Winelight / The Best Is Yet to Come

~ Release by Grover Washington, Jr. (see all versions of this release, 1 available)

Tracklist

1▼Medium
#TitleArtistRatingLength
1Winelight
assistant recording engineer:
Ed Heath
recording engineer:
Richard Alderson (Producer and engineer) (from 1980-06 until 1980-07)
assistant engineer:
Eddie Heath, Jr.
engineer:
Richard Alderson (Producer and engineer)
producer:
Ralph MacDonald and Grover Washington, Jr.
bass:
Marcus Miller (jazz musician) (from 1980-06 until 1980-07)
clavinet:
Ray Chew (from 1980-06 until 1980-07) and Paul Griffin (American pianist, session musician) (from 1980-06 until 1980-07)
drums (drum set):
Steve Gadd (drummer) (from 1980-06 until 1980-07)
guitar:
Eric Gale (from 1980-06 until 1980-07)
percussion:
Ralph MacDonald (from 1980-06 until 1980-07)
Rhodes piano:
Richard Tee (from 1980-06 until 1980-07)
saxophone:
Grover Washington, Jr. (from 1980-06 until 1980-07)
conductor:
William Eaton (US producer & arranger) (from 1980-06 until 1980-07)
remixer:
Elliot Scheiner
arranger:
William Eaton (US producer & arranger)
phonographic copyright (℗) by:
Elektra Entertainment Company (validity of this label needs to be investigated…) (in 1980) and Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1980)
recorded at:
Rosebud Recording Studio in New York, New York, United States (from 1980-06 until 1980-07)
recording of:
Winelight (from 1980-06 until 1980-07)
composer:
William Eaton (US producer & arranger)
Grover Washington, Jr.3.357:33
2Let It Flow (For Dr. J)
assistant recording engineer:
Ed Heath
recording engineer:
Richard Alderson (Producer and engineer) (from 1980-06 until 1980-07)
assistant engineer:
Eddie Heath, Jr.
engineer:
Richard Alderson (Producer and engineer)
producer:
Ralph MacDonald and Grover Washington, Jr.
bass:
Marcus Miller (jazz musician) (from 1980-06 until 1980-07)
drums (drum set):
Steve Gadd (drummer) (from 1980-06 until 1980-07)
guitar:
Eric Gale (from 1980-06 until 1980-07)
percussion:
Ralph MacDonald (from 1980-06 until 1980-07)
Rhodes piano:
Paul Griffin (American pianist, session musician) (from 1980-06 until 1980-07)
saxophone:
Grover Washington, Jr. (from 1980-06 until 1980-07)
conductor:
William Eaton (US producer & arranger) (from 1980-06 until 1980-07)
remixer:
Elliot Scheiner
arranger:
William Eaton (US producer & arranger)
phonographic copyright (℗) by:
Elektra Entertainment Company (validity of this label needs to be investigated…) (in 1980) and Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1980)
recorded at:
Rosebud Recording Studio in New York, New York, United States (from 1980-06 until 1980-07)
recording of:
Let It Flow (For “Dr. J”) (from 1980-06 until 1980-07)
composer:
Grover Washington, Jr.
Grover Washington, Jr.4.55:52
3In the Name of Love
assistant recording engineer:
Ed Heath
recording engineer:
Richard Alderson (Producer and engineer) (from 1980-06 until 1980-07)
assistant engineer:
Eddie Heath, Jr.
engineer:
Richard Alderson (Producer and engineer)
producer:
Ralph MacDonald and Grover Washington, Jr.
bass:
Marcus Miller (jazz musician) (from 1980-06 until 1980-07)
drums (drum set):
Steve Gadd (drummer) (from 1980-06 until 1980-07)
guitar:
Eric Gale (from 1980-06 until 1980-07)
percussion:
Ralph MacDonald (from 1980-06 until 1980-07)
Rhodes piano:
Richard Tee (from 1980-06 until 1980-07)
saxophone:
Grover Washington, Jr. (from 1980-06 until 1980-07)
conductor:
William Eaton (US producer & arranger) (from 1980-06 until 1980-07)
remixer:
Elliot Scheiner
arranger:
William Eaton (US producer & arranger)
phonographic copyright (℗) by:
Elektra Entertainment Company (validity of this label needs to be investigated…) (in 1980) and Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1980)
recorded at:
Rosebud Recording Studio in New York, New York, United States (from 1980-06 until 1980-07)
recording of:
In the Name of Love (from 1980-06 until 1980-07)
