The Complete Reprise Studio Recordings

~ Veröffentlichung von Frank Sinatra (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

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1There Are Such Things
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-03)
Bass:
Joe Comfort
Bassposaune:
Ken Shroyer (trombonist)
Bratsche / Viola:
Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Justin Ditullio, Ray Kramer und Edgar Lustgarten
Geige / Violine:
Victor Arno, Arnold Belnick, Herman Clebanoff, James Getzoff (American concertmaster and violinist), Anatol Kaminsky (Violinist), Marvin Limonick, Leonard Malarsky, Erno Neufeld, Marshall Sosson, Arnold Sukonick (violinist) und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente:
Plas Johnson und Abe Most
Klavier:
Bill Miller (pianist)
Posaune:
Milt Bernhart, Dick Noel (trombone) und Bobby Pring
Saxophon:
Plas Johnson, Joe Koch, Abe Most, Wilbur Schwartz und Billy Usselton
Schlagzeug:
John Markham
Trompete:
Conte Candoli, Ray Linn, Al Porcino und Jimmy Zito
Waldhorn:
George Price
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-05-03)
conductor:
Sy Oliver (am 1961-05-03)
arranger:
Sy Oliver
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-03)
cover recording of:
There Are Such Things (am 1961-05-03)
Verfasser(in):
Stanley Adams (US lyricist & songwriter) (in 1942), Abel Baer (in 1942) und George W. Meyer (Tin Pan Alley songwriter) (in 1942)
publisher:
Dorsey Brothers Music und Music Sales Corporation (American copyright holder in both popular and classical music)
3:13
2It’s Always You
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-03)
Bass:
Joe Comfort
Bassposaune:
Ken Shroyer (trombonist)
Bratsche / Viola:
Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Justin Ditullio, Ray Kramer und Edgar Lustgarten
Geige / Violine:
Victor Arno, Arnold Belnick, Herman Clebanoff, James Getzoff (American concertmaster and violinist), Anatol Kaminsky (Violinist), Marvin Limonick, Leonard Malarsky, Erno Neufeld, Marshall Sosson, Arnold Sukonick (violinist) und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente:
Plas Johnson und Abe Most
Klavier:
Bill Miller (pianist)
Posaune:
Milt Bernhart, Dick Noel (trombone) und Bobby Pring
Saxophon:
Plas Johnson, Joe Koch, Abe Most, Wilbur Schwartz und Billy Usselton
Schlagzeug:
John Markham
Trompete:
Conte Candoli, Ray Linn und Al Porcino
Waldhorn:
George Price
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-05-03)
conductor:
Sy Oliver (am 1961-05-03)
arranger:
Sy Oliver
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-03)
cover recording of:
It’s Always You (am 1961-05-03)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Jimmy Van Heusen
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
2:49
3It Started All Over Again
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-03)
Bass:
Joe Comfort
Bassposaune:
Ken Shroyer (trombonist)
Bratsche / Viola:
Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Justin Ditullio, Ray Kramer und Edgar Lustgarten
Geige / Violine:
Victor Arno, Arnold Belnick, Herman Clebanoff, James Getzoff (American concertmaster and violinist), Anatol Kaminsky (Violinist), Marvin Limonick, Leonard Malarsky, Erno Neufeld, Marshall Sosson, Arnold Sukonick (violinist) und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente:
Plas Johnson und Abe Most
Klavier:
Bill Miller (pianist)
Posaune:
Milt Bernhart, Dick Noel (trombone) und Bobby Pring
Saxophon:
Plas Johnson, Joe Koch, Abe Most, Wilbur Schwartz und Billy Usselton
Schlagzeug:
John Markham
Trompete:
Conte Candoli, Ray Linn, Al Porcino und Jimmy Zito
Waldhorn:
George Price
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (von 1961-03-20 bis 1961-03-21)
conductor:
Sy Oliver (von 1961-03-20 bis 1961-03-21)
arranger:
Sy Oliver
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-03)
recording of:
It Started All Over Again (am 1961-05-03)
Texter:
Bill Carey (US songwriter)
Komponist(in):
Carl T. Fischer (Native American jazz pianist and composer)
publisher:
Embassy Music Corporation
2:32
4East of the Sun (And West of the Moon)
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-03)
