Bacobens Rock Top 500

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1Digital Media
2Digital Media
3Digital Media
4Digital Media
5Digital Media
#TitleArtistRatingLength
1All Day and All of the Night
producer:
Shel Talmy
bass guitar:
Pete Quaife (Kinks' bass guitarist) (on 1964-09-23)
drums (drum set):
Bobby Graham (UK pop/rock session drummer and producer, 1940–2009) (on 1964-09-23)
guitar:
Dave Davies (lead guitarist, backing (and occasional lead) singer for The Kinks) (on 1964-09-23)
piano:
Perry Ford (English pop singer) (on 1964-09-23)
background vocals:
Johnny B. Great (on 1964-09-23)
lead vocals:
Ray Davies (UK singer/songwriter, member of The Kinks) (on 1964-09-23)
publisher:
Edward Kassner Music Co. Ltd.
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1964)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 23)
recording of:
All Day and All of the Night (on 1964-09-23)
lyricist and composer:
Ray Davies (UK singer/songwriter, member of The Kinks)
publisher:
Edward Kassner Music Co. Ltd., Jay Boy and Kassner Associated Publishers Ltd.
The Kinks4.552:25
2Show Me the Way
producer:
Peter Frampton
bass guitar:
Stanley Sheldon (bass player)
drums (drum set) [drums]:
John Siomos
grand piano, organ and Rhodes piano:
Bob Mayo (US session keyboardist & guitarist)
guitar:
Peter Frampton and Bob Mayo (US session keyboardist & guitarist)
talkbox:
Peter Frampton
vocals:
Peter Frampton, Bob Mayo (US session keyboardist & guitarist) and Stanley Sheldon (bass player)
arranger:
Peter Frampton
phonographic copyright (℗) by:
A&M Records (in 1976)
live recording of:
Show Me the Way
lyricist and composer:
Peter Frampton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) and United Artists Music Co., Inc.
Peter Frampton3.74:41
3Long Train Runnin’
engineer:
Donn Landee
producer:
Ted Templeman
congas, cymbal and timbales:
Michael Hossack
guest synthesizer:
Malcolm Cecil and Robert Margouleff
guitar:
Jeff “Skunk” Baxter, Tom Johnston (guitarist and vocalist with “The Doobie Brothers”) and Patrick Simmons
harmonica:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
keyboard, organ and piano:
Bill Payne
membranophone:
John Hartman (drummer for the Doobie Brothers) and Michael Hossack
percussion:
John Hartman (drummer for the Doobie Brothers) and Ted Templeman
steel guitar:
Jeff “Skunk” Baxter
synthesizer:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”) and Patrick Simmons
vocals:
John Hartman (drummer for the Doobie Brothers), Tom Johnston (guitarist and vocalist with “The Doobie Brothers”), Tiran Porter and Patrick Simmons
bass arranger:
Tiran Porter
strings arranger:
Nick de Caro
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (, in 1973) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973)
recorded at:
Warner Brothers Studios, North Hollywood in Hollywood, Los Angeles, California, United States
recording of:
Long Train Runnin’
lyricist and composer:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner Bros. Music (publisher; do NOT use as release label) (in 1982) and Warner Chappell Music (publisher as Warner/Chappell Music) (in 1991)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers43:25
4Ticket to Ride
additional engineer:
Malcolm Davies (Mastering engineer) and Ken Scott (UK record producer & engineer)
engineer:
Norman Smith (UK producer/engineer, performed as Hurricane Smith)
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
12 string guitar [lead guitar]:
George Harrison (The Beatles) (on 1965-02-15)
drums (drum set), handclaps and tambourine:
Ringo Starr (The Beatles) (on 1965-02-15)
electric bass guitar and electric guitar [lead guitar] and background vocals:
Paul McCartney (The Beatles) (on 1965-02-15)
electric guitar [rhythm guitar]:
George Harrison (The Beatles) (on 1965-02-15) and John Lennon (The Beatles) (on 1965-02-15)
lead vocals:
John Lennon (The Beatles) (on 1965-02-15)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965)
recorded at:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1965-02-15)
mixed at:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1965-02-23)
recording of:
Ticket to Ride (on 1965-02-15)
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, SBK Blackwood Music Inc. (1987-12-30–1989-07-14), Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Tunes LLC (ASCAP)
translated version of:
Boleto para pasear
The Beatles43:12
5Good Vibrations
recording engineer:
Bruce Botnick (from 1966-02 until 1966-06), Chuck Britz (from 1966-02 until 1966-06) and Larry Levine (from 1966-02 until 1966-06)
engineer:
Chuck Britz and Jim Lockert (Enginear)
producer:
The Beach Boys (American rock band) and Brian Wilson (Beach Boys co‐founder)
mixer:
Derry FitzGerald
lead vocals:
Mike Love (Beach Boys) (from 1966-02 until 1966-06) and Carl Wilson (Beach Boys) (from 1966-02 until 1966-06)
vocals:
