Party Hits

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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(As of 2025-09-02).

  • Northern America: 🇺🇸 United States (us)
  • Northern Europe: 🇪🇪 Estonia (ee) 🇫🇮 Finland (fi) 🇱🇹 Lithuania (lt) 🇱🇻 Latvia (lv)
Anmerkung zuletzt geändert am 2025-09-02 03:33 UTC.

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1What Makes You Beautiful
Produzent(in):
Carl Falk (Swedish guitarist and songwriter) und Rami Yacoub (Swedish record producer and songwriter)
assistierende(r) Mix:
Phil Seaford
Mix:
Serban Ghenea und John Hanes (audio engineer, mixer) (Aufgabe: mix engineer)
Interpret(in):
Niall Horan, Liam Payne, Harry Styles, Louis Tomlinson und ZAYN (British singer)
phonographisches Urheberrecht (℗) von:
Simco Limited (not for release label use, for copyright/licensor use only) (in 2011) und Simco Limited (not for release label use, for copyright/licensor use only) (in 2012)
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
Musikvideos:
What Makes You Beautiful von One Direction (English‐Irish pop boy band)
Teil von:
Billboard Year-End Hot 100 singles of 2012 (Nummer: 10) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 86)
recording of:
What Makes You Beautiful
Verfasser(in):
Carl Falk (Swedish guitarist and songwriter), Savan Kotecha und Rami Yacoub (Swedish record producer and songwriter)
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), EMI April Music Inc., Mr. Kanani Songs und Rami Productions AB
One Direction33:18
2TiK ToK
sonstige Unterstützung:
Gary "G" Silver (Aufgabe: production coordination) und Vanessa Silberman (Aufgabe: production assistance)
Programmierung und Produzent(in):
benny blanco (producer Benjamin Levin) und Dr. Luke
assistierende(r) Techniker(in):
Tatiana Gottwald
Techniker(in):
benny blanco (producer Benjamin Levin), Sam Holland (sound engineer) und Emily Wright
assistierende(r) Mix:
Tim Roberts (engineer)
Mix:
Serban Ghenea und John Hanes (audio engineer, mixer)
Editing:
Emily Wright (Sologesang [vocal])
Keyboard [keyboards] und Schlagzeug [drums]:
benny blanco (producer Benjamin Levin) und Dr. Luke
phonographisches Urheberrecht (℗) von:
RCA/Jive Label Group (holding company, not a release label) (in 2009)
produced for:
Kasz Money Productions, Inc.
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
engineered at:
Conway Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 2010 (Nummer: 1), Billboard: Greatest of All Time Hot 100 Songs (Nummer: 68) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 149)
recording of:
TiK ToK
Verfasser(in):
Benjamin Levin (producer Benjamin Levin), Łukasz Gottwald und Kesha Sebert (Kesha, American singer fka Ke$ha)
publisher:
Dynamite Cop Music, Kasz Money Publishing (ASCAP affiliated), Matza Ball Music und Where da Kasz At
Kesha3.93:19
3DJ Got Us Fallin’ in Love
Mix:
Serban Ghenea
Gast vocals:
Pitbull (American rapper)
Teil von:
Billboard Year-End Hot 100 singles of 2010 (Nummer: 22) und Billboard Year-End Hot 100 singles of 2011 (Nummer: 65)
recording of:
DJ Got Us Fallin’ In Love
Verfasser(in):
Armando Perez (American rapper), Savan Kotecha, Max Martin (Swedish record producer) und Shellback
Usher feat. Pitbull3.653:42
4Till the World Ends
sonstige Unterstützung:
Clint Gibbs (Aufgabe: production coordination) und Irene Richter (Aufgabe: production coordination)
Programmierung:
Billboard (Canadian record producer), Dr. Luke, Alexander Kronlund und Max Martin (Swedish record producer)
assistierende(r) Techniker(in):
Aniela Gottwald und Tim Roberts (engineer) (Aufgabe: engineered for mix)
Techniker(in):
John Hanes (audio engineer, mixer) (Aufgabe: engineered for mix), Sam Holland (sound engineer) und Emily Wright
Produzent(in):
Billboard (Canadian record producer), Dr. Luke, Max Martin (Swedish record producer) und Emily Wright (Aufgabe: vocal)
Mix:
Serban Ghenea
Instrumente:
Billboard (Canadian record producer), Dr. Luke, Alexander Kronlund und Max Martin (Swedish record producer)
Hintergrundgesang:
Stacey Barnett, Łukasz Gottwald, Sam Holland (sound engineer), Myah Marie (Myah Marie Langston), Max Martin (Swedish record producer), Bonnie McKee und Patrizia Rogosch
Sologesang:
Britney Spears
produced for:
Kasz Money Productions, Inc. und Maratone
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
engineered at:
Conway Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 2011 (Nummer: 27)
recording of:
Till the World Ends
Verfasser(in):
Łukasz Gottwald, Kesha Sebert (Kesha, American singer fka Ke$ha), Alexander Kronlund und Max Martin (Swedish record producer)
publisher:
Dynamite Cop Music, Kasz Money Publishing (ASCAP affiliated), Maratone, Warner/Chappell Music Scandinavia AB und Where da Kasz At
Britney Spears3.63:57
5Yeah 3×
Chris Brown4:01
6Freestyler (radio edit)
Produzent(in):
Jaakko Salovaara
turntable:
DJ Gismo
aufgenommen bei:
JS16 Studios
recording of:
Freestyler
Texter:
B.O.W.
