Don Carlo

~ Release by Verdi - Luciano Pavarotti · Samuel Ramey · Daniela Dessì · Luciana D'Intino · Paolo Coni · Chorus And Orchestra Of The Teatro Alla Scala, Milan · Riccardo Muti (see all versions of this release, 1 available)

Tracklist

1▼CD: CD 1
#TitleArtistRatingLength
1Don Carlo: Act I, Scene 1. Carlo il sommo Imperatore
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
bass vocals [Un frate]:
Andrea Silvestrelli (operatic bass) (in 1992-12)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
recording of:
Don Carlo: Atto I, scena 1. N°1 “Carlo il sommo imperatore” … “Ei voleva regnare sul mondo” (Frati, un frate) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi5:48
2Don Carlo: Act I, Scene 1. lo l'ho perduta!...
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1992-12)
tenor vocals [Don Carlo]:
Luciano Pavarotti (tenor) (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
partial recording of:
Don Carlo: Atto I, scena 1. N°2 “Io l’ho perduta!” … “Io la vidi e il suo sorriso” (Carlo) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi1:36
3Don Carlo: Act I, Scene 1. ...lo la vidi e il suo sorriso
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
tenor vocals [Don Carlo]:
Luciano Pavarotti (tenor) (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
partial recording of:
Don Carlo: Atto I, scena 1. N°2 “Io l’ho perduta!” … “Io la vidi e il suo sorriso” (Carlo) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi1:41
4Don Carlo: Act I, Scene 1. Il duolo della terra
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
bass vocals [Un frate]:
Andrea Silvestrelli (operatic bass) (in 1992-12)
tenor vocals [Don Carlo]:
Luciano Pavarotti (tenor) (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
recording of:
Don Carlo: Atto I, scena 1. N°2 “Il duolo della terra” (Al chiostro di San Giusto) (Un frate, Carlo) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi0:54
5Don Carlo: Act I, Scene 1. È lui! desso! l'Infante!
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
bass-baritone vocals [Rodrigo, Marchese di Posa]:
Paolo Coni (Baritone) (in 1992-12)
tenor vocals [Don Carlo]:
Luciano Pavarotti (tenor) (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
partial recording of:
Don Carlo: Atto I, scena 1. N°3 “È lui! desso! l’infante!” … “Questo arcano dal Re non fu sorpreso ancora?” (Rodrigo, Carlo, Coro, un frate) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi2:42
6Don Carlo: Act I, Scene 1. Questo arcano dal Re
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
bass-baritone vocals [Rodrigo, Marchese di Posa]:
Paolo Coni (Baritone) (in 1992-12)
tenor vocals [Don Carlo]:
Luciano Pavarotti (tenor) (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
partial recording of:
Don Carlo: Atto I, scena 1. N°3 “È lui! desso! l’infante!” … “Questo arcano dal Re non fu sorpreso ancora?” (Rodrigo, Carlo, Coro, un frate) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi1:11
7Don Carlo: Act I, Scene 1. Dio, che nell'alma infondere
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
bass-baritone vocals [Rodrigo, Marchese di Posa]:
Paolo Coni (Baritone) (in 1992-12)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1992-12)
tenor vocals [Don Carlo]:
Luciano Pavarotti (tenor) (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
recording of:
Don Carlo: Atto I, scena 1. N°4 “Dio, che nell’alma infondere amor …” (Carlo, Rodrigo) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi4:13
8Don Carlo: Act I, Scene 2. Sotto ai folti, immensi abeti
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1992-12)
mezzo-soprano vocals [La Principessa d'Eboli]:
Luciana d'Intino (mezzo-soprano) (in 1992-12)
soprano vocals [Tebaldo]:
Marilena Laurenza (soprano) (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
recording of:
Don Carlo: Atto I, scena 2. N°5 “Sotto ai folti, immensi abeti” (Le dame, Eboli, Tebaldo) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi2:25
9Don Carlo: Act I, Scene 2. Tra queste mura pie la Regina di Spagna
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1992-12)
mezzo-soprano vocals [La Principessa d'Eboli]:
Luciana d'Intino (mezzo-soprano) (in 1992-12)
soprano vocals [Tebaldo]:
Marilena Laurenza (soprano) (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
recording of:
Don Carlo: Atto I, scena 2. N°5 “Tra queste mura pie la Regina di Spagna" (Eboli, Coro di donne) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi0:47
10Don Carlo: Act I, Scene 2. Nei giardin del bello saracin ostello
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1992-12)
mezzo-soprano vocals [La Principessa d'Eboli]:
Luciana d'Intino (mezzo-soprano) (in 1992-12)
soprano vocals [Tebaldo]:
Marilena Laurenza (soprano) (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
recording of:
Don Carlo: Atto I, scena 2. N°6 “Nei giardin del bello saracin ostello” (Canzone del velo) (Eboli, Tebaldo, Coro di donne) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi4:35
11Don Carlo: Act I, Scene 2. La Regina!... Un'arcana mestizia...
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1992-12)
mezzo-soprano vocals [La Principessa d'Eboli]:
Luciana d'Intino (mezzo-soprano) (in 1992-12)
soprano vocals [Elisabetta di Valois]:
Daniela Dessì (soprano) (in 1992-12)
soprano vocals [Tebaldo]:
Marilena Laurenza (soprano) (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
recording of:
Don Carlo: Atto I, scena 2. N°7 “La Regina! – Un arcana mestizia” (Le dame, Eboli, Elisabetta, Tebaldo, Rodrigo) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi1:52
12Don Carlo: Act I, Scene 2. Che mai si fa nel suol francese
