There Will Be No Intermission

~ Release by Amanda Palmer (see all versions of this release, 3 available)

Tracklist

1Digital Media
#TitleRatingLength
1All the Things
accordion:
Jason Webley
double bass, guitar, prepared piano, vibraphone and background vocals:
Jherek Bischoff
drums (drum set):
John Congleton (American record producer, engineer, mixer, writer and musician) and Joey Waronker
organ, piano, ukulele and lead vocals:
Amanda Palmer
synthesizer:
John Congleton (American record producer, engineer, mixer, writer and musician) and Max Henry
recorded at:
64Sound (formerly Kingsize North) in Highland Park, Los Angeles, California, United States
mixed at:
Elmwood West in Los Angeles, California, United States
recording of:
All the Things
writer:
Amanda Palmer
publisher:
Eight Foot Music
medley of:
Bigger on the Inside
medley of:
A Mother’s Confession
1:23
2The Ride
accordion:
Jason Webley
double bass, guitar, prepared piano, vibraphone and background vocals:
Jherek Bischoff
drums (drum set):
John Congleton (American record producer, engineer, mixer, writer and musician) and Joey Waronker
organ, piano, ukulele and lead vocals:
Amanda Palmer
synthesizer:
John Congleton (American record producer, engineer, mixer, writer and musician) and Max Henry
recorded at:
64Sound (formerly Kingsize North) in Highland Park, Los Angeles, California, United States
mixed at:
Elmwood West in Los Angeles, California, United States
recording of:
The Ride
writer:
Amanda Palmer
publisher:
Eight Foot Music
10:13
3Congratulations
accordion:
Jason Webley
double bass, guitar, prepared piano, vibraphone and background vocals:
Jherek Bischoff
drums (drum set):
John Congleton (American record producer, engineer, mixer, writer and musician) and Joey Waronker
organ, piano, ukulele and lead vocals:
Amanda Palmer
synthesizer:
John Congleton (American record producer, engineer, mixer, writer and musician) and Max Henry
recorded at:
64Sound (formerly Kingsize North) in Highland Park, Los Angeles, California, United States
mixed at:
Elmwood West in Los Angeles, California, United States
recording of:
Congratulations
writer:
Amanda Palmer
publisher:
Eight Foot Music
arrangement of:
Death Thing
0:38
4Drowning in the Sound
accordion:
Jason Webley
double bass, guitar, prepared piano, vibraphone and background vocals:
Jherek Bischoff
drums (drum set):
John Congleton (American record producer, engineer, mixer, writer and musician) and Joey Waronker
organ, piano, ukulele and lead vocals:
Amanda Palmer
synthesizer:
John Congleton (American record producer, engineer, mixer, writer and musician) and Max Henry
recorded at:
64Sound (formerly Kingsize North) in Highland Park, Los Angeles, California, United States
mixed at:
Elmwood West in Los Angeles, California, United States
recording of:
Drowning in the Sound
writer:
Amanda Palmer
publisher:
Eight Foot Music
5:45
5Hold On Tight, Darling
accordion:
Jason Webley
double bass, guitar, prepared piano, vibraphone and background vocals:
Jherek Bischoff
drums (drum set):
John Congleton (American record producer, engineer, mixer, writer and musician) and Joey Waronker
organ, piano, ukulele and lead vocals:
Amanda Palmer
synthesizer:
John Congleton (American record producer, engineer, mixer, writer and musician) and Max Henry
recorded at:
64Sound (formerly Kingsize North) in Highland Park, Los Angeles, California, United States
mixed at:
Elmwood West in Los Angeles, California, United States
recording of:
Hold on Tight
writer:
Amanda Palmer
publisher:
Eight Foot Music
arrangement of:
Look Mummy, No Hands (Fascinating Aïda song)
0:41
6The Thing About Things
accordion:
Jason Webley
double bass, guitar, prepared piano, vibraphone and background vocals:
Jherek Bischoff
drums (drum set):
John Congleton (American record producer, engineer, mixer, writer and musician) and Joey Waronker
organ, piano, ukulele and lead vocals:
Amanda Palmer
synthesizer:
John Congleton (American record producer, engineer, mixer, writer and musician) and Max Henry
recorded at:
64Sound (formerly Kingsize North) in Highland Park, Los Angeles, California, United States
mixed at:
Elmwood West in Los Angeles, California, United States
recording of:
The Thing About Things
lyricist, writer and composer:
Amanda Palmer
publisher:
Eight Foot Music
5:35
7Life’s Such a Bitch Isn’t It
accordion:
Jason Webley
double bass, guitar, prepared piano, vibraphone and background vocals:
Jherek Bischoff
drums (drum set):
John Congleton (American record producer, engineer, mixer, writer and musician) and Joey Waronker
organ, piano, ukulele and lead vocals:
Amanda Palmer
synthesizer:
John Congleton (American record producer, engineer, mixer, writer and musician) and Max Henry
