Oldies Forever Young

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Lady Marmalade
Produzent(in):
Allen R. Toussaint
arranger:
Allen R. Toussaint
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1974) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1974)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 411) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 479)
cover recording of:
Lady Marmalade (Voulez-vous coucher avec moi, ce soir ?) (in 1974)
Verfasser(in):
Bob Crewe und Kenny Nolan
publisher:
Ardmore and Beechwood Ltd., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI April Music Inc., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Songs Australia Pty. Ltd., Jobete Music Co., Inc., Kenny Nolan Publishing, Pathe Publications (F.E.) Ltd., Stone Diamond Music Corporation und TannyBoy Music
Patti LaBelle with LaBelle3.33:56
2Play That Funky Music
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
Bearbeitung von:
Play That Funky Music (album version) von Wild Cherry (1970s US funk rock band, known for “Play That Funky Music”)
recording of:
Play That Funky Music (in 1976)
Texter und Komponist(in):
Robert W. Parissi (Rob Parissi)
publisher:
Bema Music (publisher), RWP Music, Sweet City Records Inc. und Universal/MCA Music Ltd. (not for release label use!)
Wild Cherry4.153:10
3Best of My Love
Produzent(in):
Al McKay
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1977) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 334)
recording of:
Best of My Love
Verfasser(in):
Al McKay und Maurice White (Earth, Wind & Fire)
publisher:
EMI Songs Ltd.
The Emotions4.153:40
4Don't Bring Me Down
Techniker(in):
Mack (German rock producer/engineer Reinhold Mack)
Produzent(in):
Jeff Lynne
Bassgitarre:
Kelly Groucutt (von 1979-03 bis 1979-04)
E-Gitarre und Sologesang:
Jeff Lynne (von 1979-03 bis 1979-04)
Hybrid-Piano und Klarinette:
Richard Tandy (keyboardist for Electric Light Orchestra) (von 1979-03 bis 1979-04)
Klavier und Synthesizer:
Jeff Lynne (von 1979-03 bis 1979-04) und Richard Tandy (keyboardist for Electric Light Orchestra) (von 1979-03 bis 1979-04)
Perkussion und Schlagzeug:
Bev Bevan (English rock drummer) (von 1979-03 bis 1979-04)
Chorgesang:
Kelly Groucutt (von 1979-03 bis 1979-04) und Jeff Lynne (von 1979-03 bis 1979-04)
conductor:
Louis Clark (von 1979-03 bis 1979-04)
Saiteninstrumente arranger und Chorgesang arranger:
Louis Clark, Jeff Lynne und Richard Tandy (keyboardist for Electric Light Orchestra)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1979), Jet Inc. (in 1979), Jet Records (in 1979), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1979) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 2005)
aufgenommen bei:
Musicland Studios (Munich) in München, Bayern, Deutschland (von 1979-03 bis 1979-04)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 215)
recording of:
Don’t Bring Me Down (von 1979-03 bis 1979-04)
Texter und Komponist(in):
Jeff Lynne
publisher:
April Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs, EMI Songs Ltd., Jet Music Inc., Jet Music Ltd. (British branch) und Polygon Publishing Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Electric Light Orchestra4.454:03
5Yellow River
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1970)
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 83)
recording of:
Yellow River (in 1970)
Texter und Komponist(in):
Jeff Christie
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Christie3.352:44
6I Can Help
Techniker(in):
Chip Young (American session guitarist, bassist, producer in the genre of country)
Produzent(in):
Billy Swan und Chip Young (American session guitarist, bassist, producer in the genre of country)
Akustikgitarre:
Johnny Christopher (Guitarist, lyricist, composer, singer, session musician) (in 1974)
Bass:
Mike Leech (in 1974)
E-Gitarre:
Chip Young (American session guitarist, bassist, producer in the genre of country) (in 1974) und Reggie Young (Guitarist and songwriter) (in 1974)
Instrumente:
Paul Richmond (engineer) (in 1974)
Schlagzeug:
Hayward Bishop (in 1974)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1974)
aufgenommen bei:
Youngun Sound Studio in Murfreesboro, Tennessee, Vereinigte Staaten (in 1974)
recording of:
I Can Help (in 1974)
Texter und Komponist(in):
Billy Swan
publisher:
CBS Songs, Combine Music Corp., EMI Songs Australia Pty. Ltd. und EMI Songs Ltd.
Billy Swan43:59
7Girls, Girls, Girls
Techniker(in):
Jeffrey Lesser und Al Scott (Oysterband, engineer, song writer)
Partner-Produzent(in):
Rupert Holmes
Produzent(in):
Georg Kajanus, Jeffrey Lesser und Al Scott (Oysterband, engineer, song writer)
Mix:
Jeffrey Lesser
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1974)
aufgenommen bei:
CBS Studios (London, 1972–1989) in London (Greater London), England, Vereinigtes Königreich (in 1975-10)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 51)
recording of:
Girls, Girls, Girls (in 1975-10)
Texter und Komponist(in):
Georg Kajanus
publisher:
Chappell Morris Ltd.
recording of:
Girls, Girls, Girls
Texter:
Nikki Sixx
Komponist(in):
Tommy Lee (Mötley Crüe drummer), Mick Mars und Nikki Sixx
publisher:
Mars Mountain Music, Sixx/Gunner Music, Tommyland Music und WB Music Corp. (1929–2019)
Sailor33:02
8I Can See Clearly Now
Produzent(in):
Johnny Nash (US reggae/pop singer-songwriter)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (UK) Limited (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1972) und Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1972)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 165)
recording of:
I Can See Clearly Now (in 1972)
Texter und Komponist(in):
Johnny Nash (US reggae/pop singer-songwriter)
publisher:
Cayman Music, CP Masters B V, Dovan Music, Rondor Music (London) Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Artemis Music Limited, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Johnny Nash42:47
9Got to Be Real
Produzent(in):
David Paich und Marty Paich
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!)
