Thema Musik: Programmmusik

~ Release by [unknown] (see all versions of this release, 1 available)

Tracklist

1▼CD
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1Babar, die Geschichte vom kleinen Elefanten: Wiegenlied
spoken vocals:
Marius Müller‐Westernhagen
orchestra:
Orchestre de l’Opéra de Lyon
conductor:
Kent Nagano (conductor)
partial recording of:
Die Geschichte von Babar dem kleinen Elefanten, FP 129 (German narration and orchestra)
orchestrator:
Jean Françaix (French composer)
writer:
Jean de Brunhoff
composer:
Francis Poulenc (French composer and pianist)
translated version of:
L’Histoire de Babar, le petit éléphant, FP 129 (French narration and orchestra)
Francis Poulenc1:59
2Babar, die Geschichte vom kleinen Elefanten: Spaziergang und seine Träume
spoken vocals:
Marius Müller‐Westernhagen
orchestra:
Orchestre de l’Opéra de Lyon
conductor:
Kent Nagano (conductor)
partial recording of:
Die Geschichte von Babar dem kleinen Elefanten, FP 129 (German narration and orchestra)
orchestrator:
Jean Françaix (French composer)
writer:
Jean de Brunhoff
composer:
Francis Poulenc (French composer and pianist)
translated version of:
L’Histoire de Babar, le petit éléphant, FP 129 (French narration and orchestra)
Francis Poulenc1:11
3Babar, die Geschichte vom kleinen Elefanten: Babar in Panik
spoken vocals:
Marius Müller‐Westernhagen
orchestra:
Orchestre de l’Opéra de Lyon
conductor:
Kent Nagano (conductor)
partial recording of:
Die Geschichte von Babar dem kleinen Elefanten, FP 129 (German narration and orchestra)
orchestrator:
Jean Françaix (French composer)
writer:
Jean de Brunhoff
composer:
Francis Poulenc (French composer and pianist)
translated version of:
L’Histoire de Babar, le petit éléphant, FP 129 (French narration and orchestra)
Francis Poulenc0:42
4Babar, die Geschichte vom kleinen Elefanten: In der Stadt
spoken vocals:
Marius Müller‐Westernhagen
orchestra:
Orchestre de l’Opéra de Lyon
conductor:
Kent Nagano (conductor)
partial recording of:
Die Geschichte von Babar dem kleinen Elefanten, FP 129 (German narration and orchestra)
orchestrator:
Jean Françaix (French composer)
writer:
Jean de Brunhoff
composer:
Francis Poulenc (French composer and pianist)
translated version of:
L’Histoire de Babar, le petit éléphant, FP 129 (French narration and orchestra)
Francis Poulenc1:22
5Babar, die Geschichte vom kleinen Elefanten: Gymnastik
spoken vocals:
Marius Müller‐Westernhagen
orchestra:
Orchestre de l’Opéra de Lyon
conductor:
Kent Nagano (conductor)
partial recording of:
Die Geschichte von Babar dem kleinen Elefanten, FP 129 (German narration and orchestra)
orchestrator:
Jean Françaix (French composer)
writer:
Jean de Brunhoff
composer:
Francis Poulenc (French composer and pianist)
translated version of:
L’Histoire de Babar, le petit éléphant, FP 129 (French narration and orchestra)
Francis Poulenc0:44
6Babar, die Geschichte vom kleinen Elefanten: Babar fährt Auto
spoken vocals:
Marius Müller‐Westernhagen
orchestra:
Orchestre de l’Opéra de Lyon
conductor:
Kent Nagano (conductor)
partial recording of:
Die Geschichte von Babar dem kleinen Elefanten, FP 129 (German narration and orchestra)
orchestrator:
Jean Françaix (French composer)
writer:
Jean de Brunhoff
composer:
Francis Poulenc (French composer and pianist)
translated version of:
L’Histoire de Babar, le petit éléphant, FP 129 (French narration and orchestra)
Francis Poulenc0:15
7Babar, die Geschichte vom kleinen Elefanten: Babar ist traurig
spoken vocals:
Marius Müller‐Westernhagen
orchestra:
Orchestre de l’Opéra de Lyon
conductor:
Kent Nagano (conductor)
partial recording of:
Die Geschichte von Babar dem kleinen Elefanten, FP 129 (German narration and orchestra)
orchestrator:
Jean Françaix (French composer)
writer:
Jean de Brunhoff
composer:
Francis Poulenc (French composer and pianist)
translated version of:
L’Histoire de Babar, le petit éléphant, FP 129 (French narration and orchestra)