Verfasser(in):
Raymond Ebanks
Komponist(in):
Jaakko Salovaara
publisher:
BMG Music Publishing Finland Oy
Bomfunk MC’s42:52
7Hey Ya! (club mix)
recording engineer:
John Frye (hip hop / R&B mix engineer), Robert Hannon und Pete Novak
Programmierung und Produzent(in):
André 3000
Mix:
Neal Pogue (mix engineer)
Akustikgitarre und Keyboard und Sologesang:
André 3000
Keyboard:
Kevin Kendrick (US soul/funk keyboardist/songwriter)
Musikvideos:
Hey Ya! von OutKast
Teil von:
Sean Michaels: The Top 30 Songs of 2003 (Nummer: 1), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 10), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 14), Triple J’s Hottest 100: Twenty Years (2013) (Nummer: 18), VH1’s Big Song of 2003 (Nummer: 24), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 180) und Indie 88: Top 500 Indie Rock Songs (Nummer: 198)
recording of:
Hey Ya!
Texter und Komponist(in):
André Benjamin
OutKast43:45
8Raise Your Glass
recording engineer:
Max Martin (Swedish record producer) (in 2010) und Shellback (in 2010)
zusätzlich recording engineer:
Michael Ilbert (in 2010)
assistierende(r) Techniker(in):
Tim Roberts (engineer) (Aufgabe: engineered for mix)
Techniker(in):
John Hanes (audio engineer, mixer) (Aufgabe: engineered for mix)
Produzent(in):
Max Martin (Swedish record producer) und Shellback
Mix:
Serban Ghenea
Bass, Gitarre und Schlagzeug:
Shellback (in 2010)
Keyboard:
Max Martin (Swedish record producer) (in 2010)
phonographisches Urheberrecht (℗) von:
Arista Records LLC (holding company - file NO releases here!) (in 2010) und LaFace Records (in 2010)
aufgenommen bei:
Woodshed Recording (Malibu) in Malibu, California (Kalifornien), Vereinigte Staaten (in 2010)
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 2011 (Nummer: 17) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 369)
recording of:
Raise Your Glass (in 2010)
Texter und Komponist(in):
Alecia Moore (American singer/songwriter), Johan Schuster und Max Martin (Swedish record producer)
publisher:
EMI Blackwood Music Inc., Kobalt Songs Music Publishing (USA, ASCAP affiliated), P!nk Inside Publishing und Songs of Kobalt Music Publishing
P!nk4.53:23
9SexyBack
recording engineer:
Jimmy Douglass (engineer)
Produzent(in):
Nate (Danja) Hills (US producer Nate Hills), Timbaland und Justin Timberlake
Mix:
Jimmy Douglass (engineer) und Timbaland
Bass:
Darryl “Day” Pearson
Gitarre:
Bill Pettaway (R&B songwriter, musician, producer)
Keyboard und Schlagzeug:
Danja (US producer Nate Hills) und Timbaland
vocals:
Timbaland und Justin Timberlake
Interpret(in):
Timbaland
phonographisches Urheberrecht (℗) von:
Zomba Recording LLC (in 2006)
aufgenommen bei und mixed at:
Thomas Crown Studio in Virginia Beach, Virginia, Vereinigte Staaten
recording of:
SexyBack
Texter und Komponist(in):
Floyd Hills (US producer Nate Hills), Justin Timberlake und Timothy Mosley
publisher:
Danjahandz Music, Tennman Tunes, Virginia Beach Music, W.B.M. Music Corp., WB Music Corp. (1929–2019) und Zomba Enterprises, Inc.