composer:
Ralph MacDonald and William Salter
publisher:
Antisla Music and Bluenig Music
Grover Washington, Jr.3.355:27
4Take Me There
assistant recording engineer:
Ed Heath
recording engineer:
Richard Alderson (Producer and engineer) (from 1980-06 until 1980-07)
assistant engineer:
Eddie Heath, Jr.
engineer:
Richard Alderson (Producer and engineer)
producer:
Ralph MacDonald and Grover Washington, Jr.
bass:
Marcus Miller (jazz musician) (from 1980-06 until 1980-07)
drums (drum set):
Steve Gadd (drummer) (from 1980-06 until 1980-07)
guitar:
Eric Gale (from 1980-06 until 1980-07)
percussion:
Ralph MacDonald (from 1980-06 until 1980-07)
Rhodes piano:
Paul Griffin (American pianist, session musician) (from 1980-06 until 1980-07)
saxophone:
Grover Washington, Jr. (from 1980-06 until 1980-07)
conductor:
William Eaton (US producer & arranger) (from 1980-06 until 1980-07)
remixer:
Elliot Scheiner
arranger:
William Eaton (US producer & arranger)
phonographic copyright (℗) by:
Elektra Entertainment Company (validity of this label needs to be investigated…) (in 1980) and Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1980)
recorded at:
Rosebud Recording Studio in New York, New York, United States (from 1980-06 until 1980-07)
recording of:
Take Me There (from 1980-06 until 1980-07)
writer:
Grover Washington, Jr.
Grover Washington, Jr.4.56:17
5Just the Two of Us
assistant recording engineer:
Ed Heath
recording engineer:
Richard Alderson (Producer and engineer) (from 1980-06 until 1980-07)
assistant engineer:
Eddie Heath, Jr.
engineer:
Richard Alderson (Producer and engineer)
producer:
Ralph MacDonald and Grover Washington, Jr.
bass:
Marcus Miller (jazz musician) (from 1980-06 until 1980-07)
drums (drum set):
Steve Gadd (drummer) (from 1980-06 until 1980-07)
guitar:
Eric Gale (from 1980-06 until 1980-07)
percussion:
Ralph MacDonald (from 1980-06 until 1980-07)
Rhodes piano:
Richard Tee (from 1980-06 until 1980-07)
saxophone:
Grover Washington, Jr. (from 1980-06 until 1980-07)
synthesizer:
William Eaton (US producer & arranger) (from 1980-06 until 1980-07)
vocals and performer:
Bill Withers (from 1980-06 until 1980-07)
conductor:
William Eaton (US producer & arranger) (from 1980-06 until 1980-07)
remixer:
Elliot Scheiner
arranger:
William Eaton (US producer & arranger)
phonographic copyright (℗) by:
Elektra Entertainment Company (validity of this label needs to be investigated…) (in 1980) and Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1980)
recorded at:
Rosebud Recording Studio in New York, New York, United States (from 1980-06 until 1980-07)
recording of:
Just the Two of Us (Bill Withers song) (from 1980-06 until 1980-07)
writer:
Ralph MacDonald, William Salter and Bill Withers
publisher:
Antisia Music Inc. and Bleunig Music
Bill Withers & Grover Washington, Jr.57:15
6Make Me a Memory (Sad Samba)
assistant recording engineer:
Ed Heath
recording engineer:
Richard Alderson (Producer and engineer) (from 1980-06 until 1980-07)
assistant engineer:
Eddie Heath, Jr.
engineer:
Richard Alderson (Producer and engineer)
producer:
Ralph MacDonald and Grover Washington, Jr.
bass:
Marcus Miller (jazz musician) (from 1980-06 until 1980-07)
drums (drum set):
Steve Gadd (drummer) (from 1980-06 until 1980-07)
guitar:
Eric Gale (from 1980-06 until 1980-07)
percussion:
Ralph MacDonald (from 1980-06 until 1980-07)
Rhodes piano:
Richard Tee (from 1980-06 until 1980-07)
saxophone:
Grover Washington, Jr. (from 1980-06 until 1980-07)
conductor:
William Eaton (US producer & arranger) (from 1980-06 until 1980-07)
remixer:
Elliot Scheiner
arranger:
William Eaton (US producer & arranger)
phonographic copyright (℗) by:
Elektra Entertainment Company (validity of this label needs to be investigated…) (in 1980) and Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1980)
recorded at:
Rosebud Recording Studio in New York, New York, United States (from 1980-06 until 1980-07)