Francis Poulenc1:17
8Babar, die Geschichte vom kleinen Elefanten: Der kranke Elefantenkönig
spoken vocals:
Marius Müller‐Westernhagen
orchestra:
Orchestre de l’Opéra de Lyon
conductor:
Kent Nagano (conductor)
partial recording of:
Die Geschichte von Babar dem kleinen Elefanten, FP 129 (German narration and orchestra)
orchestrator:
Jean Françaix (French composer)
writer:
Jean de Brunhoff
composer:
Francis Poulenc (French composer and pianist)
translated version of:
L’Histoire de Babar, le petit éléphant, FP 129 (French narration and orchestra)
Francis Poulenc2:07
9Babar, die Geschichte vom kleinen Elefanten: Krönung
spoken vocals:
Marius Müller‐Westernhagen
orchestra:
Orchestre de l’Opéra de Lyon
conductor:
Kent Nagano (conductor)
partial recording of:
Die Geschichte von Babar dem kleinen Elefanten, FP 129 (German narration and orchestra)
orchestrator:
Jean Françaix (French composer)
writer:
Jean de Brunhoff
composer:
Francis Poulenc (French composer and pianist)
translated version of:
L’Histoire de Babar, le petit éléphant, FP 129 (French narration and orchestra)
Francis Poulenc1:37
10Babar, die Geschichte vom kleinen Elefanten: Hochzeitstanz
spoken vocals:
Marius Müller‐Westernhagen
orchestra:
Orchestre de l’Opéra de Lyon
conductor:
Kent Nagano (conductor)
partial recording of:
Die Geschichte von Babar dem kleinen Elefanten, FP 129 (German narration and orchestra)
orchestrator:
Jean Françaix (French composer)
writer:
Jean de Brunhoff
composer:
Francis Poulenc (French composer and pianist)
translated version of:
L’Histoire de Babar, le petit éléphant, FP 129 (French narration and orchestra)
Francis Poulenc0:58
11Babar, die Geschichte vom kleinen Elefanten: Ausklang
spoken vocals:
Marius Müller‐Westernhagen
orchestra:
Orchestre de l’Opéra de Lyon
conductor:
Kent Nagano (conductor)
partial recording of:
Die Geschichte von Babar dem kleinen Elefanten, FP 129 (German narration and orchestra)
orchestrator:
Jean Françaix (French composer)
writer:
Jean de Brunhoff
composer:
Francis Poulenc (French composer and pianist)
translated version of:
L’Histoire de Babar, le petit éléphant, FP 129 (French narration and orchestra)
Francis Poulenc2:50
12Karneval der Tiere: Introduktion
partial recording of:
Le Carnaval des animaux : I. Introduction et marche royale du lion (The Carnival of the Animals: I. Introduction and Royal March of the Lion, strings and two pianos)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns0:43
13Karneval der Tiere: Königsmarsch der Löwen
partial recording of:
Le Carnaval des animaux : I. Introduction et marche royale du lion (The Carnival of the Animals: I. Introduction and Royal March of the Lion, strings and two pianos)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:40
14Karneval der Tiere: Hühner und Hähne
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1985-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
cello:
Mischa Maisky (cellist) (in 1985-04)
clarinet:
Eduard Brunner (clarinetist) (in 1985-04)
double bass:
Georg Hörtnagel (double bass player) (in 1985-04)
flute:
Irena Grafenauer (flautist) (in 1985-04)
glockenspiel:
Edith Salmen-Weber (percussionist) (in 1985-04)
piano:
Martha Argerich (Argentine pianist) (in 1985-04) and Nelson Freire (pianist) (in 1985-04)
viola:
Tabea Zimmermann (viola player) (in 1985-04)
violin:
Isabelle van Keulen (Dutch violinist) (in 1985-04) and Gidon Kremer (violinist) (in 1985-04)
xylophone:
Markus Steckeler (percussionist) (in 1985-04)
recording of:
Le Carnaval des animaux : II. Poules et coqs (The Carnival of the Animals: II. Hens and Cocks, violins, viola, two pianos and clarinet) (in 1985-04)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns0:42
15Karneval der Tiere: Maulesel
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1985-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
cello:
Mischa Maisky (cellist) (in 1985-04)
clarinet:
Eduard Brunner (clarinetist) (in 1985-04)
double bass:
Georg Hörtnagel (double bass player) (in 1985-04)
flute:
Irena Grafenauer (flautist) (in 1985-04)
glockenspiel:
Edith Salmen-Weber (percussionist) (in 1985-04)
piano:
Martha Argerich (Argentine pianist) (in 1985-04) and Nelson Freire (pianist) (in 1985-04)
viola:
Tabea Zimmermann (viola player) (in 1985-04)
violin:
Isabelle van Keulen (Dutch violinist) (in 1985-04) and Gidon Kremer (violinist) (in 1985-04)
xylophone:
Markus Steckeler (percussionist) (in 1985-04)
recording of:
Le Carnaval des animaux : III. Hémiones (Animaux véloces) (The Carnival of the Animals: III. Wild Asses, two pianos) (in 1985-04)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns0:35
16Karneval der Tiere: Schildkröten
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1985-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
cello:
Mischa Maisky (cellist) (in 1985-04)
clarinet:
Eduard Brunner (clarinetist) (in 1985-04)
double bass:
Georg Hörtnagel (double bass player) (in 1985-04)
flute:
Irena Grafenauer (flautist) (in 1985-04)
glockenspiel:
Edith Salmen-Weber (percussionist) (in 1985-04)
piano:
Martha Argerich (Argentine pianist) (in 1985-04) and Nelson Freire (pianist) (in 1985-04)
viola:
Tabea Zimmermann (viola player) (in 1985-04)
violin:
Isabelle van Keulen (Dutch violinist) (in 1985-04) and Gidon Kremer (violinist) (in 1985-04)
xylophone:
Markus Steckeler (percussionist) (in 1985-04)
recording of:
Le Carnaval des animaux : IV. Tortues (The Carnival of the Animals: IV. Tortoises, strings and piano) (in 1985-04)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:56
17Karneval der Tiere: Der Elefant
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1985-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
cello:
Mischa Maisky (cellist) (in 1985-04)
clarinet:
Eduard Brunner (clarinetist) (in 1985-04)
double bass:
Georg Hörtnagel (double bass player) (in 1985-04)
flute:
Irena Grafenauer (flautist) (in 1985-04)
glockenspiel:
Edith Salmen-Weber (percussionist) (in 1985-04)
piano:
Martha Argerich (Argentine pianist) (in 1985-04) and Nelson Freire (pianist) (in 1985-04)
viola:
Tabea Zimmermann (viola player) (in 1985-04)
violin:
Isabelle van Keulen (Dutch violinist) (in 1985-04) and Gidon Kremer (violinist) (in 1985-04)
xylophone:
Markus Steckeler (percussionist) (in 1985-04)
recording of:
Le Carnaval des animaux : V. L’Éléphant (The Carnival of the Animals: V. The Elephant, double bass and piano) (in 1985-04)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:36
18Karneval der Tiere: Känguruhs
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1985-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
cello:
Mischa Maisky (cellist) (in 1985-04)
clarinet:
Eduard Brunner (clarinetist) (in 1985-04)
double bass:
Georg Hörtnagel (double bass player) (in 1985-04)
flute:
Irena Grafenauer (flautist) (in 1985-04)
glockenspiel:
Edith Salmen-Weber (percussionist) (in 1985-04)
piano:
Martha Argerich (Argentine pianist) (in 1985-04) and Nelson Freire (pianist) (in 1985-04)
viola:
Tabea Zimmermann (viola player) (in 1985-04)
violin:
Isabelle van Keulen (Dutch violinist) (in 1985-04) and Gidon Kremer (violinist) (in 1985-04)
xylophone:
Markus Steckeler (percussionist) (in 1985-04)
recording of:
Le Carnaval des animaux : VI. Kangourous (The Carnival of the Animals: VI. Kangaroos, two pianos) (in 1985-04)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:04
19Karneval der Tiere: Aquarium
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1985-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
bell and glockenspiel:
Edith Salmen-Weber (percussionist) (in 1985-04)
cello:
Mischa Maisky (cellist) (in 1985-04)
clarinet:
Eduard Brunner (clarinetist) (in 1985-04)
double bass:
Georg Hörtnagel (double bass player) (in 1985-04)
flute:
Irena Grafenauer (flautist) (in 1985-04)
piano:
Martha Argerich (Argentine pianist) (in 1985-04) and Nelson Freire (pianist) (in 1985-04)
viola:
Tabea Zimmermann (viola player) (in 1985-04)
violin:
Isabelle van Keulen (Dutch violinist) (in 1985-04) and Gidon Kremer (violinist) (in 1985-04)
xylophone:
Markus Steckeler (percussionist) (in 1985-04)
recording of:
Le Carnaval des animaux : VII. Aquarium (The Carnival of the Animals: VII. Aquarium, string quartet (violins, viola, cello), two pianos, flute, and glass harmonica) (in 1985-04)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:35
20Karneval der Tiere: Persönlichkeiten mit langen Ohren
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1985-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
cello:
Mischa Maisky (cellist) (in 1985-04)
clarinet:
Eduard Brunner (clarinetist) (in 1985-04)
double bass:
Georg Hörtnagel (double bass player) (in 1985-04)
flute:
Irena Grafenauer (flautist) (in 1985-04)
glockenspiel:
Edith Salmen-Weber (percussionist) (in 1985-04)
piano:
Martha Argerich (Argentine pianist) (in 1985-04) and Nelson Freire (pianist) (in 1985-04)
viola:
Tabea Zimmermann (viola player) (in 1985-04)
violin:
Isabelle van Keulen (Dutch violinist) (in 1985-04) and Gidon Kremer (violinist) (in 1985-04)
xylophone:
Markus Steckeler (percussionist) (in 1985-04)
recording of:
Le Carnaval des animaux : VIII. Personnages à longues oreilles (The Carnival of the Animals: VIII. Personages With Long Ears, two violins) (in 1985-04)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns0:50
21Karneval der Tiere: Der Kuckuck in der Stille des Waldes
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1985-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
cello:
Mischa Maisky (cellist) (in 1985-04)
clarinet:
Eduard Brunner (clarinetist) (in 1985-04)
double bass:
Georg Hörtnagel (double bass player) (in 1985-04)
flute:
Irena Grafenauer (flautist) (in 1985-04)
glockenspiel:
Edith Salmen-Weber (percussionist) (in 1985-04)
piano:
Martha Argerich (Argentine pianist) (in 1985-04) and Nelson Freire (pianist) (in 1985-04)
viola:
Tabea Zimmermann (viola player) (in 1985-04)
violin:
Isabelle van Keulen (Dutch violinist) (in 1985-04) and Gidon Kremer (violinist) (in 1985-04)
xylophone:
Markus Steckeler (percussionist) (in 1985-04)
recording of:
Le Carnaval des animaux : IX. Le Coucou au fond des bois (The Carnival of the Animals: IX. The Cuckoo in the Heart of the Woods, two pianos and clarinet) (in 1985-04)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:19
22Karneval der Tiere: Vogelhaus
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1985-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
cello:
Mischa Maisky (cellist) (in 1985-04)
clarinet:
Eduard Brunner (clarinetist) (in 1985-04)
double bass:
Georg Hörtnagel (double bass player) (in 1985-04)
flute:
Irena Grafenauer (flautist) (in 1985-04)
glockenspiel:
Edith Salmen-Weber (percussionist) (in 1985-04)
piano:
Martha Argerich (Argentine pianist) (in 1985-04) and Nelson Freire (pianist) (in 1985-04)
viola:
Tabea Zimmermann (viola player) (in 1985-04)
violin:
Isabelle van Keulen (Dutch violinist) (in 1985-04) and Gidon Kremer (violinist) (in 1985-04)
xylophone:
Markus Steckeler (percussionist) (in 1985-04)
recording of:
Le Carnaval des animaux : X. Volière (The Carnival of the Animals: X. Aviary, strings, pianos and flute) (in 1985-04)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:15
23Karneval der Tiere: Pianisten
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1985-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
cello:
Mischa Maisky (cellist) (in 1985-04)
clarinet:
Eduard Brunner (clarinetist) (in 1985-04)
double bass:
Georg Hörtnagel (double bass player) (in 1985-04)
flute:
Irena Grafenauer (flautist) (in 1985-04)
glockenspiel:
Edith Salmen-Weber (percussionist) (in 1985-04)
piano:
Martha Argerich (Argentine pianist) (in 1985-04) and Nelson Freire (pianist) (in 1985-04)
viola:
Tabea Zimmermann (viola player) (in 1985-04)
violin:
Isabelle van Keulen (Dutch violinist) (in 1985-04) and Gidon Kremer (violinist) (in 1985-04)
