Arien und Duette

~ Release by Fritz Wunderlich (see all versions of this release, 1 available)

Tracklist

1CD
#TitleRatingLength
1Xerxes: „Holdes Laubgezweig, du schönes“ … „Schattige Ruh’, nie gab Natur sie mir“ (Frondi tenere, e belle / Ombra mai fu)
producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1962-10)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1962-10)
conductor:
Rafael Kubelík (conductor) (in 1962-10)
balance engineer:
Harald Baudis (sound engineer) (in 1962-10)
partial recording of:
Xerxes, HWV 40 (German translation) (in 1962-10)
composer:
George Frideric Handel (German‐British baroque composer) (from 1737-12-16 until 1738-02-14)
translated version of:
Serse, HWV 40
3:26
2Xerxes: „Der Gedanke an die Flammen der Liebe“ (Più che penso alle fiamme del core)
tenor vocals [Xerxes]:
Fritz Wunderlich (operatic tenor)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Rafael Kubelík (conductor)
partial recording of:
Xerxes, HWV 40 (German translation) (in 1962-10)
composer:
George Frideric Handel (German‐British baroque composer) (from 1737-12-16 until 1738-02-14)
translated version of:
Serse, HWV 40
2:58
3Xerxes: „Bleibt ihr treu dem, der euch so verachtet?“ (Se bramate d’amar, chi vi sdegna)
tenor vocals [Xerxes]:
Fritz Wunderlich (operatic tenor)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Rafael Kubelík (conductor)
partial recording of:
Xerxes, HWV 40 (German translation) (in 1962-10)
composer:
George Frideric Handel (German‐British baroque composer) (from 1737-12-16 until 1738-02-14)
translated version of:
Serse, HWV 40
2:48
4Xerxes: „Finstre Furien, ihr Geister der Hölle“ (Crude furie degl’orridi abissi)
producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1962-10)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1962-10)
conductor:
Rafael Kubelík (conductor) (in 1962-10)
balance engineer:
Harald Baudis (sound engineer) (in 1962-10)
partial recording of:
Xerxes, HWV 40 (German translation) (in 1962-10)
composer:
George Frideric Handel (German‐British baroque composer) (from 1737-12-16 until 1738-02-14)
translated version of:
Serse, HWV 40
3:58
5Iphigenie auf Tauris: „Nur einen Wunsch, nur ein Verlangen“ (Unis de la plus tendre enfance)
tenor vocals and tenor vocals [Pylades]:
Fritz Wunderlich (operatic tenor)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Rafael Kubelík (conductor)
partial recording of:
Iphigenie auf Tauris
translated version of:
Iphigénie en Tauride, Wq. 46
3:38
6Iphigenie auf Tauris: „O unverhofftes Glück“ … „Das höre ich von dir, von meinem Freunde?“) (Ô moment trop heureux! / Et tu prétends encore que tu m’aimes?)
baritone vocals [Orestes]:
Hermann Prey (baritone)
tenor vocals [Pylades]:
Fritz Wunderlich (operatic tenor)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Rafael Kubelík (conductor)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1971)
partial recording of:
Iphigenie auf Tauris
translated version of:
Iphigénie en Tauride, Wq. 46
4:07
7L’Orfeo: „Ma se nostro gioir“ … „Alcun non sia“
baritone vocals [Dritter Hirte]:
Clemens Kaiser-Breme
tenor vocals [Zweiter Hirte]:
Fritz Wunderlich (operatic tenor)
orchestra:
Orchester der "Sommerlichen Musiktage Hitzacker 1955" (in 1955)
conductor:
August Wenzinger (Swiss viola da gamba player and conductor)
recording of:
L'Orfeo: Atto primo. Alcun non sia che disperato in preda (Due pastori)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
librettist:
Alessandro Striggio (The Younger, c. 1573-1630)
part of:
L’Orfeo: Atto primo
recording of:
L'Orfeo: Atto primo. Ma se il nostro gioir dal ciel deriva (Pastore)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
librettist:
Alessandro Striggio (The Younger, c. 1573-1630)
part of:
L’Orfeo: Atto primo
2:37
8L’Orfeo: „Perché a lo sdegno“ … „Padre cortese“ … „Si non vedrò più mai“
tenor vocals [Apollo]:
Fritz Wunderlich (operatic tenor)
tenor vocals [Orfeo]:
Helmut Krebs (tenor)
orchestra:
Orchester der "Sommerlichen Musiktage Hitzacker 1955" (in 1955)
conductor:
August Wenzinger (Swiss viola da gamba player and conductor)
recording of:
L'Orfeo: Atto quinto. Perché a lo sdegno e al dolor in preda (Apollo)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
librettist:
Alessandro Striggio (The Younger, c. 1573-1630)
part of:
L’Orfeo: Atto quinto
recording of:
L'Orfeo: Atto quinto. Si non vedrò più mai (Orfeo, Apollo)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
L’Orfeo: Atto quinto
4:59
9Julius Cäsar: „Erwacht in meinem Herzen“ (Svegliatevi nel core)
producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
tenor vocals [Sesto]:
Fritz Wunderlich (operatic tenor) (in 1966-03)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (in 1966-03)
conductor:
Ferdinand Leitner (conductor) (in 1966-03)
balance engineer:
Harald Baudis (sound engineer) (in 1966-03)
partial recording of:
Julius Cäsar (Giulio Cesare in Egitto), HWV 17: Akt I (in 1966-03)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Nicola Francesco Haym
part of:
Julius Cäsar (Giulio Cesare in Egitto), HWV 17 (German translation)
4:22
10Julius Cäsar: „Nur weinen lernte ich“ … „Nur klagen lernte ich“ (Son nata a lagrimar)
producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
mezzo-soprano vocals [Cornelia]:
Christa Ludwig (mezzo-soprano)
tenor vocals [Sesto]:
Fritz Wunderlich (operatic tenor) (in 1966-03)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (in 1966-03)
conductor:
Ferdinand Leitner (conductor) (in 1966-03)
balance engineer:
Harald Baudis (sound engineer) (in 1966-03)
partial recording of:
Julius Cäsar (Giulio Cesare in Egitto), HWV 17 (German translation) (in 1966-03)
composer:
George Frideric Handel (German‐British baroque composer) (in 1723)
librettist:
Nicola Francesco Haym
translated version of:
Giulio Cesare in Egitto, HWV 17
5:58
11Julius Cäsar: „Keine Schlange lässt sich töten“ (L’angue offeso mai riposa)
producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
tenor vocals [Sesto]:
Fritz Wunderlich (operatic tenor) (in 1966-03)
orchestra:
Münchner Philharmoniker (Munich Philharmonic Orchestra) (in 1966-03)
conductor:
Ferdinand Leitner (conductor) (in 1966-03)
balance engineer:
Harald Baudis (sound engineer) (in 1966-03)
partial recording of:
Julius Cäsar (Giulio Cesare in Egitto), HWV 17 (German translation) (in 1966-03)
composer:
George Frideric Handel (German‐British baroque composer) (in 1723)
librettist:
Nicola Francesco Haym
translated version of:
Giulio Cesare in Egitto, HWV 17
5:33
12Das Glöckchen des Eremiten: „O schweige still, o lasse dich erbitten“
tenor vocals [Sylvain]:
Fritz Wunderlich (operatic tenor)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Hans Moltkau
recording of:
Das Glöckchen des Eremiten: „O schweige still, o lasse dich erbitten“ (Romanze des Sylvain)
composer:
Aimé Maillart (French composer)
2:58
13Das Nachtlager von Granada: „Doch nun zu dir“ … „Trenne nicht das Band der Liebe“
baritone vocals [Jäger]:
Hermann Prey (baritone)
soprano vocals [Gabriele]:
Erika Köth (soprano)
tenor vocals and tenor vocals [Gomez]:
Fritz Wunderlich (operatic tenor)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Kurt Eichhorn (conductor)
partial recording of:
Das Nachtlager in Granada
composer:
Conradin Kreutzer
librettist:
Karl Johann Braun von Brauntha
5:49
14Der Waffenschmied: „Man wird ja einmal nur geboren“
tenor vocals and tenor vocals [Georg]:
Fritz Wunderlich (operatic tenor)
vocals:
Fritz Wunderlich (operatic tenor)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Hans Moltkau
recording of:
Der Waffenschmied: Akt I. „Man wird ja einmal nur geboren” (Georg)
composer and librettist:
Albert Lortzing (German composer)
part of:
Der Waffenschmied: Akt I
3:35
15Zar und Zimmerman: „Lebe wohl, mein flandrisch Mädchen“
recording engineer:
Heinz Wildhagen (engineer, producer)
producer:
Hans Ritter
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1966-09)
soprano vocals [Marie]:
Ingeborg Hallstein (soprano) (in 1966-09)
tenor vocals [Marquis]:
Fritz Wunderlich (operatic tenor) (in 1966-09)
orchestra:
Bamberger Symphoniker (Bamberg Symphony) (in 1966-09)
conductor:
Hans Gierster (conductor) (in 1966-09)
chorus master:
Wolfgang Schubert (conductor) (in 1966-09)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1966-09)
recorded at:
Kulturraum in Bamberg, Bayern (Bavaria), Germany (in 1966-09)
recording of:
Zar und Zimmermann: Akt II. Nr. 9 Lied „Lebe wohl, mein flandrisch’ Mädchen“ (Marquis, Marie, Chor) (in 1966-09)
composer and librettist:
Albert Lortzing (German composer) (in 1837)
part of:
Zar und Zimmermann, LoWV 38: Akt II
5:07
16Die Perlenfischer: „Nadir, du stehst wirklich vor mir“ … „Und in des Tempels Grund“ (C’est toi, toi qu’enfin je revois / Au fond du temple saint)
baritone vocals [Zurga]:
Hermann Prey (baritone)
tenor vocals [Nadir]:
Fritz Wunderlich (operatic tenor)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Horst Stein (conductor)
partial recording of:
Die Perlenfischer
composer:
Georges Bizet (French composer)
translated version of:
Les Pêcheurs de perles
8:50