Abbey Is Blue

~ Veröffentlichung von Abbey Lincoln (alle Versionen dieser Veröffentlichung ansehen, 7 vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Afro‐Blue
recorded in:
New York, New York, Vereinigte Staaten (in 1959)
Techniker(in):
Jack Higgins (recording engineer)
Produzent(in):
Orrin Keepnews
Kontrabass:
Bobby Boswell (in 1959)
Posaune:
Julian Priester (in 1959)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (in 1959)
Tenorsaxophon:
Stanley Turrentine (in 1959)
Trompete:
Tommy Turrentine (in 1959)
vocals:
Abbey Lincoln (in 1959)
cover recording of:
Afro Blue (in 1959)
Komponist(in):
Mongo Santamaría (Cuban jazz percussionist)
publisher:
Mongo Music
3:21
2Lonely House
recorded in:
New York, New York, Vereinigte Staaten (in 1959)
Techniker(in):
Jack Higgins (recording engineer)
Produzent(in):
Orrin Keepnews
Gitarre:
Les Spann (in 1959)
Klavier:
Wynton Kelly (in 1959)
Kontrabass:
Sam Jones (US jazz bassist) (in 1959)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (in 1959)
Trompete:
Kenny Dorham (US jazz trumpeter, singer, and composer) (in 1959)
vocals:
Abbey Lincoln (in 1959)
cover recording of:
Lonely House (from “Street Scene”) (in 1959)
Texter:
Langston Hughes
Komponist(in):
Kurt Weill (composer)
basiert auf:
Street Scene: Act I. No. 10 "Lonely House" (Sam Kaplan)
3:42
3Let Up
recorded in:
New York, New York, Vereinigte Staaten (in 1959)
Techniker(in):
Jack Higgins (recording engineer)
Produzent(in):
Jean-Philippe Allard und Orrin Keepnews
Klavier:
Cedar Walton (in 1959)
Kontrabass:
Bobby Boswell (in 1959)
Posaune:
Julian Priester (in 1959)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (in 1959)
Tenorsaxophon:
Stanley Turrentine (in 1959)
Trompete:
Tommy Turrentine (in 1959)
vocals:
Abbey Lincoln (in 1959)
recording of:
Let Up
Texter und Komponist(in):
Abbey Lincoln
5:32
4Thursday’s Child
recorded in:
New York, New York, Vereinigte Staaten (in 1959)
Techniker(in):
Jack Higgins (recording engineer)
Produzent(in):
Orrin Keepnews
Gitarre:
Les Spann (in 1959)
Klavier:
Wynton Kelly (in 1959)
Kontrabass:
Sam Jones (US jazz bassist) (in 1959)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (in 1959)
Trompete:
Kenny Dorham (US jazz trumpeter, singer, and composer) (in 1959)
vocals:
Abbey Lincoln (in 1959)
recording of:
Thursday’s Child (in 1959)
Texter:
Elisse Boyd
Komponist(in):
Murray Grand
3:33
5Brother, Where Are You?
