Sony Music 100 Years: Soundtrack for a Century

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1CD: Pop Music: The Early Years 1890–1950, Disc 1
2CD: Pop Music: The Early Years 1890–1950, Disc 2
3CD: Sony Classical: Great Performances: 1903–1998, Disc 1
4CD: Sony Classical: Great Performances: 1903–1998, Disc 2
5CD: Sony Classical: Great Performances: 1903–1998, Disc 3
6CD: Sony Classical: Great Performances: 1903–1998, Disc 4
7CD: Jazz: The Definitive Performances, Disc 1
8CD: Jazz: The Definitive Performances, Disc 2
9CD: Folk, Gospel & Blues: Will the Circle Be Unbroken, Disc 1
10CD: Folk, Gospel & Blues: Will the Circle Be Unbroken, Disc 2
11CD: Country: The American Tradition, Disc 1
12CD: Country: The American Tradition, Disc 2
13CD: Movie Music: The Definitive Performances, Disc 1
14CD: Movie Music: The Definitive Performances, Disc 2
15CD: Broadway: The Great Original Cast Recordings, Disc 1
16CD: Broadway: The Great Original Cast Recordings, Disc 2
17CD: Pop Music: The Golden Era: 1951–1975, Disc 1
18CD: Pop Music: The Golden Era: 1951–1975, Disc 2
19CD: Rock: The Train Kept a Rollin’, Disc 1
20CD: Rock: The Train Kept a Rollin’, Disc 2
21CD: R&B: From Doo‐Wop to Hip‐Hop, Disc 1
Nr.TitelKünstlerBewertungLänge
1My Baby’s Gone
The Ravens2:47
2It Rocks! It Rolls! It Swings!
The Treniers3:03
3My Story
vocals:
Chuck Willis (American blues, rhythm and blues, and rock and roll singer and songwriter) (am 1952-06-26)
Orchester:
The Royals (with Chuck Willis) (am 1952-06-26)
recording of:
My Story (am 1952-06-26)
Texter und Komponist(in):
Chuck Willis (American blues, rhythm and blues, and rock and roll singer and songwriter)
Chuck Willis, The Royals3:09
4Whole Lotta Shakin’ Goin’ On
Big Maybelle2:45
5I Put a Spell on You
vocals:
Screamin’ Jay Hawkins
Teil von:
Pitchfork: The Story of Goth in 33 Songs, Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 299) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 313)
recording of:
I Put a Spell on You (am 1956-09-12)
Texter und Komponist(in):
Screamin’ Jay Hawkins
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), SBK Unart Catalog Inc., EMI Unart Catalog Inc. (in 1956) und EMI United Partnership Ltd. (in 1956)
Screamin’ Jay Hawkins3.32:24
6Don’t Let Go
Roy Hamilton2:35
7This Bitter Earth
recorded in:
New York, New York, Vereinigte Staaten (am 1964-02-10)
Produzent(in):
Robert Mersey
Sologesang:
Aretha Franklin (am 1964-02-10)
conductor:
Robert Mersey (am 1964-02-10)
arranger:
Robert Mersey
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1964)
cover recording of:
This Bitter Earth (am 1964-02-10)
Texter und Komponist(in):
Clyde Otis (American songwriter and record producer)
publisher:
Eden Music, Inc., Ensign Music, Iza Music Corp., Play Music, Inc. und Trio Music (publisher)
Aretha Franklin4:34
8My Ship Is Comin’ In
Walter Jackson3:10
9Everyday People
Bassgitarre:
Larry Graham (US bassist & singer) (in 1968)
Gitarre:
Freddie Stone (in 1968)
Gitarre und Keyboard:
Sly Stone (in 1968)
Keyboard:
Rose Stone (in 1968)
Saxophon:
Jerry Martini (in 1968)
Schlagzeug:
Greg Errico (in 1968)
Trompete:
Cynthia Robinson (in 1968)
vocals:
Larry Graham (US bassist & singer) (in 1968), Jerry Martini (in 1968), Freddie Stone (in 1968), Rose Stone (in 1968) und Sly Stone (in 1968)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1969)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 109), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 145) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 293)
recording of:
Everyday People (in 1968)
Texter und Komponist(in):
Sylvester Stewart
publisher:
Mijac Music
Sly & the Family Stone4.152:20
10It’s Your Thing
Produzent(in):
Ronald Isley (a.k.a. Mr. Biggs), Rudolph Isley und O'Kelly Isley
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 420)
recording of:
It’s Your Thing
Verfasser(in):
O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs) und Rudolph Isley
publisher:
Tee Pee Music Ltd.
