igor Stravinsky (Russian composer) (from 1953-03-01 until 1953-03-10)
chorus master:
Kurt Adler (conductor) (from 1953-03-01 until 1953-03-10)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1953-03-01 until 1953-03-10)
recording of:
The Rake's Progress: Act III, Scene III. "Where Art Thou, Venus?" (from 1953-03-01 until 1953-03-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act III
recording of:
The Rake’s Progress: Act Three, Finale. Mourning Chorus: “Mourn for Adonis” (Chorus) (from 1953-03-01 until 1953-03-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act III
5:12
15The Rake’s Progress: Act III, Scene 3. Epilogue: “Good People, Just a Moment” (Anne, Baba, Rakewell, Shadow, Truelove)
baritone vocals [Nick Shadow]:
Mack Harrell (US baritone) (from 1953-03-01 until 1953-03-10)
bass vocals [Trulove]:
Norman Scott (operatic bass) (from 1953-03-01 until 1953-03-10)
contralto vocals [Baba the Turk]:
Blanche Thebom (mezzo-soprano) (from 1953-03-01 until 1953-03-10)
soprano vocals [Anne, his daughter]:
Hilde Güden (soprano) (from 1953-03-01 until 1953-03-10)
tenor vocals [Tom Rakewell]:
Eugene Conley (tenor) (from 1953-03-01 until 1953-03-10)
orchestra:
Orchestra of the Metropolitan Opera Association (Metropolitan Opera Orchestra) (from 1953-03-01 until 1953-03-10)
conductor:
Igor Stravinsky (Russian composer) (from 1953-03-01 until 1953-03-10)
chorus master:
Kurt Adler (conductor) (from 1953-03-01 until 1953-03-10)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1953-03-01 until 1953-03-10)
recording of:
The Rake's Progress: Act III, Scene III. Epilogue "Good People, Just a Moment" (from 1953-03-01 until 1953-03-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act III
2:37
14CD: Pulcinella (1952)
15CD: Symphony in C (1952) / Cantata (1952)
16CD: The Soldier's Tale Suite (1954) / Octet for Wind Instruments (1954) / Symphonies of Wind Instruments (1951)
17CD: Chamber Works 1911-1954 Conducted by the Composer (1954-55)
18CD: The Fairy's Kiss (1955)
19CD: Perséphone (1957)
20CD: Agon (1957) / Canticum sacrum (1957)
21CD: Threni (1959)
22CD: Stravinsky Conducts 1960: The Rite of Spring (1960) / Petrushka (1960)
23CD: Charles Rosen Plays Stravinsky & Schoenberg (1960)
24CD: Stravinsky Conducts 1961: Movements for Piano and Orchestra, Octet, The Soldier’s Tale
25CD: Gesualdo: Madrigals; Stravinsky: Monumentum pro Gesualdo di Venosa (1960-61)
26CD: The Nightingale (1960)
27CD: The Firebird (complete ballet) (1961)
28CD: Concerto in D & Symphony in 3 Movements (1961)
29CD: Works for Two Pianos and Four Hands (1961)
30CD: The Flood (1962) / Mass (1960)
31CD: Les Noces (1959) Renard & Rag-Time (1962)
32CD: Oedipus Rex (1962)
33CD: Symphony of Psalms (1963) / Symphony in C Major (1962)
34CD: Orpheus & Apollon musagète (1964)
35CD: Stravinsky Conducts Favorite Short Pieces (1962-63)
36CD: Stravinsky Conducts Ballet Music (1963-64)
37CD: Stravinsky Conducts His Choral Music (1962-63)
38CD: The Rake's Progress (1964) [disc 1]
39CD: The Rake's Progress (1964) [disc 2]
40CD: The Fairy's Kiss (1965)
41CD: Meeting at the Summit: Benny Goodman Plays Jazz-Classics with Leonard Bernstein, Aaron Copland, Morton Gould & Igor Stravinsky (1963, 1965)
42CD: Pulcinella (1965)
43CD: Perséphone (1966)
44CD: Symphony in E-Flat Major, Op. 1 (1966)
45CD: Mavra (1964) / Les Noces (1965)
46CD: Stravinsky Conducts Cantata, Mass, In Memoriam Dylan Thomas and Other Works (1964-67)
47CD: Firebird Suite (1967) / Petrushka Suite (1960, 1967)
48CD: Capriccio for Piano and Orchestra (1966) / Concerto for Piano and Wind Instruments (1964)
49CD: Pulcinella Suite (1965) / Scherzo fantastique (1962) / Fireworks & Scherzo à la russe (1963)
50CD: The New Stravinsky: Huxley Variations (1966) / Abraham and Isaac (1967, 1969) / Requiem Canticles (1966)
51CD: Songs (1964-1968)
52CD: Danses concertantes (1967) / 4 Norwegian Moods (1963) / Ode (1964) / Concerto in D (1963)
53CD: Stravinsky Conducts Music for Chamber and Jazz Ensembles (1964-65) / Bonus: Stravinsky in Rehearsal
54CD: Symphony of Wind Instruments (1966) / Les Noces (1973) / Chant du Rossignol (1967)
55CD: Tashi Plays Stravinsky (1976)
56CD: The Soldier's Tale [Narrated by Jeremy Irons] (1961, 1967, 2005)