Annotation

Annotation last modified on 2019-01-04 11:19 UTC.

Tracklist

1CD: Idomeneo / Act 1 & 2
2CD: Idomeneo / Act 2 (cont.) & 3
3CD: Idomeneo / Act 3 (cont.) - Appendix
4CD: Die Entführung aus dem Serail / Act 1 & 2
#TitleArtistRatingLength
1Die Entführung aus dem Serail, K. 384: Ouvertüre
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1991-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Ouvertüre (Die Entführung aus dem Serail, K. 384: Overture) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1782)
part of:
Die Entführung aus dem Serail, K. 384
Wolfgang Amadeus Mozart4:17
2Die Entführung aus dem Serail, K. 384, Act 1: "Hier soll ich dich denn sehen": "Aber wie soll ich in den Palast kommen?"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
tenor vocals [Belmonte]:
Stanford Olsen (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1991-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene I. No. 1 Arie "Hier soll ich dich denn sehen" (Belmonte) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart2:39
3Die Entführung aus dem Serail, K. 384, Act 1: Wer ein Liebchen hat gefunden
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
bass vocals [Osmin, Aufseher über das Landhaus des Bassa]:
Cornelius Hauptmann (operatic bass) (in 1991-07)
tenor vocals [Belmonte]:
Stanford Olsen (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1991-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene II. No. 2 Lied und Duett "Wer ein Liebchen hat gefunden" (Osmin) / "Verwünscht seist du samt deinem Liede!" (Osmin, Belmonte) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart6:23
4Die Entführung aus dem Serail, K. 384, Act 1: Nun, wie steht's, Osmin?
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
bass vocals [Osmin, Aufseher über das Landhaus des Bassa]:
Cornelius Hauptmann (operatic bass) (in 1991-07)
tenor vocals [Pedrillo, Diener des Belmonte und Aufseher über die Gärten des Bassa]:
Uwe Peper (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1991-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Act I, Nun, wie steht's, Osmin? (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384
Wolfgang Amadeus Mozart0:21
5Die Entführung aus dem Serail, K. 384, Act 1: "Solche hergelauf'ne Laffen"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
bass vocals [Osmin, Aufseher über das Landhaus des Bassa]:
Cornelius Hauptmann (operatic bass) (in 1991-07)
tenor vocals [Pedrillo, Diener des Belmonte und Aufseher über die Gärten des Bassa]:
Uwe Peper (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1991-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene III. No. 3 Arie "Solche hergelauf'ne Laffen" (Osmin) / Akt I, Szene III. Dialog "Was bist du nur für ein Mensch!" (Pedrillo) / Akt I, Szene III. "Erst geköpft, dann gehangen" (Osmin) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart4:51
6Die Entführung aus dem Serail, K. 384, Act 1: "Geh nur, verwünschter Aufpasser"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
tenor vocals [Belmonte]:
Stanford Olsen (tenor) (in 1991-07)
tenor vocals [Pedrillo, Diener des Belmonte und Aufseher über die Gärten des Bassa]:
Uwe Peper (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1991-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene IV. Dialog "Geh nur, verwünschter Aufpasser!" (Pedrillo, Belmonte) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart1:58
7Die Entführung aus dem Serail, K. 384, Act 1: "Konstanze, dich wiederzusehen": "O wie ängstlich, o wie feurig"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
tenor vocals [Belmonte]:
Stanford Olsen (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1991-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene V. No. 4 Rezitativ und Arie "Konstanze, dich wieder zu sehen!" (Belmonte) / "O wie ängstlich, o wie feurig" (Belmonte) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart5:02
8Die Entführung aus dem Serail, K. 384, Act 1: "Herr, geschwind auf die Seite": Marsch
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
tenor vocals [Pedrillo, Diener des Belmonte und Aufseher über die Gärten des Bassa]:
Uwe Peper (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1991-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene V. Dialog "Geschwind, geschwind auf die Seite" (Pedrillo) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart1:59
9Die Entführung aus dem Serail, K. 384, Act 1: "Singt dem großen Bassa Lieder"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
baritone vocals [Solo quartet in the Janissaries' chorus]:
Julian Clarkson (baritone) (in 1991-07)
countertenor vocals [Solo quartet in the Janissaries' chorus]:
Richard Wyn Roberts (in 1991-07)
soprano vocals [Solo quartet in the Janissaries' chorus]:
Angela Kazimierczuk (Classical soprano) (in 1991-07)
tenor vocals [Solo quartet in the Janissaries' chorus]:
Paul Tindall (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1991-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene VI. No. 5b Chor de Janitscharen "Singt dem grossen Bassa Lieder" (Chor und Solisten der Janitscharen) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart1:34
10Die Entführung aus dem Serail, K. 384, Act 1: "Immer noch traurig, geliebte Konstanze?"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
soprano vocals [Konstanze, Geliebte des Belmonte]:
Ľuba Orgonášová (soprano) (in 1991-07)
spoken vocals [Selim, Bassa]:
Hans-Peter Minetti (in 1991-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1991-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene VII. Dialog "Immer noch traurig, geliebte Konstanze?" (Selim, Konstanze) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart0:37
11Die Entführung aus dem Serail, K. 384, Act 1: "Ach ich liebte, war so glücklich"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
soprano vocals [Konstanze, Geliebte des Belmonte]:
Ľuba Orgonášová (soprano) (in 1991-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1991-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene VII. No. 6 Arie "Ach ich liebte, war so glücklich" (Konstanze) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart4:54
12Die Entführung aus dem Serail, K. 384, Act 1: "Du bist so großmütig, so gut": "Ha, Triumph, Triumph, Herr!" - "Wohin?"-"Hinein!"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
bass vocals [Osmin, Aufseher über das Landhaus des Bassa]:
Cornelius Hauptmann (operatic bass) (in 1991-07)
soprano vocals [Konstanze, Geliebte des Belmonte]:
Ľuba Orgonášová (soprano) (in 1991-07)
spoken vocals [Selim, Bassa]:
Hans-Peter Minetti (in 1991-07)
tenor vocals [Belmonte]:
Stanford Olsen (tenor) (in 1991-07)
tenor vocals [Pedrillo, Diener des Belmonte und Aufseher über die Gärten des Bassa]:
Uwe Peper (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1991-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Act I, Du bist so großmütig, so gut / Ha, Triumph, Triumph, Herr! / Wohin? ... Hinein! (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384
Wolfgang Amadeus Mozart2:40
13Die Entführung aus dem Serail, K. 384, Act 1: "Marsch! Trollt euch fort!"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
bass vocals [Osmin, Aufseher über das Landhaus des Bassa]:
Cornelius Hauptmann (operatic bass) (in 1991-07)
tenor vocals [Belmonte]:
Stanford Olsen (tenor) (in 1991-07)
tenor vocals [Pedrillo, Diener des Belmonte und Aufseher über die Gärten des Bassa]:
Uwe Peper (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1991-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene X. No. 7 Terzett "Marsch, marsch, marsch! Trollt euch fort" (Osmin, Belmonte, Pedrillo) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart2:11
14Die Entführung aus dem Serail, K. 384, Act 2: "Gift und Dolch!"-"O, des Zankens, Befehlens und Murrens": " Durch Zärtlichkeit und Schmeicheln"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
bass vocals [Osmin, Aufseher über das Landhaus des Bassa]:
Cornelius Hauptmann (operatic bass) (in 1991-07)
soprano vocals [Blonde, Zofe der Konstanze]:
Cyndia Sieden (soprano) (in 1991-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1991-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene I. Dialog "O, des Zankens, Befehlens und Murrens wird auch kein Ende!" (Blonde) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart4:41
15Die Entführung aus dem Serail, K. 384, Act 2: Zärtlichkeit! Schmeicheln!