recorded in:
New York, New York, Vereinigte Staaten (in 1959)
Techniker(in):
Jack Higgins (recording engineer)
Produzent(in):
Orrin Keepnews
flute:
Les Spann (in 1959)
vocals:
Abbey Lincoln (in 1959)
recording of:
Brother Where Are You? (in 1959)
Verfasser(in):
Oscar Brown Jr. (US jazz singer-songwriter from Chicago) und Norman Curtis
arranger:
Stefan Lievestro (Dutch jazz bassist)
3:12
6Laugh, Clown, Laugh
recorded in:
New York, New York, Vereinigte Staaten (in 1959)
Techniker(in):
Jack Higgins (recording engineer)
Produzent(in):
Orrin Keepnews
Klavier:
Cedar Walton (in 1959)
Kontrabass:
Bobby Boswell (in 1959)
Posaune:
Julian Priester (in 1959)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (in 1959)
Tenorsaxophon:
Stanley Turrentine (in 1959)
Trompete:
Tommy Turrentine (in 1959)
vocals:
Abbey Lincoln (in 1959)
cover recording of:
Laugh! Clown! Laugh! (in 1959)
Texter:
Sam M. Lewis (1930s lyricist) und Joe Young (US lyricist)
Komponist(in):
Ted Fio Rito
5:26
7Come Sunday
recorded in:
New York, New York, Vereinigte Staaten (in 1959)
Techniker(in):
Jack Higgins (recording engineer)
Produzent(in):
Jean-Philippe Allard und Orrin Keepnews
Gitarre:
Les Spann (in 1959)
Klavier:
Phil Wright (American jazz pianist and assistant to Barbara Morrison) (in 1959)
Kontrabass:
Sam Jones (US jazz bassist) (in 1959)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (in 1959)
Trompete:
Kenny Dorham (US jazz trumpeter, singer, and composer) (in 1959)
vocals:
Abbey Lincoln (in 1959)
cover recording of:
Come Sunday (1958 revision with lyrics) (in 1959)
Texter und Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader)
Version von:
Black, Brown, and Beige: I. Black: Come Sunday (part of the 1943 original "Black, Brown, and Beige" suite)
Teil von:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
5:15
8Softly, as in a Morning Sunrise
recorded in:
New York, New York, Vereinigte Staaten (in 1959)
Techniker(in):
Jack Higgins (recording engineer)
Produzent(in):
Orrin Keepnews
Gitarre:
Les Spann (in 1959)
Klavier:
Phil Wright (American jazz pianist and assistant to Barbara Morrison) (in 1959)
Kontrabass:
Sam Jones (US jazz bassist) (in 1959)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (in 1959)
Trompete:
Kenny Dorham (US jazz trumpeter, singer, and composer) (in 1959)
vocals:
Abbey Lincoln (in 1959)
cover recording of:
Softly, as in a Morning Sunrise (The New Moon) (in 1959)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
Komponist(in):
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Chappell & Co Ltd., Chappell Music Ltd., Redwood Music Ltd. (Carlin) und Warner Bros., Inc. (not for release label use!)
Teil von:
The New Moon: Act I
2:48
9Lost in the Stars
recorded in:
New York, New York, Vereinigte Staaten (in 1959)
Techniker(in):
Jack Higgins (recording engineer)
Produzent(in):
Orrin Keepnews
Gitarre:
Les Spann (in 1959)
Klavier:
Phil Wright (American jazz pianist and assistant to Barbara Morrison) (in 1959)
Kontrabass:
Sam Jones (US jazz bassist) (in 1959)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (in 1959)
Trompete:
Kenny Dorham (US jazz trumpeter, singer, and composer) (in 1959)
vocals:
Abbey Lincoln (in 1959)
cover recording of:
Lost in the Stars (song, Ulysses Africanus) (in 1959)
Texter:
Maxwell Anderson
Komponist(in):
Kurt Weill (composer)
publisher:
Chappell & Co., Inc. (USA) und Hampshire House Publishing Corp.
Teil von:
Lost in the Stars, Act I
4:12
10Long as You’re Living
recorded in:
New York, New York, Vereinigte Staaten (in 1959)
Techniker(in):
Jack Higgins (recording engineer)
Produzent(in):
Orrin Keepnews
Kontrabass:
Bobby Boswell (in 1959)
Posaune:
Julian Priester (in 1959)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (in 1959)
Tenorsaxophon:
Stanley Turrentine (in 1959)
Trompete:
Tommy Turrentine (in 1959)
vocals:
Abbey Lincoln (in 1959)
cover recording of:
Long as You’re Living (lyrics) (in 1959)
Texter:
Oscar Brown Jr. (US jazz singer-songwriter from Chicago)
Komponist(in):
Julian Priester und Tommy Turrentine
Version von:
Long as You're Living
22:33