La clemenza di Tito

~ Release by Mozart; Villazón, Rebeka, DiDonato, Mühlemann, Erraught, Plachetka, Chamber Orchestra of Europe, Yannick Nézet‐Séguin (see all versions of this release, 1 available)

Tracklist

1▶CD: La clemenza di tito, k. 621
2▼CD: Atto secondo
#TitleArtistRatingLength
1La clemenza di Tito: “Sesto, come tu credi”
engineer:
Rainer Maillard
producer:
Sid McLauchlan (engineer/producer)
mezzo-soprano vocals [Annio]:
Tara Erraught (in 2017)
mezzo-soprano vocals [Sesto]:
Joyce DiDonato (mezzo-soprano) (in 2017)
orchestra:
Chamber Orchestra of Europe (in 2017)
conductor:
Yannick Nézet‐Séguin (Canadian conductor) (in 2017)
recorded at:
Festspielhaus in Baden-Baden, Baden-Württemberg, Germany (in 2017)
live recording of:
La clemenza di Tito, K. 621: Act II, No. 12 Recitativo "Sesto, come tu credi" (Annio, Sesto) (in 2017)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart2:04
2La clemenza di Tito: “Torna di Tito”
engineer:
Rainer Maillard
producer:
Sid McLauchlan (engineer/producer)
mezzo-soprano vocals [Annio]:
Tara Erraught (in 2017)
orchestra:
Chamber Orchestra of Europe (in 2017)
conductor:
Yannick Nézet‐Séguin (Canadian conductor) (in 2017)
recorded at:
Festspielhaus in Baden-Baden, Baden-Württemberg, Germany (in 2017)
live recording of:
La clemenza di Tito, K. 621: Act II, No. 13 Aria "Torna di Tito a lato" (Annio) (in 2017)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart2:26
3La clemenza di Tito: “Partir deggio, o restar?”
engineer:
Rainer Maillard
producer:
Sid McLauchlan (engineer/producer)
bass-baritone vocals [Publio]:
Adam Plachetka (Czech bass-baritone) (in 2017)
mezzo-soprano vocals [Sesto]:
Joyce DiDonato (mezzo-soprano) (in 2017)
soprano vocals [Vitellia]:
Marina Rebeka (soprano) (in 2017)
orchestra:
Chamber Orchestra of Europe (in 2017)
conductor:
Yannick Nézet‐Séguin (Canadian conductor) (in 2017)
recorded at:
Festspielhaus in Baden-Baden, Baden-Württemberg, Germany (in 2017)
live partial recording of:
La clemenza di Tito, K. 621: Act II, No. 13 Recitativi "Partir deggio, o restar? ... Sesto! - Che chiedi?" (Sesto, Vitellia, Publio) (in 2017)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart0:51
4La clemenza di Tito: “Sesto! – che chiedi?”
engineer:
Rainer Maillard
producer:
Sid McLauchlan (engineer/producer)
bass-baritone vocals [Publio]:
Adam Plachetka (Czech bass-baritone) (in 2017)
mezzo-soprano vocals [Sesto]:
Joyce DiDonato (mezzo-soprano) (in 2017)
soprano vocals [Vitellia]:
Marina Rebeka (soprano) (in 2017)
orchestra:
Chamber Orchestra of Europe (in 2017)
conductor:
Yannick Nézet‐Séguin (Canadian conductor)
recorded at:
Festspielhaus in Baden-Baden, Baden-Württemberg, Germany (in 2017)
live partial recording of:
La clemenza di Tito, K. 621: Act II, No. 13 Recitativi "Partir deggio, o restar? ... Sesto! - Che chiedi?" (Sesto, Vitellia, Publio) (in 2017)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart0:58
5La clemenza di Tito: “Se al volto mai ti senti”
engineer:
Rainer Maillard
producer:
Sid McLauchlan (engineer/producer)
bass-baritone vocals [Publio]:
Adam Plachetka (Czech bass-baritone) (in 2017)
mezzo-soprano vocals [Sesto]:
Joyce DiDonato (mezzo-soprano) (in 2017)
soprano vocals [Vitellia]:
Marina Rebeka (soprano) (in 2017)
orchestra:
Chamber Orchestra of Europe (in 2017)
conductor:
Yannick Nézet‐Séguin (Canadian conductor) (in 2017)
recorded at:
Festspielhaus in Baden-Baden, Baden-Württemberg, Germany (in 2017)
live recording of:
La clemenza di Tito, K. 621: Act II, Scene IV. No. 14 Terzetto "Se al volto mai ti senti" (Sesto, Vitellia, Publio) (in 2017)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart4:55
6La clemenza di Tito: “Ah, grazie si rendano” – “È tutto colà d’intorno”
