Karajan A‐Z: Mascagni – Mendelssohn

~ Release by Herbert von Karajan, Pietro Mascagni, Jules Massenet & Felix Mendelssohn (see all versions of this release, 1 available)

Annotation

Copyright: © 2024 Deutsche Grammophon GmbH, Berlin
℗ 2024 Deutsche Grammophon GmbH, Berlin

Annotation last modified on 2024-08-29 07:51 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Cavalleria rusticana: Prelude
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1965-09 until 1965-10)
conductor:
Herbert von Karajan (conductor) (from 1965-09 until 1965-10)
chorus master:
Roberto Benaglio (conductor)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1965-09-29 until 1965-10-05)
partial recording of:
Cavalleria rusticana: Preludio (from 1965-09 until 1965-10)
composer:
Pietro Mascagni (composer & conductor)
part of:
Cavalleria rusticana
recording of:
Cavalleria rusticana: Preludio
composer:
Pietro Mascagni (composer & conductor)
part of:
Cavalleria rusticana
Pietro Mascagni2:40
2Cavalleria rusticana: Siciliana. “O Lola ch’ai di latti la cammisa”
tenor vocals [Turiddu]:
Carlo Bergonzi (tenor) (from 1965-09 until 1965-10)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1965-09 until 1965-10)
conductor:
Herbert von Karajan (conductor) (from 1965-09 until 1965-10)
chorus master:
Roberto Benaglio (conductor)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1965-09-29 until 1965-10-05)
recording of:
Cavalleria rusticana: “O Lola ch'hai di latti la cammisa” (Turiddu) (“Siciliana”) (from 1965-09 until 1965-10)
composer:
Pietro Mascagni (composer & conductor) (in 1890)
librettist:
Guido Menasci (Italian librettist, 19th-20th c.) and Giovanni Targioni-Tozzetti (Italian librettist, 19th-20th c.)
part of:
Cavalleria rusticana
partial recording of:
Cavalleria rusticana: “O Lola ch'hai di latti la cammisa” (Turiddu) (“Siciliana”)
composer:
Pietro Mascagni (composer & conductor) (in 1890)
librettist:
Guido Menasci (Italian librettist, 19th-20th c.) and Giovanni Targioni-Tozzetti (Italian librettist, 19th-20th c.)
part of:
Cavalleria rusticana
Pietro Mascagni2:18
3Cavalleria rusticana: Siciliana (Pt. 2). Tempo I
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1965-09 until 1965-10)
conductor:
Herbert von Karajan (conductor) (from 1965-09 until 1965-10)
chorus master:
Roberto Benaglio (conductor)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1965-09-29 until 1965-10-05)
partial recording of:
Cavalleria rusticana: Preludio (from 1965-09 until 1965-10)
composer:
Pietro Mascagni (composer & conductor)
part of:
Cavalleria rusticana
partial recording of:
Cavalleria rusticana: “O Lola ch'hai di latti la cammisa” (Turiddu) (“Siciliana”)
composer:
Pietro Mascagni (composer & conductor) (in 1890)
librettist:
Guido Menasci (Italian librettist, 19th-20th c.) and Giovanni Targioni-Tozzetti (Italian librettist, 19th-20th c.)
part of:
Cavalleria rusticana
Pietro Mascagni3:45
4Cavalleria rusticana: Introduction with Chorus
choir vocals:
Coro del Teatro alla Scala di Milano (from 1965-09 until 1965-10)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1965-09 until 1965-10)
conductor:
Herbert von Karajan (conductor) (from 1965-09 until 1965-10)
chorus master:
Roberto Benaglio (conductor)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1965-09-29 until 1965-10-05)
partial recording of:
Cavalleria rusticana: Introduzione / Scena - Allegro giocoso - Largo (from 1965-09 until 1965-10)
composer:
Pietro Mascagni (composer & conductor)
part of:
Cavalleria rusticana
partial recording of:
Cavalleria rusticana: N°4. Coro d'introduzione “Gli aranci olezzano” (Peasant's Chorus)
composer:
Pietro Mascagni (composer & conductor)
part of:
Cavalleria rusticana
Pietro Mascagni2:53
5Cavalleria rusticana: “Gli aranci olezzano sui verdi margini”
choir vocals:
Coro del Teatro alla Scala di Milano (from 1965-09 until 1965-10)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1965-09 until 1965-10)
conductor:
Herbert von Karajan (conductor) (from 1965-09 until 1965-10)
chorus master:
Roberto Benaglio (conductor)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1965-09-29 until 1965-10-05)
recording of:
Cavalleria rusticana: N°4. Coro d'introduzione “Gli aranci olezzano” (Peasant's Chorus) (from 1965-09 until 1965-10)
composer:
Pietro Mascagni (composer & conductor)
part of:
Cavalleria rusticana
partial recording of:
Cavalleria rusticana: N°4. Coro d'introduzione “Gli aranci olezzano” (Peasant's Chorus)
composer:
Pietro Mascagni (composer & conductor)
part of:
Cavalleria rusticana
Pietro Mascagni5:17
6Cavalleria rusticana: Scena. Largo
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1965-09 until 1965-10)
conductor:
Herbert von Karajan (conductor) (from 1965-09 until 1965-10)
chorus master:
Roberto Benaglio (conductor)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1965-09-29 until 1965-10-05)
partial recording of:
Cavalleria rusticana: Introduzione / Scena - Allegro giocoso - Largo (from 1965-09 until 1965-10)
composer:
Pietro Mascagni (composer & conductor)
part of:
Cavalleria rusticana
partial recording of:
Cavalleria rusticana: N°4. Coro d'introduzione “Gli aranci olezzano” (Peasant's Chorus)
composer:
Pietro Mascagni (composer & conductor)
part of:
Cavalleria rusticana
Pietro Mascagni1:51
7Cavalleria rusticana: “Dite, mamma Lucia”
mezzo-soprano vocals [Lucia]:
Mariagrazia Allegri (mezzo-soprano) (from 1965-09 until 1965-10)
mezzo-soprano vocals [Santuzza]:
Fiorenza Cossotto (mezzo-soprano) (from 1965-09 until 1965-10)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1965-09 until 1965-10)
conductor:
Herbert von Karajan (conductor) (from 1965-09 until 1965-10)
chorus master:
Roberto Benaglio (conductor)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1965-09-29 until 1965-10-05)
recording of:
Cavalleria rusticana: “Dite, mamma Lucia …” (Santuzza, Lucia) (from 1965-09 until 1965-10)
composer:
Pietro Mascagni (composer & conductor)
part of:
Cavalleria rusticana
Pietro Mascagni2:33
8Cavalleria rusticana: “Il cavallo scalpita”
baritone vocals [Alfio]:
Giangiacomo Guelfi (baritone) (from 1965-09 until 1965-10)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1965-09 until 1965-10)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1965-09 until 1965-10)
conductor:
Herbert von Karajan (conductor) (from 1965-09 until 1965-10)
chorus master:
Roberto Benaglio (conductor)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1965-09-29 until 1965-10-05)
recording of:
Cavalleria rusticana: “Il cavallo scalpita” (Alfio, Coro) (from 1965-09 until 1965-10)
composer:
Pietro Mascagni (composer & conductor)
librettist:
Giovanni Targioni-Tozzetti (Italian librettist, 19th-20th c.)