Mike Love (Beach Boys) (from 1966-02 until 1966-06)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1966)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (from 1966-02 until 1966-06), Sunset Sound in Hollywood, Los Angeles, California, United States (from 1966-02 until 1966-06) and Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1966-02 until 1966-06)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 53)
recording of:
Good Vibrations (Love/Wilson lyrics, common version) (from 1966-02 until 1966-06)
lyricist:
Mike Love (Beach Boys) and Brian Wilson (Beach Boys co‐founder)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Rondor Music (London) Ltd., Rondor Music Publishing, Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label) and Universal Music Publishing (use ONLY if no country‐specific information is available)
version of:
Good Vibrations (Tony Asher lyrics)
The Beach Boys4.23:37
6Gimme Three Steps
engineer:
Al Kooper, Bob “Tub” Langford, Rodney Mills and Danny Turbeville
producer:
Al Kooper
additional percussion:
Bobbi Hall
bass guitar:
Ed King (US guitarist, bassist & songwriter)
drums (drum set):
Bob Burns (Lynyrd Skynyrd drummer)
guitar [lead guitar]:
Gary Rossington
guitar [rhythm guitar]:
Allen Collins
keyboard:
Billy Powell
lead vocals:
Ronnie Van Zant
remixer:
Al Kooper
recorded at:
Studio One (Doraville, GA) in Doraville, Georgia, United States
recording of:
Gimme Three Steps (in 1973-03)
writer:
Allen Collins and Ronnie Van Zant
Lynyrd Skynyrd4.54:28
7Breakdown
recording engineer and mixer:
Max and Noah Shark
producer:
Denny Cordell
electric bass guitar:
Ron Blair
phonographic copyright (℗) by:
Gone Gator Records (in 1976)
recorded at and mixed at:
The Shelter Studio (Leon Russell's second studio) in Los Angeles, California, United States
recording of:
Breakdown
lyricist and composer:
Tom Petty
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Rondor Music (London) Ltd. and Skyhill Pub. Co., Inc.
Tom Petty and the Heartbreakers4.22:42
8Tush
recording engineer and mixer:
Terry Manning (US recording engineer)
producer:
Bill Ham (manager of ZZ Top)
bass guitar and lead vocals:
Dusty Hill
drums (drum set):
Frank Beard (ZZ Top drummer)
electric guitar:
Billy Gibbons
recorded at:
Ardent Studios in Memphis, Tennessee, United States and Robin Hood Studios in Tyler, Texas, United States
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 67)
recording of:
Tush
writer:
Frank Beard (ZZ Top drummer), Billy Gibbons and Dusty Hill
publisher:
Music of Stage Three and Songs of Mosaic
ZZ Top4.652:17
9Crazy on You
engineer:
Mike Flicker and Rolf Hennemann
assistant producer:
Howard Leese
producer:
Mike Flicker
acoustic guitar:
Nancy Wilson (guitarist/singer of “Heart”)
bass guitar:
Steve Fossen
drums (drum set):
Kat Hendrikse
electric guitar:
Roger Fisher (US rock guitarist) and Howard Leese
flute and lead vocals:
Ann Wilson (lead singer of Heart)
synthesizer:
Rob Deans
background vocals:
Geoff Foubert, Ann Wilson (lead singer of Heart) and Nancy Wilson (guitarist/singer of “Heart”)
recorded at and mixed at:
Mushroom Studios in Vancouver, British Columbia, Canada
recording of:
Crazy on You
writer:
Roger Fisher (US rock guitarist), Ann Wilson (lead singer of Heart) and Nancy Wilson (guitarist/singer of “Heart”)
publisher:
How About Music, Sony/ATV Tunes LLC (ASCAP) and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Heart4.154:53
10Got My Mind Set on You
engineer:
John Etchells and Richard Dodd (mastering engineer, producer and engineer) (from 1987-01-05 until 1987-08)
producer:
George Harrison (The Beatles) and Jeff Lynne
drums (drum set):
Jim Keltner (from 1987-01-05 until 1987-08)
electric guitar:
George Harrison (The Beatles) (from 1987-01-05 until 1987-08)
piano:
Gary Wright (US singer/keyboardist) (from 1987-01-05 until 1987-08)
tenor saxophone:
Jim Horn (saxophonist, hornist, flutist and oboist) (from 1987-01-05 until 1987-08)
phonographic copyright (℗) by:
Ganga Distributors, B.V. (in 1987)
recorded at:
F.P.S.H.O.T. (Friar Park Studio) in Henley-on-Thames, Oxfordshire, England, United Kingdom (from 1987-01-05 until 1987-08)
cover recording of:
Got My Mind Set on You (from 1987-01-05 until 1987-08)
lyricist and composer:
Rudy Clark (US songwriter)
publisher:
Carlin Music Corporation
George Harrison4.63:51
11Angie
producer:
Jimmy Miller (producer for Rolling Stones/Nirvana etc)
guest piano:
Nicky Hopkins (pianist and organist)
strings arranger:
Nicky Harrison
music videos:
Angie (version 2: Jagger in white hat) by The Rolling Stones and Angie (version 1: sitting on a stage, flowers on guitars) by The Rolling Stones
recording of:
Angie
written in:
Vevey, Vaud (Canton of Vaud), Switzerland (in 1969-04)
writer:
Mick Jagger (in 1969-04) and Keith Richards (Rolling Stones guitarist) (in 1969-04)
publisher:
Westminster Music Ltd.
