Greatest Love Songs of the ’70s

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1▶CD: Baby I’m a Want You
2▶CD: Baby I’m a Want You
3▶CD: Just to Be Close to You
4▶CD: Just to Be Close to You
5▶CD: Say You Love Me
6▶CD: Love Will Keep Us Together
7▼CD: Love Will Keep Us Together
#TitoloArtistaValutazioneDurata
1Do That to Me One More Time
tecnico di registrazione e tecnico di missaggio:
Roger Young (engineer)
assistente tecnico:
David Cole (American recording engineer and producer), Ira Leslie e Wayne Neuendorf
produttore:
Daryl Dragon
batteria [drums] :
Ralph Humphrey (American drummer and teacher)
chitarra acustica :
Lee Ritenour
chitarra basso :
Scott Edwards (bassist)
percussione :
Ken Watson (American percussionist)
piano Rhodes [Fender Rhodes electric piano] , voce di accompagnamento e voce principale:
Toni Tennille
sintetizzatore [Oberheim Four Voice] :
Daryl Dragon
sintetizzatore a fiato [flute synthesizer] :
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
assistente remixer:
Wayne Neuendorf
diritti fonografici (℗) detenuti da:
Casablanca Record & FilmWorks, Inc. (not for release label use, for copyrights use only) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1979)
registrata presso:
Capitol Records Studio (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti e Rumbo Recorders in Canoga Park, Los Angeles, California, Stati Uniti
mixata presso:
The Village Recorders (Village Studios, aka The Village Recorder) in Los Angeles, California, Stati Uniti
registrazione di:
Do That to Me One More Time
paroliere e compositore:
Toni Tennille
editore:
Fujipacific Music, Inc. e Moonlight & Magnolias Music Publ. Co. (BMI-affiliated)
Captain & Tennille3.853:54
2Time in a Bottle
produttore:
Terry Cashman e Tommy West
voce:
Jim Croce (il 1971-10-11)
diritti fonografici (℗) detenuti da:
R2M Music (BMI) (nel 1972), BMG Rights Management (US) LLC (file releases under its imprint “BMG (2008–present)” if the release has an imprint) (nel 1973), Lastrada Entertainment Co., Ltd. (nel 1973) e LeFrak-Moelis Records (nel 1973)
registrata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti (il 1971-10-11)
registrazione di:
Time in a Bottle (il 1971-10-11)
paroliere e compositore:
Jim Croce
editore:
American Broadcasting Music, Inc., Blendingwell Music, Inc., DenJac Music Company e MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Jim Croce4.52:28
3When Will I Be Loved
tecnico di registrazione:
Val Garay e David Hassinger
tecnico:
Val Garay
produttore:
Peter Asher
basso :
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt)
batteria :
Russ Kunkel (session drummer)
campanaccio :
Peter Asher
famiglia delle chitarre e tamburello :
Andrew Gold
voce di accompagnamento:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt), Andrew Gold e Linda Ronstadt
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1974, nel 2013)
registrata presso:
Sound Factory (1969–1980) in Los Angeles, California, Stati Uniti
registrazione cover di:
When Will I Be Loved? (dal 1974-06 al 1974-09)
paroliere e compositore:
Phil Everly
editore:
Acuff-Rose (BMI), Everly and Sons Music Publishing (BMI) e MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Linda Ronstadt52:12
4You Needed Me
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1978), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1978) e EMI Music Canada (nel 1978)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 63)
registrazione di:
You Needed Me (nel 1978)
paroliere e compositore:
Randy Goodrum
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Ironside Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Australia Pty. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Anne Murray4.653:38
5I’ll Be There
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 7)
registrazione di:
I’ll Be There
autore:
Bob West (US session bassist, producer & songwriter), Hal Davis, Berry Gordy e Willie Hutch
editore:
EMI April Music Inc., EMI Songs Australia, Jobete Music Co., Inc. e Stone Diamond Music Corporation
parte di:
MJ: The Musical
The Jacksons54:00
6Just My Imagination (Running Away With Me)
produttore:
Norman Whitfield
voce:
The Temptations (Motown soul vocal group) (dal 1970-11-24 al 1970-12-03)
voce principale:
Eddie Kendricks (dal 1970-01-24 al 1970-12-03)
diritti fonografici (℗) detenuti da:
Motown Record Company (company credits only; do NOT use as release label) (nel 1971), Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1971), Motown Record Corporation (company credits only; do NOT use as release label) (nel 1971) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1971)
registrata presso:
Golden World in Detroit, Michigan, Stati Uniti (dal 1970-11-24 al 1970-12-03)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 233) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 389)