Teil von:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 45)
recording of:
Got to Be Real
Verfasser(in):
Cheryl Lynn (1970s disco singer), David Foster (Canadian music producer, arranger and composer) und David Paich
publisher:
Butterfly Gong Music, Hudmar Publishing Co. Inc. und On Board Music (publisher)
Cheryl Lynn55:08
10The Witch Queen of New Orleans
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1971) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
recording of:
The Witch Queen of New Orleans (1971 song)
Verfasser(in):
Lolly Vegas und Pat Vegas
publisher:
EMI Songs Ltd.
Redbone4.252:46
11Thank You (Falettinme Be Mice Elf Agin)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 402)
recording of:
Thank You (Falettinme Be Mice Elf Agin) (in 1969)
Texter und Komponist(in):
Sylvester Stewart
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell (Warner/Chappell Music, Inc.)
Sly & the Family Stone4.654:40
12Lowdown
Techniker(in):
Tom Perry (engineer)
Produzent(in):
Joe Wissert
Bassgitarre:
David Hungate (in 1975-09)
Blasinstrumente:
Jim Horn (saxophonist, hornist, flutist and oboist) (in 1975-09), Plas Johnson (in 1975-09), Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) (in 1975-09) und Bud Shank (in 1975-09)
Blechblasinstrumente:
Dick Hyde (in 1975-09)
Gitarre:
Louie Shelton (in 1975-09) und Fred Tackett (in 1975-09)
Horn:
Vincent DeRosa (in 1975-09)
Minimoog und Synthesizer:
David Paich (in 1975-09)
Schlagzeug:
Jeff Porcaro (in 1975-09)
Trompete:
Chuck Findley (trumpet, trombone, horn player) (in 1975-09) und Paul Hubinon (in 1975-09)
Hintergrundgesang:
Jim Gilstrap (in 1975-09), Augie Johnson (in 1975-09), Marty McCall (CCM singer/songwriter/worship leader) (in 1975-09) und Carolyn Willis (in 1975-09)
Sologesang:
Boz Scaggs (in 1975-09)
conductor:
Sid Sharp (in 1975-09)
arranger:
David Paich
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976)
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 4)
recording of:
Lowdown (in 1975-09)
Texter:
Boz Scaggs
Komponist(in):
David Paich und Boz Scaggs
publisher:
BMG Songs, Inc., Hudmar Publishing Co. Inc. und Kobalt Music Publishing Ltd. (UK)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Boz Scaggs45:12
13What a Diff'rence a Day Makes
Techniker(in):
Rudy van Gelder (am 1975-04-24)
Produzent(in):
Creed Taylor
vocals:
Esther Phillips (Little Esther) (am 1975-04-24)
cover recording of:
What a Diff’rence a Day Made (am 1975-04-24)
Texter:
Stanley Adams (US lyricist & songwriter)
Komponist(in):
María Grever
publisher:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC und Zomba Golden Sands Enterprises, Inc.
basiert auf:
Cuando vuelva a tu lado
Esther Phillips34:30
14Black Betty
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1977), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1977), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977) und CBS Schallplatten GmbH (in 1990)
cover recording of:
Black Betty
Texter und Komponist(in):
[traditional] (special purpose artist) und Huddie William Ledbetter
publisher:
Kensington Music Ltd., Robert Mellin Music Publishing Corp., Sony/ATV Music Publishing Australia Pty Ltd., TRO-Folkways Music Publishers, Inc., Folkways Music Publ. Co. (publisher) (vom 1977 bis heute) und TRO (publisher) (vom 1977 bis heute)
Ram Jam3.853:57
15More Than a Feeling
assistierende(r) Techniker(in):
Bruce Hensal, Deni King (engineer) und Doug Rider
Techniker(in):
Warren Dewey und Tom Scholz
Produzent(in):
John Boylan und Tom Scholz
assistierende(r) Mix:
Steve Hodge (engineer and producer)
Akustikgitarre, Bassgitarre, Gitarre [lead guitar] und Gitarre [rhythm guitar]:
Tom Scholz (von 1975 bis 1976)
Perkussion und Schlagzeug:
Sib Hashian (von 1975 bis 1976)
Sologesang und Sologesang [Harmony]:
Brad Delp (von 1975 bis 1976)
arranger:
Brad Delp und Tom Scholz
co-arranger:
Jim Masdea
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1976), CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
aufgenommen bei:
Foxglove Studios in Watertown, Massachusetts, Vereinigte Staaten (in 1975), Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1976) und The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1976)
mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten
früheste Veröffentlichung:
More Than a Feeling von Boston (US rock band)
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 39), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 194), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 212) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 500)
recording of:
More Than a Feeling (von 1975 bis 1976)
Texter und Komponist(in):
Tom Scholz
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) und Pure Songs (in 1976)
Boston3.94:43
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ASIN:DE: B00005NWEO [Info]