Jim Beam: 40 Shots of Rock

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Matrix / Runout (CD1): [SM Logo] 6141000706 337362D1
Mastering SID Code (CD1): ifpi LR11
Mould SID Code (CD1): ifpi 7955
Matrix / Runout (CD2): [SM Logo] 6107101564 337362D2
Mastering SID Code (CD2): ifpi LR11
Mould SID Code (CD2): ifpi 7959

Annotation last modified on 2024-01-17 23:00 UTC.

Tracklist

1CD
2CD
#TitleArtistRatingLength
1Heart of Glass
assistant engineer:
Grey Russell
engineer:
Peter Coleman (British engineer & producer)
assistant producer:
Peter Coleman (British engineer & producer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison
drums (drum set):
Clem Burke
guitar:
Frank Infante and Chris Stein
keyboard:
Jimmy Destri
vocals:
Deborah Harry
phonographic copyright (℗) by:
Chrysalis (in 1978), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978) and Chrysalis Records, Inc. (not for release label use!) (in 1979)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
part of:
TV Cream: Real 100 Best Singles Ever (number: 2), Indie 88: Top 500 Indie Rock Songs (number: 138), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 138) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 255)
recording of:
Heart of Glass
writer:
Deborah Harry and Chris Stein
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation and Rare Blue Music Inc (in 1978)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
version of:
Once I Had a Love
Blondie4.33:52
2Flesh for Fantasy
producer:
Keith Forsey (drummer, producer and songwriter)
bass:
Steve Stevens (US guitarist and songwriter) (in 1983)
drums (drum set):
Thommy Price (in 1983)
guitar:
Billy Idol (English rock singer‐songwriter) (in 1983) and Steve Stevens (US guitarist and songwriter) (in 1983)
keyboard:
Judi Dozier (in 1983) and Steve Stevens (US guitarist and songwriter) (in 1983)
lead vocals:
Billy Idol (English rock singer‐songwriter) (in 1983)
phonographic copyright (℗) by:
Chrysalis Records, Inc. (not for release label use!) (in 1983)
edit of:
Flesh for Fantasy by Billy Idol (English rock singer‐songwriter)
recording of:
Flesh for Fantasy (in 1983)
writer:
Billy Idol (English rock singer‐songwriter) and Steve Stevens (US guitarist and songwriter)
publisher:
Boneidol Music, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Rare Blue Music, Rock Steady Music and Sitting Pretty Music
translated version of:
F.F.F. (Flesh for Fantasy) (German Version)
Billy Idol43:47
3He’s Gonna Step on You Again
phonographic copyright (℗) by:
Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1992)
cover recording of:
He’s Gonna Step on You Again
lyricist:
Shaun Ryder
writer:
Christos Demitriou and John Kongos
publisher:
Essex Music of Australia Pty. Ltd.
The Party Boys4:07
4Early Warning
engineer:
Kevin Shirley (producer & mixer)
producer:
Mike Chapman (Australian producer and songwriter)
mixer:
Mike Chapman (Australian producer and songwriter) and Kevin Shirley (producer & mixer)
bass guitar [bass]:
Eddie Parise
drums (drum set) [drums]:
Frank Celenza
guitar:
Suze DeMarchi and Dave Leslie
lead vocals [vocals]:
Suze DeMarchi
vocals:
Dave Leslie and Eddie Parise
phonographic copyright (℗) by:
Imago Recording Company (in 2007)
recording of:
Early Warning
writer:
Suze DeMarchi, Dave Leslie and Eddie Parise
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs, Mushroom Music Pty. Ltd. and Mushroom Music Publishing
Baby Animals3:55
5Pleasure and Pain
producer:
Mike Chapman (Australian producer and songwriter)
phonographic copyright (℗) by:
EMI Records (UK label renamed from Virgin EMI Records in 2020), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1985), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1985) and Chrysalis Records, Inc. (not for release label use!) (in 1985)
recording of:
Pleasure and Pain
writer:
Mike Chapman (Australian producer and songwriter) and Holly Knight
publisher:
Hebbes Music Group Pty. Ltd., Warner Chappell and Warner/Chappell Music Ltd. (1996–2019)
Divinyls3.353:48
6You Can Leave Your Hat On
engineer:
Brian Reeves
producer:
Richie Zito
mixer:
Rik Pekkonen
bass and synthesizer:
Arthur Barrow
guitar:
Richie Zito
horn:
Dick Hyde, Steve Madaio and Joel Peskin
membranophone:
Michael Baird
background vocals:
Maxine Sharp, Julia Waters and Maxine Waters
lead vocals:
Joe Cocker
recorded at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States
cover recording of:
You Can Leave Your Hat On
lyricist and composer:
Randy Newman (American singer‐songwriter and score composer)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), WC Music Corp., Randy Newman (publisher) (in 1972), Randy Newman Music (in 1972, in 1976) and WB Music Corp. (1929–2019) (in 1972, in 1976)
recording of:
You Can Leave Your Hat On
lyricist and composer:
Randy Newman (American singer‐songwriter and score composer)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), WC Music Corp., Randy Newman (publisher) (in 1972), Randy Newman Music (in 1972, in 1976) and WB Music Corp. (1929–2019) (in 1972, in 1976)
Joe Cocker3.854:04
7Out of Mind, Out of Sight
producer:
Mark Opitz
phonographic copyright (℗) by:
Mushroom Records Pty Ltd (in 1985) and Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (in 1993)
recording of:
Out of Mind Out of Sight
lyricist and composer:
James Freud
