Latest & Greatest: Feel Good Anthems

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▶CD
3▼CD
Nr.TitelKünstlerBewertungLänge
1Walk This Way
recording of:
Walk This Way
Verfasser(in):
Joe Perry (guitarist for Aerosmith) und Steven Tyler
publisher:
Daksel LLC, Daksel Music Corp., Music of Stage Three, Music of Stage Three Aerosmith Account, Song and Dance Music, Sony/ATV Music Publishing, Sony/ATV Music Publishing Ltd., Stage Three Music Ltd., Stage Three Music Publishing Limited und Vindaloo Productions, Inc.
Run‐D.M.C. feat. Aerosmith2:57
2The Best
Produzent(in):
Dan Hartman und Tina Turner
Sologesang:
Tina Turner
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
Teil von:
The Co-Op: Top 10 British Funeral Songs (Nummer: 4) und Cachitos Nochevieja 2022 (Nummer: 154)
cover recording of:
The Best
Verfasser(in):
Holly Knight und Michael Chapman (Australian producer and songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), Hebbes Music Group Pty. Ltd., Island Music Ltd., Knighty-Knight Music, Mike Chapman Publishing Enterprises, Rondor Music (Australia), Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Warner Chappell und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tina Turner45:27
3I Was Made for Lovin’ You
Produzent(in):
Vini Poncia
E-Bass:
Gene Simmons (KISS bassist and vocalist)
E-Gitarre [lead guitar]:
Ace Frehley (American rock guitarist)
E-Gitarre [rhythm guitar] und Sologesang:
Paul Stanley (KISS frontman)
Gast-Schlagzeug:
Anton Fig
phonographisches Urheberrecht (℗) von:
Casablanca Record & FilmWorks, Inc. (not for release label use, for copyrights use only) (in 1979)
produced for:
Mad Vincent Productions
Bearbeitung von:
I Was Made for Lovin’ You von KISS (US rock band)
recording of:
I Was Made for Lovin’ You
Verfasser(in):
Desmond Child, Vini Poncia und Paul Stanley (KISS frontman)
publisher:
Desmobile Inc., Hori Productions America Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing GmbH (Universal Music Publishing Group Germany), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Polygram International Publishing I (existed only since ca. 1998), Universal–Songs of PolyGram International, Inc., Kiss (publisher for the rock band KISS, formerly KISS Songs Inc.) (in 1979) und Mad Vincent Music (publisher) (in 1979)
sub-publisher:
Taiyō Music und Universal Music Publishing France (not for release label use!)
KISS3:59
4Get Up I Feel Like Being a Sex Machine, Pt. 1
Bass:
Bootsy Collins (US funk musician & songwriter) (am 1970-04-25)
Gitarre:
Catfish Collins (am 1970-04-25)
Klavier und Sologesang:
James Brown (The Godfather of Soul) (am 1970-04-25)
membranophone:
John Starks (am 1970-04-25)
Orgel und Hintergrundgesang:
Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group) (am 1970-04-25)
Tenorsaxophon:
Robert McCollough (am 1970-04-25)
Trompete:
Clayton Gunnells (am 1970-04-25) und Darryl Hassan Jamison (am 1970-04-25)
aufgenommen bei:
Starday Sound Studios in Nashville, Tennessee, Vereinigte Staaten (am 1970-04-25)
teilweise recording of:
Get Up (I Feel Like Being Like a) Sex Machine (am 1970-04-25)
Verfasser(in):
James Brown (The Godfather of Soul), Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group) und Ron Lenhoff
publisher:
Dynatone Publishing Co. und Intersong Music Ltd.