xylophone:
Markus Steckeler (percussionist) (in 1985-04)
recording of:
Le Carnaval des animaux : XI. Pianistes (The Carnival of the Animals: XI. Pianists, strings and two pianos) (in 1985-04)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:27
24Karneval der Tiere: Fossilien
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1985-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
cello:
Mischa Maisky (cellist) (in 1985-04)
clarinet:
Eduard Brunner (clarinetist) (in 1985-04)
double bass:
Georg Hörtnagel (double bass player) (in 1985-04)
flute:
Irena Grafenauer (flautist) (in 1985-04)
glockenspiel:
Edith Salmen-Weber (percussionist) (in 1985-04)
percussion:
Markus Steckeler (percussionist)
piano:
Martha Argerich (Argentine pianist) (in 1985-04) and Nelson Freire (pianist) (in 1985-04)
viola:
Tabea Zimmermann (viola player) (in 1985-04)
violin:
Isabelle van Keulen (Dutch violinist) (in 1985-04) and Gidon Kremer (violinist) (in 1985-04)
xylophone:
Markus Steckeler (percussionist) (in 1985-04)
recording of:
Le Carnaval des animaux : XII. Fossiles (The Carnival of the Animals: XII. Fossils, strings, two pianos, clarinet, and xylophone) (in 1985-04)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:16
25Karneval der Tiere: Der Schwan
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1985-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
cello:
Mischa Maisky (cellist) (in 1985-04)
piano:
Martha Argerich (Argentine pianist) (in 1985-04) and Nelson Freire (pianist) (in 1985-04)
recording of:
Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, two pianos and cello) (in 1985-04)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
arranger:
Pege Aladár
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns3:10
26Karneval der Tiere: Finale
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1985-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
bell and glockenspiel:
Edith Salmen-Weber (percussionist) (in 1985-04)
cello:
Mischa Maisky (cellist) (in 1985-04)
clarinet:
Eduard Brunner (clarinetist) (in 1985-04)
double bass:
Georg Hörtnagel (double bass player) (in 1985-04)
flute:
Irena Grafenauer (flautist) (in 1985-04)
piano:
Martha Argerich (Argentine pianist) (in 1985-04) and Nelson Freire (pianist) (in 1985-04)
viola:
Tabea Zimmermann (viola player) (in 1985-04)
violin:
Isabelle van Keulen (Dutch violinist) (in 1985-04) and Gidon Kremer (violinist) (in 1985-04)
xylophone:
Markus Steckeler (percussionist) (in 1985-04)
recording of:
Le Carnaval des animaux : XIV. Finale (The Carnival of the Animals: XIV. Finale, full ensemble) (in 1985-04)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:55
27Cancan, aus „Orpheus in der Unterwelt“
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Herbert von Karajan (conductor)
partial recording of:
Orphée aux enfers : Ouverture (Orpheus in the Underworld: Overture)
additional composer:
Carl Binder (in 1860)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux enfers (Orpheus in the Underworld, opéra féerie in four acts, 1874)
part of:
Orphée aux Enfers (Orpheus in the Underworld, opéra bouffe in two acts, 1858)
part of:
Orpheus in der Unterwelt (opéra-féerie in 4 Akten, 1871)
part of:
Orpheus in the Underworld
Jacques Offenbach2:05
28Tanz der Sylphen, aus „La Damnation de Faust“
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
partial recording of:
La Damnation de Faust : Deuxième Partie : Scène 7. Ballet des sylphes (Orchestre)
composer:
Hector Berlioz (French composer)
part of:
La Damnation de Faust, op. 24: Deuxième Partie
Hector Berlioz0:31
29Elfentanz, aus „Ein Sommernachtstraum“
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Rafael Kubelík (conductor)
partial recording of:
Ein Sommernachtstraum, op. 61: 2. Elfenreigen. Allegro vivace
composer:
Felix Mendelssohn (composer) (in 1842)
part of:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Felix Mendelssohn0:32
