| # | Title | Artist | Rating | Length |
|---|
| 1 | Attention- recording engineer and producer:
- Charlie Puth
- assistant mixer:
- Chris Galland and Jeff Jackson
- mixer:
- Manny Marroquin
- bass:
- Charlie Puth
- guitar:
- Jan Ozveren
- phonographic copyright (℗) by:
- Artist Partner Group, Inc. (in 2018) and WEA International Inc. (in 2018)
- recorded at:
- Atlantic Records @ A Studio in Los Angeles, California, United States
- mixed at:
- Larrabee Studios in North Hollywood, Los Angeles, California, United States
- music videos:
- Attention by Charlie Puth
- part of:
- Billboard Year-End Hot 100 singles of 2017 (number: 22) and BILLIONS CLUB
- recording of:
- Attention
- writer:
- Jacob Kasher and Charlie Puth
- publisher:
- Artist 101 Publishing Group, Charlie Puth Music Publishing, KMR Music Royalties II SCSp, Kobalt Songs Music Publishing , Prescription Songs and Rap Kingpin Music
| Charlie Puth | 3.8 | 3:27 |
| 2 | Despacito (remix) | Luis Fonsi & Daddy Yankee feat. Justin Bieber | 3.15 | 3:48 |
| 3 | There’s Nothing Holdin’ Me Back | Shawn Mendes | 4.05 | 3:18 |
| 4 | Body Like a Back Road | Sam Hunt | 3 | 2:41 |
| 5 | Strip That Down- engineer:
- Chris Laws , Daniel Pursey and Bill Zimmerman
- producer:
- Steve Mac
- mixer:
- Phil Tan
- drums (drum set):
- Chris Laws
- synthesizer:
- Steve Mac
- phonographic copyright (℗) by:
- Hampton Records Limited (in 2017)
- music videos:
- Strip That Down by Liam Payne
- part of:
- Billboard Year-End Hot 100 singles of 2017 (number: 36)
- recording of:
- Strip That Down
- writer:
- Papa Dee Allen, Brian Thompson, Harold Brown, B.B. Dickerson, Ricardo “Rik Rok” Ducent, Lonnie Jordan, Steve Mac , Charles Miller , Orville Richard Burrell , Lee Oskar, Liam Payne, Shaun Pizzonia, Quavo , Howard E. Scott and Ed Sheeran
- publisher:
- Songs of Kobalt Music Publishing, Sony/ATV Songs LLC and Tenyor Music
- is based on:
- It Wasn’t Me
| Liam Payne feat. Quavo | 2.8 | 3:22 |
| 6 | Feels- recording of:
- Feels
- writer:
- Brittany Hazzard , Katy Perry, Sean Anderson, Wayne Vaughn, Maurice White , Adam Wiles and Pharrell Williams
- publisher:
- EMI April Music Inc., EMI Music Publishing , EMI Music Publishing/Sony ATV, EMI Pop Music Publishing, Hipgnosis Side A, More Water from Nazareth, Music Sales Corp , My Last Publishing, People Over Planes, Sony/ATV, These Are Songs of Pulse , TSJ Merlyn Licensing B.V., Universal Music Corporation , WC Music Corp. and When I’m Rich You’ll Be My Bitch
| Calvin Harris feat. Pharrell Williams, Katy Perry & Big Sean | 3.15 | 3:42 |
| 7 | What Lovers Do- programming:
- Ben Billions, Jason Evigan and Gian Stone
- assistant engineer:
- John Armstrong and Eric Eylands
- engineer:
- John Hanes , Noah “Mailbox” Passovoy and Gian Stone
- additional producer:
- Sam Farrar and Noah “Mailbox” Passovoy
- co-producer:
- Ben Billions
- producer:
- Jason Evigan, Jason Evigan (task: vocals), Noah “Mailbox” Passovoy (task: vocals) and Gian Stone (task: vocals)
- mixer:
- Serban Ghenea
- editor:
- Sam Farrar and Noah “Mailbox” Passovoy
- additional percussion:
- Sam Farrar and Noah “Mailbox” Passovoy
- bass:
- Sam Farrar and Mickey Madden
- drums (drum set) [drums] and percussion:
- Matt Flynn
- guitar [guitars]:
- Jesse Carmichael and James Valentine
- keyboard [keys]:
- Ben Billions, PJ Morton and Noah “Mailbox” Passovoy
- additional vocals:
- Sam Farrar, Noah “Mailbox” Passovoy and Starrah
- vocals:
- Adam Levine and SZA
- phonographic copyright (℗) by:
- Interscope Records (222 Records) (in 2017)
- recorded at:
- Chumba Meadows in Tarzana, Los Angeles, California, United States, Conway Recording Studios in Hollywood, Los Angeles, California, United States and Westlake Recording Studios in West Hollywood, California, United States
- mixed at:
- MixStar Studios in Virginia Beach, Virginia, United States
- part of:
- Billboard Year-End Hot 100 singles of 2018 (number: 89) and Billboard Year-End Hot 100 singles of 2017 (number: 97)
- recording of:
- What Lovers Do
- writer:
- Benjamin Diehl, Elina Stridh , Jason Evigan, Adam Levine , Oladayo Olatunji, Victor Rådström, Solána Rowe and Starrah
- publisher:
- Bad Robot Music, Billions Enterprises, BMG Platinum Songs, People Over Planes, Songs of Influence, Songs of Universal, Inc. , Sudgee 2 Music, TDE Publishing LLC, These Are Songs of Pulse , Universal Music Corp. , Warner Bros. Music Ltd. , Warner–Tamerlane Publishing Corp. and Warner/Chappell Music Ltd.