James Brown42:50
5Africa
recording engineer:
Al Schmitt
Produzent(in):
Toto (US rock group)
Mix:
Greg Ladanyi
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1982), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1982) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
Musikvideos:
Africa von Toto (US rock group)
recording of:
Africa (Toto)
Verfasser(in):
Jeffrey Porcaro und David Paich
publisher:
Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Rising Storm Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) und Spirit Two Music
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto54:19
6Everybody Wants to Rule the World
Techniker(in):
David Bascombe
Produzent(in):
Chris Hughes (producer, aka “Merrick”)
Mix:
Steven Wilson (founder of Porcupine Tree)
Bassgitarre:
Curt Smith (in 1984)
Gitarre und Solo-Gitarre:
Neil Taylor (guitarist) (in 1984)
Keyboard:
Ian Stanley (in 1984)
Schlagzeug:
Manny Elias (in 1984)
Hintergrundgesang:
Roland Orzabal (UK musician, songwriter and producer) (in 1984)
Sologesang:
Curt Smith
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1985, in 2014) und Phonogram Ltd. (not for release label use!) (in 1985)
Musikvideos:
Everybody Wants to Rule the World von Tears for Fears
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 28) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 319)
recording of:
Everybody Wants to Rule the World (in 1984)
Verfasser(in):
Christopher Hughes (producer, aka “Merrick”), Roland Orzabal (UK musician, songwriter and producer) und Ian Stanley
publisher:
10 Music Ltd., Amusements Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Virgin Music (Publishers) Ltd.
sub-publisher:
フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31) und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute)
Tears for Fears3.94:07
7Take On Me
Bass-Programmierung:
Magne Furuholmen
Produzent(in):
Alan Tarney
Mix:
a‐ha (Norwegian synth‐pop band) und John Ratcliff
drum machine und Gitarre:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
Keyboard:
Magne Furuholmen
Hintergrundgesang:
Magne Furuholmen und Paul Waaktaar-Savoy (guitarist, songwriter and singer)
Sologesang:
Morten Harket
phonographisches Urheberrecht (℗) von:
Rhino Entertainment Company (not for release label use!) (in 1985), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1985) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985, in 2004)
Musikvideos:
Take On Me (2019 4K remaster of 1985 mix with diegetic audio) von a‐ha (Norwegian synth‐pop band) und Take On Me (official music video, 1985 version) von a‐ha (Norwegian synth‐pop band)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 26), The Downloader’s Music Source Book (Nummer: 284) und BILLIONS CLUB
recording of:
Take On Me
Verfasser(in):
Magne Furuholmen, Morten Harket und Paul Waaktaar-Savoy (guitarist, songwriter and singer)
publisher:
ATV Music Ltd. und EMI Music Publishing (do not use as a release label!)
Version von:
Miss Eerie
a‐ha4.53:45
8The Power of Love
Techniker(in):
Stuart Bruce und Stephen Lipson
Produzent(in):
Trevor Horn
zusätzliche(r) Produzent(in):
Stephen Lipson
Bassgitarre:
Mark O’Toole (former bassist of Frankie Goes to Hollywood)
Gast-Keyboard:
Andrew Richards (Strawbs keyboard player/record producer) und Anne Dudley (English score composer)
Gast-Perkussion:
Luís Jardim
Gitarre:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter)
Schlagzeug:
Peter Gill (UK drummer for Frankie Goes to Hollywood)
Sologesang:
Holly Johnson, Mark O’Toole (former bassist of Frankie Goes to Hollywood) und Paul Rutherford (member of Frankie Goes to Hollywood)
Saiteninstrumente arranger und zusätzlich arranger:
Anne Dudley (English score composer)
phonographisches Urheberrecht (℗) von:
Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
recording of:
The Power of Love
Verfasser(in):
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson, Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) und Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) und Rubet Music Publishing, Inc.
Frankie Goes to Hollywood45:29
9Lovesong
recording of:
Lovesong
Texter:
Robert J. Smith (UK guitarist, vocalist and songwriter for The Cure)
Komponist(in):
Boris Williams, Laurence Tolhurst, Paul S. Thompson, Robert J. Smith (UK guitarist, vocalist and songwriter for The Cure), Roger O’Donnell und Simon Gallup
publisher:
APB Music Co., BMG Music Publishing Ltd., BMG Songs, Inc., Fiction Songs Ltd. und Universal Music Publishing MGB Ltd.
adaptation of:
Chanson d’amour (Chanson d’amour (lovesong))
The Cure3:26
10I’ll Stand by You
Techniker(in):
Steve Williams (UK recording engineer, aka Syco)
Produzent(in):
Ian Stanley
Gitarre:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders) und Adam Seymour
Schlagzeug:
Jimmy Copley und J.F.T. Hood
vocals:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1994, in 2000) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1994)
recording of:
I’ll Stand by You
Verfasser(in):
Chrissie Hynde (rock singer-songwriter and founder of Pretenders), Tom Kelly (songwriter) und Billy Steinberg
publisher:
B. Steinbereg Music, Clive Banks Songs, D. Barry Music, EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Hynde House of Hits Music, Kobalt Music Publishing Australia P/L und Kobalt Publishing Ltd.