engineer:
Rainer Maillard
producer:
Sid McLauchlan (engineer/producer)
choir vocals:
RIAS Kammerchor (German chamber choir) (in 2017)
tenor vocals [Tito]:
Rolando Villazón (tenor) (in 2017)
orchestra:
Chamber Orchestra of Europe (in 2017)
conductor:
Yannick Nézet‐Séguin (Canadian conductor) (in 2017)
recorded at:
Festspielhaus in Baden-Baden, Baden-Württemberg, Germany (in 2017)
live recording of:
La clemenza di Tito, K. 621: Act II, No. 15 Coro "Ah grazie si rendano" (Coro, Tito) (in 2017)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart3:19
7La clemenza di Tito: “Già de’ pubblici giuochi”
engineer:
Rainer Maillard
producer:
Sid McLauchlan (engineer/producer)
bass-baritone vocals [Publio]:
Adam Plachetka (Czech bass-baritone) (in 2017)
tenor vocals [Tito]:
Rolando Villazón (tenor) (in 2017)
orchestra:
Chamber Orchestra of Europe (in 2017)
conductor:
Yannick Nézet‐Séguin (Canadian conductor) (in 2017)
recorded at:
Festspielhaus in Baden-Baden, Baden-Württemberg, Germany (in 2017)
live recording of:
La clemenza di Tito, K. 621: Act II, No. 15 Recitativo "Già de' pubblici giuochi" (Publio, Tito) (in 2017)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart2:03
8La clemenza di Tito: “Tardi s’avvede”
engineer:
Rainer Maillard
producer:
Sid McLauchlan (engineer/producer)
bass-baritone vocals [Publio]:
Adam Plachetka (Czech bass-baritone) (in 2017)
orchestra:
Chamber Orchestra of Europe (in 2017)
conductor:
Yannick Nézet‐Séguin (Canadian conductor) (in 2017)
recorded at:
Festspielhaus in Baden-Baden, Baden-Württemberg, Germany (in 2017)
live recording of:
La clemenza di Tito, K. 621: Act II, No. 16 Aria "Tardi s'avvede" (Publio) (in 2017)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart1:32
9La clemenza di Tito: “No, così scellerato”
engineer:
Rainer Maillard
producer:
Sid McLauchlan (engineer/producer)
bass-baritone vocals [Publio]:
Adam Plachetka (Czech bass-baritone) (in 2017)
mezzo-soprano vocals [Annio]:
Tara Erraught (in 2017)
tenor vocals [Tito]:
Rolando Villazón (tenor) (in 2017)
orchestra:
Chamber Orchestra of Europe (in 2017)
conductor:
Yannick Nézet‐Séguin (Canadian conductor) (in 2017)
recorded at:
Festspielhaus in Baden-Baden, Baden-Württemberg, Germany (in 2017)
live partial recording of:
La clemenza di Tito, K. 621: Act II, No. 16 Recitativo "No, così scellerato" (Tito, Annio, Publio) (in 2017)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart0:31
10La clemenza di Tito: “Cesare, nol diss’io”
engineer:
Rainer Maillard
producer:
Sid McLauchlan (engineer/producer)
bass-baritone vocals [Publio]:
Adam Plachetka (Czech bass-baritone) (in 2017)
mezzo-soprano vocals [Annio]:
Tara Erraught (in 2017)
tenor vocals [Tito]:
Rolando Villazón (tenor) (in 2017)
orchestra:
Chamber Orchestra of Europe (in 2017)
conductor:
Yannick Nézet‐Séguin (Canadian conductor) (in 2017)
recorded at:
Festspielhaus in Baden-Baden, Baden-Württemberg, Germany (in 2017)
live partial recording of:
La clemenza di Tito, K. 621: Act II, No. 16 Recitativo "No, così scellerato" (Tito, Annio, Publio) (in 2017)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart0:56
11La clemenza di Tito: “Tu fosti tradito”
engineer:
Rainer Maillard
producer:
Sid McLauchlan (engineer/producer)
mezzo-soprano vocals [Annio]:
Tara Erraught (in 2017)
orchestra:
Chamber Orchestra of Europe (in 2017)
conductor:
Yannick Nézet‐Séguin (Canadian conductor) (in 2017)
recorded at:
Festspielhaus in Baden-Baden, Baden-Württemberg, Germany (in 2017)
live recording of:
La clemenza di Tito, K. 621: Act II, Scene VII. No. 17 Aria "Tu fosti tradito" (Annio) (in 2017)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart3:08
12La clemenza di Tito: “Che orror! Che tradimento!” – “Ingrato!”