part of:
Cavalleria rusticana
Pietro Mascagni2:59
9Cavalleria rusticana: “Beato voi, compar Alfio”
baritone vocals [Alfio]:
Giangiacomo Guelfi (baritone) (from 1965-09 until 1965-10)
mezzo-soprano vocals [Lucia]:
Mariagrazia Allegri (mezzo-soprano) (from 1965-09 until 1965-10)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1965-09 until 1965-10)
conductor:
Herbert von Karajan (conductor) (from 1965-09 until 1965-10)
chorus master:
Roberto Benaglio (conductor)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1965-09-29 until 1965-10-05)
recording of:
Cavalleria rusticana: “Beato voi, compar Alfio” (Lucia, Alfio) (from 1965-09 until 1965-10)
composer:
Pietro Mascagni (composer & conductor)
part of:
Cavalleria rusticana
Pietro Mascagni0:58
10Cavalleria rusticana: “Regina coeli, laetare”
choir vocals:
Coro del Teatro alla Scala di Milano (from 1965-09 until 1965-10)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1965-09 until 1965-10)
conductor:
Herbert von Karajan (conductor) (from 1965-09 until 1965-10)
chorus master:
Roberto Benaglio (conductor)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1965-09-29 until 1965-10-05)
recording of:
Cavalleria rusticana: “Regina coeli laetare” (Coro) (Easter Hymn, Easter Hymn) (from 1965-09 until 1965-10)
composer:
Pietro Mascagni (composer & conductor)
librettist:
Giovanni Targioni-Tozzetti (Italian librettist, 19th-20th c.)
part of:
Cavalleria rusticana
Pietro Mascagni2:35
11Cavalleria rusticana: “Inneggiamo, il Signor non è morto” (Easter Hymn)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1965-09 until 1965-10)
mezzo-soprano vocals [Lucia]:
Mariagrazia Allegri (mezzo-soprano) (from 1965-09 until 1965-10)
mezzo-soprano vocals [Santuzza]:
Fiorenza Cossotto (mezzo-soprano) (from 1965-09 until 1965-10)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1965-09 until 1965-10)
conductor:
Herbert von Karajan (conductor) (from 1965-09 until 1965-10)
chorus master:
Roberto Benaglio (conductor)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1965-09-29 until 1965-10-05)
recording of:
Cavalleria rusticana: “Inneggiamo …” (Santuzza, Lucia, coro esterno) (preghiera) (from 1965-09 until 1965-10)
composer:
Pietro Mascagni (composer & conductor)
librettist:
Giovanni Targioni-Tozzetti (Italian librettist, 19th-20th c.)
part of:
Cavalleria rusticana
Pietro Mascagni5:01
12Cavalleria rusticana: Romanza. “Voi lo sapete, o mamma”
producer:
Hans Weber (producer/engineer)
mezzo-soprano vocals [Lucia]:
Mariagrazia Allegri (mezzo-soprano) (from 1965-09 until 1965-10)
mezzo-soprano vocals [Santuzza]:
Fiorenza Cossotto (mezzo-soprano) (from 1965-09 until 1965-10)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1965-09 until 1965-10)
conductor:
Herbert von Karajan (conductor) (from 1965-09 until 1965-10)
chorus master:
Roberto Benaglio (conductor)
balance engineer:
Günter Hermanns (producer/engineer) (from 1965-09 until 1965-10)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1965-09 until 1965-10, from 1965-09-29 until 1965-10-05)
recording of:
Cavalleria rusticana: “Voi lo sapete, o mamma” (Santuzza, Lucia) (from 1965-09 until 1965-10)
composer:
Pietro Mascagni (composer & conductor)
librettist:
Guido Menasci (Italian librettist, 19th-20th c.) and Giovanni Targioni-Tozzetti (Italian librettist, 19th-20th c.)
part of:
Cavalleria rusticana
Pietro Mascagni6:32
13Cavalleria rusticana: “Tu qui, Santuzza?” – “Fior di giaggolo”
mezzo-soprano vocals [Santuzza]:
Fiorenza Cossotto (mezzo-soprano) (from 1965-09 until 1965-10)
tenor vocals [Turiddu]:
Carlo Bergonzi (tenor) (from 1965-09 until 1965-10)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1965-09 until 1965-10)
conductor:
Herbert von Karajan (conductor) (from 1965-09 until 1965-10)
chorus master:
Roberto Benaglio (conductor)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1965-09-29 until 1965-10-05)
recording of:
Cavalleria rusticana: “Tu qui, Santuzza?” (Turiddu, Santuzza) (from 1965-09 until 1965-10)
composer:
Pietro Mascagni (composer & conductor)
part of:
Cavalleria rusticana
Pietro Mascagni4:10
14Cavalleria rusticana: “Fior di giaggiolo”
mezzo-soprano vocals [Santuzza]:
Fiorenza Cossotto (mezzo-soprano) (from 1965-09 until 1965-10)
soprano vocals [Lola]:
Adriana Martino (soprano) (from 1965-09 until 1965-10)
tenor vocals [Turiddu]:
Carlo Bergonzi (tenor) (from 1965-09 until 1965-10)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1965-09 until 1965-10)
conductor:
Herbert von Karajan (conductor) (from 1965-09 until 1965-10)
chorus master:
Roberto Benaglio (conductor)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1965-09-29 until 1965-10-05)
recording of:
Cavalleria rusticana: “Fior di giaggiolo” (Lola, Turiddu, Santuzza) (from 1965-09 until 1965-10)
composer:
Pietro Mascagni (composer & conductor)
part of:
Cavalleria rusticana
Pietro Mascagni3:23
15Cavalleria rusticana: Duet. “Ah! lo vedi” – “Turiddu, ascolta!”
