Bayern 3: Los Rockos!

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Born to Be Wild
Produzent(in):
Gabriel Mekler
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1968), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1968)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 53) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 129)
recording of:
Born to Be Wild
Texter und Komponist(in):
Mars Bonfire
publisher:
Duchess Music Corporation (BMI-affiliated), Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Steppenwolf4.353:38
2The Stroke
Assistent recording engineer:
Garry Rindfuss
recording engineer:
Mack (German rock producer/engineer Reinhold Mack)
Produzent(in):
Mack (German rock producer/engineer Reinhold Mack) und Billy Squier
Gitarre und Sologesang:
Billy Squier
Schlagzeug:
Bobby Chouinard
Hintergrundgesang:
Mark Clarke (Rock, UK) und Alan St. Jon
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2002), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
aufgenommen bei:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
zusätzlich aufgenommen bei:
Musicland Studios (Munich) in München, Bayern, Deutschland
mixed at:
Musicland Studios (Munich) in München, Bayern, Deutschland
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 59)
recording of:
The Stroke
Texter und Komponist(in):
Billy Squier
publisher:
Songs of the Knight
Billy Squier3.753:38
3Cats in the Cradle
Techniker(in) und Mix:
Mark Dodson (UK producer) und Randy Long
Produzent(in):
Mark Dodson (UK producer)
Bassgitarre:
Cordell Crockett (in 1992)
Gitarre:
Klaus Eichstadt (in 1992) und Dave Fortman (in 1992)
Schlagzeug:
Mark Davis (US drummer for Ugly Kid Joe) (in 1992)
Hintergrundgesang:
Jennifer Barry (in 1992)
Sologesang:
Whitfield Crane (in 1992)
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1992) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1992)
cover recording of:
Cat’s in the Cradle (in 1992)
Verfasser(in):
Sandra Campbell Chapin und Harry F Chapin
publisher:
Neue Welt Musikverlag GmbH & Co. KG (– 2017), Story Songs, Ltd, Warner Bros., Inc. (not for release label use!), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music, Inc., Warner/Chappell Music Australia Pty. Ltd. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Ugly Kid Joe3.84:03
4Gamma Ray
recording of:
Gamma Ray
Texter und Komponist(in):
Bruno Frenzel
Birth Control3:28
5Poison
recording engineer:
Sir Arthur Payson (von 1988 bis 1989)
Synthesizer-Programmierung:
Steve Deutsch
assistierende(r) Techniker(in):
George Cowan (US engineer), Ben Fowler, Lolly Grodner, Robert Hart (engineer), John Herman (engineer), Don Peterkofsky, Duane Seykora, Brian Sterber und Mark Tanzer
Produzent(in):
Desmond Child
Mix:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson) und Steve Thompson (producer)
Bassgitarre:
Hugh McDonald (bassist) (von 1988 bis 1989)
Gitarre:
John McCurry (von 1988 bis 1989)
Keyboard:
Alan St. John (von 1988 bis 1989)
Schlagzeug:
Bobby Chouinard (von 1988 bis 1989)
zusätzlich andere Instrumente [special effects]:
Gregg Mangiafico (von 1988 bis 1989)
zusätzlich Keyboard:
Paul Chiten (songwriter and producer) (von 1988 bis 1989) und Gregg Mangiafico (von 1988 bis 1989)
Hintergrundgesang:
Alan St. John (von 1988 bis 1989), Michael Anthony (US bassist, formerly of Van Halen) (von 1988 bis 1989), Desmond Child (von 1988 bis 1989), Diana Grasselli (von 1988 bis 1989), Jango (backing vocalist on “Trash” by Alice Cooper) (von 1988 bis 1989), Louie Merlino (von 1988 bis 1989), Hugh McDonald (bassist) (von 1988 bis 1989), Jamie Sever (von 1988 bis 1989), Bernie Shanahan (von 1988 bis 1989), Stiv Bator (von 1988 bis 1989), Tom Teeley (von 1988 bis 1989), Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz) (von 1988 bis 1989), Myriam Valle (von 1988 bis 1989) und Maria Vidal (American singer-songwriter) (von 1988 bis 1989)
Sologesang:
Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974) (von 1988 bis 1989)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1989), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1989), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1989) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1989)
aufgenommen bei:
Bearsville Studios in Bearsville, New York, Vereinigte Staaten (von 1988 bis 1989), Blue Jay Recording Studios in Carlisle, Massachusetts, Vereinigte Staaten (von 1988 bis 1989), Grog Kill Studio in Woodstock, New York, Vereinigte Staaten (von 1988 bis 1989), Mediasound Studios in New York, New York, Vereinigte Staaten (von 1988 bis 1989), Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (von 1988 bis 1989), Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten (von 1988 bis 1989), Sigma Sound Studios (New York) in New York, New York, Vereinigte Staaten (von 1988 bis 1989), The Complex Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1988 bis 1989), The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1988 bis 1989) und The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1988 bis 1989)
recording of:
Poison (von 1988 bis 1989)
Verfasser(in):
Desmond Child, Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974) und John McCurry
publisher:
Desmobile Inc., Desmobile Music Co., Inc. (publisher), EMI April Music Inc., EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Songs Ltd., Ezra Music, Kat and Mouse Music (, vom 1989 bis heute), MCA Music Ltd., Primary Wave Music Publishing, SBK April Music Inc. (, vom 1989 bis ????), SBK Songs Ltd., Songs of Universal, Inc. (BMI), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Music Publishing Scandinavia, Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Group, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, Universal/MCA Music Publishing Scandinavia AB (Universal MCA Music Scandinavia AB), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Ezra Music Corp. (vom 1989 bis heute)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.454:30
6Because the Night
Produzent(in):
Jimmy Iovine
Mix:
Jimmy Iovine und Shelly Yakus
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1978, in 1988) und Arista Records, LLC (holding company - file NO releases here!) (in 1978)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 72)
recording of:
Because the Night
publisher:
Bruce Springsteen und Bruce Springsteen (in 1975)
Texter:
Patti Smith (in 1977) und Bruce Springsteen (in 1977)
Komponist(in):
Bruce Springsteen (in 1977)
publisher:
Bruce Springsteen Music, Rondor Music, Rondor Music (Australia) Pty Ltd, Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Patti Smith4.553:22
7Welcome to Heartlight
recording engineer:
Mark Ettel und Andy Johns
Produzent(in):
Bruce Botnick und Kenny Loggins
Bassgitarre:
Vernon Porter (bassist)
Conga:
Paulinho da Costa (Brazilian percussionist)
Gitarre:
Mike Hamilton (US guitarist based in Laguna Beach, CA) und Kenny Loggins
Perkussion:
Steve Forman (US percussionist)
Schlagzeug:
Tris Imboden
Solo-Gitarre und Sologesang:
Kenny Loggins
Chorgesang:
The Heartlight School Singers & Dancers Christ Memorial Youth Choir
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982)
recording of:
Heartlight
Texter und Komponist(in):
Kenny Loggins
publisher:
Milk Money Music, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Kenny Loggins3:55
8Black Magic Woman
Produzent(in):
Fred Catero und Carlos Santana
Bassgitarre:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (am 1970-07-04)
Conga:
Michael Carabello (am 1970-07-04) und Jose Chepito Áreas (am 1970-07-04)
Gitarre:
Carlos Santana (am 1970-07-04)
Keyboard:
Gregg Rolie (am 1970-07-04)
membranophone:
Michael Shrieve (am 1970-07-04)
Timbales:
Jose Chepito Áreas (am 1970-07-04)
vocals:
Gregg Rolie (am 1970-07-04) und Carlos Santana (am 1970-07-04)
phonographisches Urheberrecht (℗) von:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1970), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1970) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1970, in 1974)
aufgenommen bei:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California (Kalifornien), Vereinigte Staaten (am 1970-07-04)
cover recording of:
Black Magic Woman (am 1970-07-04)
Texter und Komponist(in):
Peter Green (former member of Fleetwood Mac)
publisher:
Bourne Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), King Music Publ. Co. Ltd. und Murbo Music Publishers, Inc.
recording of:
Black Magic Woman
Texter und Komponist(in):
Peter Green (former member of Fleetwood Mac)
publisher:
Bourne Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), King Music Publ. Co. Ltd. und Murbo Music Publishers, Inc.
