Requiem

~ Release by Mozart; Cotrubas, Watts, Tear, Shirley‐Quirk, Academy and Chorus of St. Martin in the Fields, Neville Marriner (see all versions of this release, 5 available)

Annotation

Matrix / Runout: 00289 417 133-2 04 + 50970929
Other (Distribution Code): 8.43 937 ZS
Price Code: BA 924
SPARS Code: ADD

Annotation last modified on 2022-07-10 14:36 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1Requiem in D minor, K. 626: I. Introitus: "Requiem aeternam"
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1977-05)
soprano vocals:
Ileana Cotrubaș (Romanian soprano) (in 1977-05)
orchestra:
Academy of St Martin in the Fields (in 1977-05)
conductor:
Sir Neville Marriner (conductor) (in 1977-05)
chorus master:
László Heltay (British/Hungarian conductor and composer) (in 1977-05)
balance engineer:
Stanley Goodall (engineer) (in 1977-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1977)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-05)
recording of:
Requiem in D minor, K. 626: I. Introitus: “Requiem aeternam” (Beyer/Kunzelmann Edition) (in 1977-05)
additional orchestrator:
Franz Beyer (violist)
additional composer:
Franz Xaver Süßmayr
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (Beyer/Kunzelmann Edition)
Wolfgang Amadeus Mozart5:28
2Requiem in D minor, K. 626: II. "Kyrie eleison"
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1977-05)
orchestra:
Academy of St Martin in the Fields (in 1977-05)
conductor:
Sir Neville Marriner (conductor) (in 1977-05)
chorus master:
László Heltay (British/Hungarian conductor and composer) (in 1977-05)
balance engineer:
Stanley Goodall (engineer) (in 1977-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1977)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-05)
recording of:
Requiem in D minor, K. 626: II. “Kyrie eleison” (Beyer/Kunzelmann Edition) (in 1977-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (Beyer/Kunzelmann Edition)
Wolfgang Amadeus Mozart2:52
3Requiem in D minor, K. 626: IIIa. Sequenz: "Dies irae"
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1977-05)
orchestra:
Academy of St Martin in the Fields (in 1977-05)
conductor:
Sir Neville Marriner (conductor) (in 1977-05)
chorus master:
László Heltay (British/Hungarian conductor and composer) (in 1977-05)
balance engineer:
Stanley Goodall (engineer) (in 1977-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1977)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-05)
recording of:
Requiem in D minor, K. 626: IIIa. Sequenz: “Dies irae” (Beyer/Kunzelmann Edition) (in 1977-05)
additional orchestrator:
Franz Beyer (violist)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Beyer/Kunzelmann Edition)
Wolfgang Amadeus Mozart1:55
4Requiem in D minor, K. 626: IIIb. Sequenz: "Tuba mirum"
producer:
Chris Hazell
baritone vocals:
John Shirley‐Quirk (bass-baritone) (in 1977-05)
contralto vocals:
Helen Watts (contralto) (in 1977-05)
soprano vocals:
Ileana Cotrubaș (Romanian soprano) (in 1977-05)
tenor vocals:
Robert Tear (tenor) (in 1977-05)
orchestra:
Academy of St Martin in the Fields (in 1977-05)
conductor:
Sir Neville Marriner (conductor) (in 1977-05)
balance engineer:
Stanley Goodall (engineer) (in 1977-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1977)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-05)
recording of:
Requiem in D minor, K. 626: IIIb. Sequenz: “Tuba mirum” (Beyer/Kunzelmann Edition) (in 1977-05)
additional orchestrator:
Franz Beyer (violist)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Beyer/Kunzelmann Edition)
Wolfgang Amadeus Mozart3:40
5Requiem in D minor, K. 626: IIIc. Sequenz: "Rex tremendae"
producer:
Chris Hazell and Erik Smith (British producer, pianist and harpsichordist)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1977-05, in 1990-02)
orchestra:
Academy of St Martin in the Fields (in 1990-02)
conductor:
Sir Neville Marriner (conductor) (in 1990-02)
chorus master:
László Heltay (British/Hungarian conductor and composer) (in 1977-05)
