Les grandes dames de la Chanson, Volume 2

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1L’Accordéoniste
recorded in:
Paris, Île-de-France, France (on 1940-05-27)
accordion:
Gus Viseur (Belgian/French 1930s-70s accordionist) (on 1940-05-27)
vocals:
Édith Piaf (on 1940-05-27)
orchestra:
Guy Luypaert and His Orchestra and Orchestre Wal-Berg (on 1940-05-27)
conductor:
Guy Luypaerts
phonographic copyright (℗) by:
[no label] (Special purpose label – white labels, self-published releases and other “no label” releases) (in 1941)
recording of:
L’Accordéoniste (on 1940-05-27)
lyricist and composer:
Michel Emer
Édith Piaf43:11
2La Java bleue
vocals:
Fréhel (on 1939-01-02)
orchestra:
Orchestre Pierrot
recording of:
La Java bleue (on 1939-01-02)
lyricist:
Géo Koger (composer, author) (in 1938) and Noël Renard (in 1938)
composer:
Vincent Scotto (in 1938)
Fréhel2:46
3J’attendrai
vocals:
Rina Ketty (in 1938-03)
conductor:
Marcel Cariven (in 1938-03)
miscellaneous support:
CEDAR (not for release label use: “… audio restoration and speech enhancement for film, post, TV and radio broadcast, CD and DVD mastering, …”) (task: restauration sonore)
recording of:
J’attendrai (J’attendrai le jour et la nuit…) (in 1938-03)
lyricist:
Nino Rastelli (in 1936)
composer:
Dino Olivieri (Italian musician, conductor and composer) (in 1936)
translator:
Louis Poterat
publisher:
Edizioni Leonardi S.R.L. and Publications Francis Day
translated version of:
Tornerai
Rina Ketty3:00
4La femme est faite pour l’homme
recorded in:
Paris, Île-de-France, France (in 1934)
vocals:
Arletty (in 1934)
conductor:
Raoul Moretti (French composer, musician and lyricist) (in 1934)
recording of:
La femme est faite pour l’homme (du film « Une idée folle ») (in 1934)
lyricist:
Charles-Louis Pothier (in 1932) and René Pujol (french lyricist and screenwriter) (in 1932)
composer:
Casimir Oberfeld (in 1932)
publisher:
Éditions Salabert France (in 1932)
Arletty3:07
5Les Roses blanches
vocals:
Berthe Sylva (in 1937)
recording of:
Les Roses blanches (in 1937)
lyricist:
Charles-Louis Pothier
composer:
Léon Raiter
publisher:
Meridian (publisher)
Berthe Sylva3:27
6Sombre Dimanche
choir vocals:
Les Chœurs russes Afonsky
vocals:
Damia
conductor:
Wal-Berg
recording of:
Sombre Dimanche (on 1936-02-28)
lyricist:
François-Eugène Gonda and Jean Marèze (lyricist)
composer:
Rezső Seress
Damia3:21
7Mon amant de Saint-Jean
accordion:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1942-07-07)
vocals:
Lucienne Delyle (on 1942-07-07)
orchestra:
Orchestre Jacques Météhen (on 1942-07-07)
recording of:
Mon amant de Saint‐Jean (on 1942-07-07)
lyricist:
Léon Agel
composer:
Émile Carrara
Lucienne Delyle2:49
8Voulez-vous danser grand-mère
vocals:
Lina Margy (in 1948)
recording of:
Voulez-vous danser grand-mère ? (in 1948)
lyricist:
Jean Lenoir
composer:
Raymond Baltel and Alex Padou
Lina Margy2:47
9Le Fiacre
Yvette Guilbert1:42
10C’est vrai
vocals:
Mistinguett
recording of:
C’est vrai (Revue des Folies‐Bergères « Folies en folie »)
lyricist:
Albert Willemetz
composer:
Casimir Oberfeld
Mistinguett2:56
11Le Petit Chaperon rouge
Lisette Jambel3:07
12Un jour mon prince viendra
vocals:
Élyane Célis (on 1938-06-21)
orchestra:
Orchestre Marcel Cariven (on 1938-06-21)
recording of:
Un jour mon prince viendra (Blanche-Neige et les sept nains) (on 1938-06-21)
lyricist:
Larry Morey (American lyricist, 1905–1971)
composer:
Frank Churchill
translator:
Francis Salabert
translated version of:
Someday My Prince Will Come
part of:
On est toutes Blanche-Neige
Elyane Célis2:47
13Le Premier Rendez-vous
recorded in:
Paris, Île-de-France, France (on 1941-07-20)
vocals:
Danielle Darrieux (actress/singer) (on 1941-07-20)
conductor:
René Sylviano (French composer) (on 1941-07-20)
recording of:
Le Premier Rendez-vous (du film « Premier Rendez‐vous ») (on 1941-07-20)
lyricist:
Louis Poterat
composer:
René Sylviano (French composer)
publisher:
SOC Continental
Danielle Darrieux3:18
14Parlez-moi d’amour
vocals:
Lucienne Boyer (on 1930-04-10)
conductor:
Basil Codolban (conductor and pianist) (on 1930-04-10)
recording of:
Parlez‐moi d’amour (on 1930-04-10)
lyricist:
Jean Lenoir
composer:
Jean Lenoir (in 1930)
publisher:
Éditions Meridian and Éditions Semi (SEMI Société)
Lucienne Boyer2:57
15Paradis perdu
Marie-José2:36
16Lily Marlène
vocals:
Suzy Solidor (in 1942-01)
recording of:
Lili Marlène (French lyrics) (in 1942-01)
lyricist:
Hans Leip
composer:
Norbert Schultze
translator:
Henri Lemarchand (French actor & lyricist)
translated version of:
Lili Marleen (Lied eines jungen Wachtpostens, original German version)
Suzy Solidor3:19
17La Conga blicoti
vocals:
Joséphine Baker (on 1936-11-27)
orchestra:
Lecuona Cuban Boys (on 1936-11-27)
recording of:
La Conga Blicoti (on 1936-11-27)
lyricist:
André de Badet
composer:
Armando Orefiche (Cuban composer)
Joséphine Baker2:26
18Mon légionnaire
vocals:
Marie Dubas (on 1936-05-20)
conductor:
Marcel Cariven (on 1936-05-20)
recording of:
Mon légionnaire (on 1936-05-20)
lyricist:
Raymond Asso
composer:
Marguerite Monnot
Marie Dubas4:34
19Insensiblement
vocals:
Renée Lebas
recording of:
Insensiblement (in 1942)
composer:
Paul Misraki (in 1941)
publisher:
Warner Chappell Music France and Éditions Semi (SEMI Société) (in 1941)
Renée Lebas2:45
20C'est la saison d'amour
soprano vocals:
Yvonne Printemps (in 1937)
vocals:
Yvonne Printemps (in 1937)
orchestra:
Orchestre Marcel Cariven (in 1937)
conductor:
Marcel Cariven (in 1937)
recorded at:
Théâtre des Bouffes-Parisiens in Paris, Île-de-France, France (in 1937)
recording of:
Les Trois Valses : Acte I. Entrée de Fanny « C'est la saison d'amour » (Fanny, Beltramini) (in 1937)
lyricist:
Léopold Marchand (in 1937) and Albert Willemetz (in 1937)
composer:
Oscar Straus
part of:
Les Trois Valses: acte I. La Valse de l’adieu
Yvonne Printemps3:18