Greatest Covers Ever

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

© «2021 UMG Recordings, Inc.»
℗ «2021 UMG Recordings, Inc. FP»

Countries excluded (Spotify)

(As of 2023-12-17).

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Anmerkung zuletzt geändert am 2023-12-17 06:36 UTC.

Titelliste

1Digitales Medium
Nr.TitelKünstlerBewertungLänge
1I Heard It Through the Grapevine (edit)Creedence Clearwater Revival3.53:53
2Pass the Dutchie
Produzent(in):
Peter Collins (producer)
Bassgitarre:
Patrick
Gitarre:
Kelvin
Keyboard:
Michael (Keyboard player for Musical Youth)
Schlagzeug:
Junior
vocals:
Dennis
phonographisches Urheberrecht (℗) von:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1982)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 25)
cover recording of:
Pass the Kouchie
Verfasser(in):
“Deadly” Headley Bennett, Lloyd “Judge” Ferguson, Huford Brown (Jamaican reggae deejay), Robbie Lyn, Jackie Mittoo, Leroy Sibbles (Jamaican reggae) und Fitzroy “Bunny” Simpson
Teil von:
My Kind of People
Musical Youth43:23
3Take Me Home, Country RoadsToots & The Maytals3:21
4Don’t You Want Me
Techniker(in) und Mix:
Robbie Lackritz
Produzent(in):
Afie Jurvanen (a.k.a. Afie Jurvanen) und Robbie Lackritz
Gitarre:
Afie Jurvanen (a.k.a. Afie Jurvanen)
Perkussion:
Don Kerr
vocals:
Afie Jurvanen (a.k.a. Afie Jurvanen) und Tamara Lindeman (Canadian actress and musician)
cover recording of:
Don’t You Want Me (Human League song)
Texter:
Philip Oakey
Komponist(in):
Jo Callis, Philip Oakey und Philip Adrian Wright (Human League)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Bahamas & The Weather Station3:19
5Fast Car (acoustic)
cover recording of:
Fast Car
Texter und Komponist(in):
Tracy Chapman (American singer‐songwriter)
publisher:
April Music Inc., EMI April Music Inc., Kobalt Music Publishing Ltd. (UK), Purple Rabbit Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
Kobalt Music Publishing France, Kobalt Music Publishing Italia Ltd und Kobalt Music Publishing Ltd. (UK)
Jonas Blue & Dakota3:38
6Better Together
Us the Duo3:21
7It’s My Life
recording engineer:
Karl Derfler
Programmierung:
Stuart Price
assistierende(r) Techniker(in):
Kevin Mills (engineer)
Produzent(in):
Nellee Hooper und No Doubt (American rock band)
Mix:
Mark “Spike” Stent (producer, engineer)
Keyboard:
Gabrial McNair
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 451)
cover recording of:
It’s My Life
Verfasser(in):
Tim Friese‐Greene und Mark Hollis
publisher:
F‐Sharp Productions Ltd., Hollis Songs Ltd., Universal Music (plain logo: “Universal Music”), Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Zomba Enterprises, Inc., Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) und Zomba Music Publishing (music publisher – add no releases here!)
No Doubt3.83:46
8Tainted Love
Techniker(in):
Paul Hardiman
Produzent(in):
Mike Thorne (UK producer & keyboardist)
Mix:
Harvey Goldberg
elektronische Instrumente und andere Instrumente:
Dave Ball (UK electronic musician, part of Soft Cell)
Saxophon:
David Tofani
Hintergrundgesang:
Vicious Pink
vocals:
Marc Almond (English pop singer and songwriter)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (London) (for copyrights use only) (in 1981)
aufgenommen bei:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Tainted Love von Soft Cell (1980s English synth‐pop duo)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 5), Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 8), New York Post: 100 Greatest Covers (2007) (Nummer: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 33) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 46)
cover recording of:
Tainted Love
Texter und Komponist(in):
Ed Cobb
publisher:
Burlington Music Co., Ltd. und Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.952:40
9We Don’t Have to Take Our Clothes Off (remastered 2015)Ella Eyre3:51
10Candle in the Wind (2018 version)
recording of:
Candle in the Wind (in 2018)
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
gewidmet:
Marilyn Monroe (US actress, model & singer)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) und Universal–Songs of PolyGram International, Inc.
Ed Sheeran3:19
11Your Song
recording engineer und Mix:
Matt Lawrence
Produzent(in):
Ben Lovett (member of Mumford & Sons)
Akustikgitarre:
Ellie Goulding
Cello:
Ruth de Turberville
große Trommel [kick drum] und Klavier:
Ben Lovett (member of Mumford & Sons)
Pauke:
Matt Wiggins (engineer, producer)
Hintergrundgesang:
Ben Lovett (member of Mumford & Sons) und Ruth de Turberville
vocals:
Ellie Goulding
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 2010)
aufgenommen bei:
The Pool in Southwark, London (Greater London), England, Vereinigtes Königreich und The Square (London)
cover recording of:
Your Song
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) (beendet), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc., Universal/Dick James Music Ltd. (fka Dick James Music Ltd.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Ellie Goulding3.43:12
12Stand by Me
Produzent(in) und Mix:
Emile Haynie (hip hop producer, aka "Emile")
Bassklarinette:
Anthony Pike (clarinetist)
Bassposaune:
Richard Edwards (trombonist) und Andy Wood (trombonist)
Bratsche / Viola:
Fiona Bonds (violist), Reiad Chibah (violist), Vince Greene, Claire Orsler, Ian Rathbone (violist) und Bruce White (violist)
Cello:
Christopher Allan (cellist), Ian Burdge (cellist), Caroline Dale (cellist), Sophie Harris (cellist) und Vicky Matthews (cellist)
Flügelhorn:
Andrew Crowley und Kate Moore (British trumpeter)
flute:
Eliza Marshall
Geige / Violine:
Daniel Bhattacharya, Natalia Bonner (violinist), Alison Dods (violinist), Jonathan Evans‐Jones (violinist), Louisa Fuller (violinist), Ben Hancox (violinist), Oli Langford (violinist), Julian Leaper (concert master and violinist), Calina De La Mare, Everton Nelson (violinist), Julia Singleton (violinist), Sonia Slany (violinist), Matt Ward (UK based songwriter, record producer and remixer), Lucy Wilkins (violinist), Paul Willey (violinist) und Warren Zielinski (violinist)
Harfe:
Tom Moth (harpist)
Klavier:
Emile Haynie (hip hop producer, aka "Emile")
Kontrabass:
Chris Laurence (double bassist), Richard Pryce (double bassist) und Lucy Shaw (double bassist)
Pauke:
Frank Ricotti (percussionist)
Trompete:
Andrew Crowley
Waldhorn:
Richard Berry (British horn player), Mike Thompson (British horn player and conductor) und Richard Watkins (hornist)
Sologesang:
Florence Welch (English singer)
cover recording of:
Stand by Me
publisher:
Mike Stoller
Verfasser(in):
Ben E. King, Jerry Leiber und Mike Stoller
publisher:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music und Universal Music Publishing (use ONLY if no country‐specific information is available)
Florence + the Machine4.54:06
13Red Red Wine
Techniker(in):
Howard Gray (UK producer, engineer, and electronic musician)
Produzent(in):
Ray “Pablo” Falconer und UB40
Bass:
Earl Falconer
drum machine und Schlagzeug:
Jim Brown (UB40 drummer)
Gitarre:
Ali Campbell (UB40’s former vocalist) und Robin Campbell
Keyboard:
Michael Virtue
Perkussion:
Astro (UB40 toast, trumpet & percussion) und Norman Hassan
Saxophon:
Brian Travers
sonstiger Gesang:
Astro (UB40 toast, trumpet & percussion)
vocals:
Ali Campbell (UB40’s former vocalist), Robin Campbell und Norman Hassan
arranger:
UB40
cover recording of:
Red Red Wine
Texter und Komponist(in):
Neil Diamond (in 1967)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label) und Bang Records (Bert Berns label) (in 1968)
UB4045:21
14The Tide Is High (edit)
Techniker(in):
Lenise Bent
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison (in 1980)
Gast-Perkussion:
Alex Acuña (in 1980), Ollie E. Brown (US drummer, session musician & record producer) (in 1980) und Emil Richards (in 1980)
Gitarre:
Frank Infante (in 1980) und Chris Stein (in 1980)
Keyboard:
Jimmy Destri (in 1980)
Pauke:
Chris Stein (in 1980)
Schlagzeug:
Clem Burke (in 1980)
Hintergrundgesang:
Clem Burke (in 1980), Jimmy Destri (in 1980), Nigel Harrison (in 1980) und Frank Infante (in 1980)
Sologesang:
Deborah Harry (in 1980)
