De beste muziek uit NOS Langs de Lijn 2020

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Easy Lover
produttore:
Phil Collins (of Genesis)
basso :
Nathan East
batteria :
Phil Collins (of Genesis)
chitarra :
Daryl Stuermer
tastiera :
Lesette Wilson
voce principale:
Philip Bailey e Phil Collins (of Genesis)
parte di:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (numero: 20), VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 49) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 203)
registrazione di:
Easy Lover
autore:
Philip Bailey, Phil Collins (of Genesis) e Nathan East
editore:
Concord Music GmbH, Concord Music Publishing LLC, Concord Sounds, Musik-Edition Discoton, Pun Music Inc., Universal Music Publishing GmbH (Universal Music Publishing Group Germany), Universal Music Publishing International Ltd., Universal Music Publishing International MGB Ltd., Hit & Run Music (Publishing) Ltd (nel 1984), New East Music (nel 1984), Philip Collins Ltd. (nel 1984), Sir & Trini Music (nel 1984) e Warner Chappell Music Ltd. (no slash; used 1988–1996) (nel 1984)
Philip Bailey & Phil Collins45:03
2Circles
tecnico di registrazione:
Louis Bell (American producer, engineer, and songwriter)
programmazione:
Austin Post, Louis Bell (American producer, engineer, and songwriter) e Frank Dukes (Canadian record producer, songwriter, musician)
produttore:
Louis Bell (American producer, engineer, and songwriter), Frank Dukes (Canadian record producer, songwriter, musician) e Post Malone
assistente tecnico di missaggio:
Scott Desmarais, Robin Florent, Chris Galland e Jeremie Inhaber
tecnico di missaggio:
Manny Marroquin
chitarra :
Austin Post e Kaan Gunesberk
voce:
Post Malone
diritti fonografici (℗) detenuti da:
Republic Records (from 1994–2006 and since 2012, a division of UMG Recordings, Inc.) (nel 2019)
registrata presso:
Electric Feel Studios in Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
Larrabee Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, Stati Uniti
parte di:
MTV Video Music Award for Song of the Year nominees (numero: 2020), Billboard Year-End Hot 100 singles of 2020 (numero: 2), Grammy Award: Record of the Year nominees (numero: 2021), Billboard: Greatest of All Time Hot 100 Songs (numero: 19), Spotify: Top Hits of 2019 (numero: 39), Billboard Year-End Hot 100 singles of 2019 (numero: 62) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 197)
registrazione di:
Circles
editore:
Billy Walsh (American songwriter)
autore:
Adam Feeney (Canadian record producer, songwriter, musician), Austin Post, Louis Bell (American producer, engineer, and songwriter), Kaan Gunesberk e Billy Walsh (American songwriter)
editore:
Kaan Gunesberk Publishing, Posty Co LLC, Sony/ATV, UMPG e WMMW Publishing (ASCAP affiliated)
parte di:
Grammy Award: Song of the Year nominees (numero: 2021)
Post Malone43:35
3Sky on Fire
Handsome Poets3:34
4Bend & Break
programmazione e tecnico:
Andy Green (producer, engineer)
produttore:
Andy Green (producer, engineer) e Keane
assistente tecnico di missaggio:
David Treahern e Rob Haggett
tecnico di missaggio:
Mark “Spike” Stent (producer, engineer)
diritti fonografici (℗) detenuti da:
Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (nel 2004, nel 2024)
registrata presso:
Helioscentric Studios in Rye, East Sussex, England, Regno Unito
registrazione di:
Bend and Break
autore:
Tom Chaplin, Richard Hughes (Keane member) e Tim Rice‐Oxley
editore:
BMG Music Publishing Ltd.
