Kantaten, Vol. 5: Sonntage nach Trinitatis II

~ Release by Bach; Münchener Bach‐Chor, Münchener Bach‐Orchester, Karl Richter (see all versions of this release, 2 available)

Tracklist

1▶CD
2▶CD
3▶CD
4▼CD
#TitleArtistRatingLength
1Cantata No. 116, "Du Freidefürst, Herr Jesu Christ,": 1. Chor. Du Friedefürst, Herr Jesu Christ
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe and oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (in 1977-02, in 1978-02, in 1978-03, in 1978-05, in 1978-06)
oboe d'amore [oboe d'amore II]:
Martin Spanner (oboist) (in 1977-02, in 1978-02, in 1978-03, in 1978-05, in 1978-06)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1977-02, in 1978-02, in 1978-03, in 1978-05, in 1978-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-02, in 1978-02, in 1978-03, in 1978-05, in 1978-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-02, in 1978-02, in 1978-03, in 1978-05, in 1978-06)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-02, in 1978-02, in 1978-03, in 1978-05, in 1978-06)
recording of:
Kantate, BWV 116 "Du Friedefürst, Herr Jesu Christ": I. Coro "Du Friedefürst, Herr Jesu Christ" (in 1978-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 116 "Du Friedefürst, Herr Jesu Christ"
Johann Sebastian Bach5:07
2Cantata No. 116, "Du Freidefürst, Herr Jesu Christ,": 2. Arie. Ach, unaussprechlich ist die Not
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe and oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (in 1977-02, in 1978-02, in 1978-03, in 1978-05, in 1978-06)
oboe d'amore [oboe d'amore II]:
Martin Spanner (oboist) (in 1977-02, in 1978-02, in 1978-03, in 1978-05, in 1978-06)
alto vocals:
Trudeliese Schmidt (mezzo-soprano) (in 1977-02, in 1978-02, in 1978-03, in 1978-05, in 1978-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-02, in 1978-02, in 1978-03, in 1978-05, in 1978-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-02, in 1978-02, in 1978-03, in 1978-05, in 1978-06)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-02, in 1978-02, in 1978-03, in 1978-05, in 1978-06)
recording of:
Kantate, BWV 116 "Du Friedefürst, Herr Jesu Christ": II. Aria (Alt) "Ach, unaussprechlich ist die Not" (in 1978-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 116 "Du Friedefürst, Herr Jesu Christ"
Johann Sebastian Bach3:22
3Cantata No. 116, "Du Freidefürst, Herr Jesu Christ,": 3. Rezitativ. Gedenke doch, o Jesu
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe and oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (in 1977-02, in 1978-02, in 1978-03, in 1978-05, in 1978-06)
oboe d'amore [oboe d'amore II]:
Martin Spanner (oboist) (in 1977-02, in 1978-02, in 1978-03, in 1978-05, in 1978-06)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1977-02, in 1978-02, in 1978-03, in 1978-05, in 1978-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-02, in 1978-02, in 1978-03, in 1978-05, in 1978-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-02, in 1978-02, in 1978-03, in 1978-05, in 1978-06)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-02, in 1978-02, in 1978-03, in 1978-05, in 1978-06)
recording of:
Kantate, BWV 116 "Du Friedefürst, Herr Jesu Christ": III. Recitativo (Tenor) "Gedenke doch, o Jesu" (in 1978-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 116 "Du Friedefürst, Herr Jesu Christ"
Johann Sebastian Bach0:48
4Cantata No. 116, "Du Freidefürst, Herr Jesu Christ,": 4. Terzett. Ach, wir bekennen unsre Schuld
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe and oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (in 1977-02, in 1978-02, in 1978-03, in 1978-05, in 1978-06)
oboe d'amore [oboe d'amore II]:
Martin Spanner (oboist) (in 1977-02, in 1978-02, in 1978-03, in 1978-05, in 1978-06)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1977-02, in 1978-02, in 1978-03, in 1978-05, in 1978-06)
soprano vocals:
Edith Mathis (soprano) (in 1978-03)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1977-02, in 1978-02, in 1978-03, in 1978-05, in 1978-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-02, in 1978-02, in 1978-03, in 1978-05, in 1978-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-02, in 1978-02, in 1978-03, in 1978-05, in 1978-06)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-02, in 1978-02, in 1978-03, in 1978-05, in 1978-06)
recording of:
Kantate, BWV 116 "Du Friedefürst, Herr Jesu Christ": IV. Terzetto (Sopran, Tenor, Bass) "Ach, wir bekennen unsre Schuld" (in 1978-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 116 "Du Friedefürst, Herr Jesu Christ"
Johann Sebastian Bach5:46
5Cantata No. 116, "Du Freidefürst, Herr Jesu Christ,": 5. Rezitativ. Ach, laß uns durch die scharfen Ruten
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe and oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (in 1977-02, in 1978-02, in 1978-03, in 1978-05, in 1978-06)
