Atlantic Gold

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

3 x Slim Jewel Cases within an outer card slip-case.

Annotation last modified on 2017-06-21 06:46 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
15‒10‒15 Hours
recorded in:
New York, New York, United States (on 1952-02-13)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Herb Abrahmson
drums (drum set) [drums]:
Connie Kay (on 1952-02-13)
piano:
Harry Van Walls (R&B pianist) (on 1952-02-13)
tenor saxophone:
Willis Jackson (tenor saxophonist) (on 1952-02-13)
vocals:
Ruth Brown (on 1952-02-13)
recording of:
5-10-15 Hours (on 1952-02-13)
lyricist and composer:
Rudolph Toombs
Ruth Brown3:10
2One Mint Julep
producer:
Ahmet Ertegun (US American Songwriter, producer) and Herb Abrahmson
drums (drum set) [drums]:
Connie Kay (on 1951-12-19)
piano:
Harry Van Walls (R&B pianist) (on 1951-12-19)
tenor saxophone:
Willis Jackson (tenor saxophonist) (on 1951-12-19)
vocals:
The Clovers (US rhythm and blues/doo-wop vocal group) (on 1951-12-19)
recorded at:
Atlantic Studios (234 West 56th St., New York, 1947-1956) in Manhattan, New York, New York, United States (on 1951-12-19)
recording of:
One Mint Julep (on 1951-12-19)
lyricist and composer:
Rudolph Toombs
publisher:
Regent Music (BMI) and Unichappell Music
The Clovers2:21
3Shake, Rattle and Roll
recorded in:
New York, New York, United States (on 1954-02-15)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
baritone saxophone:
Haywood Henry (US jazz saxophonist) (on 1954-02-15)
double bass [bass]:
Lloyd Trotman (US jazz bassist) (on 1954-02-15)
drums (drum set) [drums]:
Connie Kay (on 1954-02-15)
guitar:
Mickey Baker (on 1954-02-15)
piano:
Jesse Stone (on 1954-02-15)
tenor saxophone:
Sam Taylor (US jazz/blues saxophonist 1916-1990) (on 1954-02-15)
trombone:
Wilbur DeParis (on 1954-02-15)
vocals:
Big Joe Turner (on 1954-02-15)
arranger:
Jesse Stone
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 2001)
cover recording of:
Shake, Rattle and Roll (on 1954-02-15)
additional lyricist:
Daryl Bosteels
writer:
Charles Calhoun and Jesse Stone
publisher:
Campbell Connelly, Mijac Music, Nightlight Music Pty Ltd., Progressive Music (publisher), Progressive Music Publishing Company Inc., Unichappell Music and Unichappell Music, Inc.
recording of:
Shake, Rattle and Roll
additional lyricist:
Daryl Bosteels
writer:
Charles Calhoun and Jesse Stone
publisher:
Campbell Connelly, Mijac Music, Nightlight Music Pty Ltd., Progressive Music (publisher), Progressive Music Publishing Company Inc., Unichappell Music and Unichappell Music, Inc.