mezzo-soprano vocals [Santuzza]:
Fiorenza Cossotto (mezzo-soprano) (from 1965-09 until 1965-10)
tenor vocals [Turiddu]:
Carlo Bergonzi (tenor) (from 1965-09 until 1965-10)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1965-09 until 1965-10)
conductor:
Herbert von Karajan (conductor) (from 1965-09 until 1965-10)
chorus master:
Roberto Benaglio (conductor)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1965-09-29 until 1965-10-05)
recording of:
Cavalleria rusticana: "Ah! Lo vedi che hai tu detto?" (Turiddu, Santuzza) (from 1965-09 until 1965-10)
composer:
Pietro Mascagni (composer & conductor)
part of:
Cavalleria rusticana
Pietro Mascagni6:46
16Cavalleria rusticana: “Oh! Il Signore vi manda” (Duet)
baritone vocals [Alfio]:
Giangiacomo Guelfi (baritone) (from 1965-09 until 1965-10)
mezzo-soprano vocals [Santuzza]:
Fiorenza Cossotto (mezzo-soprano) (from 1965-09 until 1965-10)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1965-09 until 1965-10)
conductor:
Herbert von Karajan (conductor) (from 1965-09 until 1965-10)
chorus master:
Roberto Benaglio (conductor)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1965-09-29 until 1965-10-05)
recording of:
Cavalleria Rusticana: "Oh! il Signore vi manda" (Santuzza, Alfio) (from 1965-09 until 1965-10)
composer:
Pietro Mascagni (composer & conductor)
part of:
Cavalleria rusticana
Pietro Mascagni3:40
17Cavalleria rusticana: “Comare Santa”
baritone vocals [Alfio]:
Giangiacomo Guelfi (baritone) (from 1965-09 until 1965-10)
mezzo-soprano vocals [Santuzza]:
Fiorenza Cossotto (mezzo-soprano) (from 1965-09 until 1965-10)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1965-09 until 1965-10)
conductor:
Herbert von Karajan (conductor) (from 1965-09 until 1965-10)
chorus master:
Roberto Benaglio (conductor)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1965-09-29 until 1965-10-05)
recording of:
Cavalleria Rusticana: "Turiddu mi tolse l'onore" (Santuzza, Alfio) (from 1965-09 until 1965-10)
composer:
Pietro Mascagni (composer & conductor)
part of:
Cavalleria rusticana
Pietro Mascagni2:01
18Cavalleria rusticana: Intermezzo
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1965-09 until 1965-10)
conductor:
Herbert von Karajan (conductor) (from 1965-09 until 1965-10)
chorus master:
Roberto Benaglio (conductor)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1965-09-29 until 1965-10-05)
recording of:
Cavalleria rusticana: Intermezzo (from 1965-09 until 1965-10)
composer:
Pietro Mascagni (composer & conductor) (in 1888)
publisher:
Ascherberg Hopwood & Crew
part of:
Cavalleria rusticana
part of:
Cavalleria rusticana (German lyrics)
Pietro Mascagni3:28
19Cavalleria rusticana: “A casa, a casa, amici”
choir vocals:
Coro del Teatro alla Scala di Milano
soprano vocals [Lola]:
Adriana Martino (soprano)
tenor vocals [Turiddu]:
Carlo Bergonzi (tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1965-09 until 1965-10)
conductor:
Herbert von Karajan (conductor) (from 1965-09 until 1965-10)
chorus master:
Roberto Benaglio (conductor)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1965-09-29 until 1965-10-05)
recording of:
Cavalleria rusticana: “A casa, a casa, amici” (Coro, Turiddu, Lola) (from 1965-09 until 1965-10)
composer:
Pietro Mascagni (composer & conductor)
part of:
Cavalleria rusticana
Pietro Mascagni3:09
20Cavalleria rusticana: Brindisi. “Viva il vino spumeggiante” (Drinking Song)
choir vocals:
Coro del Teatro alla Scala di Milano
soprano vocals [Lola]:
Adriana Martino (soprano)
tenor vocals [Turiddu]:
Carlo Bergonzi (tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1965-09 until 1965-10)
conductor:
Herbert von Karajan (conductor) (from 1965-09 until 1965-10)
chorus master:
Roberto Benaglio (conductor)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1965-09-29 until 1965-10-05)
recording of:
Cavalleria rusticana: Brindisi “Intanto amici, qua … Viva il vino spumeggiante” (Turridu, Lola, coro) (from 1965-09 until 1965-10)
composer:
Pietro Mascagni (composer & conductor)
librettist:
Guido Menasci (Italian librettist, 19th-20th c.) and Giovanni Targioni-Tozzetti (Italian librettist, 19th-20th c.)
part of:
Cavalleria rusticana
Pietro Mascagni3:04
21Cavalleria rusticana: “A voi tutti salute!”
baritone vocals [Alfio]:
Giangiacomo Guelfi (baritone)
choir vocals:
Coro del Teatro alla Scala di Milano
soprano vocals [Lola]:
Adriana Martino (soprano)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1965-09 until 1965-10)
conductor:
Herbert von Karajan (conductor) (from 1965-09 until 1965-10)
chorus master:
Roberto Benaglio (conductor)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1965-09-29 until 1965-10-05)
recording of:
Cavalleria Rusticana: "A voi tutti salute!" (Alfio, Coro, Lola) (from 1965-09 until 1965-10)
composer:
Pietro Mascagni (composer & conductor)
part of:
Cavalleria rusticana
Pietro Mascagni5:37
22Cavalleria rusticana: “Mamma, quel vino è generoso” – “Turiddu?! Che vuoi dire?”