Justin Timberlake feat. Timbaland3.44:02
10Give Me Everything
Produzent(in):
Afrojack (dutch DJ and producer)
recording of:
Give Me Everything
Verfasser(in):
Armando Pérez (American rapper), Shaffer Smith und Nick van de Wall
Pitbull feat. Ne‐Yo, Afrojack and Nayer43:48
11Waiting for Tonight
zusätzliche Programmierung:
Richie Jones und “Young” Dave Scheuer
assistierende(r) Techniker(in):
Juan Bohorquez und Robb Williams
Techniker(in):
Franklyn Grant (Sound engineer and producer), “Young” Dave Scheuer und Thomas R. Yezzi
Produzent(in):
Ric Wake
zusätzliche(r) Produzent(in):
Richie Jones
Mix:
Dan Hetzel
Keyboard [keyboards]:
Eric Kupper
Perkussion und Schlagzeug:
Richie Jones
Hintergrundgesang:
Jane Barrett, Margaret Dorn und Maria Christiansen (songwriter, singer)
remixer:
Richie Jones
arranger:
Richie Jones und Ric Wake
zusätzlich arranger:
Richie Jones und “Young” Dave Scheuer
aufgenommen bei:
Cove City Sound Studios in Glen Cove, New York, Vereinigte Staaten, Sony Music Studios (NYC, closed 2007) in Hell's Kitchen, New York, New York, Vereinigte Staaten und The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
mixed at:
Cove City Sound Studios in Glen Cove, New York, Vereinigte Staaten
a cappella versions:
Waiting for Tonight (A cappella) von Jennifer Lopez (American singer and actress aka J.Lo)
instrumental versions:
Waiting for Tonight (Instrumental) von Jennifer Lopez (American singer and actress aka J.Lo)
recording of:
Waiting for Tonight
Texter und Komponist(in):
Maria Christensen (songwriter, singer), Michael Garvin (Nashville songwriter and producer) und Phil Temple (songwriter)
adaptations:
Una noche más
Jennifer Lopez3.54:06
12Stronger (What Doesn’t Kill You)
Teil von:
Billboard Year-End Hot 100 singles of 2012 (Nummer: 7), RuPaul’s Drag Race Lip Sync Performances (season 6) (Nummer: 11) und Billboard Decade End Chart: Adult Contemporary Songs (2010s) (Nummer: 19)
recording of:
Stronger (What Doesn't Kill You)
Verfasser(in):
Jörgen Elofsson (Swedish songwriter and producer), David Gamson, Greg Kurstin und Ali Tamposi (American songwriter and backing vocalist)
Kelly Clarkson3.853:41
13Happiness
Samples:
Brazil (2nd edit) (part of “Random Album Title” continuous mix) von deadmau5
recording of:
Happiness
Verfasser(in):
Mikkel Storleer Eriksen, Tor Erik Hermansen, Autumn Rowe und Joel Zimmerman (performs as deadmau5)
Revision von:
Brazil
Alexis Jordan3.354:03
14Shake It
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 2007)
Teil von:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 13) und Billboard Year-End Hot 100 singles of 2008 (Nummer: 32)
recording of:
Shake It
Verfasser(in):
Trace Cyrus, Anthony Improgo, Mason Musso und Timothy Blake Healy
Metro Station3.72:59
15Work
recording of:
Work
Verfasser(in):
Poo Bear (US producer, singer & songwriter; Jason Boyd), Kelly Rowland und Scott Storch (producer)
Kelly Rowland3:28
161 Thing (radio edit)
Amerie4:02
17No Scrubs (radio version)
recording of:
No Scrubs
Verfasser(in):
Kandi Burruss (US R&B singer-songwriter, actress & record producer Kandi Burruss), Kevin Briggs und Tameka Cottle
zusätzliche(r) Verfasser(in):
Lisa “Left Eye” Lopes
TLC4:00
18She Wolf
Produzent(in):
John Hill (producer and songwriter, aka Johnny Rodeo)
Teil von:
Billboard Year-End Hot 100 singles of 2009 (Nummer: 64)
recording of:
She Wolf
Verfasser(in):
Sam Endicott, John Hill (producer and songwriter, aka Johnny Rodeo) und Shakira (Colombian singer-songwriter)
übersetzte Version von:
Loba
Shakira3.83:08
19Everybody (Backstreet’s Back) (radio edit)
sonstige Unterstützung:
Bonnie Brewster (Aufgabe: girl crowd), Andrea M. Majied (Aufgabe: girl crowd) und Susan McCall (Aufgabe: girl crowd)
assistierende(r) Techniker(in):
Tommie Hicks, Jr.