oboe d'amore [oboe d'amore II]:
Martin Spanner (oboist) (in 1977-02, in 1978-02, in 1978-03, in 1978-05, in 1978-06)
alto vocals:
Trudeliese Schmidt (mezzo-soprano) (in 1977-02, in 1978-02, in 1978-03, in 1978-05, in 1978-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-02, in 1978-02, in 1978-03, in 1978-05, in 1978-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-02, in 1978-02, in 1978-03, in 1978-05, in 1978-06)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-02, in 1978-02, in 1978-03, in 1978-05, in 1978-06)
recording of:
Kantate, BWV 116 "Du Friedefürst, Herr Jesu Christ": V. Recitativo (Alt) "Ach, laß uns durch die scharfen Ruten" (in 1978-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 116 "Du Friedefürst, Herr Jesu Christ"
Johann Sebastian Bach1:20
6Cantata No. 116, "Du Freidefürst, Herr Jesu Christ,": 6. Choral. Erleuchtet auch unser Sinn und Herz
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe and oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (in 1977-02, in 1978-02, in 1978-03, in 1978-05, in 1978-06)
oboe d'amore [oboe d'amore II]:
Martin Spanner (oboist) (in 1977-02, in 1978-02, in 1978-03, in 1978-05, in 1978-06)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1977-02, in 1978-02, in 1978-03, in 1978-05, in 1978-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-02, in 1978-02, in 1978-03, in 1978-05, in 1978-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-02, in 1978-02, in 1978-03, in 1978-05, in 1978-06)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-02, in 1978-02, in 1978-03, in 1978-05, in 1978-06)
recording of:
Kantate, BWV 116 "Du Friedefürst, Herr Jesu Christ": VI. Choral "Erleucht auch unser Sinn und Herz" (in 1978-03)
lyricist:
Jakob Ebert (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 69)
part of:
Kantate, BWV 116 "Du Friedefürst, Herr Jesu Christ"
Johann Sebastian Bach1:08
7Cantata No. 70, "Wachet! betet! betet! wachet!": 1. Chor. Wachet! betet! betet! wachet!
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
cello:
Fritz Kiskalt (cellist) (in 1977-02, in 1978-02, in 1978-03, in 1978-05)
trumpet:
Chandler Goetting (trumpeter) (in 1977-02, in 1978-02, in 1978-03, in 1978-05)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1977-02, in 1978-03, in 1978-05)
vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1978-02)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-02, in 1978-02, in 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-02, in 1978-02, in 1978-03, in 1978-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-02, in 1978-02, in 1978-03, in 1978-05)
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": I. Coro "Wachet! betet! betet! wachet!" (in 1978-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 70.2 "Wachet! betet! betet! wachet!" (1723 Leipzig version, former BWV 70)
Johann Sebastian Bach4:10
8Cantata No. 70, "Wachet! betet! betet! wachet!": 2. Rezitativ. Erschrecket, ihr verstockten Sünder
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
cello:
Fritz Kiskalt (cellist) (in 1977-02, in 1978-02, in 1978-03, in 1978-05)
trumpet:
Chandler Goetting (trumpeter) (in 1977-02, in 1978-02, in 1978-03, in 1978-05)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1977-02, in 1978-02, in 1978-03, in 1978-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-02, in 1978-02, in 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-02, in 1978-02, in 1978-03, in 1978-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-02, in 1978-02, in 1978-03, in 1978-05)
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": II. Recitativo (Bass) "Erschrecket, ihr verstockten Sünder" (in 1978-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 70.2 "Wachet! betet! betet! wachet!" (1723 Leipzig version, former BWV 70)
Johann Sebastian Bach1:28
9Cantata No. 70, "Wachet! betet! betet! wachet!": 3. Arie. Wann kommt der Tag, an dem wir ziehen
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
cello:
Fritz Kiskalt (cellist) (in 1977-02, in 1978-02, in 1978-03, in 1978-05)
trumpet:
Chandler Goetting (trumpeter) (in 1977-02, in 1978-02, in 1978-03, in 1978-05)
alto vocals:
Trudeliese Schmidt (mezzo-soprano) (in 1977-02, in 1978-02, in 1978-03, in 1978-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-02, in 1978-02, in 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-02, in 1978-02, in 1978-03, in 1978-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-02, in 1978-02, in 1978-03, in 1978-05)
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": III. Aria (Alt) "Wenn kömmt der Tag" (in 1978-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 70.2 "Wachet! betet! betet! wachet!" (1723 Leipzig version, former BWV 70)
Johann Sebastian Bach5:32
10Cantata No. 70, "Wachet! betet! betet! wachet!": 4. Rezitativ. Auch bei dem himmlischen Verlangen
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