Keane3.653:40
5Venus
produttore:
Shocking Blue
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 33)
registrazione di:
Venus (Shocking Blue (I’m Your Venus)) (nel 1969)
paroliere e compositore:
Robbie van Leeuwen
editore:
ATV Music Ltd., Dayglow Music (publisher) e The International Music Network
si basa su:
The Banjo Song
Shocking Blue4.153:00
6Zoutelande
tecnico e tecnico di missaggio:
Huub Reijnders
produttore:
Ferdy van der Singel
batteria :
Norman Drums
chitarra e voce principale:
Paskal Jacobsen
chitarra basso :
Peter Slager
tastiera :
Bas Kennis
voce:
Geike Arnaert (Belgian singer Geike Arnaert), Bas Kennis, Norman Drums e Peter Slager
registrata presso:
Real World Studios in Box, Wiltshire, England, Regno Unito (nel 2016)
parte di:
MIA Award: Song of the Year (numero: 2018)
registrazione di:
Zoutelande (nel 2016)
traduttore:
Peter Slager
versione tradotta di:
Frankfurt Oder
BLØF feat. Geike3:39
7Uptown Funk
programmazione:
Mark Ronson (British DJ and producer)
tecnico:
Josh Blair, Wayne Gordon, Inaam Haq, Boo Mitchell, Charles Moniz e Mark Ronson (British DJ and producer)
tecnico aggiunto:
Riccardo Damian (recording engineer), Ken Lewis (recording engineer and mixer), Devin Nakao e Matthew Stevens (Engineer)
produttore:
Jeff Bhasker, Bruno Mars (US singer) e Mark Ronson (British DJ and producer)
assistente tecnico di missaggio:
John Hanes (audio engineer, mixer)
tecnico di missaggio:
Serban Ghenea
basso elettrico :
Jamareo Artis
batteria e voce principale:
Bruno Mars (US singer)
chitarra elettrica :
Carlos Alomar
drum machine [LinnDrum] e chitarra elettrica :
Mark Ronson (British DJ and producer)
sassofono baritono :
Ian Hendrickson-Smith
sassofono tenore :
Dwayne Dugger e Neal Sugarman
talk box e tastiera :
Jeff Bhasker
tastiera aggiunto:
Phredley Brown
tromba :
David Guy, Jimmy King (American trumpeter) e Michael Leonhart
trombone :
Ray Mason (trombone) e Kameron Whalum
diritti fonografici (℗) detenuti da:
Mark Ronson (British DJ and producer) (nel 2014)
registrata presso:
Cherry Beach Studios in Toronto, Ontario, Canada, Daptone Studios in Bushwick, New York, New York, Stati Uniti, Dunham Studios in Brooklyn, New York, New York, Stati Uniti, Enormous Studios in Los Angeles, California, Stati Uniti, Levcon Studios in Hollywood, Los Angeles, California, Stati Uniti, Royal Studios in Memphis, Tennessee, Stati Uniti, The Armory in Vancouver, British Columbia (Columbia Britannica), Canada e Zelig Studios in London (Greater London), England, Regno Unito
mixata presso:
MixStar Studios in Virginia Beach, Virginia, Stati Uniti
parte di:
Billboard Year-End Hot 100 singles of 2015 (numero: 1), Billboard: Greatest of All Time Hot 100 Songs (numero: 5), Billboard Decade End Chart: Streaming Songs (2010s) (numero: 6), Stereogum: The 200 Best Songs of the 2010s (numero: 19), Grammy Award: Best Pop Duo/Group Performance nominees (numero: 2016 winner), Rolling Stone: The 100 Best Songs of the 2010s (numero: 66), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 76) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 417)
registrazione di:
Uptown Funk
autore:
Jeff Bhasker, Bruno Mars (US singer), Charlie Wilson (R&B singer), Devon Gallaspy, Lonnie Simmons (producer, songwriter), Mark Ronson (British DJ and producer), Nicholas Williams, Philip Lawrence (urban songwriter/producer, of The Smeezingtons), Robert Wilson (US vocalist/bassist, member of Gap Band), Ronnie Wilson (Gap Band member) e Rudolph Taylor (Memphis soul singer)
editore:
Imagem CV, Mars Force Songs, LLC, Songs of Zelig (BMI-affiliated), Sony/ATV Ballad, Sony/ATV Songs LLC, Tig7 Publishing LLC, Trinlanta Publishing, Way Above Music e ZZR Music, LCC
si basa su:
All Gold Everything
Mark Ronson feat. Bruno Mars3.654:30
8Beautiful Day
registrazione di:
Beautiful Day
paroliere:
Bono (singer of U2)
compositore:
Bono (singer of U2), Adam Clayton, The Edge (U2 guitarist David Evans) e Larry Mullen, Jr.