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
bass vocals [Osmin, Aufseher über das Landhaus des Bassa]:
Cornelius Hauptmann (operatic bass) (in 1991-07)
soprano vocals [Blonde, Zofe der Konstanze]:
Cyndia Sieden (soprano) (in 1991-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1991-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene I. No. 8 Arie "Durch Zärtlichkeit und Schmeicheln" (Blonde) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart0:47
16Die Entführung aus dem Serail, K. 384, Act 2: "Ich gehe, doch rate ich dir"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
bass vocals [Osmin, Aufseher über das Landhaus des Bassa]:
Cornelius Hauptmann (operatic bass) (in 1991-07)
soprano vocals [Blonde, Zofe der Konstanze]:
Cyndia Sieden (soprano) (in 1991-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1991-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene I. No. 9 Duett "Ich gehe, doch rate ich dir" (Osmin, Blonde) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart3:31
17Die Entführung aus dem Serail, K. 384, Act 2: "Wie traurig Konstanze daherkommt!": "Welcher Wechsel herrscht in meiner Seele"-"Traurigkeit ward mir zum Lose"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
soprano vocals [Blonde, Zofe der Konstanze]:
Cyndia Sieden (soprano) (in 1991-07)
soprano vocals [Konstanze, Geliebte des Belmonte]:
Ľuba Orgonášová (soprano) (in 1991-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1991-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Act II, Scene II. No. 10 Aria "Traurigkeit ward mir zum Lose" (Konstanze) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384
Wolfgang Amadeus Mozart9:27
18Die Entführung aus dem Serail, K. 384, Act 2: "Ach mein bestes Fräulein!": "Nun, Konstanze, .."
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
soprano vocals [Blonde, Zofe der Konstanze]:
Cyndia Sieden (soprano) (in 1991-07)
soprano vocals [Konstanze, Geliebte des Belmonte]:
Ľuba Orgonášová (soprano) (in 1991-07)
spoken vocals [Selim, Bassa]:
Hans-Peter Minetti (in 1991-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1991-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene II. Dialog "Ach mein bestes Fräulein" (Blonde, Konstanze) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Christoph Friedrich Bretzner
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart0:54
19Die Entführung aus dem Serail, K. 384, Act 2: "Martern aller Arten"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
soprano vocals [Konstanze, Geliebte des Belmonte]:
Ľuba Orgonášová (soprano) (in 1991-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1991-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene III. No. 11 Arie "Introduktion - Martern aller Arten - Doch du bist entschlossen" (Konstanze) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart9:25
20Die Entführung aus dem Serail, K. 384, Act 2: Ist das ein Traum?
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
spoken vocals [Selim, Bassa]:
Hans-Peter Minetti (in 1991-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1991-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Act II, Scene IV. Dialog "Ist das ein Traum?" (Selim) (in 1991-07)
lyricist:
Johann Gottlieb Stephanie ('The Younger')
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart0:42
5CD: Die Entführung aus dem Serail / Act 2 (cont.) & 3
6CD: Le Nozze di Figaro / Act 1 & 2
7CD: Le Nozze di Figaro / Act 2 (cont.) & 3
8CD: Le Nozze di Figaro / Act 3 (cont.) & 4; Appendix
9CD: Don Giovanni / Act 1
10CD: Don Giovanni / Act 1 (cont.) & 2
11CD: Don Giovanni / Act 2 (cont.) & Appendix
12CD: Così fan tutte / Act 1
13CD: Così fan tutte / Act 1 (cont.) & 2
14CD: Così fan tutte / Act 2 (cont.)
15CD: La clemenza di Tito / Act 1
16CD: La clemenza di Tito / Act 2
17CD: Die Zauberflöte / Act 1 & 2
18CD: Die Zauberflöte / Act 2 (cont.)