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
bass-baritone vocals [Rodrigo, Marchese di Posa]:
Paolo Coni (Baritone) (in 1992-12)
mezzo-soprano vocals [La Principessa d'Eboli]:
Luciana d'Intino (mezzo-soprano) (in 1992-12)
soprano vocals [Elisabetta di Valois]:
Daniela Dessì (soprano) (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
recording of:
Don Carlo: Atto I, scena 2. N°8 “Che mai si fa nel suol francese” (Eboli, Rodrigo, Elisabetta) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi1:55
13Don Carlo: Act I, Scene 2. Carlo ch'è sol il nostro amore
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
bass-baritone vocals [Rodrigo, Marchese di Posa]:
Paolo Coni (Baritone) (in 1992-12)
mezzo-soprano vocals [La Principessa d'Eboli]:
Luciana d'Intino (mezzo-soprano) (in 1992-12)
soprano vocals [Elisabetta di Valois]:
Daniela Dessì (soprano) (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
recording of:
Don Carlo: Atto I, scena 2. N°8 Romanza di Rodrigo “Carlo ch’è sol il nostro amore” (Rodrigo, Eboli, Elisabetta) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi4:53
14Don Carlo: Act I, Scene 2. lo vengo a domandar
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
soprano vocals [Elisabetta di Valois]:
Daniela Dessì (soprano) (in 1992-12)
tenor vocals [Don Carlo]:
Luciano Pavarotti (tenor) (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
recording of:
Don Carlo: Atto I, scena 2. N°9 “Io vengo a domandar” (Carlo, Elisabetta) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
translator:
Achille de Lauzières
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi3:59
15Don Carlo: Act I, Scene 2. Perduto ben, mio sol tresor
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
soprano vocals [Elisabetta di Valois]:
Daniela Dessì (soprano) (in 1992-12)
tenor vocals [Don Carlo]:
Luciano Pavarotti (tenor) (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
recording of:
Don Carlo: Atto I, scena 2. N°9 “Perduto ben, mio sol tesor” … “Sotto il mio piè dischiudasi la terra” (Carlo, Elisabetta) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi4:29
16Don Carlo: Act I, Scene 2. Oh! Carlo!
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
soprano vocals [Elisabetta di Valois]:
Daniela Dessì (soprano) (in 1992-12)
tenor vocals [Don Carlo]:
Luciano Pavarotti (tenor) (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
recording of:
Don Carlo: Atto I, scena 2. N°9 “Oh, Carlo oh Carlo” (Elisabetta, Carlo) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi2:08
17Don Carlo: Act I, Scene 2. Il Re! ... Perché sola è la Regina?
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
bass vocals [Filippo II]:
Samuel Ramey (bass-baritone) (in 1992-12)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1992-12)
soprano vocals [Tebaldo]:
Marilena Laurenza (soprano) (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
recording of:
Don Carlo: Atto I, scena 2. N°10 “Il Re!… Perché sola è la Regina?” (Tebaldo, Filippo, Coro) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi1:23
18Don Carlo: Act I, Scene 2. No pianger, mia compagna
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
bass vocals [Filippo II]:
Samuel Ramey (bass-baritone) (in 1992-12)
bass-baritone vocals [Rodrigo, Marchese di Posa]:
Paolo Coni (Baritone) (in 1992-12)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1992-12)
soprano vocals [Elisabetta di Valois]:
Daniela Dessì (soprano) (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
recording of:
Don Carlo: Atto I, scena 2. N°11 “Non pianger, mia compagna” (Elisabetta, Rodrigo, Coro, Filippo) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi4:33
19Don Carlo: Act I, Scene 2. Restate! Presso alla mia personna
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
bass vocals [Filippo II]:
Samuel Ramey (bass-baritone) (in 1992-12)
bass-baritone vocals [Rodrigo, Marchese di Posa]:
Paolo Coni (Baritone) (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
recording of:
Don Carlo: Atto I, scena 2. N°12. “Restate! Presso alla mia persona” (Filippo, Rodrigo) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi2:16
20Don Carlo: Act I, Scene 2. O Signor, di Fiandra arrivo
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
bass vocals [Filippo II]:
Samuel Ramey (bass-baritone) (in 1992-12)
bass-baritone vocals [Rodrigo, Marchese di Posa]:
Paolo Coni (Baritone) (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
recording of:
Don Carlo: Atto I, scena 2. N°13 “O signor, di Fiandra arrivo” (Filippo, Rodrigo) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi3:18
21Don Carlo: Act I, Scene 2. Quest'è la pace que voi date al mondo?
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
bass vocals [Filippo II]:
Samuel Ramey (bass-baritone) (in 1992-12)
bass-baritone vocals [Rodrigo, Marchese di Posa]:
Paolo Coni (Baritone) (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
recording of:
Don Carlo: Atto I, scena 2. N°13 “Quest’è la pace che voi date al mondo?” (Filippo, Rodrigo) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi3:49
22Don Carlo: Act I, Scene 2. Osò lo sguardo tuo penetrar il mio soglio
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
bass vocals [Filippo II]:
Samuel Ramey (bass-baritone) (in 1992-12)
bass-baritone vocals [Rodrigo, Marchese di Posa]:
Paolo Coni (Baritone) (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
recording of:
Don Carlo: Atto I, scena 2. N°13 “Osò lo sguardo tuo penetrar il mio soglio” (Filippo, Rodrigo) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi4:07
2▶CD: CD 2
3▶CD: CD 3