Twilight: The Score

~ Pubblicazione di Carter Burwell (visualizza tutte le versioni di questa pubblicazione: 3 disponibili)

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1How I Would Die
assistente tecnico:
Olga FitzRoy
produttore:
Carter Burwell (American score composer)
tecnico di missaggio:
Michael Farrow
assistente editor:
Scott Johnson (editor, writer, arranger)
editor:
Adam Smalley
direttore d'orchestra:
Carter Burwell (American score composer)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
registrata presso:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
mixata presso:
The Body (Carter Burwell's personal studio) in Suffolk County, New York, Stati Uniti
registrazione di:
How I Would Die
orchestratore e compositore:
Carter Burwell (American score composer)
1:57
2Who Are They?
assistente tecnico:
Olga FitzRoy
produttore:
Carter Burwell (American score composer)
tecnico di missaggio:
Michael Farrow
assistente editor:
Scott Johnson (editor, writer, arranger)
editor:
Adam Smalley
direttore d'orchestra:
Carter Burwell (American score composer)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
registrata presso:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
mixata presso:
The Body (Carter Burwell's personal studio) in Suffolk County, New York, Stati Uniti
registrazione di:
Who Are They?
orchestratore e compositore:
Carter Burwell (American score composer)
3:30
3Treaty
assistente tecnico:
Olga FitzRoy
produttore:
Carter Burwell (American score composer)
tecnico di missaggio:
Michael Farrow
assistente editor:
Scott Johnson (editor, writer, arranger)
editor:
Adam Smalley
direttore d'orchestra:
Carter Burwell (American score composer)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
registrata presso:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
mixata presso:
The Body (Carter Burwell's personal studio) in Suffolk County, New York, Stati Uniti
registrazione di:
Treaty
orchestratore e compositore:
Carter Burwell (American score composer)
2:00
4Phascination Phase
assistente tecnico:
Olga FitzRoy
produttore:
Carter Burwell (American score composer)
tecnico di missaggio:
Michael Farrow
assistente editor:
Scott Johnson (editor, writer, arranger)
editor:
Adam Smalley
direttore d'orchestra:
Carter Burwell (American score composer)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
registrata presso:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
mixata presso:
The Body (Carter Burwell's personal studio) in Suffolk County, New York, Stati Uniti
registrazione di:
Phascination Phase
orchestratore e compositore:
Carter Burwell (American score composer)
2:07
5Humans Are Predators Too
assistente tecnico:
Olga FitzRoy
produttore:
Carter Burwell (American score composer)
tecnico di missaggio:
Michael Farrow
assistente editor:
Scott Johnson (editor, writer, arranger)
editor:
Adam Smalley
direttore d'orchestra:
Carter Burwell (American score composer)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
registrata presso:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
mixata presso:
The Body (Carter Burwell's personal studio) in Suffolk County, New York, Stati Uniti
registrazione di:
Humans Are Predators Too
orchestratore e compositore:
Carter Burwell (American score composer)
2:07
6I Dreamt of Edward
assistente tecnico:
Olga FitzRoy
produttore:
Carter Burwell (American score composer)
tecnico di missaggio:
Michael Farrow
assistente editor:
Scott Johnson (editor, writer, arranger)
editor:
Adam Smalley
direttore d'orchestra:
Carter Burwell (American score composer)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
registrata presso:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
mixata presso:
The Body (Carter Burwell's personal studio) in Suffolk County, New York, Stati Uniti
registrazione di:
I Dreamt of Edward
orchestratore e compositore:
Carter Burwell (American score composer)
1:10
7I Know What You Are
assistente tecnico:
Olga FitzRoy
produttore:
Carter Burwell (American score composer)
tecnico di missaggio:
Michael Farrow
assistente editor:
Scott Johnson (editor, writer, arranger)
editor:
Adam Smalley
direttore d'orchestra:
Carter Burwell (American score composer)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
registrata presso:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
mixata presso:
The Body (Carter Burwell's personal studio) in Suffolk County, New York, Stati Uniti
registrazione di:
I Know What You Are
orchestratore e compositore:
Carter Burwell (American score composer)