Techniker(in):
Joe Smith (US recording/mixing engineer)
leitende(r) Produzent(in):
Louis J Pearlman
Produzent(in):
Max Martin (Swedish record producer) und Denniz PoP
Editing:
Chaz Harper
Interpret(in):
A.J. (US singer, songwriter, actor, dancer & model), Brian (from the Backstreet Boys), Howie D. (from the Backstreet Boys), Kevin (from the Backstreet Boys) und Nick (US pop singer & Backstreet Boy)
phonographisches Urheberrecht (℗) von:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (in 1997)
produced for:
Cheiron Productions
aufgenommen bei:
Cheiron Studios in Stockholm, Stockholms län (Stockholm county), Schweden und Parc Studios in Orlando, Florida, Vereinigte Staaten
mixed at:
Cheiron Studios in Stockholm, Stockholms län (Stockholm county), Schweden
edited at:
Battery Recording Studios (NYC; not to be confused with the mastering studio located at 321 W 44th Street) in New York, New York, Vereinigte Staaten
recording of:
Everybody (Backstreet’s Back)
Verfasser(in):
Max Martin (Swedish record producer) und Denniz PoP
publisher:
Maratone AB (beendet), MXM Music AB (beendet), Grantsville Publishing Ltd., GV-Maratone, GV-MXM, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Zomba Enterprises, Inc., Zomba Music Publishers Limited (UK subsidiary of Zomba Music Publishing) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Backstreet Boys3.153:45
20It’s Like That
Produzent(in):
Larry Smith (US hip hop producer) und Russell Simmons
zusätzliche(r) Produzent(in):
Jason Nevins
remixer:
Jason Nevins
phonographisches Urheberrecht (℗) von:
Profile Records Ltd. und Smile Communications
produced for:
Rush Groove Productions
recording of:
It’s Like That
Verfasser(in):
Darryl McDaniels (rapper Darryl McDaniels), Joseph Simmons (US rapper Rev. Run of Run-D.M.C) und Larry Smith (US hip hop producer)
publisher:
Protoons Inc., Rush-Groove und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Run‐D.M.C. feat. Jason Nevins3.34:09
21Jump (for My Love) (single remix)
Techniker(in):
Gary Skardina
Partner-Produzent(in):
Stephen Mitchell (US musician, composer, songwriter, producer et al.) und Gary Skardina
Produzent(in):
Richard Perry (producer)
Mix:
Michael Brooks (mixer) und James C. Tract
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1982)
recording of:
Jump (for My Love)
Verfasser(in):
Stephen Mitchell (US musician, composer, songwriter, producer et al.), Marti Sharron und Gary Skardina
publisher:
Anidraks Music (publisher), ATV Music, Braintree Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Sony/ATV Songs LLC
The Pointer Sisters43:59
22Spotlight
recording of:
Spotlight
Verfasser(in):
Mikkel Storleer Eriksen, Tor Erik Hermansen und Shaffer Chimere Smith
Jennifer Hudson34:10
23Shackles (Praise You)
Produzent(in):
Warryn Campbell
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 1) (Nummer: 6)
recording of:
Shackles (Praise You)
Komponist(in):
Erica Campbell, Warryn Campbell und Trecina Atkins
Mary Mary43:18
24Lady Marmalade
recording of:
Lady Marmalade (Voulez-vous coucher avec moi, ce soir ?)
Verfasser(in):
Bob Crewe und Kenny Nolan
publisher:
Ardmore and Beechwood Ltd., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI April Music Inc., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Songs Australia Pty. Ltd., Jobete Music Co., Inc., Kenny Nolan Publishing, Pathe Publications (F.E.) Ltd., Stone Diamond Music Corporation und TannyBoy Music
cover recording of:
Lady Marmalade (Voulez-vous coucher avec moi, ce soir ?)
Verfasser(in):
Bob Crewe und Kenny Nolan
publisher:
Ardmore and Beechwood Ltd., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI April Music Inc., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Songs Australia Pty. Ltd., Jobete Music Co., Inc., Kenny Nolan Publishing, Pathe Publications (F.E.) Ltd., Stone Diamond Music Corporation und TannyBoy Music
LaBelle feat. Patti LaBelle3:56
25Candyman
Programmierung:
Marc Jameson
Techniker(in), Produzent(in) und Mix:
Linda Perry (rock singer‐songwriter & producer)
zusätzliche(r) Techniker(in):
Kristofer Kaufman und Chris Wonzer
Audio-Engineering:
Andrew Chavez (engineer)
Bass, mellotron und Klavier:
Linda Perry (rock singer‐songwriter & producer)
membranophone:
Nathan Wetherington
Posaune:
Jim McMillen (arranger & trombonist)
Saxophon:
Glen Berger (saxophonist) und Ray Herrmann
Trompete:
Chris Tedesco
Horn arranger:
Linda Perry (rock singer‐songwriter & producer)
Samples:
Tarzan and Jane Swingin' on a Vine von US Marines (United States Marine Corps)
Musikvideos:
Candyman von Christina Aguilera
recording of:
Candyman
Verfasser(in):
Christina Aguilera und Linda Perry (rock singer‐songwriter & producer)
Christina Aguilera3.53:14
26I’m Outta Love (radio edit)
Programmierung:
Louis Biancaniello (in 2000)
Produzent(in):
Louis Biancaniello und Sam Watters
Mix:
Louis Biancaniello und David Frazier (engineer)
Gitarre [guitars]:
Vernon Black (in 2000)
Keyboard [all keyboards]:
Louis Biancaniello (in 2000)
Schlagzeug [drums]:
Louis Biancaniello (in 2000) und Sam Watters (in 2000)
Hintergrundgesang:
Anastacia (USA pop singer from Chicago, IL, best known for “I’m Outta Love”) (in 2000) und Sam Watters (in 2000)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1999, in 2000) und Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 2000)
produced for:
Breakthrough Entertainment
aufgenommen bei:
Homesite 13 in Novato, California (Kalifornien), Vereinigte Staaten (in 2000)
mixed at:
Homesite 13 in Novato, California (Kalifornien), Vereinigte Staaten
Musikvideos:
I’m Outta Love von Anastacia (USA pop singer from Chicago, IL, best known for “I’m Outta Love”)
a cappella versions:
I'm Outta Love (a cappella) von Anastacia (USA pop singer from Chicago, IL, best known for “I’m Outta Love”)
instrumental versions:
I'm Outta Love (instrumental) von Anastacia (USA pop singer from Chicago, IL, best known for “I’m Outta Love”)
recording of:
I’m Outta Love (in 2000)
Texter:
Anastacia Newkirk (USA pop singer from Chicago, IL, best known for “I’m Outta Love”), Louis Biancaniello und Sam Watters
Komponist(in):
Louis Biancaniello und Sam Watters
publisher:
Breakthrough Creations, EMI April Music Inc., Poho Productions, S. M. Y. Publishing, Sony/ATV Tunes LLC (ASCAP) und Universal Music Corp. (USA, affiliated with ASCAP)
Anastacia3.84:03
27He Wasn’t Man Enough (radio edit)
phonographisches Urheberrecht (℗) von:
LaFace Records (in 2000)
Bearbeitung von:
He Wasn’t Man Enough von Toni Braxton
recording of:
He Wasn’t Man Enough for Me
Verfasser(in):
LaShawn Daniels (US contemporary R&B songwriter), Fred Jerkins, Rodney Jerkins und Harvey Mason Jr. (hip hop/R&B producer, part of Underdogs)
Toni Braxton2.654:01
28Girls Just Wanna Have Fun
assistierende(r) Techniker(in):
John Agnello (engineer & producer)
Techniker(in):
William Wittman
zusätzliche(r) Techniker(in):
John Jansen (US recording engineer and producer) und Rod O’Brien
Partner-Produzent(in):
William Wittman
Produzent(in):
Rick Chertoff
Bass:
Eric Bazilian
E-Gitarre:
Rick DiFonzo
elektronisches Schlagzeug / E-Drums:
Anton Fig
Keyboard [keyboards] und Synthesizer [synthesizers]:
Rob Hyman
Hintergrundgesang:
Krystal Davis, Ellie Greenwich, Cyndi Lauper, Jules Shear, Maretha Stewart und Diane Wilson (vocals)
Sologesang:
Cyndi Lauper
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983, in 1994)
produced for:
Red Sox Music Productions, Inc.
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten
Musikvideos:
Girls Just Want to Have Fun von Cyndi Lauper
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 23), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 63)
recording of:
Girls Just Want to Have Fun
Texter und Komponist(in):
Robert Hazard
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., Novelene Music, Sony Tunes, Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Tunes LLC (ASCAP) und Heroic Music (publisher) (in 1983)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Cyndi Lauper4.13:44
299 to 5
Produzent(in):
Gregg Perry (American producer, arranger, songwriter and keyboardist)
baritone saxophone:
Kim S. Hutchcroft (in 1980)
Bassgitarre:
Abraham Laboriel (in 1980)
Gitarre:
Jeff Baxter (in 1980) und Martin K. Walsh (in 1980)
Klavier:
Larry Knechtel (in 1980)
Perkussion:
Leonard Castro (in 1980)
Posaune:
William Reichenbach (jazz trombonist) (in 1980)
Saxophon:
Tom Saviano (in 1980)
Schlagzeug:
Richard Schlosser (drummer) (in 1980)
Trompete:
Jerry Hey (in 1980)
Hintergrundgesang:
Anita Ball (in 1980), Denise Maynelli (in 1980) und Stephanie Spruill (American soul/disco singer, songwriter, and percussionist) (in 1980)
vocals:
Dolly Parton (in 1980)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1980) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1980)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 191)
recording of:
9 to 5 (in 1980)
Texter und Komponist(in):
Dolly Parton
publisher:
Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dunbar Music Canada Ltd. (Canadian publisher), Fox Fanfare Music, Screen Gems–EMI Music und Velvet Apple Music
Teil von:
The 53rd Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1980 nominee)
Dolly Parton4.052:44
30These Boots Are Made for Walkin’
cover recording of:
These Boots Are Made for Walkin’
Texter und Komponist(in):
Lee Hazlewood
publisher:
Criterion Music Corp. (in 1966)
Version von:
Boots (original melody)
Jessica Simpson3:58
31Bye Bye Bye
Assistent recording engineer:
Bray Merritt
recording engineer:
Mike Tucker (engineer)
Produzent(in):
Jake (Swedish producer) und Kristian Lundin
Gitarre:
Esbjörn Öhrwall
vocals:
Lance Bass, JC Chasez, Joey Fatone, Chris Kirkpatrick und Justin Timberlake
Interpret(in):
*NSYNC (US boy band)
produced for:
Cheiron Productions
aufgenommen bei:
Battery Recording Studios (NYC; not to be confused with the mastering studio located at 321 W 44th Street) in New York, New York, Vereinigte Staaten, Cheiron Studios in Stockholm, Stockholms län (Stockholm county), Schweden und Cove City Sound Studios in Glen Cove, New York, Vereinigte Staaten
Musikvideos:
Bye Bye Bye von *NSYNC (US boy band)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 57)
recording of:
Bye Bye Bye
Verfasser(in):
Andreas Carlsson (pop songwriter), Jake (Swedish producer) und Kristian Lundin
publisher:
Grantsville Publishing Ltd., GV-Maratone und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
*NSYNC43:19
32Don’t Stop Believin’
assistierende(r) Techniker(in):
Wally Buck
Techniker(in):
Kevin Elson
Produzent(in):
Kevin Elson und Mike Stone (producer and engineer, 1960s–80s)
Bassgitarre:
Ross Valory (von 1981-04 bis 1981-06)
Gitarre:
Neal Schon (von 1981-04 bis 1981-06)
Keyboard und Klavier:
Jonathan Cain (von 1981-04 bis 1981-06)
Schlagzeug und Perkussion:
Steve Smith (US drummer most associated with Journey) (von 1981-04 bis 1981-06)
Hintergrundgesang:
Jonathan Cain (von 1981-04 bis 1981-06), Neal Schon (von 1981-04 bis 1981-06) und Ross Valory (von 1981-04 bis 1981-06)
Sologesang:
Steve Perry (former lead singer of Journey) (von 1981-04 bis 1981-06)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1981), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
aufgenommen bei:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten (von 1981-04 bis 1981-06)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten
Teil von:
SWR1 Hitparade 2022 (Baden-Württemberg) (Nummer: 10), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 11), Offizielle deutsche Charts – Single-Jahrescharts 2025 (Nummer: 34), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 51) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 133)
recording of:
Don’t Stop Believin’ (Journey song) (von 1981-04 bis 1981-06)
Verfasser(in):
Jonathan Cain, Steve Perry (former lead singer of Journey) und Neal Schon
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Lacey Boulevard Music, Sharandall Music, Sony Music (global brand, excluding JP, owned by Sony Music Entertainment), Universal/MCA Music Ltd. (not for release label use!) und Weedhigh‐Nightmare Music
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), 日音 Synch事業部 (NICHION, INC. Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Journey4.34:08
33Waiting for a Star to Fall
drum machine-Programmierung:
George Merrill
Produzent(in):
Arif Mardin
assistierende(r) Mix:
Jim Dineen
Mix:
David Leonard (US producer and engineer)
alto saxophone:
Andy Snitzer
Bassgitarre, Klavier und Synthesizer:
George Merrill
Gitarre:
John Goux
Schlagzeug:
Denny Fongheiser und Michael Jochum
Synthesizer [Crowning touch]:
Joe Mardin
vocals:
George Merrill und Shannon Rubicam
zusätzlich vocals:
Susan Boyd
phonographisches Urheberrecht (℗) von:
BMG Music (in 1988) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1988)
mixed at:
The Grey Room in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Waiting for a Star to Fall
Verfasser(in):
George Merrill und Shannon Rubicam
publisher:
Irving Music, Inc., Rondor Music (London) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Boy Meets Girl Music (vom 1987 bis heute) und Irving Music (BMI) (vom 1987 bis heute)
Boy Meets Girl3.254:32
34Can You Feel It
Produzent(in):
The Jacksons (formerly “The Jackson 5”)
Bass:
Nathan Watts
Gitarre:
Tito Jackson und David Williams (session guitarist and songwriter)
Keyboard:
Ronnie Foster, Greg Phillinganes und Bill Wolfer (record producer, songwriter, musician and synthesizer programmer from USA)
Schlagzeug:
Ollie E. Brown (US drummer, session musician & record producer)
Vibraphon [vibes]:
Gary L. Coleman (US percussionist)
Chorgesang:
Lita Aubrey, Paulette Brown, Brigette Bush, Soloman Daniels, Rock Deadrick, Carolyn Dennis (American singer), Venetta Fields, Roy Galloway (soul singer), Gerry Garrett, Rhonda Gentry, Jim Gilstrap, Gerry Gruberth, Bunny Hull, Roger Kenerly II, Josie James, Roger Kenerly-Saint, Yolanda Kenerly, Bob Mack, Arnold McCuller, Paulette McWilliams, Louis Price, Lisa Roberts, Stephanie Spruill (American soul/disco singer, songwriter, and percussionist), Phyllis St. James, Brian Stilwell, Audra Tillman, Carmen Twillie, Ronald Vann, Peter Wade und Gregory Wright
Sologesang:
Michael Jackson (“King of Pop”) und Randy Jackson (brother of Michael and Janet)