Big Joe Turner52:58
4Money Honey
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
guitar:
Walter Adams (guitarist for The Drifters) (on 1953-08-09)
baritone vocals:
Gerhart Thrasher (on 1953-08-09)
bass vocals:
Willie Ferbie (on 1953-08-09)
lead vocals:
Clyde McPhatter (on 1953-08-09)
tenor vocals:
Bill Pinkney (on 1953-08-09) and Andrew Thrasher (on 1953-08-09)
recorded at:
Atlantic Recording Studio (234 West 56th St., New York, 1947-1956) in Manhattan, New York, New York, United States (on 1953-08-09)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 252)
recording of:
Money Honey (on 1953-08-09)
lyricist and composer:
Jesse Stone
publisher:
Carlin Music Corporation, First Digital Music, Walden Music, Inc., Walden, Inc., WB Music Corp. (1929–2019) and ZFC Music
Clyde McPhatter & The Drifters42:58
5I’ve Got a Woman
recorded in:
Atlanta, Georgia, United States (on 1954-11-18)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
baritone saxophone:
David “Fathead” Newman (American jazz saxophonist) (on 1954-11-18)
bass:
Jimmy Bell (jazz bassist) (on 1954-11-18)
drums (drum set):
Glenn Brooks (on 1954-11-18)
guitar:
Wesley Jackson (US R&B guitarist) (on 1954-11-18)
piano:
Ray Charles (soul musician, singer and songwriter) (on 1954-11-18)
solo tenor saxophone:
Donald Wilkerson (US jazz/R&B saxophonist) (on 1954-11-18)
trumpet:
Joe Bridgewater (on 1954-11-18) and Charles "Clanky" Whitley (on 1954-11-18)
vocals:
Ray Charles (soul musician, singer and songwriter) (on 1954-11-18)
arranger:
Ray Charles (soul musician, singer and songwriter)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
I Got a Woman (on 1954-11-18)
writer:
Ray Charles (soul musician, singer and songwriter) and Renald Richard
publisher:
Campbell Connelly & Co. Ltd., Mijac Music, Progressive Music Pub. Co., Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Ray Charles42:54
6Tweedle Dee
recorded in:
New York, New York, United States (on 1954-10-20)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
drums (drum set) and drums (drum set) [drums]:
Connie Kay (on 1954-10-20)
other instruments:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
tenor saxophone:
Sam Taylor (US jazz/blues saxophonist 1916-1990) (on 1954-10-20)
background vocals:
The Gliders (UK rock trio) (on 1954-10-20)
lead vocals:
LaVern Baker (US rhythm & blues singer) (on 1954-10-20)
vocals:
LaVern Baker (US rhythm & blues singer) (on 1954-10-20)
recording of:
Tweedlee Dee (on 1954-10-20)
lyricist and composer:
Winfield Scott (in 1954)
publisher:
Hill & Range Songs, Inc. (publisher) and Unichappell Music
cover recording of:
Tweedlee Dee (on 1954-10-20)
lyricist and composer:
Winfield Scott (in 1954)
publisher:
Hill & Range Songs, Inc. (publisher) and Unichappell Music
LaVern Baker3:07
7Sh‐Boom
recorded in:
New York, New York, United States (on 1954-03-15)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
tenor saxophone:
Sam Taylor (US jazz/blues saxophonist 1916-1990) (on 1954-03-15)
vocals:
The Chords (50s US doo-wop group "Sh-Boom") (on 1954-03-15)
arranger:
Howard Biggs
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 215)
recording of:
Sh‐Boom (on 1954-03-15)
writer:
William Edwards (The Chords), Carl Feaster, Claude Feaster, James Keyes and Floyd McRae
premiered by:
The Chords (50s US doo-wop group "Sh-Boom")
The Chords32:24
8Ruby Baby
recorded in:
New York, New York, United States (on 1955-09-19)
producer:
Nesuhi Ertegun
tenor saxophone:
Plas Johnson (on 1955-09-19)
vocals:
The Drifters (US doo wop/R&B vocal group) (on 1955-09-19)
recording of:
Ruby Baby (on 1955-09-19)
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Carlin Music Corp., Jerry Leiber Music, Sony/ATV Songs LLC and Stoller Music (ASCAP)
The Drifters2:24
9Lucky Lips
recorded in:
New York, New York, United States (on 1956-09-25)
producer:
Ahmet Ertegun (US American Songwriter, producer)
vocals:
Ruth Brown (on 1956-09-25)
recording of:
Lucky Lips (on 1956-09-25)
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Sony/ATV Songs LLC
Ruth Brown2:07
10It’s Too Late
recorded in:
New York, New York, United States (on 1956-04-13)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
background vocals:
The Cookies (50s girl group) (on 1956-04-13)
vocals:
Chuck Willis (American blues, rhythm and blues, and rock and roll singer and songwriter) (on 1956-04-13)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (from 1956 to present)
recording of:
It’s Too Late (on 1956-04-13)
lyricist and composer:
Chuck Willis (American blues, rhythm and blues, and rock and roll singer and songwriter)
publisher:
Chuck Willis Music Corp., Sony/ATV Songs LLC, Tideland Music Publishing Corp. and Unichappell Music, Inc.