The Rolling Stones3.754:33
12Us and Them
assistant engineer:
Peter James (sound engineer)
engineer:
Alan Parsons (of The Alan Parsons Project)
producer:
Pink Floyd
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1992)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-06 until 1973-01)
recording of:
Us and Them (from 1972-06 until 1973-01)
lyricist:
Roger Waters
composer:
Roger Waters and Richard Wright (Pink Floyd keyboardist)
publisher:
Artemis Muziekuitgeverij B V, KPM (music publisher), Pink Floyd Music Publishers Ltd., Roger Waters Music Overseas Ltd., TRO-Hampshire House Publishing Corp., Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16) and Hampshire House Publishing Corp. (in 1973)
is based on:
The Riot Scene
is based on:
The Violent Sequence
Pink Floyd7:40
13After Midnight
engineer:
Bill Halverson
producer:
Delaney Bramlett
mixer:
Tom Dowd
arranger:
Delaney Bramlett
recorded at:
The Village Recorders (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
cover recording of:
After Midnight (from 1969-11 until 1970-03)
lyricist and composer:
J.J. Cale
publisher:
Mijac Music, Robert Stigwood Organisation Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Australia Pty. Ltd., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Eric Clapton4.352:53
14Rock and Roll All Nite
engineer, producer and mixer:
Eddie Kramer (engineer)
drums (drum set):
Peter Criss
electric bass guitar and lead vocals:
Gene Simmons (KISS bassist and vocalist)
electric guitar [lead guitar]:
Ace Frehley (American rock guitarist)
electric guitar [rhythm guitar]:
Paul Stanley (KISS frontman)
phonographic copyright (℗) by:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (in 1975), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1975) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1975)
recorded at:
Cobo Arena in Detroit, Michigan, United States (on 1975-05-16), Music Hall in Cleveland, Ohio, United States (on 1975-06-21), Adler Theatre in Davenport, Iowa, United States (on 1975-07-20) and Wildwoods Convention Center (original location) in Wildwood, New Jersey, United States (on 1975-07-23)
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
edit of:
Rock and Roll All Nite (live, 1975) by KISS (US rock band)
live recording of:
Rock and Roll All Nite (in 1975)
writer:
Gene Simmons (KISS bassist and vocalist) and Paul Stanley (KISS frontman)
publisher:
KISS Songs Inc. (ended), Café Americana Inc., Hori Productions America Inc. and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
sub-publisher:
大洋音楽 (Taiyō Music)
written at:
Continental Hyatt House in West Hollywood, California, United States
KISS4.154:05
15These Eyes
audio engineer:
David Greene (engineer recording, mixing) and Elliot Scheiner
producer:
Jack Richardson
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1968)
recorded at:
A & R Studios (Second studio, 799 7th Avenue) in Manhattan, New York, New York, United States
recording of:
These Eyes
writer:
Burton Cummings and Randall Bachman (Canadian guitarist, singer & songwriter)
publisher:
Bug Music, Inc.
The Guess Who3.43:47
16You Shook Me All Night Long
assistant engineer:
Benjamin Armbrister and Jack Nuber
engineer:
Tony Platt (UK engineer and producer) (from 1980-04 until 1980-05)
producer:
Robert John “Mutt” Lange (Robert John Lange)
mixer:
Brad Samuelsohn
bass guitar:
Cliff Williams (from 1980-04 until 1980-05)
drums (drum set):
Phil Rudd (from 1980-04 until 1980-05)
guitar [lead guitar]:
Angus Young (member of AC/DC) (from 1980-04 until 1980-05)
guitar [rhythm guitar]:
Malcolm Young (guitar player for AC/DC) (from 1980-04 until 1980-05)
lead vocals:
Brian Johnson (AC/DC lead singer) (from 1980-04 until 1980-05)
phonographic copyright (℗) by:
Albert Productions (in 1980) and Leidseplein Presse B.V. (not for release label use!) (in 1980)
recorded at:
Compass Point Studios in Nassau, Bahamas (from 1980-04 until 1980-05)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 10), The Downloader’s Music Source Book (number: 120), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 287) and BILLIONS CLUB
recording of:
You Shook Me All Night Long (from 1980-04 until 1980-05)
writer:
Brian Johnson (AC/DC lead singer), Angus Young (member of AC/DC) and Malcolm Young (guitar player for AC/DC)
publisher:
J. Albert & Son, J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd., J. Albert Ltd. (in 1980), Marks Music (in 1980) and Zomba Management and Publishers Ltd. (in 1980)
AC/DC4.53:30
17Get Back
producer and mixer:
Paul Hicks, Guy Massey (UK producer/engineer) and Allan Rouse
phonographic copyright (℗) by:
Apple Corps Limited (for the label use Apple Records) (in 2014) and Calderstone Productions Limited (in 2014)
recorded at:
Apple Studios in London (Greater London), England, United Kingdom (on 1969-01-27)
recording of:
Get Back (on 1969-01-27)
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC and Sony/ATV Tunes LLC (ASCAP)
The Beatles3.152:34
18A Well Respected Man
engineer:
Bob Auger (Robert Auger, engineer) and Alan McKenzie (engineer)
producer:
Shel Talmy
bass guitar and background vocals:
Pete Quaife (Kinks' bass guitarist) (in 1965-08)
drums (drum set):
Mick Avory (in 1965-08)
guitar:
Dave Davies (lead guitarist, backing (and occasional lead) singer for The Kinks) (in 1965-08) and Ray Davies (UK singer/songwriter, member of The Kinks) (in 1965-08)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1965)
recorded at:
Pye Studios, Studio 2 in London (Greater London), England, United Kingdom (in 1965-08)
recording of:
A Well Respected Man (in 1965-08)
lyricist and composer:
Ray Davies (UK singer/songwriter, member of The Kinks)
publisher:
Edward Kassner Music Co. Ltd.
