Greatest Hits 1969–1999

~ Release by John Williams (see all versions of this release, 4 available)

Annotation

Disc 1
Matrix / Runout: CTDP-098978 05
Mould SID: IFPI 5100
Mastering SID: IFPI L336

Disc ID: Kryrf7jPlSS1O_dX.QmeukxEuF0- (confirmed, same medium as matrix/runout above)

Disc 2
Matrix / Runout: CTDP-098979 04
Mould SID: IFPI 5100
Mastering SID: IFPI L336

Disc ID: JVkXwPChTp_0PxLvZcgXDtKYHJM- (confirmed, same medium as matrix/runout above)

Annotation last modified on 2024-02-16 05:51 UTC.

Tracklist

1CD
#TitleRatingLength
1Star Wars: Main Title
recording engineer:
Shawn Murphy (producer/engineer) and Simon Rhodes (senior recording engineer at Abbey Road Studios)
producer:
Shawn Murphy (producer/engineer)
orchestra:
London Symphony Orchestra (on 1996-07-01)
conductor:
John Williams (American score composer) (on 1996-07-01)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1996-07-01) and St John’s Wood Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1996-07-01 until 1996-07-02)
recording of:
Main Title (Star Wars) (on 1996-07-01)
composer:
John Williams (American score composer) (ended)
publisher:
Bantha Music, Fox Fanfare Music Inc., Utapau Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
part of:
Star Wars Holiday Special (television soundtrack)
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
part of:
Star Wars, Episode II: Attack of the Clones (2002 film score)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
part of:
Star Wars, Episode IX: The Rise of Skywalker (2019 film score)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
part of:
Star Wars, Episode VII: The Force Awakens (2015 film score)
part of:
Star Wars, Episode VIII: The Last Jedi (2017 film score)
part of:
Star Wars: Shadows of the Empire
5:46
2E.T.: Flying Theme
recording engineer:
Shawn Murphy (producer/engineer) and Simon Rhodes (senior recording engineer at Abbey Road Studios)
producer:
Shawn Murphy (producer/engineer)
orchestra:
London Symphony Orchestra (on 1996-07-01)
conductor:
John Williams (American score composer) (on 1996-07-01)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1996-07-01) and St John’s Wood Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1996-07-01 until 1996-07-02)
recording of:
E.T. The Extra-Terrestrial: Flying (concert arrangement) (on 1996-07-01)
composer:
John Williams (American score composer) (in 1982)
part of:
E.T. the Extra-Terrestrial (concert arrangement soundtrack)
33:43
3Superman: Main Title
recording engineer:
Eric Tomlinson (British recording engineer) (from 1978-07-11 until 1978-10-31)
assistant engineer:
Alan Snelling (from 1978-07-11 until 1978-10-31, on 1978-10-31)
orchestra:
London Symphony Orchestra (from 1978-07-11 until 1978-10-31)
conductor:
John Williams (American score composer) (from 1978-07-11 until 1978-10-31)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1978-07-11 until 1978-10-31)
edit of:
Alternates: Prelude and Main Title by London Symphony Orchestra, John Williams (American score composer), End Title by London Symphony Orchestra, John Williams (American score composer) and Prelude and Main Title by London Symphony Orchestra, John Williams (American score composer)
recording of:
Main Theme (Superman: The Movie) (from 1978-07-11 until 1978-10-31)
composer:
John Williams (American score composer)
part of:
Superman: The Movie (1978 film soundtrack)
24:28
4Indiana Jones and the Temple of Doom: Parade of the Slave Children
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (from 1990-05-18 until 1990-05-19, from 1990-05-18 until 1990-05-25, on 1990-05-25)
conductor:
John Williams (American score composer) (from 1990-05-18 until 1990-05-19, from 1990-05-18 until 1990-05-25, on 1990-05-25)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recording of:
Parade of the Slave Children (Indiana Jones and the Temple of Doom) (from 1990-05-18 until 1990-05-25)
part of:
Indiana Jones and the Temple of Doom
4:54
5Sugarland Express: Theme
producer:
Thomas Z. Shepard
harmonica:
Toots Thielemans (from 1990-05-18 until 1990-05-19, on 1990-05-25)
orchestra:
Boston Pops Orchestra (from 1990-05-18 until 1990-05-19, on 1990-05-25)
conductor:
John Williams (American score composer) (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recording of:
Theme (Sugarland Express) (from 1990-05-18 until 1990-05-25)
composer:
John Williams (American score composer)
3:39
6Jaws: Theme
recording engineer:
Shawn Murphy (producer/engineer) and Simon Rhodes (senior recording engineer at Abbey Road Studios)
producer:
Shawn Murphy (producer/engineer)
orchestra:
Boston Pops Orchestra and London Symphony Orchestra (on 1996-07-01)
conductor:
John Williams (American score composer) (on 1996-07-01)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1996-07-01) and St John’s Wood Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1996-07-01 until 1996-07-02)
recording of:
Main Theme (Jaws) (on 1996-07-01)
composer:
John Williams (American score composer)
included in:
Trail Mix‐Up
part of:
Jaws (1975 film score)
recording of:
Theme (Jaws) (on 1996-07-01)
composer:
John Williams (American score composer)
42:55
7Olympic Fanfare and Theme (Bugler’s Dream)
recording engineer and producer:
Shawn Murphy (producer/engineer)
orchestra:
Boston Pops Orchestra (on 1996-01-06, on 1996-01-10, on 1996-01-13)
conductor:
John Williams (American score composer) (on 1996-01-06, on 1996-01-10, on 1996-01-13)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1996-01-06, on 1996-01-10, on 1996-01-13)