producer:
Hans Weber (producer/engineer)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1965-09 until 1965-10)
mezzo-soprano vocals [Lucia]:
Mariagrazia Allegri (mezzo-soprano) (from 1965-09 until 1965-10)
tenor vocals [Turiddu]:
Carlo Bergonzi (tenor) (from 1965-09 until 1965-10)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1965-09 until 1965-10)
conductor:
Herbert von Karajan (conductor) (from 1965-09 until 1965-10)
chorus master:
Roberto Benaglio (conductor)
balance engineer:
Günter Hermanns (producer/engineer) (from 1965-09 until 1965-10)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1965-09 until 1965-10, from 1965-09-29 until 1965-10-05)
recording of:
Cavalleria rusticana: “Mamma, quel vino è generoso, è certo” (Turiddu, Lucia, Donne) (Addio alla madre) (from 1965-09 until 1965-10)
composer:
Pietro Mascagni (composer & conductor) (in 1890)
librettist:
Guido Menasci (Italian librettist, 19th-20th c.) and Giovanni Targioni-Tozzetti (Italian librettist, 19th-20th c.)
part of:
Cavalleria rusticana
Pietro Mascagni6:04
23Cavalleria rusticana: Intermezzo
producer:
Hans Weber (producer/engineer)
organ:
Wolfgang Meyer (organist, harpsichordist) (from 1967-09-22 until 1967-09-25)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1967-09-22 until 1967-09-25)
conductor:
Herbert von Karajan (conductor) (from 1967-09-22 until 1967-09-25)
balance engineer:
Günter Hermanns (producer/engineer) (from 1967-09-22 until 1967-09-25)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1967-09-22 until 1967-09-25)
recording of:
Cavalleria rusticana: Intermezzo (from 1967-09-22 until 1967-09-25)
composer:
Pietro Mascagni (composer & conductor) (in 1888)
publisher:
Ascherberg Hopwood & Crew
part of:
Cavalleria rusticana
part of:
Cavalleria rusticana (German lyrics)
Pietro Mascagni3:31
24L’amico Fritz, Atto III: Intermezzo
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1967-09-22 until 1967-09-25)
conductor:
Herbert von Karajan (conductor) (from 1967-09-22 until 1967-09-25)
balance engineer:
Günter Hermanns (producer/engineer) (from 1967-09-22 until 1967-09-25)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1967-09-22 until 1967-09-25)
recording of:
L'amico Fritz: Atto III. Intermezzo (from 1967-09-22 until 1967-09-25)
composer:
Pietro Mascagni (composer & conductor)
part of:
L’amico Fritz: Atto III
Pietro Mascagni5:02
25Thaïs: Meditation
executive producer:
Otto Gerdes (conductor and producer)
producer:
Hans Weber (producer/engineer)
solo violin:
Michel Schwalbé (Polish violinist) (from 1967-09-22 until 1967-09-25)
orchestra:
Berlin Philharmonic Orchestra (from 1967-09-22 until 1967-09-25)
conductor:
Herbert von Karajan (conductor) (from 1967-09-22 until 1967-09-25)
balance engineer:
Günter Hermanns (producer/engineer) (from 1967-09-22 until 1967-09-25)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1967-09-22 until 1967-09-25)
recording of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra) (from 1967-09-22 until 1967-09-25)
composer:
Jules Massenet (French Romantic composer) (in 1894)
part of:
Classic 100: Music of France (2012) (number: 14)
part of:
Thaïs: Acte II
Jules Massenet6:04
26Symphony no. 1 in C minor, op. 11: I. Allegro di molto
recording engineer:
Hans Weber (producer/engineer) (from 1972-09-09 until 1972-11-01)
sound engineer:
Günter Hermanns (producer/engineer)
executive producer:
Hans Hirsch (producer at Deutsche Grammophon) (from 1972-09-09 until 1972-11-01)
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1972-09-09 until 1972-11-01, in 1972-11)
conductor:
Herbert von Karajan (conductor) (from 1972-09-09 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1972-09-09 until 1972-11-01) and Klaus Scheibe (editor/engineer) (from 1972-09-09 until 1972-11-01)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1972-09-09 until 1972-11-01) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1972-09-09 until 1972-11-01)
recording of:
Symphony no. 1 in C minor, op. 11: I. Allegro di molto (from 1972-09-09 until 1972-11-01)
composer:
Felix Mendelssohn (composer) (in 1824)
part of:
Symphony no. 1 in C minor, op. 11
Felix Mendelssohn8:14
27Symphony no. 1 in C minor, op. 11: II. Andante
recording engineer:
Hans Weber (producer/engineer) (from 1972-09-09 until 1972-11-01)
sound engineer:
Günter Hermanns (producer/engineer)
executive producer:
Hans Hirsch (producer at Deutsche Grammophon) (from 1972-09-09 until 1972-11-01)
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1972-09-09 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1972-09-09 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1972-09-09 until 1972-11-01) and Klaus Scheibe (editor/engineer) (from 1972-09-09 until 1972-11-01)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1972-09-09 until 1972-11-01) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1972-09-09 until 1972-11-01)
recording of:
Symphony no. 1 in C minor, op. 11: II. Andante (from 1972-09-09 until 1972-11-01)
composer:
Felix Mendelssohn (composer) (in 1824)
part of:
Symphony no. 1 in C minor, op. 11
Felix Mendelssohn6:26
28Symphony no. 1 in C minor, op. 11: III. Menuetto. Allegro molto
recording engineer:
Hans Weber (producer/engineer) (from 1972-09-09 until 1972-11-01)
sound engineer:
Günter Hermanns (producer/engineer)
executive producer:
Hans Hirsch (producer at Deutsche Grammophon) (from 1972-09-09 until 1972-11-01)