- quotes music from:
- Sexual
| Maroon 5 feat. SZA | 3.35 | 3:16 |
| 8 | Unforgettable | French Montana feat. Swae Lee | 2.75 | 3:52 |
| 9 | Redbone- producer:
- Childish Gambino and Ludwig Göransson
- acoustic guitar, clavinet, electric bass guitar, electric guitar, glockenspiel, mellotron, Rhodes piano [Fender Rhodes], synthesizer and additional background vocals:
- Ludwig Göransson
- drums (drum set), background vocals and lead vocals:
- Childish Gambino
- recording of:
- Redbone
- lyricist:
- William Earl Collins , Donald McKinley Glover II and Gary Lee Cooper
- composer:
- Donald McKinley Glover II and Ludwig Emil Tomas Göransson
- publisher:
- Childish Industries, Ludovin Music, Mashamug Music Inc., New Spirituality Music, Songs of Roc Nation Music, Songs of Universal, Inc. , Universal Music Works and Warner–Tamerlane Publishing Corp.
- part of:
- Matuschkes Lieblinge (number: 322)
- is based on:
- I’d Rather Be With You
| Childish Gambino | 2.75 | 3:27 |
| 10 | 1‒800‒273‒8255 | Logic feat. Alessia Cara & Khalid | 3 | 4:10 |
| 11 | Too Good at Goodbyes- assistant recording engineer:
- Tom Archer , Henri Davies, Isabel Grundy Gracefield, Steph Marziano, John Prestage and Will Purton
- recording engineer and mixer:
- Steve Fitzmaurice
- miscellaneous support:
- Lucy Whalley for Isobel Griffiths Ltd (task: String Contract)
- additional drums (drum set) programming:
- Steve Fitzmaurice and Darren Heelis
- engineer:
- Steve Fitzmaurice , Darren Heelis and Gus Pirelli
- producer:
- Jimmy Napes, StarGate and Steve Fitzmaurice for 365 Artists
- bass guitar:
- Jodi Milliner
- drums (drum set):
- EARL HARVIN
- guitar:
- Ben Jones
- organ, piano and Rhodes piano [Rhodes]:
- Reuben James
- percussion:
- EARL HARVIN, Jimmy Napes and StarGate
- strings:
- Ian Burdge , Richard George , Everton Nelson and Bruce White
- background vocals [Backing Vocals]:
- Sam Smith
- choir vocals [Choir]:
- The LJ Singers
- vocals:
- Sam Smith
- conductor:
- Simon Hale
- strings arranger:
- Simon Hale
- choir vocals [Choir Vocal] arranger:
- Mr Lawrence Johnson
- vocals arranger:
- Lawrence Johnson
- phonographic copyright (℗) by:
- Universal Music Operations Ltd. (in 2017)
- additionally recorded at:
- Livingston Studios in Wood Green, Haringey, London , England, United Kingdom (background vocals [Backing Vocals])
- recorded at:
- AIR Studio 1 in Hampstead, Camden , London , England, United Kingdom (choir vocals [Choir]) and RAK Studios in London , England, United Kingdom
- mixed at:
- Pierce Rooms, London in Hammersmith, Hammersmith and Fulham, London , England, United Kingdom
- recording of:
- Too Good at Goodbyes
- writer:
- Tor Erik Hermansen, James Napier, Mikkel S. Eriksen and Sam Smith
- publisher:
- EMI Music Publishing Ltd. , Salli Isaak Songs Ltd. , Sony/ATV Music Publishing (UK) Ltd., Stellar Songs Limited , エイベックス・ミュージック・パブリッシング 第7出版事業部 , ソニー・ミュージックパブリッシング A事業部 , イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
| Sam Smith | 2.4 | 3:23 |
| 12 | Praying- engineer:
- Justin Armstrong, Billy Centenaro and Antonia Gauci
- producer:
- Ryan Lewis
- assistant mixer:
- Ingmar Carlson and Ryan Nasci
- mixer:
- Jon Castelli
- cello [celli]:
- Rebecca Chung-Filice and Eli Weinberger
- viola [violas]:
- Christopher Foerstel and Seth May‐Patterson
- violin [violins]:
- Heather Borror, Andrew Joslyn, Andrew Kam, Sarah Malmstrom and Garrett Overcash
- background vocals:
- All Our Exes Live in Texas, Hannah Crofts, Georgia Mooney , Elana Stone and Katie Wighton
- conductor:
- Andrew Joslyn
- strings arranger:
- Andrew Joslyn
- phonographic copyright (℗) by:
- Kemosabe Records (in 2017)
