Bringing On Back the Good Times

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1God Only Knows
Techniker(in):
Chuck Britz (am 1966-03-10) und Ralph Valentin (von 1966-03 bis 1966-04)
Produzent(in):
Brian Wilson (Beach Boys co‐founder)
accordion:
Carl Fortina (am 1966-03-10) und Frank Marocco (am 1966-03-10)
Bassklarinette:
Leonard Hartman (am 1966-03-10)
Bratsche / Viola:
Darrel Terwilliger (am 1966-03-10)
Cello:
Jesse Erlich (am 1966-03-10)
Cembalo:
Larry Knechtel (am 1966-03-10)
E-Bass:
Ray Pohlman (am 1966-03-10)
flute:
Bill Green (woodwind) (am 1966-03-10) und Jim Horn (saxophonist, hornist, flutist and oboist) (am 1966-03-10)
Geige / Violine:
Leonard Malarsky (am 1966-03-10) und Sid Sharp (am 1966-03-10)
Gitarre:
Carol Kaye (am 1966-03-10)
Glocken und Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist) (am 1966-03-10)
Klarinette:
Leonard Hartman (am 1966-03-10) und Jay Migliori (am 1966-03-10)
Kontrabass:
Lyle Ritz (am 1966-03-10)
Perkussion:
Jim Gordon (US drummer with Derek and the Dominos) (am 1966-03-10)
tack piano:
Don Randi (am 1966-03-10)
Tamburin:
Terry Melcher (am 1966-03-10)
Waldhorn:
Alan Robinson (am 1966-03-10)
Sologesang:
Carl Wilson (Beach Boys) (von 1966-03 bis 1966-04)
vocals:
Bruce Johnston (US singer‐songwriter, member of The Beach Boys) (von 1966-03 bis 1966-04) und Brian Wilson (Beach Boys co‐founder) (von 1966-03 bis 1966-04)
arranger:
Brian Wilson (Beach Boys co‐founder)
aufgenommen bei:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1966-03-10) und Columbia Studios (Hollywood, 1961–1972) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1966-03 bis 1966-04)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 11), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 17), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 130)
recording of:
God Only Knows (von 1966-03 bis 1966-04)
Texter:
Tony Asher (US lyricist, worked on Pet Sounds)
Komponist(in):
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music (BMI), Irving Music, Inc., Rondor Music (London) Ltd., Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing, Synch Division und Yamaha Music EH(CM)
The Beach Boys4.152:50
2I’ll Never Fall in Love Again
cover recording of:
I’ll Never Fall in Love Again (Promises, Promises)
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David), Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), EMI Music Publishing Ltd. (PRS‐affiliated), JAC Music Co., Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Ltd., Sony/ATV Harmony, Universal (plain logo “Universal” used by Universal Music and Universal Pictures), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31) und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute)
Bobbie Gentry2:53
3The First Cut Is the Deepest
Produzent(in):
Mike Hurst (musician and record producer from London, England)
vocals:
P.P. Arnold
arranger:
Art Greenslade
recording of:
The First Cut Is the Deepest
Texter und Komponist(in):
Cat Stevens (now known as Yusuf Islam)
publisher:
Duchess Music Corporation (BMI-affiliated), Mushroom Music Pty. Ltd. und Salafa Ltd.
P.P. Arnold43:12
4The Single Girl
Sandy Posey2:26
5A Groovy Kind of Love
cover recording of:
A Groovy Kind of Love (in 1965-12)
Verfasser(in):
Carole Bayer Sager und Toni Wine
publisher:
EMI Music Publishing Germany GmbH (2008–today), Screen Gems-EMI (USA, affiliated with BMI), Screen Gems–Columbia Music, Inc. und Screen Gems-EMI Music (in 1966)
basiert auf:
Sonatina in G major, op. 36 no. 5: III. Rondo. Allegro di molto
The Mindbenders31:59
6Hold Me Close
recording of:
Hold Me Close
Texter und Komponist(in):
David Essex
David Essex53:53
7When Will I See You Again
vocals:
Sheila Ferguson, Valerie Holiday und Fayette Pinkney
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1974)
Bearbeitung von:
When Will I See You Again (Ferguson, Holiday, Pinkney) von The Three Degrees
recording of:
When Will I See You Again
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Gamble Huff Music Ltd., Mighty Three Music, Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell (Warner/Chappell Music, Inc.)
The Three Degrees2:35
8More Than a Woman
Produzent(in):
Freddie Perren
Gitarre:
Bob Bowles
Klavier:
Sonny Burke (soul/jazz/funk keyboardist)
Perkussion:
Bob Zimmitti und Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
James Gadson (American drummer)
phonographisches Urheberrecht (℗) von:
POLYGRAM International Music (not for release label use!) (in 1977)
cover recording of:
More Than a Woman
Verfasser(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Gibb Brothers Music und Stigwood Music, Inc.
recording of:
More Than a Woman
Verfasser(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Gibb Brothers Music und Stigwood Music, Inc.
Tavares4.53:13
9Emotion
Produzent(in):
Albhy Galuten, Barry Gibb und Karl Richardson
Synthesizer [synthesizers]:
James Newton Howard (American score composer)
Hintergrundgesang:
Barry Gibb und Robin Gibb
vocals:
Samantha Sang
phonographisches Urheberrecht (℗) von:
Private Stock Records (not for release label use, for copyrights relationships only; “Private Stock Records™ a division of 43 North Broadway, LLC”) (in 1977) und Private Stock Records, Ltd. (not for release label use, for company relationships only) (in 1978)
produced for:
CAM Productions (US)
aufgenommen bei und remixed at:
Criteria Sound in Miami, Florida, Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 14)
cover recording of:
Emotion
Verfasser(in):
Barry Gibb und Robin Gibb
publisher:
Barry Gibb Music, Gibb Brothers Music, Stigwood Music, Unichappell Music, Universal Music Publishing MGB Australia und Warner/Chappell Music Australia Pty. Ltd.