engineer:
Rainer Maillard
producer:
Sid McLauchlan (engineer/producer)
tenor vocals [Tito]:
Rolando Villazón (tenor) (in 2017)
orchestra:
Chamber Orchestra of Europe (in 2017)
conductor:
Yannick Nézet‐Séguin (Canadian conductor) (in 2017)
recorded at:
Festspielhaus in Baden-Baden, Baden-Württemberg, Germany (in 2017)
live recording of:
La clemenza di Tito, K. 621: Act II, Scene VIII. Recitativo accompagnato "Che orror! che tradimento!" (Tito) / Recitativi "Ingrato!" (Tito) (in 2017)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart2:40
13La clemenza di Tito: “Quello di Tito è il volto!” – “Odimi, oh Sesto”
engineer:
Rainer Maillard
producer:
Sid McLauchlan (engineer/producer)
bass-baritone vocals [Publio]:
Adam Plachetka (Czech bass-baritone) (in 2017)
mezzo-soprano vocals [Sesto]:
Joyce DiDonato (mezzo-soprano) (in 2017)
tenor vocals [Tito]:
Rolando Villazón (tenor) (in 2017)
orchestra:
Chamber Orchestra of Europe (in 2017)
conductor:
Yannick Nézet‐Séguin (Canadian conductor) (in 2017)
recorded at:
Festspielhaus in Baden-Baden, Baden-Württemberg, Germany (in 2017)
live recording of:
La clemenza di Tito, K. 621: Act II, Scene X. No. 18 Terzetto "Quello di Tito è il volto!" (Sesto, Tito, Publio) (in 2017)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart3:19
14La clemenza di Tito: “Eppur mi fa pietà”
engineer:
Rainer Maillard
producer:
Sid McLauchlan (engineer/producer)
mezzo-soprano vocals [Sesto]:
Joyce DiDonato (mezzo-soprano) (in 2017)
tenor vocals [Tito]:
Rolando Villazón (tenor) (in 2017)
orchestra:
Chamber Orchestra of Europe (in 2017)
conductor:
Yannick Nézet‐Séguin (Canadian conductor) (in 2017)
recorded at:
Festspielhaus in Baden-Baden, Baden-Württemberg, Germany (in 2017)
live recording of:
La clemenza di Tito, K. 621: Act II, Scene X. Recitativo "E pur mi fa pietà" (Tito, Sesto) (in 2017)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart5:44
15La clemenza di Tito: “Deh per questo istante solo”
engineer:
Rainer Maillard
producer:
Sid McLauchlan (engineer/producer)
mezzo-soprano vocals [Sesto]:
Joyce DiDonato (mezzo-soprano) (in 2017)
orchestra:
Chamber Orchestra of Europe (in 2017)
conductor:
Yannick Nézet‐Séguin (Canadian conductor) (in 2017)
recorded at:
Festspielhaus in Baden-Baden, Baden-Württemberg, Germany (in 2017)
live recording of:
La clemenza di Tito, K. 621: Act II, No. 19 Aria (Rondo) "Deh per questo istante solo" (Sesto) / Aria "Disperato vado a morte" (Sesto) (in 2017)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart6:51
16La clemenza di Tito: “Ove s’intese mai”
engineer:
Rainer Maillard
producer:
Sid McLauchlan (engineer/producer)
bass-baritone vocals [Publio]:
Adam Plachetka (Czech bass-baritone) (in 2017)
tenor vocals [Tito]:
Rolando Villazón (tenor) (in 2017)
orchestra:
Chamber Orchestra of Europe (in 2017)
conductor:
Yannick Nézet‐Séguin (Canadian conductor) (in 2017)
recorded at:
Festspielhaus in Baden-Baden, Baden-Württemberg, Germany (in 2017)
live recording of:
La clemenza di Tito, K. 621: Act II, No. 19 Recitativi "Dove s'intese mai più contumace infedeltà? ... Publio. - Cesare." (Tito, Publio) (in 2017)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart2:01
17La clemenza di Tito: “Se all’impero”
engineer:
Rainer Maillard
producer:
Sid McLauchlan (engineer/producer)
tenor vocals [Tito]:
Rolando Villazón (tenor) (in 2017)
orchestra:
Chamber Orchestra of Europe (in 2017)
conductor:
Yannick Nézet‐Séguin (Canadian conductor) (in 2017)
recorded at:
Festspielhaus in Baden-Baden, Baden-Württemberg, Germany (in 2017)
live recording of:
La clemenza di Tito, K. 621: Act II, No. 20 Aria "Se all'impero" (Tito) (in 2017)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart4:54
18La clemenza di Tito: “Publio, ascolta!”