Saiteninstrumente arranger:
Tom Tom 84
arranger:
Jackie Jackson (member of the Jackson 5) und Michael Jackson (“King of Pop”)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1980)
recording of:
Can You Feel It
Verfasser(in):
Jackie Jackson (member of the Jackson 5) und Michael Jackson (“King of Pop”)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music (publisher as Warner/Chappell Music) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
MJ: The Musical
The Jacksons4.353:49
35Cooler Than Me (single mix)
recording engineer:
Mike Posner
Produzent(in):
Gigamesh
Musikvideos:
Cooler Than Me von Mike Posner
Teil von:
Billboard Year-End Hot 100 singles of 2010 (Nummer: 19)
recording of:
Cooler Than Me
Verfasser(in):
Eric Hölljes und Mike Posner
Mike Posner feat. Gigamesh3.33:33
36Respect
recording engineer:
Tom Dowd (am 1967-02-14)
Produzent(in):
Jerry Wexler
baritone saxophone:
Willie Bridges (am 1967-02-14)
Bassgitarre:
Tommy Cogbill (am 1967-02-14)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1967-02-14)
Klavier:
Aretha Franklin (am 1967-02-14)
Kornett:
Melvin Lastie (am 1967-02-14)
Orgel:
Spooner Oldham (am 1967-02-14)
Schlagzeug:
Roger Hawkins (am 1967-02-14)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1967-02-14) und King Curtis (saxophonist) (am 1967-02-14)
Hintergrundgesang:
Carolyn Franklin (am 1967-02-14) und Erma Franklin (am 1967-02-14)
vocals:
Aretha Franklin (am 1967-02-14)
conductor:
Tom Dowd (am 1967-02-14)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1967-02-14)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 21), New York Post: 100 Greatest Covers (2007) (Nummer: 52) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
cover recording of:
Respect (am 1967-02-14)
Texter und Komponist(in):
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell und Warner/Chappell North America
Aretha Franklin3.92:25
37Walk This Way (7″ single version)
Produzent(in):
Rick Rubin (US record producer, former co‐president of Columbia Records) und Russell Simmons
Gast-Gitarre:
Joe Perry (guitarist for Aerosmith)
Gast vocals:
Steven Tyler
phonographisches Urheberrecht (℗) von:
Profile Records, Inc. (distributor / holding / manufacturer) (in 1986) und RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1986)
recording of:
Walk This Way
Verfasser(in):
Joe Perry (guitarist for Aerosmith) und Steven Tyler
publisher:
Daksel LLC, Daksel Music Corp., Music of Stage Three, Music of Stage Three Aerosmith Account, Song and Dance Music, Sony/ATV Music Publishing, Sony/ATV Music Publishing Ltd., Stage Three Music Ltd., Stage Three Music Publishing Limited und Vindaloo Productions, Inc.
Run‐D.M.C. with Aerosmith3.653:36
38Crying at the Discotheque (radio edit)
Teil von:
The Downloader’s Music Source Book (Nummer: 324)
recording of:
Crying at the Discoteque
Verfasser(in):
Alexander Bard, Bernard Edwards (American bassist and record producer), Michael Goulos, Anders Hansson (producer / writer / performer), Nile Rodgers und Anders Wollbeck (pop music songwriter and producer)
basiert auf:
Spacer
Alcazar43:51
39A Little Less Conversation (JXL radio edit remix)
assistierende(r) Techniker(in):
Dan Milazzo und Claudius Mittendorfer (engineer, producer, mixer)
Techniker(in):
Ray Bardani
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (von 1968-03-07 bis 1968-06-23)
remixer:
Junkie XL (Dutch DJ/score composer Tom Holkenborg)
phonographisches Urheberrecht (℗) von:
BMG (the former Bertelsmann Music Group, defunct since 2004-08-05; for releases dated 2008 and later, see annotation) (in 2002) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1968-03-07 bis 1968-06-23)
mixed at:
Computer Hell Cabin in Amsterdam, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands
Remix von:
A Little Less Conversation von Elvis Presley (“The King of Rock and Roll”)
cover recording of:
A Little Less Conversation (von 1968-03-07 bis 1968-06-23)
Verfasser(in):
Mac Davis (US country singer, songwriter & actor) und Billy Strange
publisher:
Carlin Music Corporation und Elvis Presley Music
Elvis Presley vs. Junkie XL3.453:33
40You Spin Me Round (Like a Record)
Produzent(in):
Pete Waterman
Interpret(in):
Dead or Alive (UK new wave band) (in 1984)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1985)
Musikvideos:
You Spin Me Round (Like a Record) (On 'Blue Peter') (TX 10/01/2003) von Dead or Alive (UK new wave band)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 52)
recording of:
You Spin Me Round (Like a Record)
Verfasser(in):
Pete Burns, Steve Coy, Tim Lever und Mike Percy
publisher:
Burning Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Métisse Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996) und Westbury Music Ltd.