Samantha Sang3.53:54
10The Air That I Breathe
Techniker(in):
Mike Jarratt (Recording, mixing and lacquer cutting engineer) und Alan Parsons (of The Alan Parsons Project)
Produzent(in):
The Hollies und Ron Richards
vocals:
Allan Clarke (of The Hollies) (von 1973-11-15 bis 1973-11-22), Tony Hicks (von 1973-11-15 bis 1973-11-22) und Terry Sylvester (von 1973-11-15 bis 1973-11-22)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1973), The Hollies Ltd. (in 1973, in 1974, in 2008) und Polydor International GmbH (not for release label use!) (in 1974)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1973-11-15 bis 1973-11-22)
cover recording of:
The Air That I Breathe (von 1973-11-15 bis 1973-11-22)
Verfasser(in):
Albert Hammond und Mike Hazlewood
publisher:
April Music Inc., Concord Songs Ltd., EMI April Music Inc., Landers‐Roberts Music, Rondor Music (Australia) P/L, Rondor Music (London) Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
recording of:
The Air That I Breathe
Verfasser(in):
Albert Hammond und Mike Hazlewood
publisher:
April Music Inc., Concord Songs Ltd., EMI April Music Inc., Landers‐Roberts Music, Rondor Music (Australia) P/L, Rondor Music (London) Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Hollies4.54:11
11Angie Baby
recording of:
Angie Baby
Texter und Komponist(in):
Alan O’Day
publisher:
Warner Chappell
Helen Reddy4.53:28
12Where Do You Go to My Lovely
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969)
recording of:
Where Do You Go To (My Lovely)?
Texter und Komponist(in):
Peter Sarstedt
publisher:
EMI Catalogue Partnership
Peter Sarstedt54:41
13On Days Like These
recording of:
On Days Like These
Texter:
Don Black (English lyricist)
Komponist(in):
Quincy Jones
Matt Monro3:40
14To Sir With Love
Produzent(in):
Mickie Most (English record producer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recording of:
To Sir With Love (am 1967-03-20)
Texter:
Don Black (English lyricist)
Komponist(in):
Mark London (musical theater)
publisher:
EMI Music Publishing (do not use as a release label!) und Screen Gems–EMI Music Ltd.
Lulu52:45
15By the Time I Get to Phoenix
Sologesang:
Glen Campbell (US country singer, guitarist & actor)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 450)
cover recording of:
By the Time I Get to Phoenix (am 1967-08-17)
Texter und Komponist(in):
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
publisher:
Charles Koppelman Music, Jonathan Three Music Co. und Martin Bandier Music
Glen Campbell3.52:43
16A Little Bit More
Interpret(in):
Ray Sawyer
cover recording of:
A Little Bit More
Texter und Komponist(in):
Bobby Gosh (pianist, songwriter, and producer)
publisher:
Bygosh Music Corp., Intersong Music Ltd., Sunbury Music Ltd., Warner Chappell und Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019)
Dr. Hook3:13
17Vincent
Techniker(in):
Tom Flye
Produzent(in):
Ed Freeman (producer, arranger, musician, and photographer)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1971-05 bis 1971-06)
recording of:
Vincent (Starry Starry Night)
Texter und Komponist(in):
Don McLean
publisher:
Benny Bird Co. Inc. (BMI-affiliated), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Songs of Universal, Inc. (BMI) und Universal/MCA Music Ltd. (not for release label use!)
übersetzte Version von:
Wim
Don McLean4.43:59
18Gaye
recording of:
Gaye
Texter und Komponist(in):
Clifford T. Ward
Clifford T. Ward3:35
19Miss You Nights
Produzent(in):
Bruce Welch (English guitarist, singer, songwriter and producer)
vocals:
Cliff Richard
recording of:
Miss You Nights
Komponist(in):
Dave Townsend (English songwriter, wrote “Miss You Nights”, performed with Alan Parsons Project)
publisher:
Island Music (Island Music Ltd.) und Off the Wall Music
Cliff Richard3:56
20Lovin’ You
Produzent(in):
Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer) und Stevie Wonder
Bassgitarre:
Reggie McBride
Becken, Klavier, Mundharmonika und Schlagzeug:
El Toro Negro
Conga:
Kwasi "Rocki" Dzidzornu
Gitarre:
Marlo Henderson und Michael Sembello
Schlagzeug [drum kit]:
Ollie E. Brown (US drummer, session musician & record producer) und El Toro Negro
Hintergrundgesang:
Shirley Brewer, Lani Groves, Deniece Williams (US soul/funk vocalist/songwriter) und Yvonne Wright
vocals:
Minnie Riperton
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1993)
recording of:
Lovin’ You
Verfasser(in):
Minnie Riperton und Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer)
publisher:
Campbell Connelly CI Ltd, Campbell Connelly Ltd., Dickiebird Music and Publishing Co., Embassy Music Corporation und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
sub-publisher:
Peermusic (S.E. Asia) Ltd.
Minnie Riperton3.653:23

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ASIN:UK: B000EF7WG6 [Info]