engineer:
Rainer Maillard
producer:
Sid McLauchlan (engineer/producer)
bass-baritone vocals [Publio]:
Adam Plachetka (Czech bass-baritone) (in 2017)
soprano vocals [Vitellia]:
Marina Rebeka (soprano) (in 2017)
orchestra:
Chamber Orchestra of Europe (in 2017)
conductor:
Yannick Nézet‐Séguin (Canadian conductor) (in 2017)
recorded at:
Festspielhaus in Baden-Baden, Baden-Württemberg, Germany (in 2017)
live recording of:
La clemenza di Tito, K. 621: Act II, Scene XII. Recitativo "Publio, ascolta!" (Vitellia, Publio) (in 2017)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart0:29
19La clemenza di Tito: “Ah, Vitellia”
engineer:
Rainer Maillard
producer:
Sid McLauchlan (engineer/producer)
mezzo-soprano vocals [Annio]:
Tara Erraught (in 2017)
soprano vocals [Servilia]:
Regula Mühlemann (soprano) (in 2017)
soprano vocals [Vitellia]:
Marina Rebeka (soprano) (in 2017)
orchestra:
Chamber Orchestra of Europe (in 2017)
conductor:
Yannick Nézet‐Séguin (Canadian conductor) (in 2017)
recorded at:
Festspielhaus in Baden-Baden, Baden-Württemberg, Germany (in 2017)
live recording of:
La clemenza di Tito, K. 621: Act II, No. 20 Recitativo "Non giova lusingarsi" (Vitellia, Servilia, Annio) (in 2017)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart1:40
20La clemenza di Tito: “S’altro che lagrime”
engineer:
Rainer Maillard
producer:
Sid McLauchlan (engineer/producer)
soprano vocals [Servilia]:
Regula Mühlemann (soprano) (in 2017)
orchestra:
Chamber Orchestra of Europe (in 2017)
conductor:
Yannick Nézet‐Séguin (Canadian conductor) (in 2017)
recorded at:
Festspielhaus in Baden-Baden, Baden-Württemberg, Germany (in 2017)
live recording of:
La clemenza di Tito, K. 621: Act II, No. 21 Aria "S'altro che lagrime" (Servilia) (in 2017)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart2:15
21La clemenza di Tito: “Ecco il punto, oh Vitellia”
engineer:
Rainer Maillard
producer:
Sid McLauchlan (engineer/producer)
soprano vocals [Vitellia]:
Marina Rebeka (soprano) (in 2017)
orchestra:
Chamber Orchestra of Europe (in 2017)
conductor:
Yannick Nézet‐Séguin (Canadian conductor)
recorded at:
Festspielhaus in Baden-Baden, Baden-Württemberg, Germany (in 2017)
live recording of:
La clemenza di Tito, K. 621: Act II, Scene XV. No. 22 Recitativo accompagnato "Ecco il punto, oh Vitellia" (Vitellia) (in 2017)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart2:10
22La clemenza di Tito: “Non più di fiori”
engineer:
Rainer Maillard
producer:
Sid McLauchlan (engineer/producer)
soprano vocals [Vitellia]:
Marina Rebeka (soprano) (in 2017)
orchestra:
Chamber Orchestra of Europe (in 2017)
conductor:
Yannick Nézet‐Séguin (Canadian conductor) (in 2017)
recorded at:
Festspielhaus in Baden-Baden, Baden-Württemberg, Germany (in 2017)
live recording of:
La clemenza di Tito, K. 621: Act II, Scene XV. No. 23 Aria. Rondo "Non più di fiori" / "Infelice! qual orrore!" (Vitellia) (in 2017)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart7:07