Bass:
Joe Comfort
Bassposaune:
Ken Shroyer (trombonist)
Bratsche / Viola:
Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Justin Ditullio, Ray Kramer und Edgar Lustgarten
Geige / Violine:
Victor Arno, Arnold Belnick, Herman Clebanoff, James Getzoff (American concertmaster and violinist), Anatol Kaminsky (Violinist), Marvin Limonick, Leonard Malarsky, Erno Neufeld, Marshall Sosson, Arnold Sukonick (violinist) und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente:
Plas Johnson und Abe Most
Klavier:
Bill Miller (pianist)
Posaune:
Milt Bernhart, Dick Noel (trombone) und Bobby Pring
Saxophon:
Plas Johnson, Joe Koch, Abe Most, Wilbur Schwartz und Billy Usselton
Schlagzeug:
John Markham
Trompete:
Conte Candoli, Ray Linn, Al Porcino und Jimmy Zito
Waldhorn:
George Price
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-05-03)
conductor:
Sy Oliver (am 1961-05-03)
arranger:
Sy Oliver
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-03)
cover recording of:
East of the Sun (and West of the Moon) (am 1961-05-03)
Texter und Komponist(in):
Brooks Bowman (in 1934)
publisher:
Anne-Rachel Music Corp. und Chappell & Co.
3:24
5The Curse of an Aching Heart
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-18)
Bass:
Joe Comfort
Bassposaune:
George Roberts (american bass trombone)
Gitarre:
Al Viola
Holzblasinstrumente und Saxophon:
Chuck Gentry, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Jules Jacob (US jazz woodwind player), Harry Klee und Ted Nash (40s-80s US swing reedman, uncle of the other)
Klavier:
Bill Miller (pianist)
Perkussion:
Emil Richards
Posaune:
Milt Bernhart, Joe Howard (american trombone player) und Pullman “Tommy” Pederson
Schlagzeug:
John Markham
Trompete:
Frank Beach (trombone, trumpet), Conrad Gozzo, Vito N. Mangano und Shorty Sherock
Tuba:
Phil Stephens (bass and tuba player)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-05-18)
conductor:
Billy May
arranger:
Billy May
cover recording of:
The Curse of an Aching Heart (am 1961-05-18)
Texter:
Henry Fink
Komponist(in):
Al Piantadosi
publisher:
EMI Feist Catalog Inc.
2:07
6Love Walked In
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-18)
Bass:
Joe Comfort
Bassposaune:
George Roberts (american bass trombone)
Gitarre:
Al Viola
Holzblasinstrumente und Saxophon:
Chuck Gentry, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Jules Jacob (US jazz woodwind player), Harry Klee und Ted Nash (40s-80s US swing reedman, uncle of the other)
Klavier:
Bill Miller (pianist)
Perkussion:
Emil Richards
Posaune:
Milt Bernhart, Joe Howard (american trombone player) und Pullman “Tommy” Pederson
Schlagzeug:
John Markham
Trompete:
Frank Beach (trombone, trumpet), Conrad Gozzo, Vito N. Mangano und Shorty Sherock
Tuba:
Phil Stephens (bass and tuba player)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-05-18)
conductor:
Billy May
arranger:
Billy May
cover recording of:
Love Walked In (am 1961-05-18)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1930)
publisher:
Chappell & Co Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Gershwin Publishing Corp (in 1938)
Teil von:
The Goldwyn Follies
2:20
7Please Don’t Talk About Me When I’m Gone
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-18)
Bass:
Joe Comfort
Bassposaune:
George Roberts (american bass trombone)
Gitarre:
Al Viola
Holzblasinstrumente und Saxophon:
Chuck Gentry, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Jules Jacob (US jazz woodwind player), Harry Klee und Ted Nash (40s-80s US swing reedman, uncle of the other)
Klavier:
Bill Miller (pianist)
Perkussion:
Emil Richards
Posaune:
Milt Bernhart, Joe Howard (american trombone player) und Pullman “Tommy” Pederson
Schlagzeug:
John Markham
Trompete:
Frank Beach (trombone, trumpet), Conrad Gozzo, Vito N. Mangano und Shorty Sherock
Tuba:
Phil Stephens (bass and tuba player)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-05-18)
conductor:
Billy May
arranger:
Billy May
cover recording of:
Please Don’t Talk About Me When I’m Gone (am 1961-05-18)
Texter:
Sidney Clare
Komponist(in):
Sam H. Stept
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Remick Music Corp.