instruments arranger:
Jimmie Haskell
phonographisches Urheberrecht (℗) von:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980) und Chrysalis Records, Inc. (not for release label use!) (in 1980)
aufgenommen bei:
United Western Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1980)
cover recording of:
The Tide Is High (in 1980)
Verfasser(in):
John Holt (in 1967)
zusätzliche(r) Verfasser(in):
Howard Barrett (in 1967) und Tyrone Evans (in 1967)
publisher:
B & C Music Corp., Campbell Connelly (Australia) P/L, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group und Sparta Florida Music Group Ltd.
Blondie4.453:53
15Dancing on My Own
recording engineer und Mix:
John McIntyre (Engineer, producer)
Produzent(in):
John McIntyre (Engineer, producer) und John McIntyre (Engineer, producer) (Aufgabe: recording producer)
Hintergrundgesang:
Calum Scott
vocals:
Calum Scott
aufgenommen bei und mixed at:
Deborah-J Studios (Hull, UK) in Vereinigtes Königreich
cover recording of:
Dancing on My Own (in 2016)
Texter und Komponist(in):
Patrik Berger und Robyn (Swedish singer and songwriter Robin Carlsson)
publisher:
Robynsongs und Universal Music Publishing AB (Sweden)
Calum Scott54:20
16Crazy (radio 1 live Lounge session)
Techniker(in):
Ralph Jordan (British folk musician and BBC radio studio engineer)
Produzent(in):
Andy Rogers (UK producer/recording engineer)
live cover recording of:
Crazy (Gnarls Barkley song)
Texter:
Thomas DeCarlo Callaway
Verfasser(in):
Gian Franco Reverberi und Gian Piero Reverberi
Komponist(in):
Brian Burton
Nelly Furtado3:24
17Comfortably NumbScissor Sisters2.854:26
18Jump
Programmierung:
Brian Higgins (British producer and song writer) und Tim Powell (Songwriter and producer, ex-Xenomania)
zusätzliche Programmierung:
Tim Larcombe (Production music composer) und Jon Shave
Techniker(in):
Jack Clark (engineer)
Produzent(in):
Brian Higgins (British producer and song writer) und Xenomania
Mix:
Tim Powell (Songwriter and producer, ex-Xenomania)
Gitarre:
Greg Bone, Nick Coler und Shawn Lee (American musician, producer, video game composer)
Keyboard:
Brian Higgins (British producer and song writer) und Tim Powell (Songwriter and producer, ex-Xenomania)
vocals:
Cheryl Cole (formerly Cheryl Cole), Nadine Coyle, Sarah Harding, Nicola Roberts und Kimberley Walsh
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 2003)
mixed at:
Eden Studios (2nd location, Chiswick, 72-07) in Chiswick, Hounslow, London (Greater London), England, Vereinigtes Königreich
cover recording of:
Jump (for My Love)
Verfasser(in):
Stephen Mitchell (US musician, composer, songwriter, producer et al.), Marti Sharron und Gary Skardina
publisher:
Anidraks Music (publisher), ATV Music, Braintree Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Sony/ATV Songs LLC
Girls Aloud2.53:39
19Wonderwall
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 28) und The Downloader’s Music Source Book (Nummer: 197)
cover recording of:
Wonderwall
Texter und Komponist(in):
Noel Gallagher
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Creation Songs Ltd, Dead Leg Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV, Sony/ATV Music Publishing und Sony/ATV Music Publishing Ltd.
Ryan Adams34:09
20Is This Love
cover recording of:
Is This Love
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music, Blue Mountain Music (in 1977, in 1978), Fifty Six Hope Road Music Limited (in 1977, in 1978), Odnil Music Ltd. (in 1977, in 1978) und PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) (in 1978)
Corinne Bailey Rae3:29
21How Deep Is Your Love
cover recording of:
How Deep Is Your Love (Bee Gees song)
Verfasser(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
Abigail Music, BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Songs of Universal, Inc. (BMI), Universal Music Careers, Universal Music Publishing International MGB Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Gibb Brothers Music (in 1977)
sub-publisher:
Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
The Bird and the Bee43:24
22We Can Work It Out