The Pretenders3.553:57
11The Message
Produzent(in):
J. Chase und Sylvia Robinson
vocals:
Duke Bootee und Melle Mel (Melvin Glover aka Melle Mel)
phonographisches Urheberrecht (℗) von:
Sugar Hill Records (US late 70s/early 80s rap) (vom 1982 bis heute)
Bearbeitung von:
The Message (original version) von Grandmaster Flash & The Furious Five
recording of:
The Message (in 1982)
Verfasser(in):
Edward Fletcher, Jiggs Chase, Melvin Glover (Melvin Glover aka Melle Mel) und Sylvia Robinson
publisher:
IQ Music Ltd.
Grandmaster Flash & The Furious Five4.353:13
12Rapper’s Delight
recording of:
Rapper’s Delight
Verfasser(in):
Bernard Edwards (American bassist and record producer), Guy O'Brien (US rapper Guy Anthony O’Brien), Henry Jackson, Michael Wright, Sylvia Robinson und Nile Rodgers
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
basiert auf:
Good Times
The Sugarhill Gang4:45
13I’m Coming Out
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1980)
recording of:
I’m Coming Out
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Bernard’s Other Music, Sony Songs und Tommy Jymi Inc.
Diana Ross43:55
14You Can’t Hurry Love
recording of:
You Can’t Hurry Love
Verfasser(in):
Lamont Dozier, Brian Holland (Motown producer & songwriter) und Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete (now‐defunct US music publisher, affiliated with BMI), Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30), Jobete Music (UK) Ltd. (in 1965) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Supremes2:45
15Think
recording of:
Think
Verfasser(in):
Aretha Franklin und Ted White (husband & co-songwriter of Aretha Franklin)
publisher:
14th Hour Music, EMI Songs Ltd., Fourteenth Hour Music, Inc., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute)
Aretha Franklin2:16
16Return of Django
recording of:
Return to Django
Komponist(in):
Lee “Scratch” Perry (aka The Upsetter)
publisher:
B & C Music Publishing
The Upsetters2:29
17Mr. Bojangles
cover recording of:
Mr. Bojangles
Texter und Komponist(in):
Jerry Jeff Walker
publisher:
Gotillion Music (BMI), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell Music Australia Pty. Ltd.
John Holt5:18
18Sweets for My Sweet
cover recording of:
Sweets for My Sweet
Verfasser(in):
Doc Pomus und Mort Shuman (US singer, pianist & songwriter)
publisher:
Carlin Music Corporation, Pomus Songs Inc. und Trio Music Company
The Searchers3.52:28
19Feeling Good
recorded in:
New York, New York, Vereinigte Staaten (am 1965-01-15)
Produzent(in):
Hal Mooney
Gitarre:
Rudy Stevenson (am 1965-01-15)
Klavier:
Nina Simone (am 1965-01-15)
vocals:
Nina Simone (am 1965-01-15)
conductor:
Hal Mooney (am 1965-01-15)
arranger:
Hal Mooney
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965)
cover recording of:
Feeling Good (am 1965-01-15)
Verfasser(in):
Leslie Bricusse und Anthony Newley (English actor, singer, songwriter, and filmmaker)
publisher:
Concord Music Ltd und Musical Comedy Prods.
Teil von:
The Roar of the Greasepaint – The Smell of the Crowd
Nina Simone4.152:54
20It Must Be Love
cover recording of:
It Must Be Love
Texter und Komponist(in):
Labi Siffre
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated)
Madness43:19