balance engineer:
Stanley Goodall (engineer) (in 1990-02)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1990)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1990-02) and Kingsway Hall in London (Greater London), England, United Kingdom (in 1990-02)
recording of:
Requiem in D minor, K. 626: IIIc. Sequenz: “Rex tremendae” (Beyer/Kunzelmann Edition) (in 1990-02)
additional orchestrator:
Franz Beyer (violist)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Beyer/Kunzelmann Edition)
Wolfgang Amadeus Mozart2:18
6Requiem in D minor, K. 626: IIId. Sequenz: "Recordare"
producer:
Chris Hazell
baritone vocals:
John Shirley‐Quirk (bass-baritone) (in 1977-05)
contralto vocals:
Helen Watts (contralto) (in 1977-05)
soprano vocals:
Ileana Cotrubaș (Romanian soprano) (in 1977-05)
tenor vocals:
Robert Tear (tenor) (in 1977-05)
orchestra:
Academy of St Martin in the Fields (in 1977-05)
conductor:
Sir Neville Marriner (conductor) (in 1977-05)
balance engineer:
Stanley Goodall (engineer) (in 1977-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1977)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-05)
recording of:
Requiem in D minor, K. 626: IIId. Sequenz: “Recordare” (Beyer/Kunzelmann Edition) (in 1977-05)
additional orchestrator:
Franz Beyer (violist)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Beyer/Kunzelmann Edition)
Wolfgang Amadeus Mozart6:13
7Requiem in D minor, K. 626: IIIe. Sequenz: "Confutatis"
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1977-05)
orchestra:
Academy of St Martin in the Fields (in 1977-05)
conductor:
Sir Neville Marriner (conductor) (in 1977-05)
chorus master:
László Heltay (British/Hungarian conductor and composer) (in 1977-05)
balance engineer:
Stanley Goodall (engineer) (in 1977-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1977)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-05)
recording of:
Requiem in D minor, K. 626: IIIe. Sequenz: “Confutatis” (Beyer/Kunzelmann Edition) (in 1977-05)
additional orchestrator:
Franz Beyer (violist)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Beyer/Kunzelmann Edition)
Wolfgang Amadeus Mozart2:32
8Requiem in D minor, K. 626: IIIf. Sequenz: "Lacrimosa"
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1977-05)
orchestra:
Academy of St Martin in the Fields (in 1977-05)
conductor:
Sir Neville Marriner (conductor) (in 1977-05)
chorus master:
László Heltay (British/Hungarian conductor and composer) (in 1977-05)
balance engineer:
Stanley Goodall (engineer) (in 1977-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1977)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-05)
recording of:
Requiem in D minor, K. 626: IIIf. Sequenz: “Lacrimosa” (Beyer/Kunzelmann Edition) (in 1977-05)
additional orchestrator:
Franz Beyer (violist)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Beyer/Kunzelmann Edition)
Wolfgang Amadeus Mozart4:11
9Requiem in D minor, K. 626: IVa. Offertorium: "Domine Jesu"
producer:
Chris Hazell
baritone vocals:
John Shirley‐Quirk (bass-baritone) (in 1977-05)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1977-05)
contralto vocals:
Helen Watts (contralto) (in 1977-05)
soprano vocals:
Ileana Cotrubaș (Romanian soprano) (in 1977-05)
tenor vocals:
Robert Tear (tenor) (in 1977-05)
orchestra:
Academy of St Martin in the Fields (in 1977-05)
conductor:
Sir Neville Marriner (conductor) (in 1977-05)
chorus master:
László Heltay (British/Hungarian conductor and composer) (in 1977-05)
balance engineer:
Stanley Goodall (engineer) (in 1977-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1977)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-05)
recording of:
Requiem in D minor, K. 626: IVa. Offertorium: “Domine Jesu” (Beyer/Kunzelmann Edition) (in 1977-05)
additional orchestrator:
Franz Beyer (violist)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: IV. Offertorium
Wolfgang Amadeus Mozart3:55
10Requiem in D minor, K. 626: IVb. Offertorium: "Hostias"