Produzent(in):
Stevie Wonder
cover recording of:
We Can Work It Out
Texter und Komponist(in):
John Lennon (The Beatles) (in 1965) und Paul McCartney (The Beatles) (in 1965)
publisher:
EMI Blackwood Music Inc., Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Tunes LLC (ASCAP)
Stevie Wonder43:18
23Love Me for a Reason
Produzent(in):
Ray “Madman” Hedges
Keyboard [keyboards]:
Martin Brannigan
Sologesang:
Stephen Gately und Ronan Keating
vocals:
Keith Duffy (Member of Boyzone), Mikey Graham und Shane Lynch
arranger:
Martin Brannigan und Ray Hedges
phonographisches Urheberrecht (℗) von:
Polygram Ireland Ltd. (in 1994)
cover recording of:
Love Me for a Reason
Verfasser(in):
Johnny Bristol, Wade Brown Jr. und David Henry Jones
publisher:
Jobete Music (UK) Ltd. und Jobete Music Ltd (in 1974)
Boyzone3.53:38
24Smooth Criminal
assistierende(r) Techniker(in):
Justin Harvey
Techniker(in) und Editing:
James Murray (US engineer)
Produzent(in) und Mix:
Jay Baumgardner
assistierende(r) Mix:
Dan Certa
zusätzliches Editing:
John Ewing (engineer) und Brian Virtue
E-Bass [bassadilla], Gitarre und Hintergrundgesang:
Tye Zamora
E-Gitarre:
Terence Corso
Schlagzeug:
Mike Cosgrove
Sologesang:
Dryden Mitchell
phonographisches Urheberrecht (℗) von:
SKG Music LLC (for copyrights use only, company associated with Dreamworks Records) (in 2001)
aufgenommen bei und mixed at:
NRG Recording Services in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Smooth Criminal von Alien Ant Farm
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 6) und The Downloader’s Music Source Book (Nummer: 355)
cover recording of:
Smooth Criminal
Texter und Komponist(in):
Michael Jackson (“King of Pop”)
publisher:
Mijac Music
Teil von:
MJ: The Musical
Alien Ant Farm4.153:29
25What Would You Do
Programmierung und Produzent(in):
Mark Crew (songwriter, record producer and mix engineer) und Dan Smith (member of UK band Bastille)
Keyboard [keyboards]:
Mark Crew (songwriter, record producer and mix engineer) und Dan Smith (member of UK band Bastille)
Klavier:
Dan Smith (member of UK band Bastille)
vocals:
Dan Smith (member of UK band Bastille)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 2013)
aufgenommen bei:
Unit 24 (Mark Crew's studio) in London (Greater London), England, Vereinigtes Königreich
cover recording of:
What Would You Do?
Verfasser(in):
Robert Pardlo und Ryan Toby
publisher:
EMI April Music Inc., Hot-Ish Music, Inc. und Pladis Music
basiert auf:
The Next Episode
Bastille3.53:03
26Soak Up the Sun (unplugged)
Judah & the Lion4:12
27She
recording engineer:
Gareth Cousins und Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistierende(r) Techniker(in):
Paul Hicks
Produzent(in):
Trevor Jones (South African score composer)
Mix:
Gareth Cousins
Bassgitarre:
Trevor Barry
Instrumente:
Clem Clempson
Klavier:
Dave Hartley (pianist)
Schlagzeug:
Paul Clarvis (percussionist)
Vibraphon:
Frank Ricotti (percussionist)
vocals:
Elvis Costello
Orchester:
London Symphony Orchestra
conductor:
Geoffrey Alexander
arranger:
Julian Kershaw
phonographisches Urheberrecht (℗) von:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 1999)
aufgenommen bei und mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
cover recording of:
She (Seven Faces of Woman)
Texter:
Herbert Kretzmer
Komponist(in):
Charles Aznavour
publisher:
Essex Music International, Inc. und Standard Music Publishing Ltd.
übersetzte Version von:
Tous les visages de l’amour
Elvis Costello2.53:06
28Let It Be
JP Cooper3:38
29The Winner Takes It All
Carla Bruni3:33
30Hallelujah
Produzent(in):
Patrick Leonard (producer, songwriter and pianist)
cover recording of:
Hallelujah
Texter und Komponist(in):
Leonard Cohen (Canadian singer‐songwriter and poet)
publisher:
Bad Monk Publishing, Leonard Cohen Stranger Music Inc., SM Publishing Argentina S.R.L., Sony/ATV Music LLC, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs (SOCAN), Sony/ATV Songs LLC und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
sub-publisher:
Sony/ATV Music Publishing (Hong Kong)
Rufus Wainwright4.054:09