Tracklist

1CD: The Quartet
2CD: The Quartet
#TitleRatingLength
1Festive Minor
baritone saxophone:
Gerry Mulligan (on 1953-03-27)
double bass:
Carson Smith (on 1953-03-27)
drums (drum set):
Larry Bunker (on 1953-03-27)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1953-03-27)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-03-27)
recording of:
Festive Minor (on 1953-03-27)
composer:
Gerry Mulligan
4:10
2My Old Flame
baritone saxophone:
Gerry Mulligan (on 1953-03-27)
double bass:
Carson Smith (on 1953-03-27)
drums (drum set):
Larry Bunker (on 1953-03-27)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1953-03-27)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-03-27)
instrumental recording of:
My Old Flame (on 1953-03-27)
lyricist:
Sam Coslow
composer:
Arthur Johnston (American composer and songwriter)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
3:12
3All the Things You Are
baritone saxophone:
Gerry Mulligan (on 1953-03-27)
double bass:
Carson Smith (on 1953-03-27)
drums (drum set):
Larry Bunker (on 1953-03-27)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1953-03-27)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-03-27)
instrumental recording of:
All the Things You Are (from “Very Warm for May”) (on 1953-03-27)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1939)
composer:
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (ended), T.B. Harms Inc. (ended) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Broadway Rhythm (film)
5:10
4Love Me or Leave Me (alternate take)
baritone saxophone:
Gerry Mulligan (on 1953-04-27)
double bass:
Carson Smith (on 1953-04-27)
drums (drum set):
Larry Bunker (on 1953-04-27)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1953-04-27)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-04-27)
instrumental recording of:
Love Me or Leave Me (on 1953-04-27)
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) and Gilbert Keyes Music Company (in 1928, in 1955)
2:48
5Love Me or Leave Me (master take)
baritone saxophone:
Gerry Mulligan (on 1953-04-27)
double bass:
Carson Smith (on 1953-04-27)
drums (drum set):
Larry Bunker (on 1953-04-27)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1953-04-27)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-04-27)
instrumental recording of:
Love Me or Leave Me (on 1953-04-27)
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) and Gilbert Keyes Music Company (in 1928, in 1955)
2:43
6Swinghouse (10″ take)
baritone saxophone:
Gerry Mulligan (on 1953-04-27)
double bass:
Carson Smith (on 1953-04-27)
drums (drum set):
Larry Bunker (on 1953-04-27)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1953-04-27)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-04-27)
recording of:
Swing House (on 1953-04-27)
composer:
Gerry Mulligan
2:58
7Swinghouse (12″ take)
baritone saxophone:
Gerry Mulligan (on 1953-04-27)
double bass:
Carson Smith (on 1953-04-27)
drums (drum set):
Larry Bunker (on 1953-04-27)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1953-04-27)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-04-27)
recording of:
Swing House (on 1953-04-27)
composer:
Gerry Mulligan
2:57
8Jeru
baritone saxophone:
Gerry Mulligan (on 1953-04-27)
double bass:
Carson Smith (on 1953-04-27)
drums (drum set):
Larry Bunker (on 1953-04-27)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1953-04-27)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-04-27)
recording of:
Jeru (on 1953-04-27)
composer:
Gerry Mulligan
2:30
9Utter Chaos #2
baritone saxophone:
Gerry Mulligan (on 1953-04-27)
double bass:
Carson Smith (on 1953-04-27)
drums (drum set):
Larry Bunker (on 1953-04-27)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1953-04-27)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-04-27)
recording of:
Utter Chaos
composer:
Gerry Mulligan
0:31
10Darn That Dream (master take)
baritone saxophone:
Gerry Mulligan (from 1953-04-29 until 1953-04-30)
double bass:
Carson Smith (from 1953-04-29 until 1953-04-30)
drums (drum set):
Larry Bunker (from 1953-04-29 until 1953-04-30)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (from 1953-04-29 until 1953-04-30)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1953-04-29 until 1953-04-30)
instrumental recording of:
Darn That Dream (from 1953-04-29 until 1953-04-30)
lyricist:
Eddie DeLange (in 1939)
composer:
Jimmy Van Heusen (in 1939)
publisher:
Scarsdale Music Corp. (ASCAP)
part of:
Swingin’ the Dream
3:49
11Darn That Dream (alternate take)
baritone saxophone:
Gerry Mulligan (from 1953-04-29 until 1953-04-30)
double bass:
Carson Smith (from 1953-04-29 until 1953-04-30)
drums (drum set):
Larry Bunker (from 1953-04-29 until 1953-04-30)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (from 1953-04-29 until 1953-04-30)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1953-04-29 until 1953-04-30)
instrumental recording of:
Darn That Dream (from 1953-04-29 until 1953-04-30)
lyricist:
Eddie DeLange (in 1939)
composer:
Jimmy Van Heusen (in 1939)
publisher:
Scarsdale Music Corp. (ASCAP)
part of:
Swingin’ the Dream
3:23
12I May Be Wrong (12″ take)
baritone saxophone:
Gerry Mulligan (from 1953-04-29 until 1953-04-30)
double bass:
Carson Smith (from 1953-04-29 until 1953-04-30)
drums (drum set):
Larry Bunker (from 1953-04-29 until 1953-04-30)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (from 1953-04-29 until 1953-04-30)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1953-04-29 until 1953-04-30)
instrumental recording of:
I May Be Wrong (from 1953-04-29 until 1953-04-30)
lyricist:
Eddie DeLange
writer:
Harry Ruskin and Henry Sullivan
composer:
Jimmy Van Heusen
2:59
13I May Be Wrong (10″ take)
baritone saxophone:
Gerry Mulligan (from 1953-04-29 until 1953-04-30)
double bass:
Carson Smith (from 1953-04-29 until 1953-04-30)
drums (drum set):
Larry Bunker (from 1953-04-29 until 1953-04-30)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (from 1953-04-29 until 1953-04-30)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1953-04-29 until 1953-04-30)
instrumental recording of:
I May Be Wrong (from 1953-04-29 until 1953-04-30)
lyricist:
Eddie DeLange
writer:
Harry Ruskin and Henry Sullivan
composer:
Jimmy Van Heusen
2:52
14I’m Beginning to See the Light (10″ take)
baritone saxophone:
Gerry Mulligan (from 1953-04-29 until 1953-04-30)
double bass:
Carson Smith (from 1953-04-29 until 1953-04-30)
drums (drum set):
Larry Bunker (from 1953-04-29 until 1953-04-30)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (from 1953-04-29 until 1953-04-30)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1953-04-29 until 1953-04-30)
instrumental recording of:
I’m Beginning to See the Light (from 1953-04-29 until 1953-04-30)
lyricist:
Don George (US songwriter/composer, 1909–1987) (in 1944)
writer:
Duke Ellington (US composer, pianist & jazz bandleader)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1944), Johnny Hodges (in 1944) and Harry James (US big band leader, trumpeter & actor) (in 1944)
publisher:
Anne-Rachel Music Corp.