2:38
8The Most Dangerous Predator
assistente tecnico:
Olga FitzRoy
produttore:
Carter Burwell (American score composer)
tecnico di missaggio:
Michael Farrow
assistente editor:
Scott Johnson (editor, writer, arranger)
editor:
Adam Smalley
direttore d'orchestra:
Carter Burwell (American score composer)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
registrata presso:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
mixata presso:
The Body (Carter Burwell's personal studio) in Suffolk County, New York, Stati Uniti
registrazione di:
The Most Dangerous Predator
orchestratore e compositore:
Carter Burwell (American score composer)
2:25
9The Skin of a Killer
assistente tecnico:
Olga FitzRoy
produttore:
Carter Burwell (American score composer)
tecnico di missaggio:
Michael Farrow
assistente editor:
Scott Johnson (editor, writer, arranger)
editor:
Adam Smalley
direttore d'orchestra:
Carter Burwell (American score composer)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
registrata presso:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
mixata presso:
The Body (Carter Burwell's personal studio) in Suffolk County, New York, Stati Uniti
registrazione di:
The Skin of a Killer
orchestratore e compositore:
Carter Burwell (American score composer)
3:00
10The Lion Fell in Love With the Lamb
assistente tecnico:
Olga FitzRoy
produttore:
Carter Burwell (American score composer)
tecnico di missaggio:
Michael Farrow
assistente editor:
Scott Johnson (editor, writer, arranger)
editor:
Adam Smalley
direttore d'orchestra:
Carter Burwell (American score composer)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
registrata presso:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
mixata presso:
The Body (Carter Burwell's personal studio) in Suffolk County, New York, Stati Uniti
registrazione di:
The Lion Fell in Love With the Lamb
orchestratore e compositore:
Carter Burwell (American score composer)
3:16
11Complications
assistente tecnico:
Olga FitzRoy
produttore:
Carter Burwell (American score composer)
tecnico di missaggio:
Michael Farrow
assistente editor:
Scott Johnson (editor, writer, arranger)
editor:
Adam Smalley
direttore d'orchestra:
Carter Burwell (American score composer)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
registrata presso:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
mixata presso:
The Body (Carter Burwell's personal studio) in Suffolk County, New York, Stati Uniti
registrazione di:
Complications
orchestratore e compositore:
Carter Burwell (American score composer)
1:11
12Dinner With His Family
assistente tecnico:
Olga FitzRoy
produttore:
Carter Burwell (American score composer)
tecnico di missaggio:
Michael Farrow
assistente editor:
Scott Johnson (editor, writer, arranger)
editor:
Adam Smalley
direttore d'orchestra:
Carter Burwell (American score composer)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
registrata presso:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
mixata presso:
The Body (Carter Burwell's personal studio) in Suffolk County, New York, Stati Uniti
registrazione di:
Dinner With His Family
orchestratore e compositore:
Carter Burwell (American score composer)
0:40
13I Would Be the Meal
assistente tecnico:
Olga FitzRoy
produttore:
Carter Burwell (American score composer)
tecnico di missaggio:
Michael Farrow
assistente editor:
Scott Johnson (editor, writer, arranger)
editor:
Adam Smalley
direttore d'orchestra:
Carter Burwell (American score composer)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
registrata presso:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
mixata presso:
The Body (Carter Burwell's personal studio) in Suffolk County, New York, Stati Uniti
registrazione di:
I Would Be the Meal
orchestratore e compositore:
Carter Burwell (American score composer)
1:30
14Bella's Lullaby
assistente tecnico:
Olga FitzRoy
produttore:
Carter Burwell (American score composer)
tecnico di missaggio:
Michael Farrow
assistente editor:
Scott Johnson (editor, writer, arranger)
editor:
Adam Smalley
direttore d'orchestra:
Carter Burwell (American score composer)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
registrata presso:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
mixata presso:
The Body (Carter Burwell's personal studio) in Suffolk County, New York, Stati Uniti
registrazione di:
Bella’s Lullaby
orchestratore e compositore:
Carter Burwell (American score composer)
2:24
15Nomads
assistente tecnico:
Olga FitzRoy
produttore:
Carter Burwell (American score composer)
tecnico di missaggio:
Michael Farrow
assistente editor:
Scott Johnson (editor, writer, arranger)
editor:
Adam Smalley
direttore d'orchestra:
Carter Burwell (American score composer)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
registrata presso:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
mixata presso:
The Body (Carter Burwell's personal studio) in Suffolk County, New York, Stati Uniti
registrazione di:
Nomads
orchestratore e compositore:
Carter Burwell (American score composer)
3:54
16Stuck Here Like Mom
assistente tecnico:
Olga FitzRoy
produttore:
Carter Burwell (American score composer)
tecnico di missaggio:
Michael Farrow
assistente editor:
Scott Johnson (editor, writer, arranger)
editor:
Adam Smalley
direttore d'orchestra:
Carter Burwell (American score composer)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
registrata presso:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
mixata presso:
The Body (Carter Burwell's personal studio) in Suffolk County, New York, Stati Uniti
registrazione di:
Stuck Here Like Mom
orchestratore e compositore:
Carter Burwell (American score composer)
1:45
17Bella Is Part of the Family
assistente tecnico:
Olga FitzRoy
produttore:
Carter Burwell (American score composer)
tecnico di missaggio:
Michael Farrow
assistente editor:
Scott Johnson (editor, writer, arranger)
editor:
Adam Smalley
direttore d'orchestra:
Carter Burwell (American score composer)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
registrata presso:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
mixata presso:
The Body (Carter Burwell's personal studio) in Suffolk County, New York, Stati Uniti
registrazione di:
Bella Is Part of the Family
orchestratore e compositore:
Carter Burwell (American score composer)
1:26
18Tracking
assistente tecnico:
Olga FitzRoy
produttore:
Carter Burwell (American score composer)
tecnico di missaggio:
Michael Farrow
assistente editor:
Scott Johnson (editor, writer, arranger)
editor:
Adam Smalley
direttore d'orchestra:
Carter Burwell (American score composer)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
registrata presso:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
mixata presso:
The Body (Carter Burwell's personal studio) in Suffolk County, New York, Stati Uniti
registrazione di:
Tracking
orchestratore e compositore:
Carter Burwell (American score composer)
2:20
19In Place of Someone You Love
assistente tecnico:
Olga FitzRoy
produttore:
Carter Burwell (American score composer)
tecnico di missaggio:
Michael Farrow
assistente editor:
Scott Johnson (editor, writer, arranger)
editor:
Adam Smalley
direttore d'orchestra:
Carter Burwell (American score composer)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
registrata presso:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
mixata presso:
The Body (Carter Burwell's personal studio) in Suffolk County, New York, Stati Uniti
registrazione di:
In Place of Someone You Love
orchestratore e compositore:
Carter Burwell (American score composer)
1:50
20Showdown in the Ballet Studio
assistente tecnico:
Olga FitzRoy
produttore:
Carter Burwell (American score composer)
tecnico di missaggio:
Michael Farrow
assistente editor:
Scott Johnson (editor, writer, arranger)
editor:
Adam Smalley
direttore d'orchestra:
Carter Burwell (American score composer)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
registrata presso:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
mixata presso:
The Body (Carter Burwell's personal studio) in Suffolk County, New York, Stati Uniti
registrazione di:
Showdown in the Ballet Studio
orchestratore e compositore:
Carter Burwell (American score composer)
4:51
21Edward at Her Bed
assistente tecnico:
Olga FitzRoy
produttore:
Carter Burwell (American score composer)
tecnico di missaggio:
Michael Farrow
assistente editor:
Scott Johnson (editor, writer, arranger)
editor:
Adam Smalley
direttore d'orchestra:
Carter Burwell (American score composer)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
registrata presso:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
mixata presso:
The Body (Carter Burwell's personal studio) in Suffolk County, New York, Stati Uniti
registrazione di:
Edward at Her Bed
orchestratore e compositore:
Carter Burwell (American score composer)
1:05

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Pubblicazione

copyright (©) detenuto da:Summit Entertainment, LLC (not for release label use; motion picture company) (nel 2008)