The Kinks4.652:41
19I Can’t Explain
producer:
Shel Talmy
bass:
John Entwistle (in 1964-11)
drums (drum set) and percussion:
Keith Moon (drummer) (in 1964-11)
guitar:
Jimmy Page (in 1964-11) and Pete Townshend (of The Who) (in 1964-11)
piano:
Perry Ford (English pop singer) (in 1964-11)
background vocals:
The Ivy League (60s rock) (in 1964-11)
lead vocals:
Roger Daltrey (in 1964-11)
vocals:
John Entwistle (in 1964-11) and Pete Townshend (of The Who) (in 1964-11)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1965)
recorded at:
Pye Records Ltd Studio in London (Greater London), England, United Kingdom (in 1964-11)
part of:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 44)
recording of:
I Can’t Explain (in 1964-11)
lyricist and composer:
Pete Townshend (of The Who)
publisher:
Fabulous Music, Ltd. (this is a publisher, not an imprint!)
The Who4.52:03
20Golden Slumbers / Carry That Weight
The Beatles5:28
21Colour My World
engineer:
Chris Hinshaw, Don Puluse and Brian Ross-Myring
producer:
James William Guercio
solo flute:
Walter Parazaider (in 1969-08)
lead vocals:
Terry Kath (member of Chicago) (in 1969-08)
phonographic copyright (℗) by:
Warner Strategic Marketing Inc. (in 1970) and Rhino Entertainment Company (not for release label use!) (in 2002)
recording of:
Colour My World (Chicago song) (in 1969-08)
lyricist:
James Pankow
composer:
James Pankow (in 1969)
publisher:
Aurelius Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), IQ Music Ltd., Moose Music, Spirit Music Publishing Ltd. and Spirit Two Music Inc.
part of:
Ballet for a Girl in Buchannon
Chicago23:01
22Mr. Tambourine Man
recorded in:
Hollywood, Los Angeles, California, United States (on 1965-01-20)
producer:
Terry Melcher
12 string guitar:
Jim McGuinn (on 1965-01-20)
bass guitar:
Chris Hillman (on 1965-01-20)
drums (drum set):
Michael Clarke (drummer for the 1960s rock group The Byrds) (on 1965-01-20)
guitar:
David Crosby (on 1965-01-20)
tambourine:
Gene Clark (US singer-songwriter; founder of The Byrds) (on 1965-01-20)
vocals:
Gene Clark (US singer-songwriter; founder of The Byrds) (on 1965-01-20), David Crosby (on 1965-01-20), Chris Hillman (on 1965-01-20) and Jim McGuinn (on 1965-01-20)
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1965) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1965)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 10), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 79) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 230)
cover recording of:
Mr. Tambourine Man (on 1965-01-20)
lyricist and composer:
Bob Dylan (from 1964-02 until 1964-04)
publisher:
Blossom Music Ltd., M. Witmark & Sons, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell (Warner/Chappell Music, Inc.) (from 1964 until 1992) and Special Rider Music (from 1992 to present)
The Byrds4.152:31
23Tunnel of Love
additional recording engineer:
Tim Leitner (from 1987-06 until 1987-07)
recording engineer:
Toby Scott (from 1987-06 until 1987-07)
assistant engineer:
Tim Leitner and Roger Talkov (engineer)
assistant mixer:
Jay Healy
mixer:
Bob Clearmountain
additional guitar:
Nils Lofgren (from 1987-06 until 1987-07)
bass, drum machine, guitar, harmonica, keyboard and mandolin:
Bruce Springsteen (from 1987-06 until 1987-07)
percussion:
Bruce Springsteen (from 1987-06 until 1987-07) and Max Weinberg (from 1987-06 until 1987-07)
synthesizer:
Roy Bittan (from 1987-06 until 1987-07)
additional vocals:
Patti Scialfa (from 1987-06 until 1987-07)
vocals:
Bruce Springsteen (from 1987-06 until 1987-07)
phonographic copyright (℗) by:
Bruce Springsteen (in 1987)
phonographic copyright (℗) by:
CBS Gramophone Records & Tapes (India) Ltd. (in 1987)
additionally recorded at:
The Hit Factory in Manhattan, New York, New York, United States (from 1987-06 until 1987-07)
recorded at:
Thrill Hill East (Springsteen’s home studio in Rumson) in Monmouth County, New Jersey, United States (from 1987-06 until 1987-07)
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
recording of:
Tunnel of Love (from 1987-06 until 1987-07)
publisher:
Bruce Springsteen (in 1987)
lyricist and composer:
Bruce Springsteen (from 1986 until 1987)
publisher:
Zomba Music Publishing Ltd. (UK subsidiary of Zomba Music Publishing)
Bruce Springsteen3.755:12
24We’ve Gotta Get Out of This Place
producer:
Mickie Most (English record producer)
vocals:
Eric Burdon
phonographic copyright (℗) by:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1965)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 35), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 233)
recording of:
We Gotta Get Out of This Place
writer:
Barry Mann and Cynthia Weil
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), EMI Music Publishing Japan, Fujipacific Division (until 2021-06-30), Francis, Day & Hunter (publisher) (in 1979) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Animals3.83:14
25Do It Again
assistant engineer:
Tim Weston (in 1972-08)
engineer:
Roger Nichols (US mastering, recording engineer and producer) (in 1972-08)
producer:
Gary Katz (in 1972-08)
drums (drum set):
Jim Hodder (in 1972-08)
electric bass guitar:
Walter Becker (in 1972-08)
electric guitar:
Jeff “Skunk” Baxter (in 1972-08)
electric piano, keyboard [Yamaha YC-30] and lead vocals:
Donald Fagen (in 1972-08)
percussion:
Victor Feldman (jazz musician) (in 1972-08)
solo electric sitar:
Denny Dias (in 1972-08)
phonographic copyright (℗) by:
ABC Records, Inc (in 1972), Geffen Records (in 1972) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1972)
engineered at:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, United States (in 1972-08)
recording of:
Do It Again (in 1972-08)
writer:
Walter Becker and Donald Fagen
publisher:
American Broadcasting Music, Inc., Anchor Music Ltd., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Ltd., Red Giant Music, Inc., Universal/MCA Music Ltd. (not for release label use!) and Wingate Music Corp.