30Arrival, aus „The Fall of the House of Usher“
assistant engineer:
Chris Blair (senior mastering engineer at Abbey Road Studios, London, UK), Tony Richards (recording engineer) and Pat Stapley
engineer and producer:
Alan Parsons (of The Alan Parsons Project)
executive producer:
Eric Woolfson
bass:
David Paton (of Pilot) (from 1975-08 until 1975-11)
drums (drum set) and percussion:
Stuart Tosh (from 1975-08 until 1975-11)
guitar:
Ian Bairnson (from 1975-08 until 1975-11)
keyboard:
Andrew Powell (known for contributions to Alan Parsons Project) (from 1975-08 until 1975-11) and Eric Woolfson (from 1975-08 until 1975-11)
organ:
Francis Monkman (from 1975-08 until 1975-11) and Eric Woolfson (from 1975-08 until 1975-11)
synthesizer:
Alan Parsons (of The Alan Parsons Project) (from 1975-08 until 1975-11)
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 2007)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-08 until 1975-11) and Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-08 until 1975-11)
remixed at:
The Grange in Kent, England, United Kingdom (from 1987-05 until 1987-06)
remix of:
The Fall of the House of Usher: II Arrival (original 1976 LP version) by The Alan Parsons Project (in 1987)
recording of:
The Fall of the House of Usher: II. Arrival (from 1975-08 until 1975-11)
writer:
Alan Parsons (of The Alan Parsons Project), Andrew Powell (known for contributions to Alan Parsons Project) and Eric Woolfson
part of:
The Fall of The House of Usher (suite)
The Alan Parsons Project4.652:50
31Sinfonie Nr. 6: 4. Satz „Gewitter, Sturm“: Regen
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra)
conductor:
Kurt Masur (conductor)
partial recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: IV. Allegro “Thunderstorm”
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven0:27
32Sinfonie Nr. 6: 4. Satz „Gewitter, Sturm“: Sturm
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra)
conductor:
Kurt Masur (conductor)
partial recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: IV. Allegro “Thunderstorm”
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven0:17
33Sinfonie Nr. 6: 4. Satz „Gewitter, Sturm“: Blitz und Donner
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra)
conductor:
Kurt Masur (conductor)
partial recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: IV. Allegro “Thunderstorm”
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven2:33
34Sinfonie Nr. 6: 4. Satz „Gewitter, Sturm“: Nach dem Gewitter
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra)
conductor:
Kurt Masur (conductor)
partial recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: IV. Allegro “Thunderstorm”
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven0:25
35Eine Alpensinfonie: Stille vor dem Sturm
orchestra:
Minnesota Orchestra
conductor:
Edo de Waart (conductor)
recording of:
Eine Alpensinfonie, op. 64: XVIII. Stille vor dem Sturm (An Alpine Symphony, op. 64: 18. The Calm Before the Storm)
composer:
Richard Strauss (German composer) (in 1915)
part of:
Eine Alpensinfonie (An Alpine Symphony, op. 64; TrV 233)
Richard Strauss0:46
36Eine Alpensinfonie: Gewitter und Abstieg
engineer:
John Newton (editor, engineer mixer)
executive producer:
Simon Foster (executive producer)
producer:
James Mallinson (producer)
orchestra:
Minnesota Orchestra (in 1989-04)
conductor:
Edo de Waart (conductor) (in 1989-04)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1990)
recorded at:
Orchestra Hall (Minneapolis) in Minneapolis, Minnesota, United States (in 1989-04)
recording of:
Eine Alpensinfonie, op. 64: XIX. Gewitter und Sturm, Abstieg (An Alpine Symphony, op. 64: 19. Thunderstorm, Descent) (in 1989-04)
composer:
Richard Strauss (German composer) (in 1915)
part of:
Eine Alpensinfonie (An Alpine Symphony, op. 64; TrV 233)
Richard Strauss3:29
37Eine Steppenskizze aus Mittelasien: Steppe
orchestra:
Royal Philharmonic Orchestra