recorded at:
64Sound (formerly Kingsize North) in Highland Park, Los Angeles, California, United States
mixed at:
Elmwood West in Los Angeles, California, United States
recording of:
Life’s Such a Bitch Isn’t It
writer:
Amanda Palmer
publisher:
Eight Foot Music
arrangement of:
Voicemail for Jill
0:33
8Judy Blume
accordion:
Jason Webley
double bass, guitar, prepared piano, vibraphone and background vocals:
Jherek Bischoff
drums (drum set):
John Congleton (American record producer, engineer, mixer, writer and musician) and Joey Waronker
organ, piano, ukulele and lead vocals:
Amanda Palmer
synthesizer:
John Congleton (American record producer, engineer, mixer, writer and musician) and Max Henry
recorded at:
64Sound (formerly Kingsize North) in Highland Park, Los Angeles, California, United States
mixed at:
Elmwood West in Los Angeles, California, United States
recording of:
Judy Blume
writer:
Amanda Palmer
publisher:
Eight Foot Music
46:45
9Feeding the Dark
accordion:
Jason Webley
double bass, guitar, prepared piano, vibraphone and background vocals:
Jherek Bischoff
drums (drum set):
John Congleton (American record producer, engineer, mixer, writer and musician) and Joey Waronker
organ, piano, ukulele and lead vocals:
Amanda Palmer
synthesizer:
John Congleton (American record producer, engineer, mixer, writer and musician) and Max Henry
recorded at:
64Sound (formerly Kingsize North) in Highland Park, Los Angeles, California, United States
mixed at:
Elmwood West in Los Angeles, California, United States
recording of:
Feeding the Dark
writer:
Amanda Palmer
publisher:
Eight Foot Music
arrangement of:
Drowning in the Sound
0:20
10Bigger on the Inside
accordion:
Jason Webley
double bass, guitar, prepared piano, vibraphone and background vocals:
Jherek Bischoff
drums (drum set):
John Congleton (American record producer, engineer, mixer, writer and musician) and Joey Waronker
organ, piano, ukulele and lead vocals:
Amanda Palmer
synthesizer:
John Congleton (American record producer, engineer, mixer, writer and musician) and Max Henry
recorded at:
64Sound (formerly Kingsize North) in Highland Park, Los Angeles, California, United States
mixed at:
Elmwood West in Los Angeles, California, United States
recording of:
Bigger on the Inside
lyricist, writer and composer:
Amanda Palmer
publisher:
Eight Foot Music
8:29
11There Will Be No Intermission
accordion:
Jason Webley
double bass, guitar, prepared piano, vibraphone and background vocals:
Jherek Bischoff
drums (drum set):
John Congleton (American record producer, engineer, mixer, writer and musician) and Joey Waronker
organ, piano, ukulele and lead vocals:
Amanda Palmer
synthesizer:
John Congleton (American record producer, engineer, mixer, writer and musician) and Max Henry
recorded at:
64Sound (formerly Kingsize North) in Highland Park, Los Angeles, California, United States
mixed at:
Elmwood West in Los Angeles, California, United States
recording of:
There Will Be No Intermission
writer:
Amanda Palmer
publisher:
Eight Foot Music
arrangement of:
The Ride
1:02
12Machete
accordion:
Jason Webley
double bass, guitar, prepared piano, vibraphone and background vocals:
Jherek Bischoff
drums (drum set):
John Congleton (American record producer, engineer, mixer, writer and musician) and Joey Waronker
organ, piano, ukulele and lead vocals:
Amanda Palmer
synthesizer:
John Congleton (American record producer, engineer, mixer, writer and musician) and Max Henry
recorded at:
64Sound (formerly Kingsize North) in Highland Park, Los Angeles, California, United States
mixed at:
Elmwood West in Los Angeles, California, United States
recording of:
Machete
writer:
Amanda Palmer
publisher:
Eight Foot Music
6:10
13You Know the Statistics
accordion:
Jason Webley
double bass, guitar, prepared piano, vibraphone and background vocals:
Jherek Bischoff
drums (drum set):
John Congleton (American record producer, engineer, mixer, writer and musician) and Joey Waronker
organ, piano, ukulele and lead vocals:
Amanda Palmer
synthesizer:
John Congleton (American record producer, engineer, mixer, writer and musician) and Max Henry
recorded at:
64Sound (formerly Kingsize North) in Highland Park, Los Angeles, California, United States
mixed at:
Elmwood West in Los Angeles, California, United States
recording of:
You Know the Statistics
writer:
Amanda Palmer
publisher:
Eight Foot Music
arrangement of:
Voicemail for Jill
0:38
14Voicemail for Jill
accordion:
Jason Webley
double bass, guitar, prepared piano, vibraphone and background vocals:
Jherek Bischoff
drums (drum set):
John Congleton (American record producer, engineer, mixer, writer and musician) and Joey Waronker
organ, piano, ukulele and lead vocals:
Amanda Palmer
synthesizer:
John Congleton (American record producer, engineer, mixer, writer and musician) and Max Henry
recorded at:
64Sound (formerly Kingsize North) in Highland Park, Los Angeles, California, United States
mixed at:
Elmwood West in Los Angeles, California, United States
recording of:
Voicemail for Jill
writer:
Amanda Palmer
publisher:
Eight Foot Music
5:34
15You’d Think I’d Shot Their Children
accordion:
Jason Webley
double bass, guitar, prepared piano, vibraphone and background vocals:
Jherek Bischoff
drums (drum set):
John Congleton (American record producer, engineer, mixer, writer and musician) and Joey Waronker
organ, piano, ukulele and lead vocals:
Amanda Palmer
synthesizer:
John Congleton (American record producer, engineer, mixer, writer and musician) and Max Henry
recorded at:
64Sound (formerly Kingsize North) in Highland Park, Los Angeles, California, United States
mixed at:
Elmwood West in Los Angeles, California, United States
recording of:
You’d Think I’d Shot Their Children
writer:
Amanda Palmer
publisher:
Eight Foot Music
arrangement of:
Bigger on the Inside
1:43
16A Mother’s Confession
accordion:
Jason Webley
double bass, guitar, prepared piano, vibraphone and background vocals:
Jherek Bischoff
drums (drum set):
John Congleton (American record producer, engineer, mixer, writer and musician) and Joey Waronker
organ, piano, ukulele and lead vocals:
Amanda Palmer
synthesizer:
John Congleton (American record producer, engineer, mixer, writer and musician) and Max Henry
recorded at:
64Sound (formerly Kingsize North) in Highland Park, Los Angeles, California, United States
mixed at:
Elmwood West in Los Angeles, California, United States
recording of:
A Mother’s Confession
additional writer:
Jason Webley (on 2016-02-11)
writer:
Amanda Palmer (on 2016-02-11)
publisher:
Eight Foot Music
10:38
17They’re Saying Not to Panic
accordion:
Jason Webley
double bass, guitar, prepared piano, vibraphone and background vocals:
Jherek Bischoff
drums (drum set):
John Congleton (American record producer, engineer, mixer, writer and musician) and Joey Waronker
organ, piano, ukulele and lead vocals:
Amanda Palmer
synthesizer:
John Congleton (American record producer, engineer, mixer, writer and musician) and Max Henry
recorded at:
64Sound (formerly Kingsize North) in Highland Park, Los Angeles, California, United States
mixed at:
Elmwood West in Los Angeles, California, United States
recording of:
They’re Saying Not to Panic
writer:
Amanda Palmer
publisher:
Eight Foot Music
arrangement of:
Drowning in the Sound
0:27
18Look Mummy, No Hands
accordion:
Jason Webley
double bass, guitar, prepared piano, vibraphone and background vocals:
Jherek Bischoff
drums (drum set):
John Congleton (American record producer, engineer, mixer, writer and musician) and Joey Waronker
organ, piano, ukulele and lead vocals:
Amanda Palmer
synthesizer:
John Congleton (American record producer, engineer, mixer, writer and musician) and Max Henry
recorded at:
64Sound (formerly Kingsize North) in Highland Park, Los Angeles, California, United States
mixed at:
Elmwood West in Los Angeles, California, United States
recording of:
Look Mummy, No Hands (Fascinating Aïda song)
lyricist:
Adèle Anderson (from Fascinating Aïda) and Dillie Keane
writer and composer:
Dillie Keane
publisher:
Eight Foot Music
5:30
19Intermission Is Relative
accordion:
Jason Webley
double bass, guitar, prepared piano, vibraphone and background vocals:
Jherek Bischoff
drums (drum set):
John Congleton (American record producer, engineer, mixer, writer and musician) and Joey Waronker
organ, piano, ukulele and lead vocals:
Amanda Palmer
synthesizer:
John Congleton (American record producer, engineer, mixer, writer and musician) and Max Henry
recorded at:
64Sound (formerly Kingsize North) in Highland Park, Los Angeles, California, United States
mixed at:
Elmwood West in Los Angeles, California, United States
recording of:
Intermission Is Relative
writer:
Amanda Palmer
publisher:
Eight Foot Music
arrangement of:
The Ride
0:55
20Death Thing
accordion:
Jason Webley
double bass, guitar, prepared piano, vibraphone and background vocals:
Jherek Bischoff
drums (drum set):
John Congleton (American record producer, engineer, mixer, writer and musician) and Joey Waronker
organ, piano, ukulele and lead vocals:
Amanda Palmer
synthesizer:
John Congleton (American record producer, engineer, mixer, writer and musician) and Max Henry
recorded at:
64Sound (formerly Kingsize North) in Highland Park, Los Angeles, California, United States
mixed at:
Elmwood West in Los Angeles, California, United States
recording of:
Death Thing
writer:
Amanda Palmer
publisher:
Eight Foot Music
5:00