2:58
8Have You Met Miss Jones?
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-18)
Bass:
Joe Comfort
Bassposaune:
George Roberts (american bass trombone)
Gitarre:
Al Viola
Holzblasinstrumente und Saxophon:
Chuck Gentry, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Jules Jacob (US jazz woodwind player), Harry Klee und Ted Nash (40s-80s US swing reedman, uncle of the other)
Klavier:
Bill Miller (pianist)
Perkussion:
Emil Richards
Posaune:
Milt Bernhart, Joe Howard (american trombone player) und Pullman “Tommy” Pederson
Schlagzeug:
John Markham
Trompete:
Frank Beach (trombone, trumpet), Conrad Gozzo, Vito N. Mangano und Shorty Sherock
Tuba:
Phil Stephens (bass and tuba player)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-05-18)
conductor:
Billy May
arranger:
Billy May
cover recording of:
Have You Met Miss Jones? (I’d Rather Be Right) (am 1961-05-18)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) und Williamson Music Company
Teil von:
I’d Rather Be Right
2:33
9Don’t Be That Way
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-19)
Bass:
Joe Comfort
Bassposaune:
Ken Shroyer (trombonist)
Gitarre:
Al Viola
Harfe:
Verlye Mills
Holzblasinstrumente und Saxophon:
Chuck Gentry, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Jules Jacob (US jazz woodwind player), Harry Klee und Wilbur Schwartz
Klavier:
Bill Miller (pianist)
Perkussion:
Emil Richards
Posaune:
Joe Howard (american trombone player), Ed Kusby und Pullman “Tommy” Pederson
Schlagzeug:
John Markham
Trompete:
Conrad Gozzo, Vito N. Mangano, Shorty Sherock und Jimmy Zito
Tuba:
Phil Stephens (bass and tuba player)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-05-19)
conductor:
Billy May
arranger:
Billy May
cover recording of:
Don’t Be That Way (am 1961-05-19)
Texter:
Mitchell Parish
Komponist(in):
Benny Goodman (clarinetist and bandleader) und Edgar Sampson
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. Ltd., Robbins Music Corporation und The Songwriters Guild
Teil von:
New York, New York (1977 musical film soundtrack)
2:42
10I Never Knew
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-19)
Bass:
Joe Comfort
Bassposaune:
Ken Shroyer (trombonist)
Gitarre:
Al Viola
Harfe:
Verlye Mills
Holzblasinstrumente und Saxophon:
Chuck Gentry, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Jules Jacob (US jazz woodwind player), Harry Klee und Wilbur Schwartz
Klavier:
Bill Miller (pianist)
Perkussion:
Emil Richards
Posaune:
Joe Howard (american trombone player), Ed Kusby und Pullman “Tommy” Pederson
Schlagzeug:
John Markham
Trompete:
Conrad Gozzo, Vito N. Mangano, Shorty Sherock und Jimmy Zito
Tuba:
Phil Stephens (bass and tuba player)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-05-19)
conductor:
Billy May
arranger:
Billy May
cover recording of:
I Never Knew (am 1961-05-19)
Texter:
Gus Kahn
Komponist(in):
Ted Fio Rito
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Gilbert Keyes Music Company
recording of:
I Never Knew (am 1961-05-19)
Texter:
Gus Kahn
Komponist(in):
Ted Fio Rito
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Gilbert Keyes Music Company
2:15
11Falling in Love With Love
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-19)
Bass:
Joe Comfort
Bassposaune:
Ken Shroyer (trombonist)
Gitarre:
Al Viola
Harfe:
Verlye Mills
Holzblasinstrumente und Saxophon:
Chuck Gentry, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Jules Jacob (US jazz woodwind player), Harry Klee und Wilbur Schwartz
Klavier:
Bill Miller (pianist)
Perkussion:
Emil Richards
Posaune:
Joe Howard (american trombone player), Ed Kusby und Pullman “Tommy” Pederson
Schlagzeug:
John Markham
Trompete:
Conrad Gozzo, Vito N. Mangano, Shorty Sherock und Jimmy Zito
Tuba:
Phil Stephens (bass and tuba player)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-05-19)
conductor:
Billy May
arranger:
Billy May
cover recording of:
Falling in Love With Love (am 1961-05-19)
Texter:
Lorenz Hart (in 1938)
Komponist(in):
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. und Chappell & Co., Inc. (USA)
Teil von:
The Boys From Syracuse
Teil von:
The Real Book (compilation of jazz standards, volume I)
1:52
12It’s a Wonderful World
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-19)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-05-19)
arranger:
Billy May
recording of:
It’s a Wonderful World (am 1961-05-19)
Texter:
Harold Adamson
Komponist(in):
Jan Savitt (in 1939) und John Kluczko Watson (in 1939)
publisher:
EMI Robbins Catalog Inc. (ASCAP) und Robbins Music Corporation
Teil von:
New York, New York (1977 musical film soundtrack)
2:12
13Don’t Cry Joe
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-23)
Bass:
Joe Comfort
Bassposaune:
Ken Shroyer (trombonist)
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Justin Ditullio, Ossip Giskin (cellist), Armand Kaproff und Margaret Aue-Van Wyck (Cellist)
Geige / Violine:
Victor Arno, Israel Baker (American violinist), Herman Clebanoff, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Lou Klass, Marvin Limonick, Leonard Malarsky, Nathan Ross, Marshall Sosson, Arnold Sukonick (violinist) und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Verlye Mills
Holzblasinstrumente und Saxophon:
Gene Cipriano, Buddy Collette, Chuck Gentry, Harry Klee und Ted Nash (40s-80s US swing reedman, uncle of the other)
Klavier:
Bill Miller (pianist)
Perkussion:
Larry Bunker und Emil Richards
Posaune:
Joe Howard (american trombone player), Ed Kusby und Pullman “Tommy” Pederson
Schlagzeug:
Irv Cottler
Trompete:
Frank Beach (trombone, trumpet), Conrad Gozzo, Vito N. Mangano und Shorty Sherock
Tuba:
Phil Stephens (bass and tuba player)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-05-23)
conductor:
Billy May
arranger:
Billy May
recording of:
Don’t Cry Joe (Let Her Go, Let Her Go, Let Her Go) (am 1961-05-23)
Texter und Komponist(in):
Joe Marsala
publisher:
Harms, Inc. (in 1949)
3:07
14You’re Nobody ’til Somebody Loves You
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-23)
Bass:
Joe Comfort
Bassposaune:
Ken Shroyer (trombonist)
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Justin Ditullio, Ossip Giskin (cellist), Armand Kaproff und Margaret Aue-Van Wyck (Cellist)
Geige / Violine:
Victor Arno, Israel Baker (American violinist), Herman Clebanoff, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Lou Klass, Marvin Limonick, Leonard Malarsky, Nathan Ross, Marshall Sosson, Arnold Sukonick (violinist) und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Verlye Mills
Holzblasinstrumente und Saxophon:
Gene Cipriano, Buddy Collette, Chuck Gentry, Harry Klee und Ted Nash (40s-80s US swing reedman, uncle of the other)
Klavier:
Bill Miller (pianist)
Perkussion:
Larry Bunker und Emil Richards
Posaune:
Joe Howard (american trombone player), Ed Kusby und Pullman “Tommy” Pederson
Schlagzeug:
Irv Cottler
Trompete:
Frank Beach (trombone, trumpet), Conrad Gozzo, Vito N. Mangano und Shorty Sherock
Tuba:
Phil Stephens (bass and tuba player)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-05-23)
conductor:
Billy May
arranger:
Billy May
cover recording of:
You’re Nobody Till Somebody Loves You (am 1961-05-23)
Verfasser(in):
James Cavanaugh, Russ Morgan (Big Band orchestra leader) und Larry Stock
publisher:
Capitol Records (imprint of Capitol Records, Inc.), Shapiro, Bernstein & Co., Inc. und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Teil von:
The Real Book (compilation of jazz standards, volume I)
4:11
15Moonlight on the Ganges
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-23)
Bass:
Joe Comfort
Bassposaune:
Ken Shroyer (trombonist)
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Justin Ditullio, Ossip Giskin (cellist), Armand Kaproff und Margaret Aue-Van Wyck (Cellist)
Geige / Violine:
Victor Arno, Israel Baker (American violinist), Herman Clebanoff, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Lou Klass, Marvin Limonick, Leonard Malarsky, Nathan Ross, Marshall Sosson, Arnold Sukonick (violinist) und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Verlye Mills
Holzblasinstrumente und Saxophon:
Gene Cipriano, Buddy Collette, Chuck Gentry, Harry Klee und Ted Nash (40s-80s US swing reedman, uncle of the other)
Klavier:
Bill Miller (pianist)
Perkussion:
Larry Bunker und Emil Richards
Posaune:
Joe Howard (american trombone player), Ed Kusby und Pullman “Tommy” Pederson
Schlagzeug:
Irv Cottler
Trompete:
Frank Beach (trombone, trumpet), Conrad Gozzo, Vito N. Mangano und Shorty Sherock
Tuba:
Phil Stephens (bass and tuba player)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-05-23)
conductor:
Billy May
arranger:
Billy May
cover recording of:
Moonlight on the Ganges (am 1961-05-23)
Texter:
Huntley Trevor und Chester Wallace
Komponist(in):
Sherman Myers
publisher:
Campbell Connelly Inc. (ASCAP affiliated)
3:23
16Granada
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
Bass:
Joe Comfort (, am 1961-05-23)
Bassposaune:
Ken Shroyer (trombonist) (, am 1961-05-23)
Bratsche / Viola:
Alvin Dinkin (, am 1961-05-23), Stanley Harris (US big band viola player) (, am 1961-05-23), Alexander Neiman (violist) (, am 1961-05-23) und Paul Robyn (, am 1961-05-23)
Cello:
Justin Ditullio (, am 1961-05-23), Ossip Giskin (cellist) (, am 1961-05-23), Armand Kaproff (, am 1961-05-23) und Margaret Aue-Van Wyck (Cellist) (, am 1961-05-23)
Geige / Violine:
Victor Arno (, am 1961-05-23), Israel Baker (American violinist) (, am 1961-05-23), Herman Clebanoff (, am 1961-05-23), Jacques Gasselin (, am 1961-05-23), James Getzoff (American concertmaster and violinist) (, am 1961-05-23), Lou Klass (, am 1961-05-23), Marvin Limonick (, am 1961-05-23), Leonard Malarsky (, am 1961-05-23), Nathan Ross (, am 1961-05-23), Marshall Sosson (, am 1961-05-23), Arnold Sukonick (violinist) (, am 1961-05-23) und Gerald Vinci (American violinist and strings conductor) (, am 1961-05-23)
Gitarre:
Al Viola (, am 1961-05-23)
Harfe:
Verlye Mills (, am 1961-05-23)
Holzblasinstrumente:
Gene Cipriano (, am 1961-05-23), Buddy Collette (, am 1961-05-23), Chuck Gentry (, am 1961-05-23), Harry Klee (, am 1961-05-23) und Ted Nash (40s-80s US swing reedman, uncle of the other) (, am 1961-05-23)
Klavier:
Bill Miller (pianist) (, am 1961-05-23)
Perkussion:
Larry Bunker (, am 1961-05-23) und Emil Richards (, am 1961-05-23)
Posaune:
Joe Howard (american trombone player) (, am 1961-05-23), Ed Kusby (, am 1961-05-23) und Pullman “Tommy” Pederson (, am 1961-05-23)
Saxophon:
Gene Cipriano, Buddy Collette, Chuck Gentry, Harry Klee und Ted Nash (40s-80s US swing reedman, uncle of the other)
Schlagzeug:
Irv Cottler (, am 1961-05-23)
Trompete:
Frank Beach (trombone, trumpet) (, am 1961-05-23), Conrad Gozzo (, am 1961-05-23), Vito N. Mangano (, am 1961-05-23) und Shorty Sherock (, am 1961-05-23)
Tuba:
Phil Stephens (bass and tuba player) (, am 1961-05-23)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-05-23)
conductor:
Billy May (, am 1961-05-23)
arranger:
Billy May
aufgenommen bei:
United Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-23)
cover recording of:
Granada (English version, lyrics by Dorothy Dodd) (am 1961-05-23)
Texter:
Dorothy Dodd
Komponist(in):
Agustín Lara
publisher:
Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
übersetzte Version von:
Granada (original Spanish version)
3:40
17As You Desire Me
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-11-20)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-11-20)
arranger:
Don Costa (US pop music arranger & producer)
cover recording of:
As You Desire Me (am 1961-11-20)
Texter und Komponist(in):
Allie Wrubel (US composer and songwriter)
publisher:
Essex Music, Inc. und Words & Music, Inc. (US work publisher)
2:53
18Stardust
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-11-20)
Bass:
Ed Gilbert und Ralph Peña
Bassklarinette:
Billy Usselton
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Allan Harshman (violist), Virginia Majewski (violist), Robert Ostrowsky und Paul Robyn
Cello:
Justin Ditullio, Armand Kaproff, Ray Kramer, Kurt Reher (cellist) und Eleanor Slatkin (US cellist, b. Aller)
Fagott:
Lloyd Hildebrand (Woodwind, Bassoon, Clarinet player)
flute:
Harry Klee, Ted Nash (75- US saxophonist, the nephew) und William Schwartz
Geige / Violine:
Victor Arno, Israel Baker (American violinist), Herman Clebanoff, Daniel Karpilowsky, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Anatol Kaminsky (Violinist), Amerigo Marino, Erno Neufeld, Nathan Ross, Paul Shure, Felix Slatkin, Marshall Sosson, Joseph Stepansky und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Klarinette:
Russ Cheever und Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998))
Klavier:
Bill Miller (pianist)
Oboe:
William Kosinski
Perkussion:
Emil Richards
Posaune:
Dick Nash, Dick Noel (trombone) und Frank Rosolino
Schlagzeug:
John Markham
Waldhorn:
James Decker (French hornist), Vincent DeRosa und Richard Perissi
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-11-20)
Assistent conductor:
Don Costa (US pop music arranger & producer)
arranger:
Don Costa (US pop music arranger & producer)
cover recording of:
Stardust (the jazz standard) (am 1961-11-20)
Texter:
Mitchell Parish (in 1929)
Komponist(in):
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (beendet), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. und Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Teil von:
American Splendor
2:49
19Yesterdays
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-11-20)
Bass:
Ed Gilbert und Ralph Peña
Bassklarinette:
Billy Usselton
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Allan Harshman (violist), Virginia Majewski (violist), Robert Ostrowsky und Paul Robyn
Cello:
Justin Ditullio, Armand Kaproff, Ray Kramer, Kurt Reher (cellist) und Eleanor Slatkin (US cellist, b. Aller)
Fagott:
Lloyd Hildebrand (Woodwind, Bassoon, Clarinet player)
flute:
Harry Klee, Ted Nash (75- US saxophonist, the nephew) und William Schwartz
Geige / Violine:
Victor Arno, Israel Baker (American violinist), Herman Clebanoff, Daniel Karpilowsky, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Anatol Kaminsky (Violinist), Amerigo Marino, Erno Neufeld, Nathan Ross, Paul Shure, Felix Slatkin, Marshall Sosson, Joseph Stepansky und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Klarinette:
Russ Cheever und Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998))
Klavier:
Bill Miller (pianist)
Oboe:
William Kosinski
Perkussion:
Emil Richards
Posaune:
Dick Nash, Dick Noel (trombone) und Frank Rosolino
Schlagzeug:
John Markham
Waldhorn:
James Decker (French hornist), Vincent DeRosa und Richard Perissi
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-11-20)
Assistent conductor:
Don Costa (US pop music arranger & producer)
arranger:
Don Costa (US pop music arranger & producer)
cover recording of:
Yesterdays (am 1961-11-20)
Texter:
Otto Harbach
Komponist(in):
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Roberta
3:46
20I Hadn’t Anyone Till You
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-11-20)
Bass:
Ed Gilbert und Ralph Peña
Bassklarinette:
Billy Usselton
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Allan Harshman (violist), Virginia Majewski (violist), Robert Ostrowsky und Paul Robyn
Cello:
Justin Ditullio, Armand Kaproff, Ray Kramer, Kurt Reher (cellist) und Eleanor Slatkin (US cellist, b. Aller)
Fagott:
Lloyd Hildebrand (Woodwind, Bassoon, Clarinet player)
flute:
Harry Klee, Ted Nash (75- US saxophonist, the nephew) und William Schwartz
Geige / Violine:
Victor Arno, Israel Baker (American violinist), Herman Clebanoff, Daniel Karpilowsky, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Anatol Kaminsky (Violinist), Amerigo Marino, Erno Neufeld, Nathan Ross, Paul Shure, Felix Slatkin, Marshall Sosson, Joseph Stepansky und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Klarinette:
Russ Cheever und Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998))
Klavier:
Bill Miller (pianist)
Oboe:
William Kosinski
Perkussion:
Emil Richards
Posaune:
Dick Nash, Dick Noel (trombone) und Frank Rosolino
Schlagzeug:
John Markham
Waldhorn:
James Decker (French hornist), Vincent DeRosa und Richard Perissi
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-11-20)
Assistent conductor:
Don Costa (US pop music arranger & producer)
arranger:
Don Costa (US pop music arranger & producer)
cover recording of:
I Hadn’t Anyone Till You (am 1961-11-20)
Texter und Komponist(in):
Ray Noble
publisher:
Bourne Co. (not for release label use, this is a music publisher)
3:44
21It Might as Well Be Spring
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-11-21)
Bass:
Ed Gilbert und Ralph Peña
Bassklarinette:
Billy Usselton
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Allan Harshman (violist), Virginia Majewski (violist), Robert Ostrowsky und Paul Robyn
Cello:
Justin Ditullio, Armand Kaproff, Ray Kramer, Kurt Reher (cellist) und Eleanor Slatkin (US cellist, b. Aller)
Fagott:
Lloyd Hildebrand (Woodwind, Bassoon, Clarinet player)
flute:
Arthur Gleghorn, Jules Kinsler und Ethmer Roten
Geige / Violine:
Victor Arno, Israel Baker (American violinist), Herman Clebanoff, Daniel Karpilowsky, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Anatol Kaminsky (Violinist), Amerigo Marino, Erno Neufeld, Nathan Ross, Paul Shure, Felix Slatkin, Marshall Sosson, Joseph Stepansky und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Klarinette:
Mahlon Clark und Arthur Smith (Saxophonist)
Klavier:
Bill Miller (pianist)
Oboe:
Jules Jacob (US jazz woodwind player)
Perkussion:
Emil Richards
Posaune:
Dick Nash, Dick Noel (trombone) und Frank Rosolino
Schlagzeug:
John Markham
Waldhorn:
John Cave (french horn), James Decker (French hornist), Vincent DeRosa, William Hinshaw (American horn player), Sinclair Lott (french horn) und Richard Perissi
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-11-21)
Assistent conductor:
Don Costa (US pop music arranger & producer)
arranger:
Don Costa (US pop music arranger & producer)
cover recording of:
It Might as Well Be Spring (State Fair) (am 1961-11-21)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945)
Komponist(in):
Richard Rodgers (composer) (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company, Williamson Music, Inc. und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The 18th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1945 winner)
Teil von:
State Fair (1945 film soundtrack)
Teil von:
State Fair (1962 film soundtrack)
Teil von:
State Fair
3:16
22Prisoner of Love
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-11-21)
Bass:
Ed Gilbert und Ralph Peña
Bassklarinette:
Billy Usselton
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Allan Harshman (violist), Virginia Majewski (violist), Robert Ostrowsky und Paul Robyn
Cello:
Justin Ditullio, Armand Kaproff, Ray Kramer, Kurt Reher (cellist) und Eleanor Slatkin (US cellist, b. Aller)
Fagott:
Lloyd Hildebrand (Woodwind, Bassoon, Clarinet player)
flute:
Arthur Gleghorn, Jules Kinsler und Ethmer Roten
Geige / Violine:
Victor Arno, Israel Baker (American violinist), Herman Clebanoff, Daniel Karpilowsky, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Anatol Kaminsky (Violinist), Amerigo Marino, Erno Neufeld, Nathan Ross, Paul Shure, Felix Slatkin, Marshall Sosson, Joseph Stepansky und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Klarinette:
Mahlon Clark und Arthur Smith (Saxophonist)