editore:
Blue Mountain Music Ltd., Mother Music, PolyGram International Music Publishing B.V., Sony/ATV Music Publishing LLC (1995–2020), Universal Music Publishing BV (Benelux subsidiary of Universal Music Publishing Group), Universal Music Publishing International BV (Global Licensing & Royalty Review division, Universal Music Publishing Group) e Universal Music Publishing International Ltd.
revisione di:
Always
U24:06
9Whatever It Takes
tecnico di registrazione e produttore:
Joel Little
tecnico di missaggio:
John Hanes (audio engineer, mixer)
diritti fonografici (℗) detenuti da:
Interscope Records (part of UMG Recordings, Inc.) (nel 2017) e KIDinaKORNER (nel 2017)
registrata presso:
Golden Age West in Auckland, Auckland, North Island, Nuova Zelanda
parte di:
Billboard Year-End Hot 100 singles of 2018 (numero: 37)
registrazione di:
Whatever It Takes
editore:
Joel Little
autore:
Joel Little, Ben McKee (American bassist, Imagine Dragons), Daniel Platzman, Dan Reynolds (American singer/songwriter, producer) e Wayne Sermon
editore:
EMI Blackwood Music Inc., Imagine Dragons Publishing, KIDinaKORNER e Universal (plain logo “Universal” used by Universal Music and Universal Pictures)
Imagine Dragons3.93:20
10Don’t Dream It’s Over
tecnico di registrazione:
Tchad Blake e Dennis Kirk
assistente tecnico:
Glen Holguin (engineer)
produttore:
Mitchell Froom
tecnico di missaggio:
Michael Frondelli
basso :
Nick Seymour (Nicholas More Seymour)
batteria :
Paul Hester (Australian drummer for Crowded House/Split Enz)
chitarra elettrica [Gibson Les Paul Goldtop] e voce principale:
Neil Finn
chitarra elettrica [Tom Anderson “S” Style] :
Tim Pierce (US session guitarist)
congas , mbira [kalimba] e shaker :
Jorge Bermudez
organo e tastiera :
Mitchell Froom
voce di accompagnamento:
Noel Crombie, Jim Gilstrap, Andy Milton e Joe Satriani
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1986)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti e Sunset Sound Factory (1982–2017) in Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
Studio 55 in Los Angeles, California, Stati Uniti
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 5)
registrazione di:
Don’t Dream It’s Over
paroliere e compositore:
Neil Finn
editore:
Chrysalis Music (music publisher, ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Mushroom Music (Mushroom label’s publishing company), Mushroom Music Publishing e Roundhead Music (Neil Finn)
parte di:
APRA Top 100 New Zealand Songs of All Time (numero: 2)
Crowded House3.93:53
11Love Don’t Hate It
Duncan Laurence2:52
12Smooth
assistente tecnico di registrazione:
Steve Fontano
tecnico di registrazione e tecnico di missaggio:
David Thoener
programmazione e editor:
Mark Dobson (engineer)
tecnico di mastering:
Stephen Marcussen (mastering engineer)
produttore:
Matt Serletic
assistente tecnico di missaggio:
Andy Haller
batteria :
Rodney Holmes
chitarra :
Carlos Santana
chitarra basso :
Benny Rietveld (bass guitar player)
congas :
Raul Rekow
percussione :
Karl Perazzo
tastiera :
Chester Thompson (US keyboardist Chester D. Thompson for Santana & Tower of Power)
tromba :
Julius Meléndez e Bill Ortiz
trombone :
Jeff Cressman e Jose Abel Figueroa
voce principale e voce principale ospite:
Rob Thomas (Matchbox Twenty)
esecutore:
Rob Thomas (Matchbox Twenty)
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1999) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (dal 2005 a oggi)
registrata presso:
Fantasy Studios (Berkeley) in Berkeley, California, Stati Uniti
mixata presso:
The Record Plant (Sausalito, 1972-1981) in Sausalito, California, Stati Uniti
parte di:
My VH1 Music Awards – Your Song Kicked Ass but Was Played Too Damn Much (numero: 2000) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 206)
registrazione di:
Smooth
paroliere:
Rob Thomas (Matchbox Twenty)
compositore:
Itaal Shur e Rob Thomas (Matchbox Twenty)
editore:
Bidnis, Inc., EMI April Music Inc., EMI Blackwood Music Inc., Itaal Shur Music e U Rule Music
Santana feat. Rob Thomas3.354:50
13Drive By
produttore:
Espionage (NY-based Norwegian songwriting/production team) e Butch Walker
assistente tecnico di missaggio:
Doug Johnson (Label executive. Also engineer, songwriter, producer)
tecnico di missaggio:
Mark Endert
basso :
Hector Maldanado
batteria :
Scott Underwood (Drummer for Train)
chitarra :
Jimmy Stafford (member of Train)
tastiera :
Jerry Becker
voce:
Pat Monahan
mixata presso:
Indian River Studios in Florida, Stati Uniti
parte di:
Billboard Year-End Hot 100 singles of 2012 (numero: 19) e Billboard Decade End Chart: Adult Contemporary Songs (2010s) (numero: 45)
registrazione di:
Drive By
autore:
Amund Bjørklund, Espen Lind e Pat Monahan
Train3.53:15
14It Takes Two
voce:
Kim Weston
registrazione di:
It Takes Two
autore:
Sylvia Moy e William Stevenson (Motown songwriter)
editore:
Jobete Music (UK) Ltd. e Stone Agate Music
Marvin Gaye & Kim Weston52:56
15Budapest
programmazione e produttore:
Cam Blackwood
tecnico:
Cam Blackwood e Liam Thorne
assistente produttore:
Liam Thorne
assistente tecnico di missaggio:
Sean Julliard
tecnico di missaggio:
Cenzo Townshend (engineer)
chitarra [guitars] e percussione :
Cam Blackwood e George Ezra
sintetizzatore basso [bass synth] e tastiera [keys] :
Cam Blackwood
tastiera [keyboards] :
George Ezra
voce:
George Ezra
diritti fonografici (℗) detenuti da:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 2014)
è stato produttore per:
Big Life Management
registrata presso:
Voltaire Road Recording Studios in Clapham, Lambeth, London (Greater London), England, Regno Unito
mixata presso:
Decoy Studios in Studio City, Los Angeles, California, Stati Uniti
parte di:
Billboard Year-End Hot 100 singles of 2015 (numero: 89)
registrazione di:
Budapest
autore:
George Ezra Barnett e Joel Pott
editore:
BMG Chrysalis (may be used as an imprint, trade name of BMG Rights Management in the US/UK/SE), BMG Platinum Songs US, BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Chrysalis Music Ltd. (music publisher, affiliated with PRS) e Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
George Ezra3.653:22
16Power Over Me
Dermot Kennedy3:26
17A Little Less Conversation
assistente tecnico:
Dan Milazzo e Claudius Mittendorfer (engineer, producer, mixer)
tecnico:
Ray Bardani
voce principale:
Elvis Presley (“The King of Rock and Roll”) (dal 1968-03-07 al 1968-06-23)
remixer:
Junkie XL (Dutch DJ/score composer Tom Holkenborg)
diritti fonografici (℗) detenuti da:
BMG (the former Bertelsmann Music Group, defunct since 2004-08-05; for releases dated 2008 and later, see annotation) (nel 2002) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (dal 1968-03-07 al 1968-06-23)
mixata presso:
Computer Hell Cabin in Amsterdam, Noord-Holland (North Holland), Paesi Bassi, Kingdom of the Netherlands
remix di:
A Little Less Conversation di Elvis Presley (“The King of Rock and Roll”)
registrazione cover di:
A Little Less Conversation (dal 1968-03-07 al 1968-06-23)
autore:
Mac Davis (US country singer, songwriter & actor) e Billy Strange
editore:
Carlin Music Corporation e Elvis Presley Music
Elvis Presley vs. JXL3.453:30
18Tarantuella (Finishtune Grote Wielerwedstrijden)
Rein van den Broek2:38
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