cello:
Fritz Kiskalt (cellist) (in 1977-02, in 1978-02, in 1978-03, in 1978-05)
trumpet:
Chandler Goetting (trumpeter) (in 1977-02, in 1978-02, in 1978-03, in 1978-05)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1977-02, in 1978-02, in 1978-03, in 1978-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-02, in 1978-02, in 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-02, in 1978-02, in 1978-03, in 1978-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-02, in 1978-02, in 1978-03, in 1978-05)
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": IV. Recitativo (Tenor) "Auch bei dem himmlischen Verlangen" (in 1978-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 70.2 "Wachet! betet! betet! wachet!" (1723 Leipzig version, former BWV 70)
Johann Sebastian Bach0:52
11Cantata No. 70, "Wachet! betet! betet! wachet!": 5. Arie. Laß der Spötter Zungen schmähen
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
cello:
Fritz Kiskalt (cellist) (in 1977-02, in 1978-02, in 1978-03, in 1978-05)
trumpet:
Chandler Goetting (trumpeter) (in 1977-02, in 1978-02, in 1978-03, in 1978-05)
soprano vocals:
Edith Mathis (soprano) (in 1977-02, in 1978-02, in 1978-03, in 1978-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-02, in 1978-02, in 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-02, in 1978-02, in 1978-03, in 1978-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-02, in 1978-02, in 1978-03, in 1978-05)
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": V. Aria (Sopran) "Laßt der Spötter Zungen schmähen" (in 1978-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 70.2 "Wachet! betet! betet! wachet!" (1723 Leipzig version, former BWV 70)
Johann Sebastian Bach2:52
12Cantata No. 70, "Wachet! betet! betet! wachet!": 6. Rezitativ. Jedoch bei dem unartigen Geschlechte
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
cello:
Fritz Kiskalt (cellist) (in 1977-02, in 1978-02, in 1978-03, in 1978-05)
trumpet:
Chandler Goetting (trumpeter) (in 1977-02, in 1978-02, in 1978-03, in 1978-05)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1977-02, in 1978-02, in 1978-03, in 1978-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-02, in 1978-02, in 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-02, in 1978-02, in 1978-03, in 1978-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-02, in 1978-02, in 1978-03, in 1978-05)
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": VI. Recitativo (Tenor) "Jedoch bei dem unartigen Geschlechte" (in 1978-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 70.2 "Wachet! betet! betet! wachet!" (1723 Leipzig version, former BWV 70)
Johann Sebastian Bach0:41
13Cantata No. 70, "Wachet! betet! betet! wachet!": 7. Choral. Freu dich sehr, o meine Seele
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
cello:
Fritz Kiskalt (cellist) (in 1977-02, in 1978-02, in 1978-03, in 1978-05)
trumpet:
Chandler Goetting (trumpeter) (in 1977-02, in 1978-02, in 1978-03, in 1978-05)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1977-02, in 1978-03, in 1978-05)
vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1978-02)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-02, in 1978-02, in 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-02, in 1978-02, in 1978-03, in 1978-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-02, in 1978-02, in 1978-03, in 1978-05)
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": VII. Choral "Freu dich sehr, o meine Seele" (in 1978-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 98)
part of:
Kantate, BWV 70.2 "Wachet! betet! betet! wachet!" (1723 Leipzig version, former BWV 70)
Johann Sebastian Bach1:20
14Cantata No. 70, "Wachet! betet! betet! wachet!": 8. Arie. Hebt euer Haupt empor
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
cello:
Fritz Kiskalt (cellist) (in 1977-02, in 1978-02, in 1978-03, in 1978-05)
trumpet:
Chandler Goetting (trumpeter) (in 1977-02, in 1978-02, in 1978-03, in 1978-05)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1977-02, in 1978-02, in 1978-03, in 1978-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-02, in 1978-02, in 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-02, in 1978-02, in 1978-03, in 1978-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-02, in 1978-02, in 1978-03, in 1978-05)
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": VIII. Aria (Tenor) "Hebt euer haupt empor" (in 1978-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 70.2 "Wachet! betet! betet! wachet!" (1723 Leipzig version, former BWV 70)
Johann Sebastian Bach3:41
15Cantata No. 70, "Wachet! betet! betet! wachet!": 9. Rezitativ. Ach, soll nicht dieser große Tag
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
cello:
Fritz Kiskalt (cellist) (in 1977-02, in 1978-02, in 1978-03, in 1978-05)
trumpet:
Chandler Goetting (trumpeter) (in 1977-02, in 1978-02, in 1978-03, in 1978-05)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1977-02, in 1978-02, in 1978-05)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1978-03)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-02, in 1978-02, in 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-02, in 1978-02, in 1978-03, in 1978-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-02, in 1978-02, in 1978-03, in 1978-05)
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": IX. Recitativo (Bass) "Ach, soll nicht dieser große Tag" (in 1978-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 70.2 "Wachet! betet! betet! wachet!" (1723 Leipzig version, former BWV 70)
Johann Sebastian Bach2:12
16Cantata No. 70, "Wachet! betet! betet! wachet!": 10. Arie. Seligster Erquickungstag
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
cello:
Fritz Kiskalt (cellist) (in 1977-02, in 1978-02, in 1978-03, in 1978-05)
trumpet:
Chandler Goetting (trumpeter) (in 1977-02, in 1978-02, in 1978-03, in 1978-05)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1977-02, in 1978-02, in 1978-03, in 1978-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-02, in 1978-02, in 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-02, in 1978-02, in 1978-03, in 1978-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-02, in 1978-02, in 1978-03, in 1978-05)
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": X. Aria (Bass) "Seligster Erquickungstag" (in 1978-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 70.2 "Wachet! betet! betet! wachet!" (1723 Leipzig version, former BWV 70)
Johann Sebastian Bach3:03
17Cantata No. 70, "Wachet! betet! betet! wachet!": 11. Choral. Nicht nach Welt, nach Himmel nicht
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
cello:
Fritz Kiskalt (cellist) (in 1977-02, in 1978-02, in 1978-03, in 1978-05)
trumpet:
Chandler Goetting (trumpeter) (in 1977-02, in 1978-02, in 1978-03, in 1978-05)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1977-02, in 1978-03, in 1978-05)
vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1978-02)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-02, in 1978-02, in 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-02, in 1978-02, in 1978-03, in 1978-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-02, in 1978-02, in 1978-03, in 1978-05)
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": XI. Choral "Nicht nach Welt, nach Himmel nicht" (in 1978-03)
lyricist:
Christian Keymann (17th century hymnwriter)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 243)
part of:
Kantate, BWV 70.2 "Wachet! betet! betet! wachet!" (1723 Leipzig version, former BWV 70)
Johann Sebastian Bach1:17
18Cantata No. 140, "Wachet auf, ruft uns die Stimme,": 1. Chor. Wachet auf, ruft uns die Stimme
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
cor anglais:
Edgar Shann (oboist) (in 1977-10, in 1978-03, in 1978-05)
oboe [oboe I]:
Manfred Clement (oboist) (in 1977-10, in 1978-03, in 1978-05)
oboe [oboe II]:
Martin Spanner (oboist) (in 1977-10, in 1978-03, in 1978-05)
violin:
Kurt Guntner (violinist) (in 1977-10, in 1978-03, in 1978-05)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1977-10, in 1978-03, in 1978-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-10, in 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-10, in 1978-03, in 1978-05)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-10, in 1978-03, in 1978-05)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: I. Coro “Wachet auf, ruft uns die Stimme” (in 1978-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach9:38
19Cantata No. 140, "Wachet auf, ruft uns die Stimme,": 2. Rezitativ. Er kommt, er kommt, der Bräutgam kommt
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
cor anglais:
Edgar Shann (oboist) (in 1977-10, in 1978-03, in 1978-05)
oboe [oboe I]:
Manfred Clement (oboist) (in 1977-10, in 1978-03, in 1978-05)
oboe [oboe II]:
Martin Spanner (oboist) (in 1977-10, in 1978-03, in 1978-05)
violin:
Kurt Guntner (violinist) (in 1977-10, in 1978-03, in 1978-05)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1977-10, in 1978-03, in 1978-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-10, in 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-10, in 1978-03, in 1978-05)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-10, in 1978-03, in 1978-05)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: II. Recitativo (Tenor) “Er kommt, er kommt, der Bräutgam kommt!” (in 1978-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach1:20
20Cantata No. 140, "Wachet auf, ruft uns die Stimme,": 3. Duett. Wann kommst du, mein Heil / Ich komme, dein Teil
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
cor anglais:
Edgar Shann (oboist) (in 1977-10, in 1978-03, in 1978-05)
oboe [oboe I]:
Manfred Clement (oboist) (in 1977-10, in 1978-03, in 1978-05)