Steely Dan4.15:54
26Honky Cat
engineer:
Ken Scott (UK record producer & engineer)
producer:
Gus Dudgeon
banjo:
Davey Johnstone
bass guitar:
Dee Murray
drums (drum set):
Nigel Olsson
electric piano and piano and lead vocals:
Elton John (English singer, songwriter, pianist, and composer)
saxophone:
Jean-Louis Chautemps (French saxophonist) and Alain Hatot
trombone:
Jacques Bolognesi
trumpet:
Ivan Jullien
brass arranger:
Gus Dudgeon
recorded at:
Château d'Hérouville in Hérouville, Val-d'Oise, Île-de-France, France
recording of:
Honky Cat
lyricist:
Bernie Taupin
composer:
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Universal–Songs of PolyGram International, Inc.
Elton John3.455:13
27The Chain
assistant engineer:
Chris Morris (LA engineer & producer (late ’70s))
engineer:
Ken Caillat and Richard Dashut
additional producer:
Ken Caillat and Richard Dashut
producer:
Fleetwood Mac
bass guitar:
John McVie
drums (drum set) and percussion:
Mick Fleetwood
guitar:
Lindsey Buckingham (guitarist, singer, songwriter and producer)
keyboard and synthesizer:
Christine McVie
vocals:
Lindsey Buckingham (guitarist, singer, songwriter and producer), Christine McVie and Stevie Nicks
phonographic copyright (℗) by:
Warner Bros. (holding: file NO releases) (in 2004)
mixed at:
Producer’s Workshop in Hollywood, Los Angeles, California, United States
recording of:
The Chain
writer:
Lindsey Buckingham (guitarist, singer, songwriter and producer), Mick Fleetwood, Christine McVie, John McVie and Stevie Nicks
publisher:
Gentoo Music, Inc., Now Sounds Music and Welsh Witch Music (BMI affiliated)
revision of:
Keep Me There
Fleetwood Mac4.44:29
28Surrender
recording of:
Surrender
lyricist and composer:
Rick Nielsen
publisher:
Adult Music (in 1978) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (in 1978)
sub-publisher:
イーエムアイ音楽出版 C・F事業部 (EMI Music Publishing Japan C.F. division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Cheap Trick5:09
29Bad Moon Rising
producer:
John Fogerty
acoustic guitar and lead vocals:
John Fogerty
bass guitar:
Stu Cook (in 1969-03)
drums (drum set):
Doug Clifford (in 1969-03)
guitar:
John Fogerty (in 1969-03) and Tom Fogerty (in 1969-03)
vocals:
John Fogerty (in 1969-03)
performer:
Creedence Clearwater Revival
arranger:
John Fogerty
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) (in 1969), Fantasy Records (not for release label use! file releases under its "Fantasy" imprint instead) (in 1976) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 356)
recording of:
Bad Moon Rising (in 1969-03)
lyricist and composer:
John Fogerty
publisher:
Burlington Music Co., Ltd., Jondora Music and Warner/Chappell Music Australia Pty. Ltd.
Creedence Clearwater Revival4.32:20
30Stranglehold
recording of:
Stranglehold
lyricist and composer:
Ted Nugent
additional writer:
Rob Grange
publisher:
Magicland Music
parody version of:
Strangest Folks
Ted Nugent4.258:24
315:15
assistant engineer:
Ron Fawcus
engineer:
Ron Nevison
additional co-producer:
Kit Lambert and Pete Townshend (of The Who)
executive producer:
Pete Kameron, Kit Lambert and Chris Stamp
producer:
The Who
additional mixer:
Bob Pridden
mixer:
Ron Fawcus
additional piano:
Chris Stainton (keyboard player, session musician and songwriter)
cello, electric guitar and keyboard:
Pete Townshend (of The Who)
drums (drum set) and percussion:
Keith Moon (drummer)
electric bass guitar and horn:
John Entwistle
background vocals:
John Entwistle and Pete Townshend (of The Who)
lead vocals:
Roger Daltrey and Pete Townshend (of The Who)
sound effects:
Rod Houison (engineer), Ron Nevison and Pete Townshend (of The Who)
recorded at:
The Kitchen in West Berkshire, England, United Kingdom
mixed at:
Eel Pie Studios in London (Greater London), England, United Kingdom
recording of:
5:15
lyricist and composer:
Pete Townshend (of The Who)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Fabulous Music, Ltd. (this is a publisher, not an imprint!), Songs of Windswept Pacific, Suolubaf Music and Towser Tunes, Inc.