Santana3.93:16
9Barracuda
Produzent(in):
Mike Flicker
Akustikgitarre:
Nancy Wilson (guitarist/singer of “Heart”) (von 1977-02 bis 1977-04)
Bassgitarre:
Steve Fossen (von 1977-02 bis 1977-04)
E-Gitarre:
Roger Fisher (US rock guitarist) (von 1977-02 bis 1977-04)
Gitarre und mellotron:
Howard Leese (von 1977-02 bis 1977-04)
Schlagzeug:
Michael Derosier (von 1977-02 bis 1977-04)
Sologesang:
Ann Wilson (lead singer of Heart) (von 1977-02 bis 1977-04)
arranger:
Heart (rock band, Ann and Nancy Wilson)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1977), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1977) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
aufgenommen bei:
Kaye–Smith Studios in Seattle, Washington, Vereinigte Staaten (von 1977-02 bis 1977-04)
mixed at:
Royaltone Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Kaye–Smith Studios in Seattle, Washington, Vereinigte Staaten (von 1977-02 bis 1977-04)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 34)
recording of:
Barracuda (von 1977-02 bis 1977-04)
Verfasser(in):
Michael Derosier, Roger Fisher (US rock guitarist), Ann Wilson (lead singer of Heart) und Nancy Wilson (guitarist/singer of “Heart”)
publisher:
BMG Songs, Inc., IQ Music Ltd., Know Music, Of the Roses Music, Play My Music, Rosebud Music, Strange Euphoria Music, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing MGB Ltd., Universal Music–MGB Songs, Universal/MCA Music Ltd. (not for release label use!) und Wilsongs
sub-publisher:
Shinko Music Entertainment Co., Ltd. und Universal Music Publishing, Synch Division
Heart4.24:24
10Living After Midnight
Techniker(in):
Louis Austin (engineering)
Produzent(in):
Tom Allom
E-Bass:
Ian Hill (UK bassist for Judas Priest) (von 1980-01 bis 1980-02)
E-Gitarre:
Kenneth Downing (von 1980-01 bis 1980-02) und Glenn Tipton (von 1980-01 bis 1980-02)
Schlagzeug:
Dave Holland (British rock drummer) (von 1980-01 bis 1980-02)
Sologesang:
Rob Halford (von 1980-01 bis 1980-02)
phonographisches Urheberrecht (℗) von:
CBS Records (manufacturer/distributor, not for release label use!) (in 1980), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1980) und Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1980)
aufgenommen bei:
Startling Studios (Tittenhurst Park) in Ascot, Windsor and Maidenhead, England, Vereinigtes Königreich (von 1980-01 bis 1980-02)
Musikvideos:
Living After Midnight (music video) von Judas Priest
Teil von:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (Nummer: 27)
recording of:
Living After Midnight (von 1980-01 bis 1980-02)
Verfasser(in):
Kenneth Downing, Rob Halford und Glenn Tipton
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und EMI Songs Ltd.
Judas Priest4.053:31
11How You Remind Me
Produzent(in):
Chad Kroeger, Mike Kroeger, Rick Parashar, Ryan Peake und Ryan "Nik" Vikedal
Mix:
Randy Staub
Bass:
Mike Kroeger
Gitarre [guitars]:
Chad Kroeger und Ryan Peake
Schlagzeug [drums]:
Ryan "Nik" Vikedal
Sologesang:
Chad Kroeger
vocals:
Ryan Peake
phonographisches Urheberrecht (℗) von:
The All Blacks B.V. (company, for copyrights purposes) (in 2001)
Musikvideos:
How You Remind Me von Nickelback
Teil von:
Billboard Year-End Hot 100 singles of 2002 (Nummer: 1) und BILLIONS CLUB
recording of:
How You Remind Me
Texter:
Chad Kroeger
Komponist(in):
Chad Kroeger, Mike Kroeger, Ryan Peake und Ryan Vikedal
publisher:
Arm Your Dillo Publishing Inc., M. Kroeger Publishing, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Zero‐G Music Inc.
Nickelback3.73:44
12Sweet Home Alabama
sonstige Unterstützung:
Ronnie Van Zant
Techniker(in) und Produzent(in):
Al Kooper
E-Bass:
Leon Wilkeson (in 1973-07)
E-Gitarre:
Allen Collins (in 1973-07), Ed King (US guitarist, bassist & songwriter) (in 1973-07) und Gary Rossington (in 1973-07)
Keyboard:
Billy Powell (in 1973-07)
Schlagzeug:
Bob Burns (Lynyrd Skynyrd drummer) (in 1973-07)
Hintergrundgesang:
Merry Clayton (in 1973-07) und Clydie King (in 1973-07)
Sologesang:
Ronnie Van Zant (in 1973-07)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1974), MCA Records (1967–2003; name as in imprint during 1972–1990) (in 1974), MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1974), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1974), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1974), Universal Music (plain logo: “Universal Music”) (in 1974), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
produced for:
Sounds of the South Productions
aufgenommen bei:
Studio One (Doraville, GA) in Doraville, Georgia, Vereinigte Staaten (in 1973-07)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 398)
recording of:
Sweet Home Alabama (in 1973-07)