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist)
partial recording of:
В Средней Азии (In the Steppes of Central Asia)
composer:
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer) (in 1880)
dedicated to:
Franz Liszt (Hungarian composer, pianist and conductor)
premiered at:
[concert] (1880-04-20) (premiere concert for Borodin's In the Steppes of Central Asia)
publisher:
[unknown] (special purpose label - DO NOT USE!) (in 1882)
Alexander Borodin0:07
38Eine Steppenskizze aus Mittelasien: Russisches Lied
orchestra:
Royal Philharmonic Orchestra
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist)
partial recording of:
В Средней Азии (In the Steppes of Central Asia)
composer:
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer) (in 1880)
dedicated to:
Franz Liszt (Hungarian composer, pianist and conductor)
premiered at:
[concert] (1880-04-20) (premiere concert for Borodin's In the Steppes of Central Asia)
publisher:
[unknown] (special purpose label - DO NOT USE!) (in 1882)
Alexander Borodin0:33
39Eine Steppenskizze aus Mittelasien: Getrappel (der Karawane)
orchestra:
Royal Philharmonic Orchestra
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist)
partial recording of:
В Средней Азии (In the Steppes of Central Asia)
composer:
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer) (in 1880)
dedicated to:
Franz Liszt (Hungarian composer, pianist and conductor)
premiered at:
[concert] (1880-04-20) (premiere concert for Borodin's In the Steppes of Central Asia)
publisher:
[unknown] (special purpose label - DO NOT USE!) (in 1882)
Alexander Borodin0:22
40Eine Steppenskizze aus Mittelasien: Morgenländische Weise
orchestra:
Royal Philharmonic Orchestra
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist)
partial recording of:
В Средней Азии (In the Steppes of Central Asia)
composer:
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer) (in 1880)
dedicated to:
Franz Liszt (Hungarian composer, pianist and conductor)
premiered at:
[concert] (1880-04-20) (premiere concert for Borodin's In the Steppes of Central Asia)
publisher:
[unknown] (special purpose label - DO NOT USE!) (in 1882)
Alexander Borodin0:41
41Eine Steppenskizze aus Mittelasien: Getrappel
orchestra:
Royal Philharmonic Orchestra
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist)
partial recording of:
В Средней Азии (In the Steppes of Central Asia)
composer:
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer) (in 1880)
dedicated to:
Franz Liszt (Hungarian composer, pianist and conductor)
premiered at:
[concert] (1880-04-20) (premiere concert for Borodin's In the Steppes of Central Asia)
publisher:
[unknown] (special purpose label - DO NOT USE!) (in 1882)
Alexander Borodin0:25
42Eine Steppenskizze aus Mittelasien: Russisches Lied
orchestra:
Royal Philharmonic Orchestra
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist)
partial recording of:
В Средней Азии (In the Steppes of Central Asia)
composer:
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer) (in 1880)
dedicated to:
Franz Liszt (Hungarian composer, pianist and conductor)
premiered at:
[concert] (1880-04-20) (premiere concert for Borodin's In the Steppes of Central Asia)
publisher:
[unknown] (special purpose label - DO NOT USE!) (in 1882)
Alexander Borodin0:44
43Eine Steppenskizze aus Mittelasien: Russisches Lied
orchestra:
Royal Philharmonic Orchestra
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist)
partial recording of:
В Средней Азии (In the Steppes of Central Asia)
composer:
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer) (in 1880)
dedicated to:
Franz Liszt (Hungarian composer, pianist and conductor)
premiered at:
[concert] (1880-04-20) (premiere concert for Borodin's In the Steppes of Central Asia)
publisher:
[unknown] (special purpose label - DO NOT USE!) (in 1882)
Alexander Borodin0:23
44Eine Steppenskizze aus Mittelasien: Getrappel
orchestra:
Royal Philharmonic Orchestra