- produced for:
- Ryan Lewis Productions, LLC
- mixed at:
- Mirrorball Studios in North Hollywood, Los Angeles, California, United States
- engineered at:
- Robert Lang Studios in Shoreline, Washington, United States, Studios 301 in Sydney, New South Wales, Australia and The Village in Los Angeles, California, United States
- part of:
- Billboard Year-End Hot 100 singles of 2017 (number: 67)
- recording of:
- Praying
- writer:
- Ben Abraham, Andrew Joslyn, Kesha Sebert and Ryan Lewis
- publisher:
- DB Joslyn Music, Dynamite Cop Music, Ryan Lewis Publishing, Sony/ATV Songs LLC, WBGR Music and Where da Kasz At
| Kesha | 3.45 | 3:48 |
| 13 | What About Us- assistant engineer:
- Gabe Burch and Matt Dyson
- engineer:
- Dann Pursey , John Hanes and Chris Laws
- producer:
- Steve Mac
- mixer:
- Serban Ghenea
- drums (drum set) [drums]:
- Chris Laws
- guitar [guitars]:
- Johnny McDaid
- keyboard [keyboards]:
- Steve Mac
- vocals:
- P!nk
- phonographic copyright (℗) by:
- RCA Records (in 2017)
- mixed at:
- MixStar Studios in Virginia Beach, Virginia, United States
- engineered at:
- Rokstone Studios in Parsons Green, Hammersmith and Fulham, London , England, United Kingdom and The Village in Los Angeles, California, United States
- part of:
- Billboard Decade End Chart: Adult Contemporary Songs (number: 28) and Billboard Year-End Hot 100 singles of 2017 (number: 84)
- recording of:
- What About Us
- writer:
- Johnny McDaid, P!nk and Steve Mac
- publisher:
- EMI Blackwood Music Inc., P!nk Inside Publishing, Rokstone Music Limited and Spirit B-Unique Polar Patrol Songs
| P!nk | 3.5 | 4:28 |
| 14 | Versace on the Floor- recording engineer:
- Charles Moniz
- assistant engineer:
- Jacob Dennis
- engineer:
- John Hanes (task: engineered for mix)
- producer:
- Shampoo Press & Curl
- mixer:
- Serban Ghenea
- solo keyboard:
- Greg Phillinganes
- background vocals:
- James Fauntleroy, Philip Lawrence and Bruno Mars
- recorded at:
- Glenwood Place Studios in Burbank, California, United States
- mixed at:
- MixStar Studios in Virginia Beach, Virginia, United States
- recording of:
- Versace on the Floor
- writer:
- Christopher “Brody” Brown, James Fauntleroy, Philip Lawrence and Bruno Mars
- publisher:
- Almo Music Corp. , Fauntleroy Music, Late 80’s Music, Mars Force Songs, LLC, Underdog West Songs, WB Music Corp. , Westside Independent Music Publishing LLC and ZZR Music, LCC
| Bruno Mars | 3 | 4:19 |
| 15 | Dusk Till Dawn | ZAYN feat. Sia | 3.6 | 3:56 |
| 16 | Thunder- programming:
- Alex da Kid
- engineer:
- Travis Ference
- producer:
- Alex da Kid and Jayson DeZuzio
- mixer:
- Manny Marroquin
- phonographic copyright (℗) by:
- Interscope Records (in 2017) and KIDinaKORNER (in 2017)
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States
- part of:
- Billboard Year-End Hot 100 singles of 2018 (number: 22), Grammy Award: Best Pop Duo/Group Performance nominees (number: 2018) and Billboard Year-End Hot 100 singles of 2017 (number: 51)
- recording of:
- Thunder
- publisher:
- Alexander Grant
- writer:
- A. Grant , Jayson Dezuzio, Ben McKee , Daniel Platzman, Dan Reynolds and Wayne Sermon
- publisher:
- Have a Nice Jay, Imagine Dragons Publishing, KIDinaKORNER, Songs of Universal, Inc. , Universal and Universal, Inc.
| Imagine Dragons | 3.7 | 3:07 |
| 17 | Golden Dandelions | Barns Courtney | 2.75 | 3:24 |
| 18 | Play | DaniLeigh | 2.5 | 3:42 |
| 19 | Two High | Moon Taxi | 3.9 | 3:31 |
| 20 | Odyssey | The Accidentals | 2.75 | 3:49 |
| 21 | Ocean Eyes | Billie Eilish | 3.95 | 3:16 |
| 22 | Footprints | Molly Kate Kestner | 2.75 | 4:13 |
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