The Isley Brothers4.352:46
11Back Stabbers
recording engineer:
Joe Tarsia (engineer) (in 1972)
Produzent(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
Interpret(in):
MFSB (Mother Father Sister Brother) (in 1972)
arranger:
Thom Bell (keyboards, songwriter, producer)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
aufgenommen bei:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten (in 1972)
recording of:
Back Stabbers (in 1972)
Verfasser(in):
Leon Huff (Philly soul producer, of Gamble & Huff), Gene McFadden und John Whitehead
publisher:
Mijac Music, Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The O’Jays4.73:04
12Me and Mrs. Jones
Produzent(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
vocals:
Billy Paul (American soul singer) (in 1972)
Interpret(in):
MFSB (Mother Father Sister Brother) (in 1972)
Blechblasinstrumente [horns] arranger und Saiteninstrumente arranger:
Bobby Martin (US soul/R&B producer/arranger)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1972) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1972)
aufgenommen bei:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten (in 1972)
recording of:
Me and Mrs. Jones (in 1972)
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
Yamaha Music Entertainment (Japanese label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Billy Paul4.54:45
13Lovin’ You
Mastering:
Kent Duncan
Techniker(in):
Malcolm Cecil und Robert Margouleff
zusätzliche(r) Techniker(in):
Gary Olazabal
Bassgitarre:
Reggie McBride
Conga:
Rocki Dzidzornu
Gitarre:
Michael Sembello
große Trommel, Becken, Mundharmonika, membranophone und Klavier:
El Toro Negro
membranophone:
Ollie E. Brown (US drummer, session musician & record producer)
Hintergrundgesang:
Shirley Brewer, Lani Groves, Deniece Williams (US soul/funk vocalist/songwriter) und Yvonne Wright
Sologesang:
Minnie Riperton
arranger:
Wonderlove (Stevie Wonder alias used to do work outside of Motown)
recording of:
Lovin’ You
Verfasser(in):
Minnie Riperton und Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer)
publisher:
Campbell Connelly CI Ltd, Campbell Connelly Ltd., Dickiebird Music and Publishing Co., Embassy Music Corporation und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
sub-publisher:
Peermusic (S.E. Asia) Ltd.
Minnie Riperton23:45
14That’s the Way of the World
Techniker(in):
George Massenburg
Koproduzent(in):
Charles Stepney (musician, producer, arranger and songwriter)
Produzent(in):
Maurice White (Earth, Wind & Fire)
arranger:
Earth, Wind & Fire und Charles Stepney (musician, producer, arranger and songwriter)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1975)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 329)
recording of:
That’s the Way of the World
Verfasser(in):
Charles Stepney (musician, producer, arranger and songwriter), Maurice White (Earth, Wind & Fire) und Verdine White
publisher:
Embassy Music Corporation und EMI April Music Inc.
Earth, Wind & Fire3.355:45
15Wake Up Everybody (Part 1)
recording of:
Wake Up Everybody
Verfasser(in):
Victor Carstarphen (keyboardist, composer and producer), Gene McFadden und John Whitehead
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Harold Melvin and The Blue Notes, Theodore Pendergrass, Jr.3:31
16Kiss and Say Goodbye
Instrumente:
MFSB (Mother Father Sister Brother)
Hintergrundgesang:
Carla Benson, Evette Benton, Barbara Ingram und The Manhattans (New Jersey vocal group, notable for “Kiss and Say Goodbye”)
Sologesang [singing voice on 1st lead]:
Gerald Alston
Sprecher [spoken voice on 2nd lead]:
Winfred Lovett (Lovett Winfred Lorenzo)
recording of:
Kiss and Say Goodbye
Texter und Komponist(in):
Winfred Lovett (Lovett Winfred Lorenzo)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc. und EMI Songs Ltd.