Klavier:
Bill Miller (pianist)
Oboe:
Jules Jacob (US jazz woodwind player)
Perkussion:
Emil Richards
Posaune:
Dick Nash, Dick Noel (trombone) und Frank Rosolino
Schlagzeug:
John Markham
Waldhorn:
John Cave (french horn), James Decker (French hornist), Vincent DeRosa, William Hinshaw (American horn player), Sinclair Lott (french horn) und Richard Perissi
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-11-21)
Assistent conductor:
Don Costa (US pop music arranger & producer)
arranger:
Don Costa (US pop music arranger & producer)
cover recording of:
Prisoner of Love (am 1961-11-21)
Texter:
Leo Robin (US composer, lyricist & songwriter)
Komponist(in):
Russ Columbo (American singer, songwriter, violinist and actor) und Clarence Gaskill
publisher:
Colgems-EMI Music Inc., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) und Music Sales Corporation (American copyright holder in both popular and classical music)
3:51
23That’s All
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-11-21)
Bass:
Ed Gilbert und Ralph Peña
Bassklarinette:
Billy Usselton
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Allan Harshman (violist), Virginia Majewski (violist), Robert Ostrowsky und Paul Robyn
Cello:
Justin Ditullio, Armand Kaproff, Ray Kramer, Kurt Reher (cellist) und Eleanor Slatkin (US cellist, b. Aller)
Fagott:
Lloyd Hildebrand (Woodwind, Bassoon, Clarinet player)
flute:
Arthur Gleghorn, Jules Kinsler und Ethmer Roten
Geige / Violine:
Victor Arno, Israel Baker (American violinist), Herman Clebanoff, Daniel Karpilowsky, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Anatol Kaminsky (Violinist), Amerigo Marino, Erno Neufeld, Nathan Ross, Paul Shure, Felix Slatkin, Marshall Sosson, Joseph Stepansky und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Klarinette:
Mahlon Clark und Arthur Smith (Saxophonist)
Klavier:
Bill Miller (pianist)
Oboe:
Jules Jacob (US jazz woodwind player)
Perkussion:
Emil Richards
Posaune:
Dick Nash, Dick Noel (trombone) und Frank Rosolino
Schlagzeug:
John Markham
Waldhorn:
John Cave (french horn), James Decker (French hornist), Vincent DeRosa, William Hinshaw (American horn player), Sinclair Lott (french horn) und Richard Perissi
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-11-21)
Assistent conductor:
Don Costa (US pop music arranger & producer)
arranger:
Don Costa (US pop music arranger & producer)
cover recording of:
That’s All (am 1961-11-21)
Texter:
Alan Brandt
Komponist(in):
Alan Brandt und Bob Haymes
publisher:
Mixed Bag Music Inc. und Travis Music
3:21
24Don’t Take Your Love From Me
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-11-21)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-11-21)
arranger:
Don Costa (US pop music arranger & producer)
cover recording of:
Don’t Take Your Love From Me (am 1961-11-21)
Texter, Verfasser(in) und Komponist(in):
Henry Nemo
publisher:
Indano Music Co.
4:05
3CD
4CD
5CD
6CD
7CD
8CD
9CD
10CD
11CD
12CD
13CD
14CD
15CD
16CD
17CD
18CD
19CD
20CD

Nennungen

Veröffentlichung

hergestellt in:Vereinigte Staaten
art direction und design:Tom Recchion
JoDee Stringham
Fotografie:Ed Thrasher (US art director & photographer)
liner notes:Charles Pignone
Jonathan Schwartz (vocalist / broadcaster)
zusätzliche(r) Techniker(in):Keith Blake (mastering engineer)
Produzent(in):Gregg Geller
Lee Herschberg
Joe McEwen
Ric Ross
mastering:Lee Herschberg
urheberrechtlich geschützt (©) von:Reprise Records (in 1995, in 1998)
phonographisches Urheberrecht (℗) von:Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (von 1972 bis 1977, von 1980 bis 1983)
Bristol Productions (in 1984)
Qwest Records (in 1984)
Reprise Records (von 1991 bis 1992, in 1995)
Discogs:https://www.discogs.com/release/5374473 [Info]
ASIN:US: B00000DG1M [Info]
DE: B00000DG1M [Info]

Veröffentlichungsgruppe

Discogs:https://www.discogs.com/master/655651 [Info]
Wikidata:Q7727180 [Info]