recording of:
Make Me a Memory (Sad Samba) (from 1980-06 until 1980-07)
writer:
Grover Washington, Jr.
Grover Washington, Jr.4.56:33
7Can You Dig It
producer:
Ralph MacDonald and Grover Washington, Jr.
alto saxophone:
Grover Washington, Jr.
bass:
Marcus Miller (jazz musician)
brass:
Jon Faddis, Alex Forster (jazz saxophonist) and Frank Wess
drums (drum set):
Yogi Horton
guitar:
Eric Gale
percussion:
Ralph MacDonald
Rhodes piano:
Richard Tee
synthesizer:
Paul Griffin (American pianist, session musician)
arranger:
William Eaton (US producer & arranger)
Grover Washington, Jr.45:17
8The Best Is Yet to Come
bass:
Cedric Napoleon
drums (drum set):
Darryl Washington (percussionist/drummer)
guitar:
James Herb Smith
keyboard:
James Lloyd (jazz keyboard/piano)
percussion:
Leonard Gibbs (percussionist)
shakers:
Ralph MacDonald
synthesizer:
Dexter Wansel
tenor saxophone:
Grover Washington, Jr.
background vocals and lead vocals:
Patti LaBelle
arranger:
Dexter Wansel and Grover Washington, Jr.
recording of:
The Best Is Yet to Come
writer:
Cynthia Biggs and Dexter Wansel
publisher:
Assorted Music, Cynthia Demari Biggs El and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Grover Washington, Jr.45:58
9More Than Meets the Eye
bass:
Cedric Napoleon
drums (drum set):
Darryl Washington (percussionist/drummer)
flute:
Mona Goldman-Yoskin
guitar:
Richard Steacker
keyboard and piano:
James Lloyd (jazz keyboard/piano)
percussion:
Leonard Gibbs (percussionist)
Rhodes piano:
Teddi Schlossman
soprano saxophone:
Grover Washington, Jr.
synthesizer:
Dexter Wansel
arranger:
Grover Washington, Jr.
Grover Washington, Jr.4:27
10Things Are Getting Better
bass:
Cedric Napoleon
drums (drum set):
Darryl Washington (percussionist/drummer)
guitar:
Richard Steacker
keyboard and piano:
James Lloyd (jazz keyboard/piano)
percussion:
Leonard Gibbs (percussionist)
saxophone [saxello]:
Grover Washington, Jr.
synthesizer:
Dexter Wansel
background vocals and lead vocals:
Bobby McFerrin
arranger:
Grover Washington, Jr.
Grover Washington, Jr.4:16
11Mixty Motions
producer:
Ralph MacDonald and Grover Washington, Jr.
bass:
Marcus Miller (jazz musician)
drums (drum set):
Yogi Horton
guitar:
Eric Gale
percussion:
Ralph MacDonald
Rhodes piano:
Richard Tee
saxophone [saxello]:
Grover Washington, Jr.
synthesizer:
Paul Griffin (American pianist, session musician)
arranger:
William Eaton (US producer & arranger)
Grover Washington, Jr.5:17
12Brazilian Memories
producer:
Ralph MacDonald and Grover Washington, Jr.
bass:
Marcus Miller (jazz musician)
clavinet and Rhodes piano:
Richard Tee
drums (drum set):
Yogi Horton
guitar:
Eric Gale
percussion:
Ralph MacDonald
synthesizer:
Paul Griffin (American pianist, session musician)
tenor saxophone:
Grover Washington, Jr.
arranger:
William Eaton (US producer & arranger)
Grover Washington, Jr.6:07
13I'll Be With You
producer:
Grover Washington, Jr.
bass:
Cedric Napoleon
drums (drum set):
Darryl Washington (percussionist/drummer)
guitar:
Richard Steacker
keyboard:
James Lloyd (jazz keyboard/piano)
percussion:
Leonard Gibbs (percussionist)
soprano saxophone:
Grover Washington, Jr.
synthesizer:
Dexter Wansel and Grover Washington, Jr.
background vocals:
Carla Benson, Evette Benton and Lucille Jones
vocals:
Cedric Napoleon
arranger:
Cynthia Biggs, Dexter Wansel and Grover Washington, Jr.
Grover Washington, Jr.4:37
14Cassie's Theme
producer:
Grover Washington, Jr.
bass:
Abe Laboriel
drums (drum set):
Harvey Mason (jazz drummer)
guitar:
Lee Ritenour
keyboard:
Richard Tee
percussion:
Victor Feldman (jazz musician) and Kevin Johnson (jazz drummer)
piano and synthesizer:
Billy Childs (US composer/jazz pianist)
soprano saxophone:
Grover Washington, Jr.
arranger:
Grover Washington, Jr.
recording of:
Cassie's Theme (Theme From Cassie & Co.)
composer:
Grover Washington, Jr.
Grover Washington, Jr.3:58

Credits

Release group

includes:The Best Is Yet to Come
Winelight