23La clemenza di Tito: “Che del ciel, che degli dei”
engineer:
Rainer Maillard
producer:
Sid McLauchlan (engineer/producer)
choir vocals:
RIAS Kammerchor (German chamber choir) (in 2017)
orchestra:
Chamber Orchestra of Europe (in 2017)
conductor:
Yannick Nézet‐Séguin (Canadian conductor)
recorded at:
Festspielhaus in Baden-Baden, Baden-Württemberg, Germany (in 2017)
live recording of:
La clemenza di Tito, K. 621: Act II, Scene XVI. No. 24 Coro "Che del ciel, che degli Dei" (Coro) (in 2017)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart1:36
24La clemenza di Tito: “Sesto, de’ tuoi delitti”
engineer:
Rainer Maillard
producer:
Sid McLauchlan (engineer/producer)
bass-baritone vocals [Publio]:
Adam Plachetka (Czech bass-baritone) (in 2017)
mezzo-soprano vocals [Annio]:
Tara Erraught (in 2017)
soprano vocals [Servilia]:
Regula Mühlemann (soprano) (in 2017)
soprano vocals [Vitellia]:
Marina Rebeka (soprano) (in 2017)
tenor vocals [Tito]:
Rolando Villazón (tenor) (in 2017)
orchestra:
Chamber Orchestra of Europe (in 2017)
conductor:
Yannick Nézet‐Séguin (Canadian conductor) (in 2017)
recorded at:
Festspielhaus in Baden-Baden, Baden-Württemberg, Germany (in 2017)
live recording of:
La clemenza di Tito, K. 621: Act II, No. 24 Recitativo "Sesto, de' tuoi delitti" (Tito, Vitellia, Servilia, Sesto, Annio, Publio) (in 2017)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart1:53
25La clemenza di Tito: “Ma che giorno è mai questo?”
engineer:
Rainer Maillard
producer:
Sid McLauchlan (engineer/producer)
tenor vocals [Tito]:
Rolando Villazón (tenor) (in 2017)
orchestra:
Chamber Orchestra of Europe (in 2017)
conductor:
Yannick Nézet‐Séguin (Canadian conductor) (in 2017)
recorded at:
Festspielhaus in Baden-Baden, Baden-Württemberg, Germany (in 2017)
live recording of:
La clemenza di Tito, K. 621: Act II, Scene XVII. No. 25 Recitativo accompagnato "Ma che giorno è mai questo?" (Tito) (in 2017)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart1:47
26La clemenza di Tito: “Tu, è ver, m’assolvi, Augusto”
engineer:
Rainer Maillard
producer:
Sid McLauchlan (engineer/producer)
bass-baritone vocals [Publio]:
Adam Plachetka (Czech bass-baritone) (in 2017)
choir vocals:
RIAS Kammerchor (German chamber choir) (in 2017)
mezzo-soprano vocals [Annio]:
Tara Erraught (in 2017)
mezzo-soprano vocals [Sesto]:
Joyce DiDonato (mezzo-soprano) (in 2017)
soprano vocals [Servilia]:
Regula Mühlemann (soprano) (in 2017)
soprano vocals [Vitellia]:
Marina Rebeka (soprano) (in 2017)
tenor vocals [Tito]:
Rolando Villazón (tenor) (in 2017)
orchestra:
Chamber Orchestra of Europe (in 2017)
conductor:
Yannick Nézet‐Séguin (Canadian conductor) (in 2017)
recorded at:
Festspielhaus in Baden-Baden, Baden-Württemberg, Germany (in 2017)
live recording of:
La clemenza di Tito, K. 621: Act II, Scene XVII. No. 26 Sestetto con coro "Tu, è ver, m’assolvi, Augusto" (Sesto, Tito, Vitellia, Servilia, Annio, Publio, Coro) (in 2017)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart4:18