| Nr. | Titel | Künstler | Bewertung | Länge |
|---|
| 1 | The Boy Is Mine (radio edit)- Produzent(in):
- Dallas Austin, Brandy und Rodney Jerkins
- phonographisches Urheberrecht (℗) von:
- Atlantic Recording Corporation (in 1998) und WEA International, Inc. (in 1998)
- produced for:
- Brand Nu, Inc., Darkchild Entertainment, Inc. und Darp, Inc.
- Bearbeitung von:
- The Boy Is Mine von Brandy & Monica
- recording of:
- The Boy Is Mine
- Verfasser(in):
- Brandy Norwood , LaShawn Daniels , Fred Jerkins, Rodney Jerkins und Japhe Tejeda
- publisher:
- Bran-Bran Music, EMI April Music Inc., EMI Blackwood Music Inc., Ensign Music Publishing, Famous Music Publishing, Fred Jerkins Publishing, Henchi Music und Sony/ATV Melody
| Brandy & Monica | 4 | 4:00 |
| 2 | Freak Like Me | Adina Howard | 4.25 | 4:13 |
| 3 | Beat of Love | En Vogue | 3 | 4:13 |
| 4 | Just One Nite | Cassie | 3 | 4:06 |
| 5 | Never Ever | All Saints | 3.8 | 6:27 |
| 6 | Ain't Nobody | Chaka Khan | | 4:05 |
| 7 | I Swear | All‐4‐One | 4 | 4:19 |
| 8 | Twisted | Keith Sweat | | 4:20 |
| 9 | I Wanna Sex You Up- Techniker(in):
- Angela Piva und Warren Woods
- Produzent(in):
- Elliot Straite
- Mix:
- Elliot Straite und Howie Tee
- Samples:
- La-Di-Da-Di von Doug E. Fresh & M.C. Ricky D und Tonight Is the Night von Betty Wright
- recording of:
- I Wanna Sex You Up
- Verfasser(in):
- Bryan Abrams, Bessie Regina Norris , Mark Calderon, Willie Clarke, Elliot Straite, Kevin Thornton und Sam Watters
- publisher:
- Boybig Publishing, Color Me Blessed Music, EMI Full Keel Music, EMI Longitude Music, EMI Songs Ltd., Hifrost Publishing und Hip City Music Inc.
| Color Me Badd | 4.6 | 4:00 |
| 10 | Spiritual Thang | Eric Benét | | 4:00 |
| 11 | Superwoman- recording engineer und Mix:
- Jon Gass
- zusätzlich recording engineer:
- Bob Brown , Craig Burbidge und Tim Jaquette
- assistierende(r) Techniker(in):
- Toni Greene und Fred Howard
- leitende(r) Produzent(in):
- Benny Medina und Leonard Richardson
- Produzent(in):
- L.A. & Babyface
- Bass:
- Kayo
- Keyboard [keyboards]:
- Babyface
- Perkussion und Schlagzeug [drums]:
- L.A.
- Hintergrundgesang:
- Babyface , Carmen Carter, Bunny Hull und Karyn White
- gemixt für:
- Ratstyle Productions
- produced for:
- La'Face, Inc.
- aufgenommen bei:
- Studio Masters in Los Angeles, California , Vereinigte Staaten
- mixed at:
- Elumba Recording Studio in Hollywood, Los Angeles, California , Vereinigte Staaten
- recording of:
- Superwoman (von 1988-03 bis 1988-04)
- Verfasser(in):
- Antonio M. Reid, Kenneth Edmonds und Daryl Simmons
- publisher:
- Green Skirt Music , Hip Trip und Kear Music
| Karyn White | 3 | 5:47 |
| 12 | Good Times | Chic | 5 | 8:15 |
| 13 | All I Do | B5 | | 3:45 |
| 14 | Smooth Sailin' Tonight (single version) | The Isley Brothers | | 3:59 |
| 15 | Cupid- recording engineer und Mix:
- Michael Patterson
- zusätzliche(r) Techniker(in):
- Doug A. Wilson
- Produzent(in):
- Arnold Hennings und Daron Jones
- phonographisches Urheberrecht (℗) von:
- Arista Records, Inc. (in 1996)
- produced for:
- Darp, Inc.