The Manhattans3.54:26
17Disco Lady
recording of:
Disco Lady
Verfasser(in):
Don Davis (American record producer), Harvey Scales und Albert Vance
Johnnie Taylor54:23
18Enjoy Yourself
Produzent(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
Sologesang:
Michael Jackson (“King of Pop”) (in 1976)
Interpret(in):
MFSB (Mother Father Sister Brother) (in 1976)
arranger:
Bobby Martin (US soul/R&B producer/arranger)
aufgenommen bei:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten (in 1976)
recording of:
Enjoy Yourself (in 1976)
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Jacksons3:25
19Best of My Love
Produzent(in):
Al McKay
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1977) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 334)
recording of:
Best of My Love
Verfasser(in):
Al McKay und Maurice White (Earth, Wind & Fire)
publisher:
EMI Songs Ltd.
The Emotions4.153:39
20Got to Be Real
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
Bearbeitung von:
Got to Be Real (LP / 12" version) von Cheryl Lynn (1970s disco singer)
recording of:
Got to Be Real
Verfasser(in):
Cheryl Lynn (1970s disco singer), David Foster (Canadian music producer, arranger and composer) und David Paich
publisher:
Butterfly Gong Music, Hudmar Publishing Co. Inc. und On Board Music (publisher)
Cheryl Lynn4.53:42
21Don’t Stop ’til You Get Enough
recording engineer und Mix:
Bruce Swedien
Koproduzent(in):
Michael Jackson (“King of Pop”)
Produzent(in):
Quincy Jones
alto saxophone, flute und Tenorsaxophon:
Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
baritone saxophone, flute und Tenorsaxophon:
Kim Hutchcroft
E-Bass:
Louis Johnson (bass, member of Brothers Johnson)
Flügelhorn und Trompete:
Jerry Hey
Geige / Violine:
Gerald Vinci (American violinist and strings conductor)
Gitarre:
Marlo Henderson und David Williams (session guitarist and songwriter)
Klavier, Rhodes Piano und Synthesizer:
Greg Phillinganes
Perkussion:
Paulinho da Costa (Brazilian percussionist), Richard Heath, Michael Jackson (“King of Pop”), Randy Jackson (brother of Michael and Janet) und Sheila E.
Posaune:
Bill Reichenbach, Jr. (jazz trombonist)
Schlagzeug:
John “JR” Robinson (session drummer)
Trompete:
Gary Grant (brass)
Hintergrundgesang und Sologesang:
Michael Jackson (“King of Pop”)
zusätzlich Hintergrundgesang:
Jim Gilstrap, Mortonette Jenkins, Augie Johnson, Paulette McWilliams und Zedric Williams
Horn arranger:
Jerry Hey
Perkussion arranger:
Michael Jackson (“King of Pop”)
Saiteninstrumente arranger:
Benjamin Wright
concertmaster:
Gerald Vinci (American violinist and strings conductor)
phonographisches Urheberrecht (℗) von:
MJJ Productions Inc. (rights holder, not an imprint) (in 1979)
aufgenommen bei:
Allen Zentz Recording in Encino, California (Kalifornien), Vereinigte Staaten (Sologesang, Hintergrundgesang), Cherokee Studios (studio 3) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (Saiteninstrumente) und Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California (Kalifornien), Vereinigte Staaten (Blechblasinstrumente)
mixed at:
Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 113)
recording of:
Don’t Stop ’Til You Get Enough (von 1978-12 bis 1979-04)
Texter und Komponist(in):
Michael Jackson (“King of Pop”)
Teil von:
MJ: The Musical
Michael Jackson4.66:04
22CD: R&B: From Doo‐Wop to Hip‐Hop, Disc 2
23CD: International Music: Sony Music Around the World, Disc 1
24CD: International Music: Sony Music Around the World, Disc 2
25CD: Pop Music: The Modern Era: 1976–1999, Disc 1
26CD: Pop Music: The Modern Era: 1976–1999, Disc 2