Teil von:
American Psycho
Dead or Alive4.153:19
41I See You Baby (Fatboy Slim radio edit)
Techniker(in):
Simon Thornton (Big beat mixing engineer)
Gast vocals:
Gram’ma Funk
remixer:
Fatboy Slim
arranger:
Fatboy Slim
recording of:
I See You Baby
Texter und Komponist(in):
Andy Cato, Tom Findlay (UK electronic DJ/producer, Groove Armada) und Toi Wooten
Groove Armada feat. Gram’ma Funk3.454:04
42Swagger Jagger
Mastering:
Tom Coyne (mastering engineer)
Techniker(in):
Jeff “Supa Jeff” Villanueva
Koproduzent(in):
The Monarch (production duo)
Produzent(in):
The Runners (US hip hop production duo)
Mix:
Serban Ghenea
Gitarre [guitars]:
Alex Delicata
vocals:
Cher Lloyd
phonographisches Urheberrecht (℗) von:
Simco Limited (not for release label use, for copyright/licensor use only) (in 2011)
co-produced for:
Fraternity Music Group (independent label, fka Fraternity Records that began in 1954)
produced for:
Trac‐N‐Field Entertainment
aufgenommen bei:
We the Best Studios in Miami, Florida, Vereinigte Staaten
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
recording of:
Swagger Jagger
Verfasser(in):
Andrew Harr, Clarence Coffee Jr., Andre Davidson, Sean Davidson, Jermaine Jackson, Cher Lloyd, Marcus Lomax und Autumn Rowe
publisher:
Beginning of the End Publishing, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Fraternity Music Group (independent label, fka Fraternity Records that began in 1954), Numbers Never Lie, One Stop Coffee Shop, R8D Songs, Rampaige 8 Publishing, Rich Water Publishing, Sony/ATV Music Publishing (UK) Ltd., Stellar Songs Ltd., The Lone Pharaoh Music Publishing, Trac‐N‐Field Entertainment, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
basiert auf:
Oh My Darling, Clementine
Cher Lloyd13:12
43Party All Night (Sleep All Day)
recording of:
Party All Night (Sleep All Day)
Sean Kingston23:42
44Barbra Streisand (The Most Wanted Woman) (radio mix)
Boney M.3:12
45Thinking of Me
Sologesang:
Olly Murs
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2010)
recording of:
Thinking of Me
Olly Murs23:25
46She’s So Lovely
Programmierung, Techniker(in), Produzent(in) und Mix:
Andy Green (producer, engineer)
Musikvideos:
She’s So Lovely von Scouting for Girls
recording of:
She’s So Lovely
Texter und Komponist(in):
Roy Stride
Scouting for Girls3.353:42
47Valerie
assistierende(r) Techniker(in):
Tom Stanley
Techniker(in):
Cenzo Townshend (engineer)
Produzent(in):
Stephen Street (famous producer, songwriter)
recording of:
Valerie (in 2006)
Verfasser(in):
Boyan Chowdhury, Dave McCabe (English singer, songwriter and guitarist), Abi Harding, Sean Payne (member of The Big Kids, The Isrites, The Zutons) und Russ Pritchard
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
The Zutons3.653:55
48Teenage Dirtbag
recording engineer und Produzent(in):
Philip A. Jimenez und Wheatus
Mix:
David Thoener
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 2000)
recording of:
Teenage Dirtbag
Texter und Komponist(in):
Brendan B. Brown (Wheatus singer/guitarist)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Blackwood Music Inc. (in 2000) und Montauk Mantis Productions (in 2000)
Wheatus2.54:03
49Pumped Up Kicks
recording engineer, Produzent(in) und Mix:
Mark Foster (of Foster the People)
Interpret(in):
Mark Foster (of Foster the People)
Teil von:
Grammy Award: Best Pop Duo/Group Performance nominees (Nummer: 2012), Billboard Year-End Hot 100 singles of 2011 (Nummer: 13) und Indie 88: Top 500 Indie Rock Songs (Nummer: 46)
recording of:
Pumped Up Kicks
Texter und Komponist(in):
Mark Foster (of Foster the People)
publisher:
Smims Coffee and Tea Music Publishing
Foster the People4.23:58
50Kids (radio mix)
Interpret(in):
Ben Goldwasser und Andrew VanWyngarden
arranger:
Ben Goldwasser und Andrew VanWyngarden
Herausgeber:
Old Man Future und Sadguitarius
Teil von:
triple j's Hottest 100 of 2008 (16th edition of Australian annual music poll) (Nummer: 5) und Indie 88: Top 500 Indie Rock Songs (Nummer: 32)
recording of:
Kids
Texter:
Andrew VanWyngarden
Komponist(in):
Ben Goldwasser und Andrew VanWyngarden
publisher:
Old Man Future und Sadguitarius
MGMT4.15:03

Nennungen

Veröffentlichung

phonographisches Urheberrecht (℗) von:Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 2012)
kostenlos streamen:https://open.spotify.com/album/4o03pHHL4dYfHB4olfCdyE [Info]
https://www.deezer.com/album/6103535 [Info]