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1977-05)
orchestra:
Academy of St Martin in the Fields (in 1977-05)
conductor:
Sir Neville Marriner (conductor) (in 1977-05)
chorus master:
László Heltay (British/Hungarian conductor and composer) (in 1977-05)
balance engineer:
Stanley Goodall (engineer) (in 1977-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1977)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-05)
recording of:
Requiem in D minor, K. 626: IVb. Offertorium: “Hostias” (Beyer/Kunzelmann Edition) (in 1977-05)
additional orchestrator:
Franz Beyer (violist)
additional composer:
Franz Xaver Süßmayr
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: IV. Offertorium
Wolfgang Amadeus Mozart4:30
11Requiem in D minor, K. 626: V. "Sanctus"
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1977-05)
orchestra:
Academy of St Martin in the Fields (in 1977-05)
conductor:
Sir Neville Marriner (conductor) (in 1977-05)
chorus master:
László Heltay (British/Hungarian conductor and composer) (in 1977-05)
balance engineer:
Stanley Goodall (engineer) (in 1977-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1977)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-05)
recording of:
Requiem in D minor, K. 626: V. “Sanctus” (Beyer/Kunzelmann Edition) (in 1977-05)
additional orchestrator:
Franz Beyer (violist)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (Beyer/Kunzelmann Edition)
Wolfgang Amadeus Mozart1:27
12Requiem in D minor, K. 626: VI. "Benedictus"
producer:
Chris Hazell
baritone vocals:
John Shirley‐Quirk (bass-baritone) (in 1977-05)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1977-05)
contralto vocals:
Helen Watts (contralto) (in 1977-05)
soprano vocals:
Ileana Cotrubaș (Romanian soprano) (in 1977-05)
tenor vocals:
Robert Tear (tenor) (in 1977-05)
orchestra:
Academy of St Martin in the Fields (in 1977-05)
conductor:
Sir Neville Marriner (conductor) (in 1977-05)
chorus master:
László Heltay (British/Hungarian conductor and composer) (in 1977-05)
balance engineer:
Stanley Goodall (engineer) (in 1977-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1977)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-05)
recording of:
Requiem in D minor, K. 626: VI. “Benedictus” (Beyer/Kunzelmann Edition) (in 1977-05)
additional orchestrator:
Franz Beyer (violist)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (Beyer/Kunzelmann Edition)
Wolfgang Amadeus Mozart5:58
13Requiem in D minor, K. 626: VII. "Agnus Dei"
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1977-05)
orchestra:
Academy of St Martin in the Fields (in 1977-05)
conductor:
Sir Neville Marriner (conductor) (in 1977-05)
chorus master:
László Heltay (British/Hungarian conductor and composer) (in 1977-05)
balance engineer:
Stanley Goodall (engineer) (in 1977-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1977)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-05)
recording of:
Requiem in D minor, K. 626: VII. “Agnus Dei” (Beyer/Kunzelmann Edition) (in 1977-05)
additional orchestrator:
Franz Beyer (violist)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (Beyer/Kunzelmann Edition)
Wolfgang Amadeus Mozart3:42
14Requiem in D minor, K. 626: VIII. Communio: "Lux aeterna"
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1977-05)
soprano vocals:
Ileana Cotrubaș (Romanian soprano) (in 1977-05)
orchestra:
Academy of St Martin in the Fields (in 1977-05)
conductor:
Sir Neville Marriner (conductor) (in 1977-05)
chorus master:
László Heltay (British/Hungarian conductor and composer) (in 1977-05)
balance engineer:
Stanley Goodall (engineer) (in 1977-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1977)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-05)
recording of:
Requiem in D minor, K. 626: VIII. Communio: “Lux aeterna” (Beyer/Kunzelmann Edition) (in 1977-05)
additional orchestrator:
Franz Beyer (violist)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (Beyer/Kunzelmann Edition)
Wolfgang Amadeus Mozart6:12