3:35
15I’m Beginning to See the Light (12″ take)
baritone saxophone:
Gerry Mulligan (from 1953-04-29 until 1953-04-30)
double bass:
Carson Smith (from 1953-04-29 until 1953-04-30)
drums (drum set):
Larry Bunker (from 1953-04-29 until 1953-04-30)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (from 1953-04-29 until 1953-04-30)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1953-04-29 until 1953-04-30)
instrumental recording of:
I’m Beginning to See the Light (from 1953-04-29 until 1953-04-30)
lyricist:
Don George (US songwriter/composer, 1909–1987) (in 1944)
writer:
Duke Ellington (US composer, pianist & jazz bandleader)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1944), Johnny Hodges (in 1944) and Harry James (US big band leader, trumpeter & actor) (in 1944)
publisher:
Anne-Rachel Music Corp.
3:08
16The Nearness of You
baritone saxophone:
Gerry Mulligan (from 1953-04-29 until 1953-04-30)
double bass:
Carson Smith (from 1953-04-29 until 1953-04-30)
drums (drum set):
Larry Bunker (from 1953-04-29 until 1953-04-30)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (from 1953-04-29 until 1953-04-30)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1953-04-29 until 1953-04-30)
instrumental recording of:
The Nearness of You (from 1953-04-29 until 1953-04-30)
lyricist:
Ned Washington (in 1938)
composer:
Hoagy Carmichael (in 1938)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK and Sony/ATV Music Publishing LLC (1995–2020)
2:52
17Tea for Two
baritone saxophone:
Gerry Mulligan (from 1953-04-29 until 1953-04-30)
double bass:
Carson Smith (from 1953-04-29 until 1953-04-30)
drums (drum set):
Larry Bunker (from 1953-04-29 until 1953-04-30)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (from 1953-04-29 until 1953-04-30)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1953-04-29 until 1953-04-30)
instrumental recording of:
Tea for Two (No, No, Nanette) (from 1953-04-29 until 1953-04-30)
lyricist:
Irving Caesar
composer:
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
No, No, Nanette
2:48
18Five Brothers
baritone saxophone:
Gerry Mulligan (on 1953-05-20)
double bass:
Carson Smith (on 1953-05-20)
drums (drum set):
Larry Bunker (on 1953-05-20)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1953-05-20)
recorded at:
The Haig in Los Angeles, California, United States (on 1953-05-20)
live recording of:
Five Brothers (on 1953-05-20)
composer:
Gerry Mulligan
3:00
19I Can’t Get Started
baritone saxophone:
Gerry Mulligan (on 1953-05-20)
double bass:
Carson Smith (on 1953-05-20)
drums (drum set):
Larry Bunker (on 1953-05-20)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1953-05-20)
recorded at:
The Haig in Los Angeles, California, United States (on 1953-05-20)
live instrumental recording of:
I Can’t Get Started (on 1953-05-20)
lyricist:
Ira Gershwin
composer:
Vernon Duke
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell’s • Sydney, Music Sales Corporation (American copyright holder in both popular and classical music) and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
4:02
20Ide’s Side
baritone saxophone:
Gerry Mulligan (on 1953-05-20)
double bass:
Carson Smith (on 1953-05-20)
drums (drum set):
Larry Bunker (on 1953-05-20)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1953-05-20)
recorded at:
The Haig in Los Angeles, California, United States (on 1953-05-20)
live recording of:
Ide’s Side (on 1953-05-20)
composer:
Gerry Mulligan
4:22
21Funhouse (Haig and Haig)
baritone saxophone:
Gerry Mulligan (on 1953-05-20)
double bass:
Carson Smith (on 1953-05-20)
drums (drum set):
Larry Bunker (on 1953-05-20)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1953-05-20)
recorded at:
The Haig in Los Angeles, California, United States (on 1953-05-20)
live recording of:
Funhouse (Haig and Haig) (on 1953-05-20)
composer:
Gerry Mulligan
3:29
22My Funny Valentine
baritone saxophone:
Gerry Mulligan (on 1953-05-20)
double bass:
Carson Smith (on 1953-05-20)
drums (drum set):
Larry Bunker (on 1953-05-20)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1953-05-20)
recorded at:
The Haig in Los Angeles, California, United States (on 1953-05-20)
live instrumental recording of:
My Funny Valentine (from “Babes in Arms”) (on 1953-05-20)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, volume I)
part of:
Waiting to Exhale (1995 film)
5:17
3CD: The Tentette and Konitz Sessions