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mushroom Music (Mushroom label’s publishing company) and Mushroom Music Publishing
Models3:35
8Blister in the Sun
recording engineer:
Glenn Lorbiecki (in 1982-07)
engineer and mixer:
John Tanner
producer:
Mark Van Hecke
bass:
Brian Ritchie (in 1982-07)
drums (drum set) and percussion:
Victor DeLorenzo (in 1982-07)
guitar and lead vocals:
Gordon Gano (in 1982-07)
vocals:
Victor DeLorenzo (in 1982-07) and Brian Ritchie (in 1982-07)
recorded at:
Castle Productions in Lake Geneva, Wisconsin, United States (in 1982-07)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 17)
recording of:
Blister in the Sun (in 1982-07)
lyricist and composer:
Gordon Gano
publisher:
Gorno Music Publishing, Gorno Music (in 1980) and Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1982)
Violent Femmes4.452:25
9Comin’ Home
bass:
Geoff Turner (Australian)
drums (drum set):
Chris Tagg
guitar:
Brian Nichol and Stephen (Fess) Parker (The Radiators)
keyboard:
Brendan Callinan
vocals:
Brian Nichol
phonographic copyright (℗) by:
Warner Music Australia (AU subsidiary of Warner Music International since 1988) (in 1979), WEA Records Pty. Limited (fka Kinney Music (Pty) Limited from 1971–1972/11) (in 1980) and Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited) (in 1987)
recording of:
Comin’ Home
writer:
Geoff Turner
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rondor and Rondor Music (Australia) Pty Ltd
The Radiators3:06
10What’s the Deal?
28 Days3:21
11Psycho Killer (live)
live recording of:
Psycho Killer
lyricist:
David Byrne (Talking Heads), Chris Frantz and Tina Weymouth
composer:
David Byrne (Talking Heads)
publisher:
Bleu Disque Music Co., Inc. (publisher), Index Music, Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner Chappell Music (publisher as Warner/Chappell Music)
Talking Heads4:20
12Second Solution
assistant recording engineer and assistant engineer:
Matt Voight
recording engineer and engineer:
Lindsay Gravina (engineer & guitarist)
producer:
Lindsay Gravina (engineer & guitarist) and The Living End (Australian punk band)
mixer:
Jerry Finn
recorded at:
Sing Sing Studios (closed in 2017) in Cremorne, Melbourne, Victoria, Australia
mixed at:
Conway Studios in Hollywood, Los Angeles, California, United States
recording of:
Second Solution
lyricist and composer:
Chris Cheney (The Living End frontman)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Living End42:59
13Comin DownThe Angels3:17
14One Bourbon, One Scotch, One Beer (live)
live cover recording of:
One Bourbon, One Scotch, One Beer
lyricist:
John Lee Hooker (US blues singer, songwriter & guitarist)
composer:
Rudolph Toombs
publisher:
Arc Music Corp. (U.S. rock & blues publisher) and Tristan Music Ltd.
is based on:
House Rent Boogie
George Thorogood55:51
15Black and Blue
recording of:
Black and Blue
writer:
Barry Harvey, Phil Manning, Barry Sullivan (Chain bass guitarist) and Matt Taylor (Australian blues musician)
publisher:
Festival Music Pty, Ltd. and Mushroom Music Publishing
Chain4:49
16Horse With No Name
engineer:
Robin Black (engineer) and Ken Scott (UK record producer & engineer)
additional producer:
America (US folk/soft rock band) and Jeff Dexter
producer:
America (US folk/soft rock band), Jeff Dexter, George Martin (producer, arranger, composer, conductor, audio engineer, and musician) and Ian Samwell
mixer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
12 string guitar:
Gerry Beckley (in 1971)
acoustic guitar and lead vocals:
Dewey Bunnell (in 1971)
bass guitar:
Dan Peek (in 1971)
drums (drum set):
Kim Haworth (in 1971)
percussion:
Ray Cooper (percussionist) (in 1971)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1971, in 1972), Warner Music (global imprint of Warner Music Group, ‘W’ logo either with “Warner Music” or no text) (in 1972) and Rhino Entertainment Company (not for release label use!) (in 2011)
recorded at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1971)
recording of:
A Horse With No Name (in 1971)
lyricist and composer:
Dewey Bunnell
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996) and WB Music Corp. (1929–2019)
America4.34:09
17Are You Old Enough
bass:
Todd Hunter (Todd Stuart Hunter of Dragon)
drums (drum set):
Kerry Jacobson
guitar:
Robert Taylor (Singer-songwriter and guitarist)
keyboard:
Paul Hewson (New Zealand keyboardist; not to be confused with the Irish rock star better known as Bono)
vocals:
Marc Hunter
phonographic copyright (℗) by:
Sony Music Productions Pty. Ltd. (for copyrights use only) and Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (in 1976, in 1978)
recording of:
Are You Old Enough
lyricist and composer:
Paul Hewson (New Zealand keyboardist; not to be confused with the Irish rock star better known as Bono)
publisher:
EMI Songs and EMI Songs Australia Pty. Ltd.
Dragon4:03
18Nips Are Getting BiggerMental as Anything33:20
19Don’t Throw StonesThe Sports3:37
20Free BirdLynyrd Skynyrd7:24

Credits

Release

copyrighted (©) by:Festival Mushroom Records Pty. Ltd.
Jim Beam Brands Co. (Also appears as Jim Beam Brands, Co)
phonographic copyright (℗) by:Festival Mushroom Records Pty. Ltd.
pressed by:SM Summit Holdings Ltd.
Discogs:https://www.discogs.com/release/17281567 [info]
ASIN:US: B0013NFPQW [info]

Release group

part of:Jim Beam: 40 Shots of Rock (number: 1) (order: 1)