The Who4.755:00
32Sun King
recording of:
Sun King
lyricist and composer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Northern Songs Ltd., Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Tunes LLC (ASCAP)
The Beatles6:43
33Godzilla
additional engineer:
Thom Panunzio and Corky Stasiak
assistant engineer:
Sam Ginsberg, Jay Krugman, Rod O’Brien, Gray Russell and David Thoener
engineer:
John Jansen (US recording engineer and producer) and Shelly Yakus
producer:
Blue Öyster Cult (US rock band), Murray Krugman, David Lucas (US producer, composer & engineer) and Sandy Pearlman
mixer:
Shelly Yakus
bass guitar:
Joe Bouchard (in 1977-07)
drums (drum set) and harmonica:
Albert Bouchard (in 1977-07)
guitar:
Eric Bloom (Blue Öyster Cult) (in 1977-07), Joe Bouchard (in 1977-07), Buck Dharma (in 1977-07) and Allen Lanier (in 1977-07)
keyboard:
Allen Lanier (in 1977-07)
lead vocals:
Eric Bloom (Blue Öyster Cult) (in 1977-07) and Buck Dharma (in 1977-07)
vocals:
Albert Bouchard (from 1977-06 until 1977-07) and Joe Bouchard (in 1977-07)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1977) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (in 1977-07)
recording of:
Godzilla (in 1977-07)
lyricist and composer:
Donald Roeser
publisher:
Blue Oyster Cult Songs, Inc., Sony Tunes, Inc., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Sony/ATV Tunes LLC (ASCAP) and Universal Music Publishing Group
Blue Öyster Cult3.93:40
34Question
engineer:
Adrian Martins, Robin Thompson (UK engineer) and Derek Varnals
producer:
Tony Clarke (UK producer/guitarist)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Wessex Studios in Highbury, Islington, London (Greater London), England, United Kingdom
recording of:
Question
lyricist and composer:
Justin Hayward (of the Moody Blues)
publisher:
Essex (publisher)
The Moody Blues5:48
35Can’t Find My Way Home
producer:
Jimmy Miller (producer for Rolling Stones/Nirvana etc)
bass:
Ric Grech (in 1969-06)
drums (drum set):
Ginger Baker (in 1969-06)
guitar:
Eric Clapton (in 1969-06) and Steve Winwood (in 1969-06)
vocals:
Steve Winwood (in 1969-06)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 2001)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (in 1969-06)
recording of:
Can’t Find My Way Home (in 1969-06)
lyricist and composer:
Steve Winwood
publisher:
F.S. Music Ltd., Warner Chappell Music (publisher as Warner/Chappell Music) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Blind Faith43:18
36Street Fighting Man
engineer:
Eddie Kramer (engineer)
producer:
Jimmy Miller (producer for Rolling Stones/Nirvana etc)
guest piano:
Nicky Hopkins (pianist and organist)
guest woodwind:
Dave Mason (co‐founder of Traffic)
tambura:
Brian Jones (Rolling Stones member)
phonographic copyright (℗) by:
ABKCO Music & Records, Inc. (not an imprint, please use “ABKCO” instead) (in 1968)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 295)
recording of:
Street Fighting Man
writer:
Keith Richards (Rolling Stones guitarist) and Mick Jagger (from 1968-05 until 1968-06)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”)
The Rolling Stones3.43:18
37Lay Down Sally
producer:
Glyn Johns
bass guitar:
Carl Radle (on 1977-05-19)
drums (drum set):
Jamie Oldaker (on 1977-05-19)
electronic organ:
Dick Sims (on 1977-05-19)
guitar:
Eric Clapton (on 1977-05-19) and George Terry (guitar player with Clapton in 70's) (on 1977-05-19)
background vocals:
Yvonne Elliman (on 1977-05-19) and Marcy Levy (on 1977-05-19)
lead vocals:
Eric Clapton (on 1977-05-19)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1977)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (on 1977-05-19)
recording of:
Lay Down Sally (on 1977-05-19)
writer:
Eric Clapton, Marcy Levy and George Terry (guitar player with Clapton in 70's)
publisher:
E.C. Music (UK work publisher for Eric Clapton), Throat Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell Music International Ltd.