registrazione di:
Just My Imagination (Running Away With Me) (dal 1970-11-24 al 1970-12-03)
paroliere:
Barrett Strong
compositore:
Norman Whitfield
editore:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc. e Stone Agate Music
The Temptations53:50
7Neither One of Us (Wants to Be the First to Say Goodbye)
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1972)
registrazione di:
Neither One of Us (Wants to Be the First to Say Goodbye)
autore:
Jim Weatherly (American singer/songwriter)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Gladys Knight & the Pips4:24
8Three Times a Lady
produttore:
James Anthony Carmichael e Commodores (US funk/soul band with Lionel Richie)
voce principale:
Lionel Richie
arrangiatore:
James Anthony Carmichael e Commodores (US funk/soul band with Lionel Richie)
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1978), Motown Record Corporation (company credits only; do NOT use as release label) (nel 1978, nel 1979) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1978)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 10)
registrazione di:
Three Times a Lady
paroliere e compositore:
Lionel Richie
editore:
Brenda Richie Publishing, Brockman Enterprises, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc. e Libren Music
Commodores3.653:40
9Touch Me in the Morning
produttore:
Tom Baird (Motown producer) e Michael Masser
arrangiatore:
Tom Baird (Motown producer) e Gene Page
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1973) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1973)
registrazione di:
Touch Me in the Morning
autore:
Michael Masser e Ron Miller (Motown songwriter Ronald Norman Miller)
editore:
Jobete Music (appears also as: Jobete Msc.) e Jobete Music Co., Inc.
Diana Ross3.53:59
10Reunited
produttore:
Freddie Perren
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1978) e Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 1978)
edit di:
Reunited di Peaches & Herb
registrazione di:
Reunited
autore:
Dino Fekaris e Freddie Perren
editore:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Peaches & Herb54:00
11Hopelessly Devoted to You
tecnico e tecnico di missaggio:
David J. Holman
produttore:
John Farrar
arrangiatore:
John Farrar, Michael Gibson (trombone) e Louis St. Louis (American songwriter, music arranger and singer)
diritti fonografici (℗) detenuti da:
RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (nel 1978) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1978)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 35)
registrazione di:
Hopelessly Devoted to You (Grease, 1978 film)
paroliere e compositore:
John Farrar
parte di:
The 51st Academy Award for Best Original Song (numero: 2)
parte di:
Grease (1978 film)
Olivia Newton‐John43:07
12Danny’s Song
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1973)
registrazione cover di:
Danny’s Song
paroliere e compositore:
Kenny Loggins
editore:
Gnossos Music
Anne Murray53:07
13Alone Again (Naturally)
produttore:
Gordon Mills (60s/70s UK producer and songwriter)
diritti fonografici (℗) detenuti da:
O.S.M. Inc. (nel 1972)
registrazione di:
Alone Again (Naturally)
paroliere e compositore:
Gilbert O’Sullivan
editore:
Grand Upright Music Ltd. e 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division)
Gilbert O’Sullivan53:39
14Don’t It Make My Brown Eyes Blue
diritti fonografici (℗) detenuti da:
Capitol Records Nashville (nel 1975), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1976), Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (nel 1976) e Capitol Nashville (nel 1977, nel 1979)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 71)
registrazione cover di:
Don’t It Make My Brown Eyes Blue
paroliere e compositore:
Richard Leigh (American country music songwriter and singer)
editore:
EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI U Catalog Inc. (publisher; do NOT use as release label) e EMI United Partnership Ltd.
Crystal Gayle4.42:33
15Drift Away
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1972)
registrazione cover di:
Drift Away
paroliere e compositore:
Mentor Williams (songwriter & producer)
editore:
Rondor Music (London) Ltd.
Dobie Gray3:56
16Torn Between Two Lovers
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1976) e Arista Records, LLC (holding company - file NO releases here!) (nel 1976)
registrazione di:
Torn Between Two Lovers (There are times when a woman has to say what’s on her mind…)
paroliere:
Phillip Jarrell
compositore:
Peter Yarrow
editore:
Muscle Shoals Sound Publishing, Peermusic France, Peermusic III, Ltd. (BMI), Silver Dawn Music, WB Music Corp. (1929–2019) e ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Mary MacGregor3:49
8▶CD: The Air That I Breathe
9▶CD: The Air That I Breathe

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