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1972-09-09 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1972-09-09 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1972-09-09 until 1972-11-01) and Klaus Scheibe (editor/engineer) (from 1972-09-09 until 1972-11-01)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1972-09-09 until 1972-11-01) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1972-09-09 until 1972-11-01)
recording of:
Symphony no. 1 in C minor, op. 11: III. Menuetto. Allegro molto (from 1972-09-09 until 1972-11-01)
composer:
Felix Mendelssohn (composer) (in 1824)
part of:
Symphony no. 1 in C minor, op. 11
Felix Mendelssohn7:00
29Symphony no. 1 in C minor, op. 11: IV. Allegro con fuoco
recording engineer:
Hans Weber (producer/engineer) (from 1972-09-09 until 1972-11-01)
sound engineer:
Günter Hermanns (producer/engineer)
executive producer:
Hans Hirsch (producer at Deutsche Grammophon) (from 1972-09-09 until 1972-11-01)
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1972-09-09 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1972-09-09 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1972-09-09 until 1972-11-01) and Klaus Scheibe (editor/engineer) (from 1972-09-09 until 1972-11-01)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1972-09-09 until 1972-11-01) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1972-09-09 until 1972-11-01)
recording of:
Symphony no. 1 in C minor, op. 11: IV. Allegro con fuoco (from 1972-09-09 until 1972-11-01)
composer:
Felix Mendelssohn (composer) (in 1824)
part of:
Symphony no. 1 in C minor, op. 11
Felix Mendelssohn8:31
30Symphony no. 2 in B‐flat major, op. 52 “Hymn of Praise”: I. Sinfonia: a. Maestoso con moto
sound engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1972-09-07 until 1973-02-23)
conductor:
Herbert von Karajan (conductor) (from 1972-09-07 until 1973-02-23)
balance engineer:
Günter Hermanns (producer/engineer) (from 1972-09-07 until 1973-02-23)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1972-09-07 until 1973-02-23)
recording of:
Symphony no. 2 in B-flat major, op. 52 “Lobgesang”: Ia. Sinfonia: Maestoso con moto – Allegro (from 1972-09-07 until 1973-02-23)
composer:
Felix Mendelssohn (composer) (in 1840)
part of:
Symphony no. 2 in B-flat major, op. 52 “Lobgesang”: I. Sinfonia
Felix Mendelssohn12:39
31Symphony no. 2 in B‐flat major, op. 52 “Hymn of Praise”: I. Sinfonia: b. Allegretto un poco agitato
sound engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1972-09-07 until 1973-02-23)
conductor:
Herbert von Karajan (conductor) (from 1972-09-07 until 1973-02-23)
balance engineer:
Günter Hermanns (producer/engineer) (from 1972-09-07 until 1973-02-23)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1972-09-07 until 1973-02-23)
recording of:
Symphony no. 2 in B-flat major, op. 52 “Lobgesang”: Ib. Sinfonia: Allegretto un poco agitato (from 1972-09-07 until 1973-02-23)
composer:
Felix Mendelssohn (composer) (in 1840)
part of:
Symphony no. 2 in B-flat major, op. 52 “Lobgesang”: I. Sinfonia
Felix Mendelssohn5:47
32Symphony no. 2 in B‐flat major, op. 52 “Hymn of Praise”: I. Sinfonia: c. Adagio religioso
sound engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1972-09-07 until 1973-02-23)
conductor:
Herbert von Karajan (conductor) (from 1972-09-07 until 1973-02-23)
balance engineer:
Günter Hermanns (producer/engineer) (from 1972-09-07 until 1973-02-23)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1972-09-07 until 1973-02-23)
recording of:
Symphony no. 2 in B-flat major, op. 52 “Lobgesang”: Ic. Sinfonia: Adagio religioso (from 1972-09-07 until 1973-02-23)
composer:
Felix Mendelssohn (composer) (in 1840)
part of:
Symphony no. 2 in B-flat major, op. 52 “Lobgesang”: I. Sinfonia
Felix Mendelssohn7:41
33Symphony no. 2 in B‐flat major, op. 52 “Hymn of Praise”: II. Chorus. Alles was Odem hat lobe den Herrn – Solo. Lobe den Herrn, meine Seele
sound engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1972-09)
soprano vocals:
Edith Mathis (soprano) (in 1972-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1972-09-07 until 1973-02-23)
conductor:
Herbert von Karajan (conductor) (from 1972-09-07 until 1973-02-23)
chorus master:
Walter Hagen-Groll (chorus master) (in 1972-09)
balance engineer:
Günter Hermanns (producer/engineer) (from 1972-09-07 until 1973-02-23)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1972-09-07 until 1973-02-23)
recording of:
Symphony no. 2 in B-flat major, op. 52 “Lobgesang”: II. “Alles, was Odem hat, lobe den Herrn!” - “Lobt den Herrn mit Saitenspiel” - “Lobe den Herrn, meine Seele” (from 1972-09-07 until 1973-02-23)
composer:
Felix Mendelssohn (composer) (in 1840)
part of:
Symphony no. 2 in B-flat major, op. 52 “Lobgesang”
Felix Mendelssohn7:25
34Symphony no. 2 in B‐flat major, op. 52 “Hymn of Praise”: III. Recit. Saget es, die ihr erlöst seid… Aria. Er zählet unsre Tränen
sound engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
tenor vocals:
Werner Hollweg (tenor) (in 1972-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1972-09-07 until 1973-02-23)
conductor:
Herbert von Karajan (conductor) (from 1972-09-07 until 1973-02-23)
balance engineer:
Günter Hermanns (producer/engineer) (from 1972-09-07 until 1973-02-23)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1972-09-07 until 1973-02-23)
recording of:
Symphony no. 2 in B-flat major, op. 52 “Lobgesang”: III. Rezitativ “Saget es, die ihr erlöst seid” - “Er zählet unsre Tränen” Allegro moderato (from 1972-09-07 until 1973-02-23)
composer:
Felix Mendelssohn (composer) (in 1840)
part of:
Symphony no. 2 in B-flat major, op. 52 “Lobgesang”
Felix Mendelssohn2:55
35Symphony no. 2 in B‐flat major, op. 52 “Hymn of Praise”: IV. Chorus. Sagt es, die ihr erlöst seid
sound engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1972-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1972-09-07 until 1973-02-23)
conductor:
Herbert von Karajan (conductor) (from 1972-09-07 until 1973-02-23)
chorus master:
Walter Hagen-Groll (chorus master) (in 1972-09)
balance engineer:
Günter Hermanns (producer/engineer) (from 1972-09-07 until 1973-02-23)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1972-09-07 until 1973-02-23)
recording of:
Symphony no. 2 in B-flat major, op. 52 “Lobgesang”: IV. Chor “Sagt es, die ihr erlöset seid” (A tempo moderato) (from 1972-09-07 until 1973-02-23)
composer:
Felix Mendelssohn (composer) (in 1840)
part of:
Symphony no. 2 in B-flat major, op. 52 “Lobgesang”
Felix Mendelssohn1:58
36Symphony no. 2 in B‐flat major, op. 52 “Hymn of Praise”: V. Duet & Chorus. Ich harrete des Herrn
sound engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1972-09)
soprano vocals:
Edith Mathis (soprano) (in 1972-09) and Liselotte Rebmann (German operatic soprano) (in 1972-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1972-09-07 until 1973-02-23)
conductor:
Herbert von Karajan (conductor) (from 1972-09-07 until 1973-02-23)
chorus master:
Walter Hagen-Groll (chorus master) (in 1972-09)
balance engineer:
Günter Hermanns (producer/engineer) (from 1972-09-07 until 1973-02-23)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1972-09-07 until 1973-02-23)
recording of:
Symphony no. 2 in B-flat major, op. 52 “Lobgesang”: V. “Ich harrete des Herrn” (Andante) (from 1972-09-07 until 1973-02-23)
composer:
Felix Mendelssohn (composer) (in 1840)
part of:
Symphony no. 2 in B-flat major, op. 52 “Lobgesang”
Felix Mendelssohn6:19
37Symphony no. 2 in B‐flat major, op. 52 “Hymn of Praise”: VI. Solo. Stricke des Todes hatten uns umfangen
sound engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
tenor vocals:
Werner Hollweg (tenor) (in 1972-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1972-09-07 until 1973-02-23)
conductor:
Herbert von Karajan (conductor) (from 1972-09-07 until 1973-02-23)
balance engineer:
Günter Hermanns (producer/engineer) (from 1972-09-07 until 1973-02-23)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1972-09-07 until 1973-02-23)
recording of:
Symphony no. 2 in B-flat major, op. 52 “Lobgesang”: VI. “Stricke des Todes hatten uns umfangen” Allegro un poco agitato (from 1972-09-07 until 1973-02-23)
composer:
Felix Mendelssohn (composer) (in 1840)
part of:
Symphony no. 2 in B-flat major, op. 52 “Lobgesang”
Felix Mendelssohn4:46
38Symphony no. 2 in B‐flat major, op. 52 “Hymn of Praise”: VII. Chorus. Die Nacht ist vergangen
sound engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1972-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1972-09-07 until 1973-02-23)
conductor:
Herbert von Karajan (conductor) (from 1972-09-07 until 1973-02-23)
chorus master:
Walter Hagen-Groll (chorus master) (in 1972-09)
balance engineer:
Günter Hermanns (producer/engineer) (from 1972-09-07 until 1973-02-23)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1972-09-07 until 1973-02-23)
recording of:
Symphony no. 2 in B-flat major, op. 52 “Lobgesang”: VII. “Die Nacht ist vergangen” Allegro maestoso e molto vivace (from 1972-09-07 until 1973-02-23)
composer:
Felix Mendelssohn (composer) (in 1840)
part of:
Symphony no. 2 in B-flat major, op. 52 “Lobgesang”
Felix Mendelssohn4:40
39Symphony no. 2 in B‐flat major, op. 52 “Hymn of Praise”: VIII. Chorale. Nun danket alle Gott
sound engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1972-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1972-09-07 until 1973-02-23)
conductor:
Herbert von Karajan (conductor) (from 1972-09-07 until 1973-02-23)
chorus master:
Walter Hagen-Groll (chorus master) (in 1972-09)
balance engineer:
Günter Hermanns (producer/engineer) (from 1972-09-07 until 1973-02-23)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1972-09-07 until 1973-02-23)
recording of:
Symphony no. 2 in B-flat major, op. 52 “Lobgesang”: VIII. Choral “Nun danket alle Gott” - “Lob, Ehr’ und Preis sei Gott” Andante con moto - Un poco più animato (from 1972-09-07 until 1973-02-23)
composer:
Felix Mendelssohn (composer) (in 1840)
is based on:
Nun danket alle Gott (Lutheran choral)
part of:
Symphony no. 2 in B-flat major, op. 52 “Lobgesang”
Felix Mendelssohn4:12
40Symphony no. 2 in B‐flat major, op. 52 “Hymn of Praise”: IX. Duet. Drum sing ich mit meinem Liede
sound engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
soprano vocals:
Edith Mathis (soprano) (in 1972-09)
tenor vocals:
Werner Hollweg (tenor) (in 1972-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1972-09-07 until 1973-02-23)
conductor:
Herbert von Karajan (conductor) (from 1972-09-07 until 1973-02-23)
balance engineer:
Günter Hermanns (producer/engineer) (from 1972-09-07 until 1973-02-23)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1972-09-07 until 1973-02-23)
recording of:
Symphony no. 2 in B-flat major, op. 52 “Lobgesang”: IX. “Drum sing ich mit meinem Liede ewig” (Andante sostenuto assai) (from 1972-09-07 until 1973-02-23)
composer:
Felix Mendelssohn (composer) (in 1840)
part of:
Symphony no. 2 in B-flat major, op. 52 “Lobgesang”
Felix Mendelssohn4:55
41Symphony no. 2 in B‐flat major, op. 52 “Hymn of Praise”: X. Chorus. Ihr Völker, bringet Her dem Herrn Ehre und Macht!