Eric Clapton43:51
38No More Mr. Nice Guy
producer:
Bob Ezrin
bass guitar:
Dennis Dunaway (original bass player for Alice Cooper) (from 1972-08 until 1973-01)
drums (drum set):
Neal Smith (former Alice Cooper drummer) (from 1972-08 until 1973-01)
guitar:
Michael Bruce (of Alice Cooper) (from 1972-08 until 1973-01) and Glen Buxton (American guitarist) (from 1972-08 until 1973-01)
keyboard:
Michael Bruce (of Alice Cooper) (from 1972-08 until 1973-01)
background vocals:
Michael Bruce (of Alice Cooper) (from 1972-08 until 1973-01), Dennis Dunaway (original bass player for Alice Cooper) (from 1972-08 until 1973-01) and Neal Smith (former Alice Cooper drummer) (from 1972-08 until 1973-01)
lead vocals:
Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974) (from 1972-08 until 1973-01)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1973)
recording of:
No More Mr. Nice Guy (from 1972-08 until 1973-01)
writer:
Michael Bruce (of Alice Cooper) and Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ezra Music (, in 1973), Ezra Music Corp., Primary Wave Music Publishing, Sony/ATV Songs LLC, Universal Music Publishing Group and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.33:06
39Space Oddity
producer:
Gus Dudgeon
12 string guitar and handclaps, Dubreq Stylophone, background vocals and lead vocals:
David Bowie (English singer‐songwriter) (in 1969-06)
bass:
Herbie Flowers (in 1969-06)
cello:
Paul Buckmaster (in 1969-06)
drums (drum set):
Terry Cox (UK rock drummer) (in 1969-06)
electric guitar:
Mick Wayne (in 1969-06)
mellotron:
Rick Wakeman (in 1969-06)
arranger:
David Bowie (English singer‐songwriter) and Paul Buckmaster
phonographic copyright (℗) by:
Jones/Tintoretto Entertainment Company LLC (in 1969, in 2009), Jones/Tintoretto Entertainment Co. LLC. (in 1976) and Valerian S.A.S. (in 2017)
recorded at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom (in 1969-06)
music videos:
Space Oddity (1973, Bowie with red hair & acoustic guitar) by David Bowie (English singer‐songwriter) and Space Oddity (1969, Bowie with round glasses & cap) by David Bowie (English singer‐songwriter)
a cappella versions:
Space Oddity / Major Tom (Coming Home) by Tufts Beelzebubs (Tufts University all-male a cappella group)
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 42), Indie 88: Top 500 Indie Rock Songs (number: 53) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 189)
recording of:
Space Oddity (in 1969-06)
lyricist and composer:
David Bowie (English singer‐songwriter)
publisher:
Onward Music Ltd., TRO Essex Music International, Inc., Tro-Cromwell Music, Inc. and Westminster Music Ltd.
David Bowie4.355:14
40For What It’s Worth
producer:
Charles Greene (producer) and Brian Stone (producer)
background vocals:
Richie Furay and Dewey Martin
vocals:
Stephen Stills
phonographic copyright (℗) by:
Warner Music International (trademark of Warner Music International the company) (in 1967) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1969)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 63)
recording of:
For What It’s Worth (on 1966-12-05)
lyricist and composer:
Stephen Stills
publisher:
Cotillion, Cotillion Music Inc. (BMI), Richie Furay Music (BMI), Springalo Toones (BMI), Ten East and Ten‐East Music (BMI)
Buffalo Springfield4.252:40
41Riders on the Storm
producer:
Bruce Botnick and The Doors
bass guitar:
Jerry Scheff
drums (drum set):
John Densmore
guitar [lead guitar]:
Robby Krieger (American guitarist, member of The Doors)
Rhodes piano:
Ray Manzarek
lead vocals:
Jim Morrison (lead vocalist of the Doors)
phonographic copyright (℗) by:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1971)
recorded at:
The Doors Workshop in West Hollywood, California, United States (in 1970)
remasters:
Riders on the Storm by The Doors
recording of:
Riders on the Storm (in 1970)
writer:
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek and Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company and Rondor Music (London) Ltd.
The Doors4.757:11
42Whipping Post
recording engineer and producer:
Adrian Barber (producer/engineer)
acoustic guitar and slide guitar:
Duane Allman (in 1969-09)
bass:
Berry Oakley (US bassist, The Allman Brothers Band) (in 1969-09)
drums (drum set) and percussion:
Jai Johanny Johanson (in 1969-09) and Butch Trucks (in 1969-09)
organ and piano:
Gregg Allman (in 1969-09)
vocals:
Gregg Allman (in 1969-09)
arranger:
The Allman Brothers Band
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (in 1969-09)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 383) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 410)
recording of:
Whipping Post (in 1969-09)
lyricist and composer:
Gregg Allman
publisher:
Elijah Blue Music, Unichappell Music, Inc. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Allman Brothers Band4.45:19
43The Weight
engineer:
Don Hahn (engineer) and Tony May (engineer)
producer:
The Band (Canadian-American rock band) and John Simon (US producer, arranger, composer, songwriter and musician)
acoustic guitar:
Robbie Robertson (on 1968-01-12)
bass guitar:
Rick Danko (on 1968-01-12)
drums (drum set):
Levon Helm (on 1968-01-12)
piano:
Garth Hudson (on 1968-01-12)
background vocals:
Rick Danko (on 1968-01-12), Levon Helm (on 1968-01-12) and Richard Manuel (on 1968-01-12)
lead vocals:
Rick Danko (on 1968-01-12) and Levon Helm (on 1968-01-12)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1968, in 2005)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (on 1968-01-12)