Chuck Willis2:34
11(Night Time Is) The Right Time
producer:
Ahmet Ertegun (US American Songwriter, producer), Leiber and Stoller (songwriting team) and Jerry Wexler
baritone saxophone [baritone sax]:
Bennie "Hank" Crawford (on 1958-10-28)
bass:
Edgar Willis (bass) (on 1958-10-28)
drums (drum set):
Milt Turner (on 1958-10-28)
electric piano:
Ray Charles (soul musician, singer and songwriter) (on 1958-10-28)
solo alto saxophone [alto sax]:
David “Fathead” Newman (American jazz saxophonist) (on 1958-10-28)
trumpet:
Marcus Belgrave (on 1958-10-28) and Lee "Ricky" Harper" (Lee Harper, trumpet player (Ray Charles)) (on 1958-10-28)
background vocals:
The Raelettes (on 1958-10-28)
vocals:
Ray Charles (soul musician, singer and songwriter) (on 1958-10-28) and Margie Hendrix (on 1958-10-28)
arranger:
Ray Charles (soul musician, singer and songwriter)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1958-10-28)
cover recording of:
Night Time Is the Right Time (on 1958-10-28)
composer:
Lew Herman
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Planemar Music, Screen Gems–EMI Music Ltd. and Tro-Essex Music
Ray Charles53:26
12Poison Ivy
producer:
Leiber and Stoller (songwriting team)
double bass [bass]:
Wendell Marshall (on 1959-07-16)
drums (drum set) [drums]:
Gary Chester (studio drummer and educator) (on 1959-07-16)
guitar:
George Barnes (on 1959-07-16), Sammy Clarke (on 1959-07-16) and Allen Hanlon (jazz guitarist) (on 1959-07-16)
piano:
Mike Stoller (on 1959-07-16)
tenor saxophone:
King Curtis (saxophonist) (on 1959-07-16)
vocals:
The Coasters (on 1959-07-16), Carl Gardner (on 1959-07-16), Cornell Gunter (on 1959-07-16), Billy Guy (on 1959-07-16) and Will “Dub” Jones (US R&B/doo wop vocalist) (on 1959-07-16)
arranger:
Mike Stoller
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-07-17)
recording of:
Poison Ivy (on 1959-07-16)
writer:
Jerry Leiber and Mike Stoller
publisher:
Carlin Music Corporation, Sony/ATV Music Publishing Australia Pty Ltd., Sony/ATV Songs LLC and Warner/Chappell Music Ltd. (1996–2019)
The Coasters3.352:41
13Spanish Harlem
recorded in:
New York, New York, United States (on 1960-10-27)
producer:
Leiber and Stoller (songwriting team)
cello:
Charles McCracken (cellist) (on 1960-10-27)
double bass [bass]:
Lloyd Trotman (US jazz bassist) (on 1960-10-27)
drums (drum set) [drums]:
Gary Chester (studio drummer and educator) (on 1960-10-27)
guitar:
Al Caiola (on 1960-10-27)
percussion:
Phil Kraus (on 1960-10-27)
piano:
Ernie Hayes (American pianist, organist and arranger) (on 1960-10-27)
reeds:
Romeo Penque (on 1960-10-27)
background vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1960-10-27)
vocals:
Ben E. King (on 1960-10-27)
conductor:
Stan Applebaum (US composer, arranger and conductor) (on 1960-10-27)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 350)
recording of:
Spanish Harlem (on 1960-10-27)
lyricist:
Jerry Leiber
composer:
Phil Spector
publisher:
ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Carlin Music Corporation, Mother Bertha Music Inc., Sony/ATV Songs LLC, Trio Music Co., Inc. and Unichappell Music
Ben E. King4.42:52
14B‐A‐B‐Y
recording of:
B-A-B-Y
writer:
Isaac Hayes and David Porter (US soul musician, producer & songwriter)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Warner/Chappell North America
Carla Thomas4.252:53
15A Lover’s Question
producer:
Leiber and Stoller (songwriting team)
double bass [bass]:
Milt Hinton (on 1958-08-07)
drums (drum set) [drums]:
Belton Evans (on 1958-08-07)
guitar:
Carl Lynch (on 1958-08-07) and Sal Salvador (on 1958-08-07)
piano:
Cliff Smalls (on 1958-08-07)
tenor saxophone:
King Curtis (saxophonist) (on 1958-08-07)
vocals:
Clyde McPhatter (on 1958-08-07)
conductor:
Ray Ellis (US producer, arranger and conductor) (on 1958-08-07)
arranger:
Ray Ellis (US producer, arranger and conductor)
recording of:
A Lover's Question (on 1958-08-07)
composer:
Brook Benton and Jimmy Williams (50s/60s US funk/soul songwriter)
Clyde McPhatter32:33
16There Goes My Baby
producer:
Leiber and Stoller (songwriting team)
guitar:
Reggie Kimber (on 1959-03-06)
baritone vocals:
Dock Green (on 1959-03-06)
bass vocals:
Elsbeary Hobbs (on 1959-03-06)
lead vocals:
Ben E. King (on 1959-03-06)
tenor vocals:
Charlie Thomas (The Drifters) (on 1959-03-06)
conductor:
Stan Applebaum (US composer, arranger and conductor) (on 1959-03-06)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
recorded at:
Coastal Recording in New York, New York, United States (on 1959-03-06)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1959 (number: 2) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 193)
recording of:
There Goes My Baby (on 1959-03-06)
lyricist and composer:
Benjamin Nelson, Lover Patterson and George Treadwell
publisher:
Jerome Leiber Music, Purple Starfish Music, Sherman Jot Enterprises Inc. and Sony/ATV Songs LLC
The Drifters4.52:10
17If You Need Me
recorded in:
New York, New York, United States (on 1963-03-15)
engineer:
Tom Dowd and Phil Iehle
producer:
Bert Berns and Jerry Wexler
baritone saxophone:
Haywood Henry (US jazz saxophonist) (on 1963-03-15)
bass [electric bass]:
Russ Saunders (jazz bass player) (on 1963-03-15)
drums (drum set):
Bobby Donaldson (on 1963-03-15)
guitar:
George Barnes (on 1963-03-15) and Bob Bushnell (on 1963-03-15)
piano:
Artie Butler (on 1963-03-15)
tambourine:
Phil Kraus (on 1963-03-15)
tenor saxophone:
Sam Taylor (US jazz/blues saxophonist 1916-1990) (on 1963-03-15) and Ben Smith (US saxophonist Benjamin J. Smith) (on 1963-03-15)
trumpet:
Marky Markowitz (on 1963-03-15) and Ernie Royal (on 1963-03-15)
choir vocals:
unidentified female choir ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (on 1963-03-15)
vocals:
Solomon Burke (on 1963-03-15)
conductor:
Garry Sherman (mid-20th century composer, arranger & conductor) (on 1963-03-15)
arranger:
Garry Sherman (mid-20th century composer, arranger & conductor)
cover recording of:
If You Need Me (on 1963-03-15)
writer:
Robert Bateman (R&B singer/songwriter/record producer), Wilson Pickett and Sonny Sanders
publisher:
Belinda (ended), Cotillion Music Inc. (BMI) and Lupine Music
Solomon Burke2:32
18See See Rider
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
bass:
Russ Saunders (jazz bass player) (on 1962-09-26)
guitar:
Everett Barksdale (on 1962-09-26), Joe "Groundhog" Richardson (US soul/rhythm & blues artist, producer and songwriter) (on 1962-09-26) and Carl Lynch (on 1962-09-26)
membranophone:
Sticks Evans (on 1962-09-26)
organ:
Ernest Hayes (American pianist, organist and arranger) (on 1962-09-26)
other instruments:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
piano:
Paul Griffin (American pianist, session musician) (on 1962-09-26)
tenor saxophone:
Buddy Lucas (Tenor saxophonist / vocalist / harmonica player) (on 1962-09-26)
vocals:
LaVern Baker (US rhythm & blues singer) (on 1962-09-26)
conductor:
Ray Ellis (US producer, arranger and conductor) (on 1962-09-26)
arranger:
Ray Ellis (US producer, arranger and conductor)
recording of:
See See Rider Blues (on 1962-09-26)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 10056)
LaVern Baker42:30
19Yakety Yak
acoustic guitar:
Allen Hanlon (jazz guitarist) (on 1958-03-17)
double bass [bass]:
Wendell Marshall (on 1958-03-17)
drums (drum set):
