Airs d’opérettes / Operetta Arias / Operetten‐Arien

~ Release by Various Artists; Barbara Hendricks, Philharmonia Orchestra, Lawrence Foster (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Giuditta: “Meine Lippen, sie küssen so heiss”
soprano vocals:
Barbara Hendricks (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Lawrence Foster (conductor)
recording of:
Giuditta: Akt IV. „Meine Lippen, sie küssen so heiss” (Giuditta)
lyricist:
Fritz Löhner-Beda (librettist, lyricist, writer)
composer:
Franz Lehár (composer)
librettist:
Paul Knepler (librettist and composer)
part of:
Giuditta: Akt IV
Franz Lehár5:53
2Der Favorit: “Du sollst der Kaiser meiner Seele sein”
violin:
Hugh Bean (violinist)
soprano vocals:
Barbara Hendricks (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Lawrence Foster (conductor)
recording of:
Der Favorit: "Du sollst der Kaiser meiner Seele sein"
lyricist:
Fritz Grünbaum and Wilhelm Sterk
composer:
Robert Stolz (Viennese operetta composer, songwriter and conductor)
part of:
Der Favorit
Robert Stolz6:41
3Die Lustige Witwe / La Veuve Joyeuse / The Merry Widow: Vilja Lied – “Vilja, o Vilja”
soprano vocals:
Barbara Hendricks (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Lawrence Foster (conductor)
recording of:
Die lustige Witwe: Akt II. N°7. Introduktion, Tanz und Vilja-Lied: “Ich bitte, hier jetzt zu verweilen” … “Nun laßt uns aber wie daheim” … “Es lebt’ eine Vilja” (Hanna, Chor)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt II
part of:
Die lustige Witwe: Akt II
Franz Lehár5:27
4Der Vogelhändler: “Schenkt man sich Rosen in Tirol”
soprano vocals:
Barbara Hendricks (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Lawrence Foster (conductor)
recording of:
Der Vogelhändler: Akt I. "Schenkt man sich Rosen in Tirol" (Kurfürstin, Adam)
composer:
Carl Zeller
librettist:
Ludwig Held and Moritz West
part of:
Der Vogelhändler: Akt I
Carl Zeller3:27
5Die Fledermaus / La Chauve‐Souris: Csardas “Klänge der Heimat”
soprano vocals:
Barbara Hendricks (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Lawrence Foster (conductor)
recording of:
Die Fledermaus: Akt II. Nr. 10 Csárdás „Klänge der Heimat“ (Rosalinde)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
Johann Strauss5:09
6Friederike: “Warum hast du mich wach geküsst?”
soprano vocals:
Barbara Hendricks (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Lawrence Foster (conductor)
recording of:
Friederike: „Warum hast du mich wachgeküßt”
composer:
Franz Lehár (composer)
part of:
Friederike
Franz Lehár4:21
7Madame Chrysanthéme : « Le Jour sous le soleil béni »
soprano vocals:
Barbara Hendricks (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Lawrence Foster (conductor)
recording of:
Madame Chrysanthème: Acte II. "Le jour sous le soleil béni"
composer:
André Messager (French composer)
part of:
Madame Chrysanthème: Acte II
André Messager4:29
8La Vie parisienne : « Autrefois plus d’un amant »
soprano vocals:
Barbara Hendricks (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Lawrence Foster (conductor)
recording of:
La Vie parisienne : Acte II. N°7 – Rondeau « Autrefois, plus d'un amant tendre et galant » (Gabrielle) (Air du gant)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
La Vie parisienne : Acte II
Jacques Offenbach2:12
9Le Voyage dans la lune : Valse « Monde charmant que l’on ignore »
soprano vocals:
Barbara Hendricks (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Lawrence Foster (conductor)
recording of:
Le Voyage dans la Lune : Acte I. No. 7 Valse chantée « Monde charmant que l’on ignore » (Caprice)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Le Voyage dans la Lune : Acte I
Jacques Offenbach3:32
10L’Amour masqué : « J’ai deux amants »
soprano vocals:
Barbara Hendricks (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Lawrence Foster (conductor)
recording of:
L’Amour masqué : “J'ai deux amants”
lyricist:
Sacha Guitry
composer:
André Messager (French composer)
part of:
L'Amour masqué
André Messager3:16
11The Pirates of Penzance: “Poor Wand’ring One”
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
soprano vocals:
Barbara Hendricks (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Lawrence Foster (conductor)
recording of:
The Pirates of Penzance: Act I, no. 8 “Poor Wand’ring One!” (Mabel, Chorus of Girls)
lyricist:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
part of:
The Pirates of Penzance: Act I, no. 8. “Poor wand’ring one …” (Mabel, Girls)
Arthur Sullivan2:50
12The Mikado: “The Sun, Whose Rays Are All Ablaze”
soprano vocals:
Barbara Hendricks (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Lawrence Foster (conductor)
recording of:
The Mikado: Act II, no. 13. “The sun, whose rays are all ablaze” (Yum-Yum)
lyricist:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
part of:
The Mikado: Act II
Arthur Sullivan3:13
13New Moon: “One Kiss”
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
soprano vocals:
Barbara Hendricks (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Lawrence Foster (conductor)
recording of:
The New Moon: Act I. One Kiss
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein), Frank Mandel and Laurence Schwab
composer:
Sigmund Romberg
part of:
The New Moon: Act I
Sigmund Romberg4:07
14New Moon: “Lover Come Back to Me”
baritone vocals:
Gino Quilico (baritone)
soprano vocals:
Barbara Hendricks (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Lawrence Foster (conductor)
recording of:
Lover, Come Back to Me (from "The New Moon")
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
writer:
Sigmund Romberg
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The New Moon: Act II
Sigmund Romberg6:36
15My Fair Lady: “l Could Have Danced All Night”
mezzo-soprano vocals:
Shirley Minty (contralto)
soprano vocals:
Barbara Hendricks (soprano), Claire Henry (UK soprano; Claire Henry-Desbois) and Lynda Richardson
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Lawrence Foster (conductor)
recording of:
I Could Have Danced All Night (My Fair Lady)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell North America
part of:
My Fair Lady (full musical)
Frederick Loewe3:44
16Naughty Marietta: “Ah ! Sweet Mystery of Life”
soprano vocals:
Barbara Hendricks (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Lawrence Foster (conductor)
recording of:
Naughty Marietta: Act II. Ah! Sweet Mystery of Life (aka The Dream Melody)
lyricist:
Rida Johnson Young
composer:
Victor Herbert (American composer)
part of:
Naughty Marietta: Act II
Victor Herbert2:13
17Naughty Marietta: Italian Street Song – “Ah! My Heart is Back in Napoli”
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
soprano vocals:
Barbara Hendricks (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Lawrence Foster (conductor)
recording of:
Naughty Marietta: Act I. Italian Street Song (Marietta, Chorus)
lyricist:
Rida Johnson Young
composer:
Victor Herbert (American composer)
part of:
Naughty Marietta: Act I
Victor Herbert2:49