- aufgenommen bei und mixed at:
- Daddy’s House Recording Studios in New York, New York, Vereinigte Staaten und Purple Dragon Recordings in Atlanta, Georgia, Vereinigte Staaten
- Musikvideos:
- Cupid von 112
- recording of:
- Cupid
- Verfasser(in):
- Arnold Hennings, Daron Jones, Michael Keith , Marvin Scandrick , Quinnes Parker und Courtney Sills
- publisher:
- Arn Music, Beane Tribe Music, C. Sills Publishing, Da 12 Music, EMI-April Music, Inc., Hitco South, Justin Combs Publishing, Kevin Wales Music und Music of Windswept
| 112 | | 4:12 |
| 16 | Nite and Day | Al B. Sure! | 4 | 3:58 |
| 17 | My Joy | Leela James | 4 | 5:04 |
| 18 | No Intermission | 5th Power | | 4:42 |
| 19 | I Wanna Be the Only One | Eternal feat. Bebe Winans | 2.5 | 3:35 |
| 20 | Crucify Me | Gerald Levert | | 4:51 |
| 21 | Happiness | Billy Lawrence | | 4:44 |
| 22 | Respect- recording engineer:
- Tom Dowd (am 1967-02-14)
- Produzent(in):
- Jerry Wexler
- baritone saxophone:
- Willie Bridges (am 1967-02-14)
- Bassgitarre:
- Tommy Cogbill (am 1967-02-14)
- Gitarre:
- Jimmy Johnson (am 1967-02-14)
- Klavier:
- Aretha Franklin (am 1967-02-14)
- Kornett:
- Melvin Lastie (am 1967-02-14)
- Orgel:
- Spooner Oldham (am 1967-02-14)
- Schlagzeug:
- Roger Hawkins (am 1967-02-14)
- Tenorsaxophon:
- Charles Chalmers (am 1967-02-14) und King Curtis (am 1967-02-14)
- Hintergrundgesang:
- Carolyn Franklin (am 1967-02-14) und Erma Franklin (am 1967-02-14)
- vocals:
- Aretha Franklin (am 1967-02-14)
- conductor:
- Tom Dowd (am 1967-02-14)
- arranger:
- Tom Dowd und Arif Mardin
- phonographisches Urheberrecht (℗) von:
- Atlantic Recording Corporation (in 1967) und WEA International Inc. (in 1967)
- aufgenommen bei:
- Atlantic Studios in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1967-02-14)
- Teil von:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 1), Rolling Stone: 500 Greatest Songs of All Time (Nummer: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (Nummer: 21), New York Post: 100 Greatest Covers (2007) (Nummer: 52) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
- cover recording of:
- Respect (am 1967-02-14)
- Texter und Komponist(in):
- Otis Redding
- publisher:
- Cotillion Music Inc. , East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell und Warner/Chappell North America
| Aretha Franklin | 3.9 | 2:22 |
| 23 | Struggle No More | Anthony Hamilton | | 3:54 |
| 24 | Smooth Operator | Big Daddy Kane | 5 | 4:44 |
| 25 | Hard Times | Baby Huey & The Baby Sitters | | 3:23 |
| 26 | White Xmas | Big Dave and Tina | | 3:51 |
| 27 | Don't Play That Song (You Lied) | Ben E. King | | 2:58 |
| 28 | Brown Eyed Blues | Adrian Hood | | 4:12 |
| 29 | Clean Up Woman | Betty Wright | 5 | 2:49 |
| 30 | Think of Me | DAY26 | | 3:51 |
| 31 | Do You Believe in Me (Feelin' short version mix) | Eric Gadd | | 3:49 |
| 32 | Can I Touch You There | Leon Ware | | 4:04 |
| 33 | Still Be Lovin' You (single version) | Damage | | 3:51 |
| 34 | Speak as One | Boxing Gandhis | | 3:49 |
| 35 | Tighten Up | Archie Bell and the Drells | | 3:11 |
| 36 | Stay | Eternal | 3.6 | 3:57 |
| 37 | Save the People | Andraé Crouch | | 2:23 |
| 38 | Sweet Sensation | LeVert | | 4:30 |
| 39 | Boogie Down | Al Jarreau | | 4:12 |
| 40 | So in Love | BeBe Winans | | 4:05 |
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