sonstige Unterstützung:
Ronnie Van Zant
Verfasser(in):
Ed King (US guitarist, bassist & songwriter), Gary Rossington und Ronnie Van Zant
publisher:
Hustler Inc., Leeds Music Corp., MCA Music Ltd., Songs of Universal, Inc. (BMI), Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH und Universal/MCA Music Publishing Pty Ltd
Lynyrd Skynyrd4.154:44
13Turn Me Loose
assistierende(r) Techniker(in):
Mike Fraser (Canadian record producer, engineer and mixer)
Techniker(in):
Bob Rock
Produzent(in):
Bruce Fairbairn
Bassgitarre:
Scott Smith (Canadian bassist for Loverboy) (in 1980)
Gitarre:
Paul Dean (Canadian guitarist) (in 1980)
Keyboard:
Doug Johnson (Canadian keyboardist for Loverboy) (in 1980)
Schlagzeug:
Matt Frenette (in 1980)
Sologesang:
Mike Reno (in 1980)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Canada Inc. (not for release label use! post-2008 subsidiary of Sony Music Entertainment) und Sony Music Canada Inc. (unlikely to be an imprint, 1990/12/14–1991/11/18) (in 1980)
aufgenommen bei:
Little Mountain Sound in Vancouver, British Columbia, Kanada
recording of:
Turn Me Loose (in 1980)
Verfasser(in):
Paul Dean (Canadian guitarist) und Mike Reno
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dean of Music und EMI Songs
Loverboy4.65:39
14Radar Love
recording engineer:
Pieter Nieboer
leitende(r) Produzent(in):
Fred Haayen
Produzent(in):
Golden Earring
Mix:
Damon Lyon-Shaw
Akustikgitarre und E-Gitarre:
George Kooymans
E-Bass und Keyboard:
Rinus Gerritsen (bass player)
Perkussion und Schlagzeug:
Cesar Zuiderwijk (Dutch drummer, member of Golden Earring)
Slide-Gitarre:
Eelco Gelling
vocals:
Barry Hay und George Kooymans
arranger:
Golden Earring
phonographisches Urheberrecht (℗) von:
Dutch Record Company (in 1973), Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1973), Red Bullet Productions B.V. (in 1973), Track Records Ltd. (in 1973) und Geffen Records (in 1974)
produced for:
Red Bullet Productions
aufgenommen bei:
Phonogram Studios in Hilversum, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands
mixed at:
IBC Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
Radar Love
Texter:
Barry Hay
Komponist(in):
George Kooymans
publisher:
Dayglow Music (publisher), Larry Shayne Music, Inc., Louvigny-Marquee Music Ltd., New Dayglow Music, Snamyook Music (publisher associated with George Kooymans) und Sony/ATV Music Publishing
Golden Earring4.36:25
15Mr. Roboto
Techniker(in):
Rob Kingsland, Gary Loizzo und Will Rascati
Produzent(in):
Styx (rock band from Chicago)
phonographisches Urheberrecht (℗) von:
A&M Records (in 1984)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 61)
recording of:
Mr. Roboto
Texter und Komponist(in):
Dennis DeYoung
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Stygian Songs (publishing company for the rock band Styx) und 日音 Synch事業部 (NICHION, INC. Synch Division)
Styx4.35:29
16Roll Over Beethoven
Techniker(in):
Denny Bridges und John Middleton (engineer)
Produzent(in):
Jeff Lynne
Bass:
Michael d’Albuquerque (am 1972-09-08)
Cello:
Mike Edwards (English Cellist that was a member of ELO) (am 1972-09-08) und Colin Walker (English Cellist that was a member of ELO) (am 1972-09-08)
Geige / Violine:
Wilfred Gibson (UK violinist) (am 1972-09-08)
Gitarre, Harmonium und Moog:
Jeff Lynne (am 1972-09-08) und Richard Tandy (keyboardist for Electric Light Orchestra) (am 1972-09-08)
Klavier:
Richard Tandy (keyboardist for Electric Light Orchestra) (am 1972-09-08)
Perkussion und Schlagzeug:
Bev Bevan (English rock drummer) (am 1972-09-08)
Hintergrundgesang:
Michael d’Albuquerque (am 1972-09-08) und Richard Tandy (keyboardist for Electric Light Orchestra) (am 1972-09-08)
Sologesang:
Jeff Lynne (am 1972-09-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972, in 2011), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1972) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1973)
aufgenommen bei:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich (am 1972-09-08)
cover recording of:
Roll Over Beethoven (am 1972-09-08)
Texter und Komponist(in):
Chuck Berry (in 1956-01)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dualtone Words and Songs, Isalee Music Publishing Company und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
sub-publisher:
Fujipacific Music, Inc. und Rock ’n’ Roll Music
Electric Light Orchestra4.354:33
17Fortune Teller
Cannata3:45
18Lover Why
recording of:
Lover Why
Verfasser(in):
John Milford und John Wesley (electronic music artist: “Lover Why”, “Words of Humanity”)
Century3.56:02
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Teil von:Bayern 3: Los Rockos! (Nummer: 1) (Reihenfolge: 1)