part of:
Huffington Post: 100 Best Canadian Songs Ever (number: 6), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 41), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 58), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 80) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
The Weight (on 1968-01-12)
lyricist and composer:
Robbie Robertson
publisher:
Dwarf Music, Sony/ATV Music Publishing Australia Pty Ltd. and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
The Band4.14:34
44Twist and Shout
assistant engineer:
Richard Langham (on 1963-02-11) and A. B. Lincoln (on 1963-02-25)
engineer:
Norman Smith (UK producer/engineer, performed as Hurricane Smith) (on 1963-02-11, on 1963-02-25)
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) (on 1963-02-11, on 1963-02-25)
drums (drum set):
Ringo Starr (The Beatles) (on 1963-02-11)
electric bass guitar:
Paul McCartney (The Beatles) (on 1963-02-11)
electric guitar [lead guitar]:
George Harrison (The Beatles) (on 1963-02-11)
electric guitar [rhythm guitar] and lead vocals:
John Lennon (The Beatles) (on 1963-02-11)
background vocals:
George Harrison (The Beatles) (on 1963-02-11) and Paul McCartney (The Beatles) (on 1963-02-11)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1963)
recorded at:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1963-02-11)
mixed at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1963-02-25)
cover recording of:
Twist and Shout (on 1963-02-11)
writer:
Bert Russell (in 1961-02) and Phil Medley (in 1961-02)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Progressive Music Publishing Company Inc., Progressive Music, Inc (publisher), Rightsong Music Inc., Robert Mellin Ltd., Robert Mellin Music Publishing Corp., Robert Mellin, Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd., Unichappell Music, Inc. and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Beatles3.652:33
45Incense and Peppermints
producer:
Frank Slay
recording of:
Incense and Peppermints
additional writer:
Ed King (US guitarist, bassist & songwriter) and Mark Weitz (keyboardist)
writer:
John Carter (worked for Capitol Records, relaunched Tina Turner's career with Private Dancer) and Tim Gilbert
publisher:
MCA Music Ltd.
Strawberry Alarm Clock4.52:48
46People Got to Be Free
background vocals:
David Brigati
conductor:
Arif Mardin
arranger:
Arif Mardin
recording of:
People Got to Be Free
writer:
Eddie Brigati and Felix Cavaliere (American singer, songwriter, record producer, and musician)
publisher:
Eddie Brigati Music, EMI April Music Inc., EMI Jamaxal Music Inc., Huna Music and Slacsar Pub. Co. Ltd.
Rascals33:03
47Reeling In the Years
assistant engineer:
Tim Weston (in 1972-08)
engineer:
Roger Nichols (US mastering, recording engineer and producer) (in 1972-08)
producer:
Gary Katz (in 1972-08)
drums (drum set):
Jim Hodder (in 1972-08)
electric bass guitar:
Walter Becker (in 1972-08)
electric guitar:
Jeff “Skunk” Baxter (in 1972-08) and Denny Dias (in 1972-08)
piano and lead vocals:
Donald Fagen (in 1972-08)
solo electric guitar:
Elliott Randall (in 1972-08)
background vocals:
Donald Fagen (in 1972-08) and David Palmer (early Steely Dan vocalist) (in 1972-08)
phonographic copyright (℗) by:
ABC Records, Inc (in 1972), ABC/Dunhill Records (Owned by Geffen Records/Universal Music) (in 1972), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1972) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1972)
engineered at:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, United States (in 1972-08)
recording of:
Reelin’ In the Years (in 1972-08)
writer:
Walter Becker and Donald Fagen
publisher:
Ampar Music Corp., Anchor Music Ltd., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Ltd., Minder Music Ltd., Red Giant Music, Inc., Universal/MCA Music Ltd. (not for release label use!) and Wingate Music Corp.
Steely Dan4.554:37
48Summer Breeze
producer:
Louie Shelton
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972) and Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1972)
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 10)
recording of:
Summer Breeze
lyricist:
James Seals
composer:
Dash Crofts and James Seals
publisher:
Dawnbreaker Mus. Co. Ltd USA, Faizilu Publishing, MCA Music Ltd., Songs of Universal, Inc. (BMI), Sutjujo Music, Universal Duchess Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Seals & Crofts4.353:25
49Shelter From the Storm
recording of:
Shelter From the Storm
lyricist and composer:
Bob Dylan (in 1974)
publisher:
Ram’s Horn Music (from 1974 until 2002) and Special Rider Music (from 2002 to present)
Bob Dylan6:00
50I Heard It Through the Grapevine
producer:
John Fogerty
drums (drum set):
Doug Clifford (in 1969)
electric bass guitar:
Stu Cook (in 1969)
electric guitar:
John Fogerty (in 1969) and Tom Fogerty (in 1969)
lead vocals:
John Fogerty (in 1969)
arranger:
John Fogerty
phonographic copyright (℗) by:
Fantasy Records (not for release label use! file releases under its "Fantasy" imprint instead) (in 1976)
music videos:
I Heard It Through the Grapevine by Creedence Clearwater Revival
cover recording of:
I Heard It Through the Grapevine (in 1969-12)
writer:
Barrett Strong and Norman Whitfield
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia, EMI Songs Scandinavia AB, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Creedence Clearwater Revival4.3511:06
6Digital Media
7Digital Media
8Digital Media
9Digital Media
10Digital Media