oboe [oboe II]:
Martin Spanner (oboist) (in 1977-10, in 1978-03, in 1978-05)
violin:
Kurt Guntner (violinist) (in 1977-10, in 1978-03, in 1978-05)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1977-10, in 1978-03, in 1978-05)
soprano vocals:
Edith Mathis (soprano) (in 1977-10, in 1978-03, in 1978-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-10, in 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-10, in 1978-03, in 1978-05)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-10, in 1978-03, in 1978-05)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: III. Aria (Sop, Bass) “Wann kömmst du, mein Heil?” (in 1978-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach6:54
21Cantata No. 140, "Wachet auf, ruft uns die Stimme,": 4. Choral. Zion hört die Wächter singen
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
cor anglais:
Edgar Shann (oboist) (in 1977-10, in 1978-03, in 1978-05)
oboe [oboe I]:
Manfred Clement (oboist) (in 1977-10, in 1978-03, in 1978-05)
oboe [oboe II]:
Martin Spanner (oboist) (in 1977-10, in 1978-03, in 1978-05)
violin:
Kurt Guntner (violinist) (in 1977-10, in 1978-03, in 1978-05)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1977-10, in 1978-03, in 1978-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-10, in 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-10, in 1978-03, in 1978-05)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-10, in 1978-03, in 1978-05)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen” (in 1978-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach5:58
22Cantata No. 140, "Wachet auf, ruft uns die Stimme,": 5. Rezitativ. So geh herein zu mir
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
cor anglais:
Edgar Shann (oboist) (in 1977-10, in 1978-03, in 1978-05)
oboe [oboe I]:
Manfred Clement (oboist) (in 1977-10, in 1978-03, in 1978-05)
oboe [oboe II]:
Martin Spanner (oboist) (in 1977-10, in 1978-03, in 1978-05)
violin:
Kurt Guntner (violinist) (in 1977-10, in 1978-03, in 1978-05)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1977-10, in 1978-03, in 1978-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-10, in 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-10, in 1978-03, in 1978-05)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-10, in 1978-03, in 1978-05)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: V. Recitativo (Bass) “So geh herein zu mir” (in 1978-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach2:00
23Cantata No. 140, "Wachet auf, ruft uns die Stimme,": 6. Duett. Mein Freund ist mein / Und ich bin dein
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
cor anglais:
Edgar Shann (oboist) (in 1977-10, in 1978-03, in 1978-05)
oboe [oboe I]:
Manfred Clement (oboist) (in 1977-10, in 1978-03, in 1978-05)
oboe [oboe II]:
Martin Spanner (oboist) (in 1977-10, in 1978-03, in 1978-05)
violin:
Kurt Guntner (violinist) (in 1977-10, in 1978-03, in 1978-05)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1977-10, in 1978-03, in 1978-05)
soprano vocals:
Edith Mathis (soprano) (in 1977-10, in 1978-03, in 1978-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-10, in 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-10, in 1978-03, in 1978-05)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-10, in 1978-03, in 1978-05)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: VI. Aria (Sop, Bass) “Mein Freund ist mein” (in 1978-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach6:21
24Cantata No. 140, "Wachet auf, ruft uns die Stimme,": 7. Choral. Gloria sei dir gesungen
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
cor anglais:
Edgar Shann (oboist) (in 1977-10, in 1978-03, in 1978-05)
oboe [oboe I]:
Manfred Clement (oboist) (in 1977-10, in 1978-03, in 1978-05)
oboe [oboe II]:
Martin Spanner (oboist) (in 1977-10, in 1978-03, in 1978-05)
violin:
Kurt Guntner (violinist) (in 1977-10, in 1978-03, in 1978-05)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1977-10, in 1978-03, in 1978-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-10, in 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-10, in 1978-03, in 1978-05)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-10, in 1978-03, in 1978-05)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: VII. Choral “Gloria sei dir gesungen” (in 1978-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
lyricist:
Philipp Nicolai
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Breitkopf 389 Choralgesänge (number: 329)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach1:48
5▶CD

Credits

Release

part of:Bach · Kantaten (Archiv Produktion) (number: 5) (order: 5)
ASIN:DE: B000025H5X [info]
other databases:https://d-nb.info/355014076 [info]
discography entry:http://www.deutschegrammophon.com/cat/4393942 [info]
Allmusic:https://www.allmusic.com/album/release/mr0002151149 [info]