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist)
partial recording of:
В Средней Азии (In the Steppes of Central Asia)
composer:
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer) (in 1880)
dedicated to:
Franz Liszt (Hungarian composer, pianist and conductor)
premiered at:
[concert] (1880-04-20) (premiere concert for Borodin's In the Steppes of Central Asia)
publisher:
[unknown] (special purpose label - DO NOT USE!) (in 1882)
Alexander Borodin0:21
45Eine Steppenskizze aus Mittelasien: Morgenländische Weise
orchestra:
Royal Philharmonic Orchestra
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist)
partial recording of:
В Средней Азии (In the Steppes of Central Asia)
composer:
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer) (in 1880)
dedicated to:
Franz Liszt (Hungarian composer, pianist and conductor)
premiered at:
[concert] (1880-04-20) (premiere concert for Borodin's In the Steppes of Central Asia)
publisher:
[unknown] (special purpose label - DO NOT USE!) (in 1882)
Alexander Borodin1:02
46Eine Steppenskizze aus Mittelasien: Russisches Lied und Morgenländische Weise
orchestra:
Royal Philharmonic Orchestra
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist)
partial recording of:
В Средней Азии (In the Steppes of Central Asia)
composer:
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer) (in 1880)
dedicated to:
Franz Liszt (Hungarian composer, pianist and conductor)
premiered at:
[concert] (1880-04-20) (premiere concert for Borodin's In the Steppes of Central Asia)
publisher:
[unknown] (special purpose label - DO NOT USE!) (in 1882)
Alexander Borodin0:28
47Eine Steppenskizze aus Mittelasien: Russisches Lied und Morgenländische Weise
orchestra:
Royal Philharmonic Orchestra
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist)
partial recording of:
В Средней Азии (In the Steppes of Central Asia)
composer:
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer) (in 1880)
dedicated to:
Franz Liszt (Hungarian composer, pianist and conductor)
premiered at:
[concert] (1880-04-20) (premiere concert for Borodin's In the Steppes of Central Asia)
publisher:
[unknown] (special purpose label - DO NOT USE!) (in 1882)
Alexander Borodin0:27
48Eine Steppenskizze aus Mittelasien: Russisches Lied (Vergrößerung)
orchestra:
Royal Philharmonic Orchestra
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist)
partial recording of:
В Средней Азии (In the Steppes of Central Asia)
composer:
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer) (in 1880)
dedicated to:
Franz Liszt (Hungarian composer, pianist and conductor)
premiered at:
[concert] (1880-04-20) (premiere concert for Borodin's In the Steppes of Central Asia)
publisher:
[unknown] (special purpose label - DO NOT USE!) (in 1882)
Alexander Borodin1:06
49Eine Steppenskizze aus Mittelasien: Russisches Lied (Ausklang)
orchestra:
Royal Philharmonic Orchestra
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist)
partial recording of:
В Средней Азии (In the Steppes of Central Asia)
composer:
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer) (in 1880)
dedicated to:
Franz Liszt (Hungarian composer, pianist and conductor)
premiered at:
[concert] (1880-04-20) (premiere concert for Borodin's In the Steppes of Central Asia)
publisher:
[unknown] (special purpose label - DO NOT USE!) (in 1882)
Alexander Borodin0:29
50Duke Ellington: Caravan
performer:
Duke Ellington (US composer, pianist & jazz bandleader)
recording of:
Caravan
lyricist:
Irving Mills (in 1937)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1936) and Juan Tizol (in 1936)
publisher:
American Academy of Music, Inc., Duke Ellington Music, EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Mills Music, Inc., Sony/ATV Harmony and Lafleur Music Ltd. (from 1995-12-12 to present)
Duke Ellington2:49
2▶CD

Credits

Release group

part of:Thema Musik (Accompanying CDs of the series Thema Musik by Klett-Verlag) (order: 9)