sound engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1972-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1972-09-07 until 1973-02-23)
conductor:
Herbert von Karajan (conductor) (from 1972-09-07 until 1973-02-23)
chorus master:
Walter Hagen-Groll (chorus master) (in 1972-09)
balance engineer:
Günter Hermanns (producer/engineer) (from 1972-09-07 until 1973-02-23)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1972-09-07 until 1973-02-23)
recording of:
Symphony no. 2 in B-flat major, op. 52 “Lobgesang”: X. Schlusschor “Ihr Völker, bringet her dem Herrn Ehre und Macht” - “Alles danke dem Herrn!” - “Alles, was Odem hat, lobe den Herrn!” Allegro non troppo - Piu vivace - Maestoso come I (from 1972-09-07 until 1973-02-23)
composer:
Felix Mendelssohn (composer) (in 1840)
part of:
Symphony no. 2 in B-flat major, op. 52 “Lobgesang”
Felix Mendelssohn6:24
42The Hebrides Overture, op. 26 “Fingal’s Cave”
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-01-07 until 1971-01-08)
conductor:
Herbert von Karajan (conductor) (from 1971-01-07 until 1971-01-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-01-07 until 1971-01-08)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-01-07 until 1971-01-08)
recording of:
Die Hebriden, op. 26 (The Hebrides, op. 26 “Fingal’s Cave”, Fingal's Cave) (from 1971-01-07 until 1971-01-08)
premiered in:
London (Greater London), England, United Kingdom (on 1832-05-14)
composer:
Felix Mendelssohn (composer) (in 1830)
part of:
Works of Felix Mendelssohn by opus number (number: op. 26) and Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV P 7)
Felix Mendelssohn10:43
43Symphony no. 3 in A minor, op. 56 “Scottish”: I. Andante con moto – Allegro un poco agitato
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-01-04 until 1971-02-15)
conductor:
Herbert von Karajan (conductor) (from 1971-01-04 until 1971-02-15)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-01-04 until 1971-02-15)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-01-04 until 1971-02-15)
recording of:
Symphony no. 3 in A minor, op. 56 “Scottish”: I. Andante con moto – Allegro un poco agitato (from 1971-01-04 until 1971-02-15)
composer:
Felix Mendelssohn (composer) (from 1841 until 1842)
part of:
Symphony no. 3 in A minor, op. 56 “Scottish”
Felix Mendelssohn13:57
44Symphony no. 3 in A minor, op. 56 “Scottish”: II. Vivace non troppo
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-01-04 until 1971-02-15)
conductor:
Herbert von Karajan (conductor) (from 1971-01-04 until 1971-02-15)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-01-04 until 1971-02-15)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-01-04 until 1971-02-15)
recording of:
Symphony no. 3 in A minor, op. 56 “Scottish”: II. Vivace non troppo (from 1971-01-04 until 1971-02-15)
composer:
Felix Mendelssohn (composer) (from 1841 until 1842)
part of:
Symphony no. 3 in A minor, op. 56 “Scottish”
Felix Mendelssohn4:25
45Symphony no. 3 in A minor, op. 56 “Scottish”: III. Adagio
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-01-04 until 1971-02-15)
conductor:
Herbert von Karajan (conductor) (from 1971-01-04 until 1971-02-15)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-01-04 until 1971-02-15)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-01-04 until 1971-02-15)
recording of:
Symphony no. 3 in A minor, op. 56 “Scottish”: III. Adagio (from 1971-01-04 until 1971-02-15)
composer:
Felix Mendelssohn (composer) (from 1841 until 1842)
part of:
Symphony no. 3 in A minor, op. 56 “Scottish”
Felix Mendelssohn11:48
46Symphony no. 3 in A minor, op. 56 “Scottish”: IV. Allegro vivacissimo – Allegro maestoso assai
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-01-04 until 1971-02-15)
conductor:
Herbert von Karajan (conductor) (from 1971-01-04 until 1971-02-15)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-01-04 until 1971-02-15)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-01-04 until 1971-02-15)
recording of:
Symphony no. 3 in A minor, op. 56 “Scottish”: IV. Allegro vivacissimo – Allegro maestoso assai (from 1971-01-04 until 1971-02-15)
composer:
Felix Mendelssohn (composer) (from 1841 until 1842)
part of:
Symphony no. 3 in A minor, op. 56 “Scottish”
Felix Mendelssohn9:24
47Symphony no. 4 in A major, op. 90 “Italian”: I. Allegro vivace
sound engineer:
Günter Hermanns (producer/engineer)
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-01-02 until 1971-02-17)
conductor:
Herbert von Karajan (conductor) (from 1971-01-02 until 1971-02-17)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-01-02 until 1971-02-17)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-01-02 until 1971-02-17)
recording of:
Symphony no. 4 in A major, op. 90 “Italian”: I. Allegro vivace (from 1971-01-02 until 1971-02-17)
composer:
Felix Mendelssohn (composer) (in 1833)
part of:
Symphony no. 4 in A major, op. 90 “Italian”
part of:
Symphony no. 4 in A major, op. 90 “Italian” (1834 revision, uncommon)
Felix Mendelssohn8:02
48Symphony no. 4 in A major, op. 90 “Italian”: II. Andante con moto
sound engineer:
Günter Hermanns (producer/engineer)
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-01-02 until 1971-02-17)
conductor:
Herbert von Karajan (conductor) (from 1971-01-02 until 1971-02-17)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-01-02 until 1971-02-17)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-01-02 until 1971-02-17)
recording of:
Symphony no. 4 in A major, op. 90 “Italian”: II. Andante con moto (from 1971-01-02 until 1971-02-17)
composer:
Felix Mendelssohn (composer) (in 1833)
part of:
Symphony no. 4 in A major, op. 90 “Italian”
Felix Mendelssohn6:26
49Symphony no. 4 in A major, op. 90 “Italian”: III. Con moto moderato
sound engineer:
Günter Hermanns (producer/engineer)
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-01-02 until 1971-02-17)
conductor:
Herbert von Karajan (conductor) (from 1971-01-02 until 1971-02-17)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-01-02 until 1971-02-17)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-01-02 until 1971-02-17)
recording of:
Symphony no. 4 in A major, op. 90 “Italian”: III. Con moto moderato (from 1971-01-02 until 1971-02-17)
composer:
Felix Mendelssohn (composer) (in 1833)
part of:
Symphony no. 4 in A major, op. 90 “Italian”
Felix Mendelssohn7:59
50Symphony no. 4 in A major, op. 90 “Italian”: IV. Saltarello. Presto
sound engineer:
Günter Hermanns (producer/engineer)
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-01-02 until 1971-02-17)
conductor:
Herbert von Karajan (conductor) (from 1971-01-02 until 1971-02-17)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-01-02 until 1971-02-17)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-01-02 until 1971-02-17)
recording of:
Symphony no. 4 in A major, op. 90 “Italian”: IV. Saltarello. Presto (from 1971-01-02 until 1971-02-17)
composer:
Felix Mendelssohn (composer) (in 1833)
part of:
Symphony no. 4 in A major, op. 90 “Italian”
Felix Mendelssohn5:37
51Symphony no. 5 in D minor, op. 107 “Reformation”: I. Andante – Allegro con fuoco
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1972-02-14 until 1972-02-16)
conductor:
Herbert von Karajan (conductor) (from 1972-02-14 until 1972-02-16)
balance engineer:
Günter Hermanns (producer/engineer) (from 1972-02-14 until 1972-02-16)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1972-02-14 until 1972-02-16)
recording of:
Symphony no. 5 in D major, op. 107 "Reformation": I. Andante - Allegro con fuoco (from 1972-02-14 until 1972-02-16)
composer:
Felix Mendelssohn (composer) (in 1830)
part of:
Symphony no. 5 in D major, op. 107 "Reformation"
Felix Mendelssohn12:57
52Symphony no. 5 in D minor, op. 107 “Reformation”: II. Allegro vivace
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1972-02-14 until 1972-02-16)
conductor:
Herbert von Karajan (conductor) (from 1972-02-14 until 1972-02-16)
balance engineer:
Günter Hermanns (producer/engineer) (from 1972-02-14 until 1972-02-16)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1972-02-14 until 1972-02-16)
recording of:
Symphony no. 5 in D major, op. 107 "Reformation": II. Allegro vivace (from 1972-02-14 until 1972-02-16)
composer:
Felix Mendelssohn (composer) (in 1830)
part of:
Symphony no. 5 in D major, op. 107 "Reformation"
Felix Mendelssohn6:54
53Symphony no. 5 in D minor, op. 107 “Reformation”: III. Andante
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1972-02-14 until 1972-02-16)
conductor:
Herbert von Karajan (conductor) (from 1972-02-14 until 1972-02-16)
balance engineer:
Günter Hermanns (producer/engineer) (from 1972-02-14 until 1972-02-16)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1972-02-14 until 1972-02-16)
recording of:
Symphony no. 5 in D major, op. 107 “Reformation”: III. Andante (from 1972-02-14 until 1972-02-16)
composer:
Felix Mendelssohn (composer) (in 1830)
part of:
Symphony no. 5 in D major, op. 107 "Reformation"
Felix Mendelssohn4:25
54Symphony no. 5 in D minor, op. 107 “Reformation”: IV. Andante con moto (Chorale “Ein feste Burg”)
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1972-02-14 until 1972-02-16)
conductor:
Herbert von Karajan (conductor) (from 1972-02-14 until 1972-02-16)
balance engineer:
Günter Hermanns (producer/engineer) (from 1972-02-14 until 1972-02-16)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1972-02-14 until 1972-02-16)
recording of:
Symphony no. 5 in D major, op. 107 “Reformation”: IV. Choral “Ein’ feste Burg ist unser Gott” (from 1972-02-14 until 1972-02-16)
composer:
Felix Mendelssohn (composer) (in 1830)
part of:
Symphony no. 5 in D major, op. 107 "Reformation"
Felix Mendelssohn8:53
55Violin Concerto in E minor, op. 64: I. Allegro molto appassionato –
producer:
Michel Glotz
violin:
Anne‐Sophie Mutter (violinist) (in 1980-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1980-09)
conductor:
Herbert von Karajan (conductor) (in 1980-09)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1981)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1980-09)
recording of:
Violinkonzert in e-Moll, op. 64: I. Allegro molto appassionato (Concerto for Violin and Orchestra in E minor, op. 64: I. Allegro molto appassionato) (in 1980-09)
composer:
Felix Mendelssohn (composer) (from 1838 until 1844-09-16)
revised by:
Felix Mendelssohn (composer) (in 1845)
part of:
Violinkonzert in e-Moll, op. 64 (Violin Concerto in E minor, op. 64)
Felix Mendelssohn13:56
56Violin Concerto in E minor, op. 64: II. Andante
producer:
Michel Glotz
violin:
Anne‐Sophie Mutter (violinist) (in 1980-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1980-09)
conductor:
Herbert von Karajan (conductor) (in 1980-09)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1981)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1980-09)
recording of:
Violinkonzert in e-Moll, op. 64: II. Andante (Concerto for Violin and Orchestra in E minor, op. 64: II. Andante) (in 1980-09)
composer:
Felix Mendelssohn (composer) (from 1838 until 1844-09-16)
revised by:
Felix Mendelssohn (composer) (in 1845)
part of:
Violinkonzert in e-Moll, op. 64 (Violin Concerto in E minor, op. 64)
Felix Mendelssohn9:29
57Violin Concerto in E minor, op. 64: III. Allegretto non troppo – Allegro molto vivace
producer:
Michel Glotz
violin:
Anne‐Sophie Mutter (violinist) (in 1980-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1980-09)
conductor:
Herbert von Karajan (conductor) (in 1980-09)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1981)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1980-09)
recording of:
Violinkonzert in e-Moll, op. 64: III. Allegretto non troppo – Allegro molto vivace (Concerto for Violin and Orchestra in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace) (in 1980-09)
composer:
Felix Mendelssohn (composer) (from 1838 until 1844-09-16)
revised by:
Felix Mendelssohn (composer) (in 1845)
part of:
Violinkonzert in e-Moll, op. 64 (Violin Concerto in E minor, op. 64)
Felix Mendelssohn7:14