| # | Title | Artist | Rating | Length |
|---|
| 1 | You’re the First, the Last, My Everything- engineer:
- Frank Kejmar
- producer:
- Barry White
- arranger:
- Gene Page and Barry White
- phonographic copyright (℗) by:
- PolyGram Records, Inc. (in 1974)
- recording of:
- You’re the First, the Last, My Everything
- writer:
- Peter Sterling Radcliffe, Tony Sepe and Barry White
- publisher:
- Chappell & Co., Inc. , January Music Corp., Little A Music, My Baby’s Music Company, Sa‐Vette Music, Sa‐Vette Music Inc., Unichappell Music, Inc. and World Song Publishing Inc.
| Barry White | 3.75 | 3:23 |
| 2 | No Air | Jordin Sparks & Chris Brown | 3.7 | 4:24 |
| 3 | You Left Me a Song | Heather Nova | 3 | 3:38 |
| 4 | Wish I Didn’t Miss You | Angie Stone | 4 | 4:28 |
| 5 | Homeward Bound | Simon & Garfunkel | 4 | 2:29 |
| 6 | In a Lifetime | Clannad | 5 | 3:04 |
| 7 | One Moment Your Mind | Total Touch | | 4:19 |
| 8 | Too Shy | Kajagoogoo | 3.55 | 3:44 |
| 9 | Kiss and Say Goodbye | The Manhattans | 3.5 | 4:27 |
| 10 | I Don’t Believe in Miracles | Colin Blunstone | | 3:04 |
| 11 | Real to Me | Brian McFadden | | 3:44 |
| 12 | No Worries | Simon Webbe | | 3:28 |
| 13 | When I Fall in Love | Céline Dion & Clive Griffin | 3.35 | 4:20 |
| 14 | Wouldn’t It Be Good- recording engineer:
- Julian Mendelsohn (in 1983)
- assistant engineer:
- Roger Howorth
- producer:
- Peter Collins
- mixer:
- Julian Mendelsohn
- lead vocals:
- Nik Kershaw (in 1983)
- horn arranger:
- Jerry Hey and Nik Kershaw
- arranger:
- Nik Kershaw
- phonographic copyright (℗) by:
- MCA Records, Inc. (in 1983, in 1984) and MCA Records Ltd. (in 1984)
- mixed at:
- Sarm East Studios in Aldgate, Tower Hamlets, London , England, United Kingdom
- part of:
- VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 88)
- recording of:
- Wouldn’t It Be Good (in 1983)
- lyricist and composer:
- Nik Kershaw
- publisher:
- Arctic King, Imagem Music GmbH , Imagem Music UK, Imagem Songs Ltd., Irving Music, Inc., Mamal, Rondor Music, Rondor Music (London) Ltd., Universal Music Publishing , Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
- part of:
- Gotcha!
| Nik Kershaw | 4 | 4:25 |
| 15 | I Touch Myself- assistant engineer:
- Chris Albert and Vince Caro
- producer:
- Divinyls , Howard Shore and David Tickle
- phonographic copyright (℗) by:
- Virgin Records America, Inc. (in 1989, in 1990) and Virgin Records (in 1990)
- recorded at:
- BMG Recording Studios in Theater District, New York, New York, United States
- remixed at:
- Power Station in Hell's Kitchen, New York, New York, United States
- part of:
- triple j’s Hottest 100 of Australian Songs (number: 54) and Billboard: The 500 Best Pop Songs (number: 326)
- recording of:
- I Touch Myself
- lyricist and composer:
- Christina Amphlett, Mark McEntee, Tom Kelly and William Steinberg
- publisher:
- EMI Music Publishing Australia Pty Ltd , EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. and Warner Chappell Music Publishing Ltd.
| Divinyls | 3.5 | 3:46 |
| 16 | Nothing’s Gonna Stop Us Now- performer:
- Starship (in 1987)
- phonographic copyright (℗) by:
- BMG Music (in 1985, in 1987), BMG Entertainment (in 1987) and Sony Music Entertainment (in 1987)
- recording of:
- Nothing’s Gonna Stop Us Now (in 1987)
- writer:
- Albert Hammond and Diane Warren
- arranger:
- Narada Michael Walden
- publisher:
- BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control , EMI Music Publishing Ltd. , Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. , WB Music Corp. and Windswept Pacific Music Ltd.
- part of:
- The 60th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1987 nominee)
| Starship | 3.75 | 4:28 |
| 17 | Love Hurts | Nazareth | 4.45 | 3:52 |
| 18 | All of My Heart | ABC | | 4:50 |
| 19 | True | Spandau Ballet | | 5:14 |
| 20 | If You Come to Me | Atomic Kitten | | 3:44 |
Play on ListenBrainz