Love Songs

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
#TitleArtistRatingLength
1Believe
producer:
Brian Rawling and Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
mixer:
Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1998)
produced for:
Metro (production company) and Rive Droite Music Productions
recorded at and mixed at:
Dreamhouse Studios in London (Greater London), England, United Kingdom
part of:
Grammy Award: Best Dance/Electronic Recording nominees (number: 2000 winner), RuPaul’s Drag Race Lip Sync Performances (season 3) (number: 9), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 159) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 337)
recording of:
Believe
lyricist:
Brian Higgins (British producer and song writer) and Matt Gray (UK techno DJ/producer, former video game composer)
composer:
Brian Higgins (British producer and song writer) (in 1998), Matt Gray (UK techno DJ/producer, former video game composer) (in 1998), Stuart McLennan (in 1998), Paul Michael Barry (songwriter/musician) (in 1998), Tim Powell (Songwriter and producer, ex-Xenomania) (in 1998) and Steve Torch (in 1998)
publisher:
BMG Rights Management (Australia) Pty Ltd (not for release label use! use “BMG” (post 2008) instead.), Rive Droite Music and Warner Chappell (Warner/Chappell Music, Inc.)
Cher3.83:53
2Heartbeat
assistant engineer:
Bradlee Spreadborough and Al Unsworth
engineer:
Dan Frampton (engineer)
producer:
Andrew Frampton and Pete Waterman
mixer:
Dan Frampton (engineer) and Paul Waterman
drums (drum set) [drums]:
Paul Waterman
guitar:
Greg Bone
instruments:
Andrew Frampton
phonographic copyright (℗) by:
Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1998)
recorded at and mixed at:
PWL Studios (Manchester) in Manchester, Greater Manchester, England, United Kingdom and PWL Studios (London) in London (Greater London), England, United Kingdom
recording of:
Heartbeat
lyricist and composer:
Jackie James (Scottish singer-songwriter, keyboardist)
publisher:
All Boys Music Ltd.
Steps3.754:23
3End of the Line (Rude Boys remix)
recording of:
End of the Line
lyricist and composer:
Paul Begaud
Honeyz4:05
4War of Nerves (98 remix)All Saints4:45
5Each Time
additional producer:
Mark Jolley
producer:
Beckford, Reid and Reid
guitar:
Andrew Smith (UK bassist/guitarist)
remixer:
Marcellus Fernandes (aka Mark Frank) and Mark Jolley
phonographic copyright (℗) by:
Telstar Records Ltd. (in 1998)
mixed for:
Jerv Management Ltd
produced for:
Jerv Management Ltd and Prima Productions
recorded at:
E17 Studios and Sarm West Recording Studio in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
recording of:
Each Time
writer:
Jon Beckford, Terry Coldwell, Brian Harvey (E-17), John Hendy, Ivor Reid and Mark Reid
publisher:
PolyGram Music Publishing Ltd. and Strongsongs Ltd
East 1723:57
6Little Bit of Lovin' (Rude Boy edit)
Kele Le Roc4:01
7Freak Me (Candj radio edit)
cover recording of:
Freak Me
writer:
Anthony Johnson (a.k.a. Anthony "Teno" Johnson), Roy Murray (Producer, songwriter, keyboardist, worked with Keith Sweat) and Keith Sweat
Another Level3:50
8Until the Time Is Through
recording of:
Until the Time Is Through
writer:
Andreas Carlsson (pop songwriter) and Max Martin (Swedish record producer)
publisher:
Grantsville
Five4:35
9All I Have to Give
producer:
Full Force (American R&B group, frequent collab w/ Lisa Lisa & Cult Jam)
mixer:
Full Force (American R&B group, frequent collab w/ Lisa Lisa & Cult Jam) and Chris Trevett
phonographic copyright (℗) by:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (in 1997)
produced for:
Forceful Enterprises
miscellaneous support:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (task: made by)
edit of:
All I Have to Give by Backstreet Boys
recording of:
All I Have to Give
writer:
Full Force (American R&B group, frequent collab w/ Lisa Lisa & Cult Jam)
publisher:
P-Blast Music Inc., Universal Music–Z Tunes LLC and Zomba Music Publishers Limited (UK subsidiary of Zomba Music Publishing)
Backstreet Boys23:52
10Turn Back TimeAqua3:55
11You've Got a Friend
cover recording of:
You’ve Got a Friend
lyricist and composer:
Carole King
publisher:
Colgems-EMI Music Inc. and Screen Gems–EMI Music Ltd.