Joe Marshall (jazz drummer) (on 1958-03-17)
electric guitar:
Adolph Jacobs (on 1958-03-17)
guitar:
George Barnes (on 1958-03-17)
piano:
Mike Stoller (on 1958-03-17)
tenor saxophone:
King Curtis (saxophonist) (on 1958-03-17)
vocals:
Carl Gardner (on 1958-03-17), Cornell Gunter (on 1958-03-17), Billy Guy (on 1958-03-17) and Will “Dub” Jones (US R&B/doo wop vocalist) (on 1958-03-17)
arranger:
Mike Stoller
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1958-03-17)
recording of:
Yakety Yak (on 1958-03-17)
lyricist:
Jerry Leiber
writer:
Jerry Leiber and Mike Stoller
composer:
Mike Stoller
publisher:
Sony/ATV Songs LLC
part of:
Twins (1988)
The Coasters3.651:50
20Last Night
recorded in:
Memphis, Tennessee, United States (in 1961-09)
producer:
Chips Moman and Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Don Nix (in 1961-09)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1961-09)
drums (drum set):
Terry Johnson (drums) (in 1961-09)
guitar:
Steve Cropper (in 1961-09)
organ:
Booker T. Jones (in 1961-09)
tenor saxophone:
Charles Axton (in 1961-09)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1961-09)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 28)
recording of:
Last Night (in 1961-09)
writer:
Charles Axton, Chip Moman, Gilbert Caple, Jerald Smith and Floyd Newman
composer:
The Mar‐Keys
The Mar‐Keys42:35
21What’d I Say (Parts I & II)
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
baritone saxophone [baritone sax]:
Bennie "Hank" Crawford (on 1959-02-18)
bass:
Edgar Willis (bass) (on 1959-02-18)
drums (drum set):
Milt Turner (on 1959-02-18)
electric piano:
Ray Charles (soul musician, singer and songwriter) (on 1959-02-18)
tenor saxophone [tenor sax]:
David “Fathead” Newman (American jazz saxophonist) (on 1959-02-18)
trumpet:
Marcus Belgrave (on 1959-02-18)
background vocals:
The Raelettes (on 1959-02-18)
vocals:
Ray Charles (soul musician, singer and songwriter) (on 1959-02-18)
arranger:
Ray Charles (soul musician, singer and songwriter)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 10) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 80)
recording of:
What’d I Say (on 1959-02-18)
lyricist and composer:
Ray Charles (soul musician, singer and songwriter)
publisher:
Carlin Music Corporation, Mijac Music, MUAC Music, Progressive Music (publisher), Unichappell Music, Inc. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Ray Charles3.56:26
22Up on the Roof
recorded in:
New York, New York, United States (on 1962-06-28)
producer:
Leiber and Stoller (songwriting team)
double bass [bass]:
George Duvivier (on 1962-06-28)
drums (drum set) [drums]:
Gary Chester (studio drummer and educator) (on 1962-06-28)
guitar:
Don Arnone (on 1962-06-28), Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (on 1962-06-28), Bob Bushnell (on 1962-06-28) and Al Casamenti (on 1962-06-28)
keyboard:
Ernie Hayes (American pianist, organist and arranger) and Carole King (on 1962-06-28)
percussion:
George Devens (on 1962-06-28) and Bobby Rosengarden (on 1962-06-28)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1962-06-28) and Frank Saracco (on 1962-06-28)
trumpet:
Jimmy Nottingham (on 1962-06-28) and Jimmy Sedlar (on 1962-06-28)
baritone vocals:
Dock Green (on 1962-06-28)
bass vocals:
Tommy Evans (US r&b bass vocalist for The Drifters) (on 1962-06-28)
lead vocals:
Rudy Lewis (on 1962-06-28)
tenor vocals:
Charlie Thomas (The Drifters) (on 1962-06-28)
conductor:
Gary Sherman (mid-20th century composer, arranger & conductor) (on 1962-06-28)
arranger:
Gary Sherman (mid-20th century composer, arranger & conductor) and Bert Keyes (piano, soul/funk producer/writer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1962 (number: 2), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 113) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 375)
recording of:
Up on the Roof (on 1962-06-28)
lyricist:
Gerry Goffin and Carole King
composer:
Carole King
publisher:
Screen Gems–Columbia Music, Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Drifters52:33
23Stand by Me
recorded in:
New York, New York, United States (on 1960-10-27)
producer:
Leiber and Stoller (songwriting team)
vocals:
Ben E. King (on 1960-10-27)
conductor:
Stan Applebaum (US composer, arranger and conductor) (on 1960-10-27)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographic copyright (℗) by:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1960, in 1961) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1986)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 131) and BILLIONS CLUB
recording of:
Stand by Me (on 1960-10-27)
publisher:
Mike Stoller
writer:
Ben E. King, Jerry Leiber and Mike Stoller
publisher:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music and Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.652:53
24And I Love Him
recorded in:
New York, New York, United States (on 1964-10-01)
engineer:
Tom Dowd
producer:
Bert Berns and Ahmet Ertegun (US American Songwriter, producer)
double bass [bass]:
Milt Hinton (on 1964-10-01)
drums (drum set) [drums]:
Mel Lewis (American jazz drummer) (on 1964-10-01)
flute:
Hubert Laws (on 1964-10-01)
guitar:
Mundell Lowe (on 1964-10-01)
piano:
Dave McKenna (on 1964-10-01)
strings [ten strings]:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1964-10-01)
trombone:
Billy Byers (on 1964-10-01), Buddy Morrow (on 1964-10-01), Santo Russo (Sonny Russo, trombone) (on 1964-10-01) and Bart Varsalona (on 1964-10-01)
vocals:
Esther Phillips (Little Esther) (on 1964-10-01)
conductor:
Ray Ellis (US producer, arranger and conductor) (on 1964-10-01)
arranger:
Ray Ellis (US producer, arranger and conductor)
cover recording of:
And I Love Her (on 1964-10-01)
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC, Unart Music Corp. and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Esther Phillips32:40
25Just One Look
recorded in:
New York, New York, United States (on 1963-03-05)
producer:
Artie Ripp
bass:
Barney Richmond (on 1963-03-05)
drums (drum set):
Bruno Carr (on 1963-03-05)
guitar:
Napoleon "Snags" Allen (on 1963-03-05)
piano:
Horace Ott (on 1963-03-05)
background vocals [harmony vocals] and lead vocals:
Doris Troy (on 1963-03-05)
vocals:
Doris Troy (on 1963-03-05)
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 7) and Dave Marsh: The Best of the Top 40 Singles: 1963 (number: 29)
recording of:
Just One Look (on 1963-03-05)
writer:
Gregory Carroll and Doris Payne
publisher:
Leosong Copyright Service Ltd., T.S. Music Ltd., Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Doris Troy2:29
26These Arms of Mine
recorded in:
Memphis, Tennessee, United States (in 1962-10)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Floyd Newman (in 1962-10)
bass guitar:
Lewie Steinberg (in 1962-10)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (in 1962-10)
guitar:
Steve Cropper (in 1962-10) and Johnny Jenkins (US blues guitarist) (in 1962-10)
organ:
Booker T. Jones (in 1962-10)
piano:
Steve Cropper (in 1962-10)
tenor saxophone:
Charles “Packy” Axton (in 1962-10)
vocals:
Otis Redding (in 1962-10)
recording of:
These Arms of Mine (in 1962-10)
lyricist and composer:
Otis Redding
publisher:
Irving Music, Inc. and Regent Music Corp. (BMI)
Otis Redding3.82:32
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