compilation of:
Bugler's Dream by Boston Pops Orchestra, John Williams (American score composer) and Olympic Fanfare by Boston Pops Orchestra, John Williams (American score composer)
recording of:
Olympic Fanfare and Theme (1996 version, incorporates Arnaud's "Bugler's Dream") (from 1996-01-06 until 1996-01-13)
orchestrator:
John Williams (American score composer) (in 1996)
composer:
Leo Arnaud and John Williams (American score composer)
medley of:
Bugler’s Dream
medley of:
Olympic Fanfare and Theme (1984 version)
4:30
8Return of the Jedi: Luke and Leia
producer:
Thomas Z. Shepard
orchestra:
Skywalker Symphony Orchestra (from 1990-03-19 until 1990-03-20)
conductor:
John Williams (American score composer) (from 1990-03-19 until 1990-03-20)
recorded at:
Skywalker Ranch in Nicasio, California, United States (from 1990-03-19 until 1990-03-20)
recording of:
Luke and Leia (Star Wars, Episode VI: Return of the Jedi) (from 1990-03-19 until 1990-03-20)
composer:
John Williams (American score composer)
publisher:
Fox Fanfare Music Inc.
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
5:03
9The Reivers: Main Title
engineer:
Milton Cherin (audio engineer)
producer:
Michael Matessino
editor:
Michael Matessino and Robert Takagi
orchestra:
Hollywood Studio Symphony
conductor:
John Williams (American score composer) (on 1969-12-18)
phonographic copyright (℗) by:
Sony Music Corporation
recording of:
First Instruction
orchestrator:
Herbert Spencer (Production music composer)
composer:
John Williams (American score composer)
recording of:
Main Title (The Reivers)
orchestrator:
Herbert Spencer (Production music composer)
composer:
John Williams (American score composer)
recording of:
Main Title (The Reivers)
orchestrator:
Herbert Spencer (Production music composer)
composer:
John Williams (American score composer)
recording of:
The Winton Flyer
orchestrator:
Herbert Spencer (Production music composer)
composer:
John Williams (American score composer)
5:15
10The Empire Strikes Back: The Imperial March
producer:
Thomas Z. Shepard
orchestra:
Skywalker Symphony Orchestra (from 1990-03-19 until 1990-03-20)
conductor:
John Williams (American score composer) (from 1990-03-19 until 1990-03-20)
recorded at:
Skywalker Ranch in Nicasio, California, United States (from 1990-03-19 until 1990-03-20)
recording of:
The Imperial March (Star Wars, Episode V: The Empire Strikes Back, Darth Vader’s Theme) (from 1990-03-19 until 1990-03-20)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer)
publisher:
Fox Fanfare Music Inc.
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
53:08
11Indiana Jones and the Last Crusade: Scherzo for Motorcycle and Orchestra
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (from 1990-05-18 until 1990-05-19, on 1990-05-25)
conductor:
John Williams (American score composer) (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recording of:
Scherzo for Motorcycle and Orchestra (Indiana Jones and the Last Crusade) (from 1990-05-18 until 1990-05-25)
composer:
John Williams (American score composer)
part of:
Indiana Jones and the Last Crusade
2:51
12Empire of the Sun: Cadillac of the Skies
producer:
Thomas Z. Shepard
choir vocals:
American Boychoir (from 1990-05-18 until 1990-05-19, on 1990-05-25) and Tanglewood Festival Chorus (from 1990-05-18 until 1990-05-19, on 1990-05-25)
orchestra:
Boston Pops Orchestra (from 1990-05-18 until 1990-05-19, on 1990-05-25)
conductor:
John Williams (American score composer) (from 1990-05-18 until 1990-05-19, on 1990-05-25)
chorus master:
James Litton (conductor and choir master) (from 1990-05-18 until 1990-05-19, on 1990-05-25) and John Oliver (chorus master) (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recording of:
Cadillac of the Skies (Empire of the Sun) (from 1990-05-18 until 1990-05-25)
composer:
John Williams (American score composer)
part of:
Empire of the Sun (1987 film score)
5:00
13Raiders of the Lost Ark: The Raiders’ March
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (from 1990-05-18 until 1990-05-19, on 1990-05-25)
conductor:
John Williams (American score composer) (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recording of:
The Raiders March (Raiders of the Lost Ark) (from 1990-05-18 until 1990-05-25)
composer:
John Williams (American score composer)
publisher:
BMG Music
part of:
Indiana Jones and the Kingdom of the Crystal Skull
5:13
14Close Encounters of the Third Kind: Suite
producer:
Thomas Z. Shepard
choir vocals:
American Boychoir (from 1990-05-18 until 1990-05-19, from 1990-05-18 until 1990-05-25, on 1990-05-25) and Tanglewood Festival Chorus (from 1990-05-18 until 1990-05-19, from 1990-05-18 until 1990-05-25, on 1990-05-25)
orchestra:
Boston Pops Orchestra (from 1990-05-18 until 1990-05-19, from 1990-05-18 until 1990-05-25, on 1990-05-25)
conductor:
John Williams (American score composer) (from 1990-05-18 until 1990-05-19, from 1990-05-18 until 1990-05-25, on 1990-05-25)
chorus master:
James Litton (conductor and choir master) (from 1990-05-18 until 1990-05-19, from 1990-05-18 until 1990-05-25, on 1990-05-25) and John Oliver (chorus master) (from 1990-05-18 until 1990-05-19, from 1990-05-18 until 1990-05-25, on 1990-05-25)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recording of:
Close Encounters of the Third Kind: Suite (from 1990-05-18 until 1990-05-25)
composer:
John Williams (American score composer)
publisher:
EMI Music Publishing (do not use as a release label!)
9:46
2CD