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Brand New Heavies3:22
12You Might Need Somebody (DJ Classic radio mix)
cover recording of:
You Might Need Somebody
composer:
Nan O’Byrne (American songwriter and composer) and Tom Snow (US keyboardist/songwriter)
Shola Ama3:50
13All My Life
producer:
Rory Bennett and JoJo Hailey (R&B singer, member of K‐Ci & JoJo)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (from 1997 to present) and MCA Records Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1997)
produced for:
Two Big Productions Inc.
recording of:
All My Life
writer:
Rory Bennett, Joel “Jo‐Jo” Hailey (R&B singer, member of K‐Ci & JoJo) and Randy Waldman
publisher:
2 Big Productions, Inc., Cord Kayla Music, EMI April Music Inc., EMI Publishing Ltd, Hee Bee Dooinit Music and Warner Chappell Music Ltd (no slash; used 1988–1996)
K‐Ci & JoJo3.43:40
14Feel So HighDes’ree43:52
15Where Is the Love?Mica Paris & Will Downing3:21
16Tonight's the Night (Gonna Be Alright)
producer:
Tom Dowd
lead vocals:
Rod Stewart
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1976)
recorded at:
Muscle Shoals Sound Studio in Sheffield, Alabama, United States
recording of:
Tonight’s the Night (Gonna Be Alright)
lyricist and composer:
Rod Stewart
publisher:
Intersong USA, Inc. (publisher)
Rod Stewart3:33
17Truly
recording engineer:
Calvin Harris
engineer:
Jim Cassell
assistant producer:
Brenda Harvey–Richie
producer:
James Anthony Carmichael and Lionel Richie
mixer:
Calvin Harris, Michael Johnson (Motown related), Fred Law and Stephan Smith (US 70s/80s soul/funk engineer)
acoustic guitar:
Tim May (session/jazz guitarist)
bass:
Joe Chemay
cello:
Jesse Ehrlich, Paula Hochhalter, Armand Kaproff and Dennis Karmazyn
double bass:
Árni Egilsson and Buell Neidlinger
drums (drum set):
Paul Leim
flute:
Louise DiTullio
French horn:
Arthur Maebe (US horn player), Richard Perissi and Henry Sigismonti
guitar:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
harp:
Gayle Levant (American studio musician, harpist)
Rhodes piano [Fender rhodes]:
William Payne
strings:
Assa Drori, Allan Harshman (violist), Joy Lyle and Paul Shure
viola:
Alan DeVeritch, Allan Harshman (violist), Virginia Majewski (violist) and Gareth Nuttycombe (violist)
violin:
Bonnie Douglas, Assa Drori, Endre Granat (Hungarian violinist), Joy Lyle, Donald Palmer (US violinist and concertmaster), Henry Roth (violinist), Sheldon Sandu (violinist), Jack Shulman, Paul Shure, Mari Tsumura (aka Mari Tsumura‐Botnick) and Charles Veal Jr. (violinist, conductor and arranger)
background vocals:
Lionel Richie
arranger:
James Anthony Carmichael and Gene Page
vocals arranger:
Lionel Richie
concertmaster:
Harry Bluestone
recorded at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States
mixed at:
Motown / Hitsville U.S.A Recording Studios (recording and mastering studios in West Hollywood, CA) in West Hollywood, California, United States
instrumental versions:
Truly (instrumental) by Lionel Richie
recording of:
Truly
lyricist and composer:
Lionel Richie
Lionel Richie3.43:17
18Until You Come Back to Me (That's What I'm Gonna Do)
engineer:
Lew Hahn
producer:
Aretha Franklin, Arif Mardin and Jerry Wexler
mixer:
Arif Mardin
bass:
Chuck Rainey (American bassist) (on 1973-09-07)
drums (drum set):
Bernard “Pretty” Purdie (on 1973-09-07)
electric piano:
Donny Hathaway (on 1973-09-07)
guitar:
Hugh McCracken (on 1973-09-07)
organ:
Richard Tee (on 1973-09-07)
piano and lead vocals:
Aretha Franklin (on 1973-09-07)
solo flute:
Joe Farrell (on 1973-09-07)
synthesizer:
Ken Bichel (keyboardist) (on 1973-09-07)
background vocals:
Margaret Branch (on 1973-09-07), Ann S. Clark (on 1973-09-07) and Pat Smith (soul vocalist) (on 1973-09-07)
arranger:
Arif Mardin
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1973-09-07)
recording of:
Until You Come Back to Me (That’s What I’m Gonna Do) (on 1973-09-07)
writer:
Morris Broadnax (Soul and R&B music songwriter), Clarence Paul and Stevie Wonder
publisher:
Blackbull Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Sawandi Music, Solo Copyright Bureau and Stone Agate Music
Aretha Franklin4.353:24
19One Day I'll Fly AwayRandy Crawford4:52
20In Your Eyes
recording of:
In Your Eyes (George Benson song)
lyricist:
Dan Hill (Canadian singer/songwriter)
composer:
Michael Masser
publisher:
If Dreams Had Wings Music Ltd., Prince Street Productions, Inc., Songs of Kobalt Music Publishing, Universal Music Corp. (USA, affiliated with ASCAP), Universal Music–Z Tunes LLC, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), フジパシフィックミュージック (Fujipacific Music, Inc.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
George Benson3:23
2CD